Showing 287 items
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Melbourne Tram Museum
Newspaper, Parents and Citizens Association of Beaumaris, "100th issue Beaumaris Newsletter", 1958
... , indigenous or first nations peoples, a photo of the horse tramway..., indigenous or first nations peoples, a photo of the horse tramway ...Photocopy of "100th issue Beaumaris Newsletter", 12 A3 sheets stapled on the left hand side with remnants of drawing binding tape. Has items about the 100 Sth issue, the horse trams, indigenous or first nations peoples, a photo of the horse tramway depot and stables, an article titled "Oats for the tramway horses" - the company grew its own oats, and items about the railway and railways and the railway trams. Uses a motif or image of the horse tram ticket throughout the paper.trams, tramways, beaumaris, horse trams, sandringham, beaumaris horse tram -
Camperdown & District Historical Society
Photograph - William and Isabella Taylor (nee Dawson) at "Renny Hill", c1910
... of Western Victorian First Nations people, and student...-1929), friend of Western Victorian First Nations people ...Isabella Park Taylor, nee Dawson (1842-1929), friend of Western Victorian First Nations people, and student of their languages and customs. Isabella grew up at "Kangatong" (1844-1866) in the company of First Nations people and became fluent in their languages. With her father, James Dawson, she wrote the book "Australian Aborigines" (1881). She married William Andrew Taylor in 1877 and they built a fine homestead on their property at "Renny Hill'' near Camperdown, Victoria. Together they had two children, Effie, born 1878 and Katherine in 1880. William Taylor (1849-1927) was a farmer, Councillor and civic leader. In 1883 he gifted the world's oldest statue of Robert Burns to the people of Camperdown. William and Isabella Taylor (nee Dawson) seated together in the garden at "Renny Hill".cdhs, cdhsfirstnations, djargurd wurrung, djargurdwurrung -
Sunbury Family History and Heritage Society Inc.
Photograph, School Camp, 1988
... the children met with one of the local First Nation's people and were... met with one of the local First Nation's people and were shown ...Students from Bulla and MIckleham Primary Schools attended a camp at Beechworth in 1988 where they undertook a number of different outdoor activities such as busk walking, fishing, visits to the Chinese Cemetery and boomerang throwing. In this photograph the children met with one of the local First Nation's people and were shown the art of boomerang throwing. This activity allowed the students to become familiar with aspects of the culture of First Nation's People.A coloured non-digital photograph of six children listening to a man who is holding a boomerang in each hand and instructing them in boomerang handling.The group are standing in a large sports ground with clubrooms nd tall trees in the background.school camps, mickleham primary school, bulla primary school, boomerang handling -
Camperdown & District Historical Society
Book - "Australian Aborigines" by James Dawson, Australian Aborigines, 1881
... insights into the life of First Nations people at the point... valuable insights into the life of First Nations people ...First edition copy of James Dawson's book, "Australian Aborigines" (1881). Dawson's book draws on his daughter Isabella's ability to speak the local languages and attempts a balanced description of a culture he considered ill-used and under-appreciated by white settlers. This work remains one of the more valuable insights into the life of First Nations people at the point of first European contact.Title page of James Dawson's book "Australian Aborigines""AUSTRALIAN ABORIGINES" BY JAMES DAWSON THE LANGUAGES AND CUSTOMS OF SEVERAL TRIBES OF ABORIGINES IN THE WESTERN DISTRICT OF VICTORIA, AUSTRALIA BY JAMES DAWSON GEORGE ROBERTSON MELBOURNE, SYDNEY AND ADELAIDE MDCCCXXXIcdhs, cdhsfirstnations, djargurd wurrung, djargurdwurrung, isabella dawson -
Camperdown & District Historical Society
Book - "Australian Aborigines" by James Dawson, Australian Aborigines, 1881
