Showing 1045 items
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Kiewa Valley Historical Society
Blinkers, Horse Equipment
Made of leather and placed on either side of a horse's eyes and attached either to a bridle or an independent hood. Used by farmers, carters, bullock drivers etc specially when the horse is in a team of horses.Used by farmers in the Kiewa Valley.Drag Blinkers, also known as binders or winkers. Used beside the horse's eyes so that the horse can only look forward and not be distracted by other horses in the team. Straps are leather with steel buckles.horse blinkers, horse equipment -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Personal Effects, Boy’s spectacles ½ in case, early 20thC
Glasses, also known as eyeglasses or spectacles, are frames bearing lenses worn in front of the eyes. They are normally used for vision correction or eye protection. A young boy’s frameless spectacles - 1 glass lens with gold style bridge with a stiffened cardboard spectacle case eyes, spectacles, eye glasses, optometry, moorabbin, bentleigh, cheltenham, market gardeners, pioneers, early settlers, schools -
Whitehorse Historical Society Inc.
Leisure object - Baby Doll, FairyMark, Baby Blue Eye FairyMark -Minor, c1930s
Belonged to Estelle McNaughton and passed on to her daughter, the donor.A clothed baby doll with a woollen singlet, cloth nappy and safety pin, cream dress with two buttons and long sleeves. Cream semi-circle bib and button and a cream bonnet with embroidered turnback and ribbons.FairyMark "Baby Blue Eyes" Minor Made in Japantoy, baby doll -
Bendigo Historical Society Inc.
Domestic Object - GLASS EYE WASH
Small glass used for washing eyes.W.T.Co Dmedicine, optometry, eye wash -
Whitehorse Historical Society Inc.
Leisure object - Koala
Stuffed koala with leather nose and glass eyes.toys, soft toys -
National Vietnam Veterans Museum (NVVM)
Film - Film, Video, Say a prayer for me: the chaplains of the Vietnam War, 1995
Documentary on the Vietnam War through the eyes of the military Chaplainsvietnam war, 1961-1975 - chaplains -
National Vietnam Veterans Museum (NVVM)
Functional Object, Optical Instruments
Periscope Binocular - Green except for section that the eyes look into.MKI /3 MILS 1240-66-022-4932. 1952 AK&S PB 7584binocular - periscopic. -
The Beechworth Burke Museum
Animal specimen - Hardhead, Trustees of the Australian Museum, 1860-1880
Interestingly, the name "Hardhead" does not refer to the density of this species skull. Instead, it refers to the difficulty encountered by early taxidermies in styling the bird's head. This particular breed of Duck is smaller than average and are often found in the coastal regions of Australia. They are also known to reside in New Guinea, New Zealand and the Pacific Islands. This species was formerly known as the 'White-eyed Duck"; however, since the female Hardhead have dark eyes, this species was renamed the "Hardhead" Duck. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Hardhead specimen is a stocky medium-sized duck with chocolate brown colouring. The bird has paler white/ cream coloured plumage on the stomach and neck. The bill is a grey black colour and the eyes are made of a grey glass with a black pupil. The lighter brown colour of this specimen's head could refer to its identification as female or could be due to the taxidermy process or the impact of age on the colouring of the specimen. Female Hardheads have brown eyes, while the male have strikingly pale white/grey eyes. The bird has large webbed feet which are attached to the wooden platform it stands upon. The platform is inscribed on the left with the number 138.7a. / White-eyed Duck / See Catalogue, Page 39. / 138 on the wooden platformtaxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, heron, duck, australaisian shovelor, shovelor -
Stawell Historical Society Inc
Realia, SHURL Doll
This doll belonged to Grace Isabel Mitchel (nee Watson). Grace was born in Leongatha and grew up in Korumburra and surrounds. She was gifted this doll as a child. As with all her treasures Grace took great care of them. She died 30/10/2022. She would be very proud to know her doll will now be treasured forever in the town she was created. Kindly donated by the estate of Grace Isabel Mitchel on behalf of Kay Lockhart and Noni Harken.Shurl Doll dressed as a bride, eyes open and close. European details and colouring. Hair with blond ringlet. Blur eyes, rouge cheeks, red lips, calico torso. -
Robin Boyd Foundation
Painting, Tony Woods, Man on Sofa, 1967
The painting was purchased at an exhibition at Australian Galleries. This Melbourne institution was established by Tam and Anne Purves in June 1956. Robin Boyd designed the Purves family home in Kew in 1967. After hanging this artwork in the living room, Robin Boyd arranged to have the three-seater sofa in this room reupholstered in red (previously yellow) to match the Wood's painting. Tony Woods won a Harkness Scholarship in 1968 and travelled to the USA - he abandoned figuration after leaving Australia. Another figurative painting by Tony Woods, titled "In the Studio Psychologically Challenged", also hangs in Walsh Street.Man with closed eyes, with various arm positions, on a red sofa.The reverse is inscribed with Australian Galleries and the title and Woods '67.tony woods, australian galleries, purves, robin boyd, walsh st artwork, ohm2022, ohm2022_19 -
Whitehorse Historical Society Inc.
