Standard issue item as used by Australian servicemen during the conflict in Vietnam (1962-1972).Two round discs with metal chain commonly called 'dog tags' issue to military soliders.Aust/4410261/TJ Nicholson/RC/O POStj nicholson, dog tags, identity tags, vietnam

Delahoy Family. Two boys with a dog. History of WW1 and Hubert's dog on back of photo.stawell

The Castle adapted from the screenplay with kind permission from Working Dog Productions directed by Maureen McInerney2004, 339, maureen mcinerney

Photograph of a Gary Partington with the family dog Bruno. Bruno was an excellent dog for locating, cornering and killing unwanted possums on the property.Digital copy of black and white photograph.gary partington

Single Dog Tag belonging to Ian Douglas Dimond. Service No 3790587. Unattached brown Metal Tag. ID.dog tags, ian douglas dimond

Dog tags are for identification of a body. The idea being that when a serviceperson is killed one tag is returned to headquarters to record the death and the other left with body, usually in the mouth for the identification by the burial party. Metal I.D. Dog Tag Circular Aluminium with 22404584 C E S Shutt impressed onto it. 3 Dog Tags connected on a piece of cord.22404584 C E S Shutt on all 3 dog tags.

Framed Coloured Photograph of US Army Bird Dog Aircraft on loan to 161 (INDEP) Recce Flt. Black frame.S/N O-12441, US Air Force logophotograph, cessna o.1 bird dog, 161 reconnaissance flight

Colour photograph of Wild Dog Creek flowing in to the beach at Apollo Bay near the rocky outcrop known as Match Point.apollo bay, wild dog creek, match point, beach, coast

Colour photograph of Wild Dog Creek flowing in to the beach near the rocky outcrop known as Match Point, Apollo Bay.apollo bay, wild dog creek, match point, beach, coast

Metal set of dog tags worn by service person CP Chadwick attached to metal chain. Also a rusty bottle openerdog tags

Eric “Brickie” Phillips & Dog on motorbikestawell transport

Portrait - Jack Meadows with his dog.stawell

Framed colour photograph of two children on the beach at Waratah Bay building sandcastles. The twins are Hahhan and Jack. A little dog watch on in the background.

Final notice of payment required for dog registrationCream coloured paper printed in blackAnnotated by hand to show date of issue (30 August 1915); the date of the first notice (10 August); the fine (5 shillings); and the recipient of the notice (Mr Kerry, 46 Selwyn Avenue, Elwood)city of st kilda, dog registrations, 1890 dog act - victoria

Studio Portrait of two children with bench seat and dog.stawell

Old wooden Bridge over Dog Trap Creek - Callawaddastawell

Work produced during Paul Lambeth's photography class The photograph shows the back beach at Point Lonsdale, below the Point Lonsdale Lighthouse. This area was where many sailing ship coming to Melbourne were wrecked. This was due to the narrow passage through The Rip and the tides at certain times. A Pilot Station was established and ship captains could signal for a Pilot to steer them through The Rip and into Port Philip Bay. Black and white photograph adhered to a beige coloured mount card showing a girl down a hole in the sand with her dalmation dog sitting in a rock pool.paul lambeth, point lonsdale, back beach, sailing ships, ship wrecks, the rip, port philip bay, pilot station, girl, dalmation dog

naïve art, outsider artRural City of Wangaratta Collection, Wangaratta Art Prize 1977.An oil painting that tells the story of the bushranger Mad Dog Morgan, painted in the naïve art style using a colour palette of blue, brown, orange, and red.wangaratta art gallery, tony convey, naïve art, outsider art, mad dog morgan, painting, bushranger

A booklet promoting the work of the Lady Nell 'seeing eye' dog school from 1977. The school at the time was the only original 'seeing eye' dog school in Victoria, which was registered with the Hospitals and Charities Commission and was financially assisted by the Victorian State Government. The booklet was for sale for $1.00.36 page pamphlet with portraitslady nell seeing eye dog school, phyllis gration

Eric Barclay with Sandy the dog at the gate to the Barclay home, Elder Street Greensborough 1947.Digital copy of black and white photographeric barclay, barclay family, elder street greensborough, bell family

non-fictionTen newly declared off-lead areas are now available for dog walkersbennettswood reserve, east burwood reserve, eley park (north), elgar park, junction road reserve, koonung reserve, slater reserve, springfield reserve, surrey park, whitehorse reserve

Studio Portrait of Frank Harris Standing and Alfred James Harris with dog on knee and John Harrisstawell

Two x dog tags. Stainless steel. Front with name of soldier and Army number. Back with Blood type engraved on it. Both tags held together by green coloured twine.McFarlane P. Pres. 1730995. B. Posdog tags

Border Collie dog sitting in a puddle. This is a two year old pure bred border collie called Ella.border collie, dog

This gum leaf painting is one of a pair displayed on foil in the same frame. It is typical of many paintings by the self-taught Australian artist Alfred William Eustace (1820-1907). A.W. Eustace, a well-known Australian artist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and camped on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skillful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.An oil painting on gum leaf by the well-known Australian artist Alfred William Eustace. He was a self-taught artist during the 19th and early 20th century and a prominent resident of Chiltern. Oil painting on gum leaf by Alfred William Eustace. A scene of a log cabin on Black Dog Creek Road, Chiltern, with Skeleton Hill in the background. The canvas is a juvenile Red Box (Eucalyptus polyanthemos) leaf. It is one of a pair of Eustace gum leaf paintings mounted on gold foil, under glass in a brown frame. Inscription on back. Labels on back: Rehoused by The Centre for Cultural Materials/ Conservation, University of Melbourne "Oil on Gum Leaf"/ by Alfred William Eustace/ Donor:- Cam & Connie Boadle/ Wales U.K. Crescent/ MUSEUM/ GRADE/ 24 OCT 1998/ CONSERVATION BOARD ALBURY/ PICTURE FRAMERS/ Shop 15 & 16/ AMP Lane,/ Albury, 2640/ Ph: 02 6021 7088black dog creek, chiltern, alfred eustace, skeleton hill, gum leaf, painting, eustace

Framed and laminated colour photograph featuring couple Sandy and Terry with dog Jack. Drinking wine on beach at Venus Bay 2003. Photographed by Carolyn Jones. Brown wood frame with laminated surface.

Book has no dust cover. Cover is beige in colour with the title., author's name and publisher in green on the spine.fictionA book from the Cambarville State School library about a dog who is moved from a city location to the country and his life with his new owner.dog, farm, country, city, gerald raftery, fiction