... insights into the life of First Nations people at the point... valuable insights into the life of First Nations people ...First edition copy of James Dawson's book, "Australian Aborigines" (1881). Dawson's book draws on his daughter Isabella's ability to speak the local languages and attempts a balanced description of a culture he considered ill-used and under-appreciated by white settlers. This work remains one of the more valuable insights into the life of First Nations people at the point of first European contact.Cover of James Dawson's book "Australian Aborigines" (first edition)cdhs, cdhsfirstnations, djargurd wurrung, djargurdwurrung, isabella dawson -
Camperdown & District Historical Society
Photograph - James Dawson, Thomas Rodger, c1881
... James Dawson (1806-1900), pastoralist, friend to First..., friend to First Nations people, environmentalist, patron ...James Dawson (1806-1900), pastoralist, friend to First Nations people, environmentalist, patron of the Arts and author of "Australian Aborigines" (1881). Dawson came from Bonnytoun, near Linlithgow, Scotland and arrived in Melbourne with his wife, Joan Alexander Park, on 2 May 1840. They made their first home in the colony farming in Port Phillip, near Anderson's Creek on the Yarra River, where their daughter, Isabella was born in 1842, then from 1844, moved to 'Kangatong' station on the Moyne River, east of Macarthur. In 1866 the Dawsons left the Port Fairy district and lived in various residences in Melbourne. By 1868 the family had settled in Camperdown at 'Wuurong', on the banks of Lake Bullen Merri. Unlike most people at the time, Dawson and his daughter shared a deep interest in, and respect for First Nations people. In 1876 James Dawson was appointed local Guardian of the Aborigines in the Camperdown district. He was a prolific letter writer and an early advocate for indigenous rights and was dedicated to exposing injustice and the maltreatment of First Nations people. He had befriended Wombeetch Puyuun (Camperdown George) who was the last of the local Djargurd Wurrung living on Country when he died in February 1883. In 1885 James Dawson erected the Wombeetch Puyuun Monument at Camperdown Cemetery in his memory. His friend's remains were reburied at the foot of the obelisk and the two dates, 1840-1883, mark the 43 years it took for European settlement to displace the Djargurd Wurrung from the Camperdown District.Sepia photograph of an elderly James Dawson taken in Scotland. Front: T. Rodger St. ANDREWS N.B. Back: THOMAS RODGER Photographer ST. ANDREWS ETABLISHED 1849cdhs, isabella dawson, camperdown cemetery, djargurdwurrung, cdhsfirstnations -
Camperdown & District Historical Society
Book - The James Dawson Scrapbook, c1881
... James Dawson (1806-1900), pastoralist, friend to First..., friend to First Nations people, environmentalist, patron ...James Dawson (1806-1900), pastoralist, friend to First Nations people, environmentalist, patron of the Arts and author of "Australian Aborigines" (1881). Dawson came from Bonnytoun, near Linlithgow, Scotland and arrived in Melbourne with his wife, Joan Alexander Park, on 2 May 1840. They made their first home in the colony farming in Port Phillip, near Anderson's Creek on the Yarra River, where their daughter, Isabella was born in 1842, then from 1844, moved to 'Kangatong' station on the Moyne River, east of Macarthur. In 1866 the Dawsons left the Port Fairy district and lived in various residences in Melbourne. By 1868 the family had settled in Camperdown at 'Wuurong', on the banks of Lake Bullen Merri. Unlike most people at the time, Dawson and his daughter shared a deep interest in, and respect for First Nations people. In 1876 James Dawson was appointed local Guardian of the Aborigines in the Camperdown district. He was a prolific letter writer and an early advocate for indigenous rights and was dedicated to exposing injustice and the maltreatment of First Nations people. He had befriended Wombeetch Puyuun (Camperdown George) who was the last of the local Djargurd Wurrung living on Country when he died in February 1883. In 1885 James Dawson erected the Wombeetch Puyuun Monument at Camperdown Cemetery in his memory. His friend's remains were reburied at the foot of the obelisk and the two dates, 1840-1883, mark the 43 years it took for European settlement to displace the Djargurd Wurrung from the Camperdown District.The James Dawson Scrapbookcdhs, isabella dawson, camperdown cemetery, djargurdwurrung, cdhsfirstnations -
Camperdown & District Historical Society
Photograph - James and Joan Dawson, studio photograph, c1878