Leisure object - Teddy Bear
Yellow teddy bear with glass eyes. Cream leather on paws.Jakas Toystoys, soft toys -
The Beechworth Burke Museum
Animal specimen - Barking Owl (Male), Trustees of the Australian Museum, 1860-1880
The Barking Owl is a nocturnal, medium sized (390-440 mm) bird of prey native to Australia, parts of Papua New Guinea, and the Moluccas. Males are generally slightly larger by weight than females and they are only one of small number of owl species that do not exhibit marked sexual dimorphism. Barking Owls have characteristic vocalisations, ranging from 'a 'woof woof' barking dog sounds to shrill, human-like scream sounds, which reportedly alarmed early European settlers. The Barking Owl's shrill and explosive vocalisation is sometimes associated with Bunyip mythology or referred to as 'the screaming woman call'. The male call is slightly lower in pitch than the female, and males and females often duet, contrasting low and high pitches. The owls are brown-grey in colour with white spots on the wings and vertically streaked chest. Their eyes are large and yellow. Barking Owls may be vulnerable in some parts of Australia due to woodland habitat loss. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. This male Barking Owl is average sized with brown, grey and white spots and vertical chest streaks. The face and breast are lighter in colour than the wings and dorsal plumage. The eyes are large and dark and the legs and feet are yellowish. The eyes are large and yellow irises and the legs and feet are yellowish. The specimen stands on a wooden perch pedestal with identification tags attached to its leg. 17. / Bookook Owl / See catalogue page, 4 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, owls, barking owls, screaming woman call, yowing, woodland birds, birds of prey, australian owls, endangered, loss of habitat, woodland habitat, bunyip, australian early settler mythology -
The Beechworth Burke Museum
Animal specimen - Ural Owl, Trustees of the Australian Museum, 1860-1880
Ural Owls are one of the largest nocturnal birds of prey and are distributed across Northern hemisphere land masses from Scandinavia in the west, across Russia and China to Japan in the east. They average between 500-640mm in length, have large ears, a very long tail, and wing spans up to 1340mm. Ural Owls display reverse sexual dimorphism. They have a range of calls and sounds that vary between regions and among subspecies. Ural Owls prefer mature primary forest habitats that are not too dense, but adapt to a range of environments, including damp heathland and high elevation mountain forests. The species is considered nocturnal but may be more correctly described as ‘cathemeral’, due to frequent daylight activity in the taiga zone. Ural Owls are non-migratory and highly territorial. They prefer to hunt from a perch into open areas of forest, seeking small mammal prey, such as voles, as well as birds, amphibians, and invertebrates. Ural Owls have a broad, rounded head and a well-developed round facial disc with a small V-shaped indentation. They tend to be plain greyish-brown to whitish overall, though some subspecies display darker colour variation. The underparts are pale cream to grey-brown and boldly overlaid with dark brown streaking. Ural Owls lack the richer colour tones of other Strix owls. Their flight style gives the appearance of a large bird. The eyes are dark brown and relatively small, and the bill is yellowish. Tarsi and toes are feathered grey and the talons are yellowish brown with darker tips. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. This Ural Owl is an average sized specimen with a broad, rounded head and characteristic V-shaped facial marking between the eyes. Overall plumage is plain and consistent in colour and pattern, with white, brown and grey streaks. The eyes are large and the bill is small and yellow. This specimen stands on a wooden perch with identification tags attached to its leg.Swing tag: Strix noctua / Athene noctua, [illegible] / near leiden / 26 Mai 1860. / Holland / Other tag: N38 / Strix noctua / Holland. / Metal tag: 4062 /taxidermy, taxidermy mount, burke museum, australian museum, owls, birds of prey, heart-shaped faced owl, nocturnal birds, predator birds, carnivore, territorial owl, animalia, large owl, long-tailed owls, ural mountains, taiga zone owls, cathemeral, monogamous, iucn red list, strix, wood owl, attacking owl, long-tailed owl, large-eared owl, owls with facial disc -