... for First Nations people. In 1876 James Dawson was appointed local..., friend to First Nations people, environmentalist, patron ...James Dawson (1806-1900), pastoralist, friend to First Nations people, environmentalist, patron of the Arts and author of "Australian Aborigines" (1881). He married Joan Alexander Park in 1877. Joan was the niece of the famous African explorer, Mungo Park. James Dawson came from Bonnytoun, near Linlithgow, Scotland and arrived in Melbourne with his wife on 2 May 1840. They made their first home in the colony farming in Port Phillip, near Anderson's Creek on the Yarra River, where their daughter, Isabella was born in 1842, then from 1844, moved to 'Kangatong' station on the Moyne River, east of Macarthur. In 1866 the Dawsons left the Port Fairy district and lived in various residences in Melbourne. By 1868 the family had settled in Camperdown at 'Wuurong', on the banks of Lake Bullen Merri. Unlike most people at the time, the Dawson's shared a deep interest in, and respect for First Nations people. In 1876 James Dawson was appointed local Guardian of the Aborigines in the Camperdown district. He was a prolific letter writer and an early advocate for indigenous rights and was dedicated to exposing injustice and the maltreatment of First Nations people. He had befriended Wombeetch Puyuun (Camperdown George) who was the last of the local Djargurd Wurrung living on Country when he died in February 1883. In 1885 James Dawson erected the Wombeetch Puyuun Monument at Camperdown Cemetery in his memory. His friend's remains were reburied at the foot of the obelisk and the two dates, 1840-1883, mark the 43 years it took for European settlement to displace the Djargurd Wurrung from the Camperdown District.Studio portrait of James and Joan Dawson taken in Australia. cdhs, isabella dawson, camperdown cemetery, djargurdwurrung, cdhsfirstnations -
Camperdown & District Historical Society
Photograph - James Dawson, c1878
... James Dawson (1806-1900), pastoralist, friend to First..., friend to First Nations people, environmentalist, patron ...James Dawson (1806-1900), pastoralist, friend to First Nations people, environmentalist, patron of the Arts and author of "Australian Aborigines" (1881). Dawson came from Bonnytoun, near Linlithgow, Scotland and arrived in Melbourne with his wife, Joan Alexander Park, on 2 May 1840. They made their first home in the colony farming in Port Phillip, near Anderson's Creek on the Yarra River, where their daughter, Isabella was born in 1842, then from 1844, moved to 'Kangatong' station on the Moyne River, east of Macarthur. In 1866 the Dawsons left the Port Fairy district and lived in various residences in Melbourne. By 1868 the family had settled in Camperdown at 'Wuurong', on the banks of Lake Bullen Merri. Unlike most people at the time, Dawson and his daughter shared a deep interest in, and respect for First Nations people. In 1876 James Dawson was appointed local Guardian of the Aborigines in the Camperdown district. He was a prolific letter writer and an early advocate for indigenous rights and was dedicated to exposing injustice and the maltreatment of First Nations people. He had befriended Wombeetch Puyuun (Camperdown George) who was the last of the local Djargurd Wurrung living on Country when he died in February 1883. In 1885 James Dawson erected the Wombeetch Puyuun Monument at Camperdown Cemetery in his memory. His friend's remains were reburied at the foot of the obelisk and the two dates, 1840-1883, mark the 43 years it took for European settlement to displace the Djargurd Wurrung from the Camperdown District.Side portrait of an elderly James Dawson. cdhs, isabella dawson, camperdown cemetery, djargurdwurrung, cdhsfirstnations -
Camperdown & District Historical Society
Photograph - Renny Hill homestead, Camperdown, c1890s
... -1929). Isabella was a friend to First Nations people... Dawson (1842-1929). Isabella was a friend to First Nations people ...''Renny Hill'', built c1876, was the home of William Andrew Taylor (1849-1927) and Isabella Park Taylor, nee Dawson (1842-1929). Isabella was a friend to First Nations people and together with her father, James Dawson, recorded their languages and customs. William Taylor was a farmer, Councillor and civic leader. In 1883 he gifted the world's oldest statue of Robert Burns to the people of Camperdown.Black and white image of ''Renny Hill'' homestead, Camperdown Renny Hill built 1876? Built for Isabella Park (Dawson) Taylor and William Taylormt sugarloaf, mount sugarloaf, cdhs, renny hill, djargurd wurrung, djargurdwurrung, cdhsfirstnations -
Camperdown & District Historical Society
Photograph - ''Wuurong'' homestead, Camperdown, c1870s
... and customs of Western Victorian First Nations people and together... and customs of Western Victorian First Nations people and together ..."'Wuurong'' homestead (originally 'Basin Banks') was built c1867 by Donald McNicol (1812-1903) shepherd, store owner and pastoralist. The property was leased c1870 by James Dawson (1806-1900) Guardian of the Aborigines, pastoralist and environmentalist. James Dawson renamed the property 'Wuurrong'. His daughter, Isabella Park Dawson (1842-1929), recorded the languages and customs of Western Victorian First Nations people and together with her father, published the book "Australian Aborigines" (1881).Black and white photograph of ''Wuurong'' homestead Front: An Early Photograph of "Wuurrong" Built By Donald McNicolcamperdown, cdhs, wuurong, djargurd wurrung, djargurdwurrung, cdhsfirstnations -
Bacchus Marsh & District Historical Society
Painting - Portrait, William Henry Bacchus, 1782-1849, Circa 1808-1818
... colonists to arrive in the Waddawurrung and Wurundjeri first nations... and Wurundjeri first nations peoples country 55 kilometers west ...Artist is not known. Comments recorded at the time of purchase are that it is possibly by 'Plimer'. Andrew Plimer, 1763-1837 and his brother Nathaniel Plimer, 1757-1828, were notable British miniaturist portrait painters.William Henry Bacchus was one of the first British colonists to arrive in the Waddawurrung and Wurundjeri first nations peoples country 55 kilometers west of Melbourne in 1838. He established a large sheep property and built a notable large Georgian style home which still stands in the town of Bacchus Marsh today. From shortly after his arrival the area became known to the colonists as Bacchus's Marsh, and was later officiaslly named 'Bacchus Marsh' in his memory.Small framed painting of William Henry Bacchus. On the reverse is a label which reads: Captain William Henry Bacchus who arrived in the district of Bacchus Marsh early in 1838, was born in Suffolk, England, 1782, and died at Bacchus Marsh on 26 February 1849. His remains were interred in the graveyard of Holy Trinity Church which during his lifetime he had richly endowed with a gift of land. He was a Captain of the 2nd Royal Surrey Militia and formerly Captain of the 18th Light Dragoons.bacchus family, william henry bacchus 1782-1849 -
Bacchus Marsh & District Historical Society
Accessory - Ring, Mourning Ring commemorating the death of Wm Bacchus, Esq., 10th June, 1788
... property on Wurundjeri and Wadawurrung First Nations people lands... William Henry Bacchus who was one of the first British colonists ...This ring belonged to Captain William Henry Bacchus who was one of the first British colonists to establish a farming property on Wurundjeri and Wadawurrung First Nations people lands 55 kilometers west of Melbourne. The land occupied by Bacchus in 1838 came to be known by the early colonists as Bacchus’s Marsh before later changing officially to Bacchus Marsh. The ring is believed to have been made to commemorate the death of Captain Bacchus’s father Wm (William) Bacchus in Somerset, England in 1788.This ring has significance because it is an object associated with a significant historical person in the history of the region of Bacchus Marsh. It is a rare, probably unique example of an 18th century mourning ring connected to the local community. It also has aesthetic value as an object and is in excellent condition.Gold ring with blue and black coloured inlay. Contains writing on the outsideWM Bacchus Esq OB: 10th JUNE 1788 Æ: 38 bacchus family, rings, william henry bacchus 1782-1849 -
Merri-bek City Council
Acrylic on canvas, Marlene Gilson, Marngrook Football, 2015
... First Nations people. Marngrook Football depicts the first... First Nations people. Marngrook Football depicts the first ...Aunty Marlene Gilson is a Wathaurong (Wadawurrung) Elder who lives on Country in the Ballarat area. A self-taught artist, Gilson has received considerable acclaim and attention for her painting of historic encounters, in particular with regard to the retelling of events in which early colonial depictions excluded First Nations people. Marngrook Football depicts the first game of Australian Rules football played between Ballarat and Geelong while a parallel game of Marngrook takes place within view. -