Glenelg Shire Council Cultural Collection
Functional object - Fishing Lure, 1970s
Yellow rubber nymph. Lead 'head', painted yellow, black eyes. -
Coal Creek Community Park & Museum
Hooks and Eyes Fasteners
24 metal hooks and eyes fasteners sewed onto cardboard backing -
Numurkah & District Historical Society
Stuffed teddy bear
Fawn coloured furry material in the shape of a teddy. Black bead eyes Tag - made in Chinatoys, presents, children, stuffed toy, teddy bear -
The Dunmoochin Foundation
Oil Painting, Lily Bright Light, 1984
Portrait of a female head with dark hair and large eyes on particle board. Signed and dated (U.r.c) 'Rankin 84'. david rankin, painting, portrait, female head -
Shepparton RSL Sub Branch
Uniform, Skirt
This skirt is part of an official uniform by Sister Danson (VFX151507) during the British presence in Japan following the end of the Second World War. About 16,000 Australians served in the British Commonwealth Occupation Forces, including 130 from the Australian General Hospital with whom Sister Danson presumably served. Sister Danson was born in Numurkah and served as Leiutentant with the Heidelberg Military Hospital before embarking for Japan in 1947.Grey slim line with side 5 press studs and 2 hook and eyes "L Danson"japan ww2, occupation force, british commonwealth occupational forces, ww2, world war 2, world war two, wwii, second world war, nurse, military, heidelberg military hospital, vfx151507, sister danson -
The Beechworth Burke Museum
Animal specimen - Southern Boobook, Trustees of the Australian Museum, 1860-1880
Known for its distinctive ‘boo-book’ sound which gives it its name, the Southern Boobook owl inhabits a variety of environments, including woodland, rural, open desert and dense forest. It is found on mainland Australia as well as Tasmania and other costal islands. Some similar species can be located in New Zealand, New Guinea and Indonesia. Young Boobooks’ plumage is mostly off white, and there are slight variations in subspecies based on location - the Cape York rainforest owls are a larger, darker brown bird while the Tasmanian Boobooks are smaller and often have more white flecks on their plumage. Southern Boobooks hunt and eat nocturnally and, like most owls, their diet consists of smaller animals including smaller mammals and insects. While elements of this particular specimen are representative of the actual bird, the form and structuring of this specimen’s neck area appears to be somewhat out of shape in comparison to images of the actual bird, which present a distinct head structure. The eyes on this specimen are also problematic, as they are solely black - not aligning with accurate representations of this species that have a distinct golden yellow outer ring in their eyes around a large black pupil. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.One of the most commonly found Australian species of owl, the Southern Boobook is also Australia’s smallest owl. With a coating of dark chocolate brown coloured plumage on its wings, dorsal area, continuing onto the top of the head and around its eyes, the owl’s breast plumage is flecked with hazelnut brown and white feathers. Its chin and nose areas are a soft creamy white, and the owl’s beak is a darker grey. Traditionally, the eyes are yellow as are the legs and taloned feet. This particular specimen stands upon a wooden perch and an identifying tag hangs from its right leg.Swing-tag appears to read: '39. Boobook Owl / Catalogue page 53.' The 2 digit number at the beginning of the label could also be '3a'. taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, southern boobook, mopoke, australia, boobook, nocturnal, ninox novaeseelandiae, owl -
Flagstaff Hill Maritime Museum and Village
Anchor
Anchor 2 pronged metal with flattened points heavily corroded with two eyes and a loop,flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, anchor -
Bendigo Historical Society Inc.