City of Ballarat
Artwork, other - Public Artwork, Koori Totem Poles by Tom Clarke, 2003
... ) reflect the surroundings of Lake Wendouree and tell First Nations... poles) reflect the surroundings of Lake Wendouree and tell First ...Ten unique hand painted poles (wooden telegraph poles) reflect the surroundings of Lake Wendouree and tell First Nations' peoples stories. Tom Clark created the Koori Totem Poles prior to the establishment of the North Garden Indigenous Sculpture Park. The work is a set of 10 poles decorated and carved with ‘Koorie’ motifs and references and was commissioned originally for Ballarat’s Begonia Festival. These poles were shifted from the Ballarat Botanical Gardens main area in 2015 to their present site guarding the northern entrance to North Gardens.The artworks are of aesthetic and cultural significance to the people of BallaratTen hand painted wooden telegraph polestotem poles -
Vision Australia
Administrative record - Text, 95th Annual Report Royal Blind Society of N.S.W. (1975), 1975
... Keller hostel), winners of the first nation wide Braille reading... hostel), winners of the first nation wide Braille reading ...Articles in the annual report include: rising costs, reduced subsidies, first ever statewide 'Door Knock' appeal conducted, 15 Day Centres now running, Occupational Therapy student unit established, play group and toy library established at Enfield, decision to conduct regular Art Unions, belief that some income should be forthcoming from disposal of Woolahra (Helen Keller hostel), winners of the first nation wide Braille reading competition and decision to make this a bi-annual event and success of three athletes (Szelko Mikulic, James Whitney and Michael Simpson) at the FESPIC games.1 volume of text and imagesroyal blind society of new south wales, corporation records -
City of Kingston
Map - Parish of Moorabbin
... to First Nations Peoples which is no longer appropriate but has... referring to First Nations Peoples which is no longer appropriate ...Warning: This object includes historical language referring to First Nations Peoples which is no longer appropriate but has been recorded for historical purposes. Produced in 1853, this map shows the land holdings of European families. While the majority of holdings are small there are also large land holdings as can be seen with Henry Dendy's Special Survey. Of particular note is the "Reserve for Aborigines" which was established in approximately 1841 and consisted of over 830 acres. This area is the current location of Mordialloc township and Attenborough Park, in Mordialloc, is the last remnant of the reserve. An Alfred Sikes, possibly the surveyor/cartographer who drew this parish plan, purchased land in Berwick in 1854.A handrawn map on fabric, with blue markings representing the coastline to Port Phillip Bay, red markings representing a proposed train line to Mordialloc, major roads and street, as well as a "Reserve for Aborigines", which constituted approximately 830 acres. In the bottom right hand corner, the map has been signed and dated.Handwritten in ink: Alfred Sikes / 38 Collins St East / June. 1853moorabbin, mordialloc, dendy, port phillip bay, aboriginal reserve, attenborough park -
City of Ballarat
Artwork, other - Public Artwork, Marqy da Costa, East Timor Memorial
... of the first new nation of the century suffered some of the worst... of the first new nation of the century suffered some of the worst ...Commemorates the tenth anniversary (2012) of the independence of East Timor, achieved on 20 May 2002. The people of the first new nation of the century suffered some of the worst atrocities and trauma of modern times in their struggle for self-determination. Honours the spirit of the East Timorese people and their connection to BallaratThe artwork is of aesthetic and interpretative significance to the people of BallaratCorten metal laser cut sculpture2012 Australia East Timor Association (Ballarat) honours the spirit of the East Timorese People on the tenth anniversary of the restoration of their Independence. Artist, Marqy da Costa, Afalyca Art Baucau, East Timoreast timor, independence -
Melton City Libraries
Photograph, Former Rockbank Beam Wireless Station, Unknown
... , provided the nation’s first radio communication with Britain... of the Australian Imperial Wireless Service. In 1927, provided the nation’s ...Built in 1926 and opened in 1927, it was the receiving station of the Australian Imperial Wireless Service. In 1927, provided the nation’s first radio communication with Britain and North America. The station closed in 1969.Former residential quarters of the Australian Beam Wireless Receiving Station at 653-701 Greigs Road East, Mt Cottrell.misc. -
Victorian Aboriginal Corporation for Languages
Conference proceedings, Barbara Burnaby, Indigenous languages across the community, 2002
... : The Tuscarora Language Committee] [Daghida: Cold Lake First Nation works... First Nation works towards Dene language revitalization ...Language - Preservation and use. Language - Social function. [Maori: New Zealand Latin]. Language planning. [Language planning in a trans-national speech community]. [The way of the drum - when earth becomes heart] [The need for an ecological cultural community] Community language management. [Methods of madness: The Tuscarora Language Committee] [Daghida: Cold Lake First Nation works towards Dene language revitalization] [The Jicarilla Apache language summer day camp] [Report on the workshop "World of Inukitut"]. Arizona. New Mexico. Oklahoma. Adult education. Women's literacy. [Teaching reading with puppets] [Assessing Lakota language teaching issues on the Cheyenne River Reservation] [Incorporating traditional Nehiyaw/Plains Cree education in the university] [Collecting texts in Crao and Portuguese for teaching] [Early vocabularies and dictionary development: A cautionary note] [The process of spelling standardization of Innu-Aimun (Montagnais)] Pidgin. Creole. [Ojibway hockey CD-ROM in the making] [The use of multimedia and the arts in language revitalization, maintenance and development: The case of the Balsas Nahuas of Guerreo, Mexico] [The languages of Indigenous Peoples in Chukotka and the media] [Meeting of the Inukitut and Yupik family of languages on May 12, 2000]B&w photographs, diagrams,international language forum, community based practice, language research, conference papers, language policy, language and whole community development, literacy development, media, educational advances, canada, united states, new zealand, zimbabwe, mexico, russia, caribbean, inui, yupik -
Federation University Historical Collection
Article - Article - Women, Federation University: Women of Note; Dr Doris Paton, Academic and Aboriginal Elder
... Aboriginal Elder with a passion for the advancement of First Nations... Elder with a passion for the advancement of First Nations People ...Dr Doris Paton is an accomplished academic and respected Aboriginal Elder with a passion for the advancement of First Nations People through education, and the reclamation and revival of Aboriginal languages across Australia. She graduated with a Bachelor of Arts (Social Science) from Monash University, Gippsland campus in 1993, and went on to complete a Graduate Diploma Education (Secondary); Master of Education Studies (Aboriginal Education); Master of Education (Aboriginal Education); and a PhD Philosophy (Education). Her skill and expertise have been acknowledged through roles as Director Vice-Chairperson of the Victorian Aboriginal Languages Corporation (VACL) and as Chairperson of the Victorian Indigenous Languages Implementation Reference Group, Victorian Curriculum Assessment Authority, where she developed the framework to accredit “Indigenous Languages of Victoria: Revival and Reclamation”, a VCE accredited subject contributing toward the preservation of Indigenous languages across Australia. A Federation University Council Member since 2020, Doris is also long-serving Director of the Nindi Ngujarn Ngarigo Monero Aboriginal Corporation; and has served on boards for Parks Victoria, the Victorian Aboriginal Heritage Council, and the East Gippsland School for Aboriginal Health Professionals. Her work has been presented at conferences including the World Indigenous Peoples Conference on Education, and recognised with several awards including the GippsTAFE Staff Excellence Awards in the Community Development, and Personal Achievement categories, The Wurreker Award for Community Based Employee, and the Parks Victoria Regional Achiever Award.women of note, federation university, doris paton, aboriginal elder, academic, aboriginal languages, monash university gippsland, graduate diploma education, bachelor of arts, master of education, phd philosophy, victorian aboriginal languages corporation, vacl, councillor -