Photograph - BLACK AND WHITE PHOTOGRAPH OF GREYHOUND
Black and white photograph of greyhound. No. 4 blue Eyes, heat 3. Michael Ryan.clubs and associations, sport, greyhound racing -
The Cyril Kett Optometry Museum
Spectacles, Nupro, 1950 (estimated)
These night driving spectacles are in a shape of frame fashionable for ladies in the 1950's. The position of the lens silvering shows that these are designed for use in right hand drive cars. These were an expensive item in their day. Their excellent condition and original cardboard box suggest that they may be unsold new old stock.No other example of these Nupronite night driving spectacles is known in any Australian collection.Boxed Nupronite night driving spectacles. Yellow flat plano glass lenses with silver mirror finish in wearer's upper right field of each lens (to minimise glare of oncoming lights). Tortoise-shell look cat's eye frame. In original cardboard box.On box:'Nuprosal/ Nupronite/ "CAT'S EYES" NIGHT DRIVING SPECTACLES OUTSTANDING IN DESIGN AND QUALITY/ MANUFACTURED BY OPTICAL CRAFTSMEN/ MADE IN ENGLAND BY NUPRO LONDON/ MODEL:CAT'S EYES/ LENSES:SUPER/ COLOUR:AUTUMN LEAF'. Price added by hand '2 pound 17/6'spectacles, glare, night driving, eye protection -
Murtoa & District Historical Society and Museum
taxidermy bird, 1890
james hill taxidermy collection moved from kewell to murtoa (house) then to tower.held under scientific licenceyellow bird black eyes - held under scientific licence. murtoa lions club (custodians).murtoa, taxidermy, mutant canary, canary, james hill, natural history, flight, natimuk -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing, white cotton lace blouse, c1960
Gladys Reed was a member of the Ormond Choral Society c 1950. who performed plays and musicals the City of Moorabbin and she was an accomplished dressmaker and made this blouse for her daughter Judy.Manufactured lace became affordable and plentiful so it was used by home dressmakers like Gladys Reed in City of Moorabbin c1960A white cotton lace, sleeveless blouse c 1960 with opening front fastened by hooks and eyes clothing, manufactured lace, dressmaking, blouses, theatrical props, craftwork, sequins, beading, early settlers, moorabbin shire, mechanics institute cheltenham, ormond choral society, postworld war 11 settlers, housing estates moorabbin 1950, bentleigh, ormond, moorabbin, cheltenham, drama societies, musical society cheltenham, clark judy, reed gladys, reed george -
Bendigo Historical Society Inc.
Clothing - CORSET
Peach coloured boned cotton and elastic corset with expansion panel laced at back with cotton tap. Four suspender belts with fasteners. Fastened at front with nine metal hooks and eyes. Expansion panel fastened with eight hooks and eyes. Stored in Box 11400.224.Label 'Berlei'costume, female underwear, corset -
Mission to Seafarers Victoria
Photograph
Small photograph with corners cut to make an unequal octagon of a young man in a suit and tie, suspected to be a photograph of Allan Charles Quinn. Writing on the other side.Sweden 20-4-46. blue eyes, brown hair, green suit, white shirt, col. tie.quinn collection -
Glenelg Shire Council Cultural Collection
Functional object - Fishing Lure, c. 1970
Fishing lure. Orange rubber nymph covering hook lead 'head', painted black white eyes. -
Glenelg Shire Council Cultural Collection
Functional object - Fishing Lure, c. 1970
Fishing lure, cream rubber nymph, split tail, lead 'head' painted white, black eyes. -
Glenelg Shire Council Cultural Collection
Artwork, other - Illustration, n.d
Piece of orange crepe paper, in the shape of a cat's head, painted black, eyes and nose left unpainted. -
Whitehorse Historical Society Inc.
Functional object - Doll boy
Collection of Margaret ScarlettSmall celluloid doll. Curly hair with pink shoes and pink 'pants'. Blue eyes and red lips.toys, dolls