City of Greater Bendigo - Civic Collection
Souvenir - Bendigo Post Office Centenary Ephemera, Ted Rankins, 1987
... First Nations Gallery. Activities at the Post Office... and permanent First Nations Gallery. Activities at the Post Office ...When the Commonwealth Post and Telegraph Act was passed in June 1902, and a national Postmaster General's Department (the PMG) was established the responsibility the nation's mail and telephone services fell on local Post Offices. The Bendigo Post Office was designed by Public Works architect George W Watson and constructed between 1883 and 1887. The two story brick structure with basement has unpainted rendered facades and a 43m high clock tower complete with 6 bell carillon. The facades are elaborately decorated with Corinthian pilasters, balustrading, lions' heads and the state mansard roof with cast iron ridging and finials. (VHR #4739). Situated on Pall Mall it has always been called the Bendigo Post Office even though it was not until 1891 that the name Bendigo was given to the town. The Bendigo Post Office housed much more than just postal services and the building contained many early government departments and services needed for a growing district. The building celebrated its centenary on the 30th September 1987 to much fan fare with Ted Rankins, the then Postal Manager planning many of the week long events including tours of the post office, a grand parade with cake and staff in period costume, a ball at the Shamrock and a barbeque in Rosalind Park. The Post Office ceased providing postal services in 1997 after the privitisation Australia Post and Telstra but continues to play a central role for the community, providing important services to visitors and locals alike. Currently it is occupied by Bendigo Tourism and includes two exhibition spaces including the Living Arts Space and Djaa Djuwima a dedicated and permanent First Nations Gallery. Activities at the Post Office are supported by City of Greater Bendigo staff and a dedicated group of volunteers. These items are part of the postal collection donated by the Rankins family in memory of the last postal manager at the Bendigo Post Office, Ted Rankins. 0364.1: Single sided printed 'Order of Proceedings' flyer; Outlines the running of events for the celebrations on Wednesday 30 September, 1987 at the Post Office with the centenary logo centre top in crimson ink. 0364.2: Single sided, four-colour printed, DL size invitation for celebrations marking the centenary of the Post Office on Wednesday 30 September, 1987. 0364.3,.4,.5,.6,.7: Printed cake bag with centenary logo and image of Bendigo Post Office printed on front in crimson ink. 0364.8,.9,.10,.11: Square note paper with centenary logo and border printed in crimson ink. 0364.12 Envelope: Australia Post envelope with Bendigo 100th anniversary images. Date stamped and addressed to Mr Edmondston Postmaster, Elmore. bendigo post office, bendigo tourism, city of greater bendigo tourism, post office collection, ted rankins collection, city of greater bendigo volunteers -
City of Greater Bendigo - Civic Collection
Textile - Yomut Turkmen Islamic Rug, c 1880
... of Australia between First Nations communities, European settlers... of Australia between First Nations communities, European settlers ...This rug was a gift and gesture of friendship from the local Muslim community to the City of Greater Bendigo. It was presented to Mayor, Cr Rod Fyffe on behalf of the people of Bendigo at a 2016 'Thank You Bendigo' dinner. In 2014 approval for a planning application from the Bendigo Islamic Association to build a community centre and mosque in East Bendigo prompted a series of public protests that captured widespread media attention. During this tumultuous period the Council identified the need for a community-wide plan to promote diversity and help address potentially divisive cultural issues. These events led to the COGB becoming the first local government area (LGA) formally accredited under Australia’s Welcoming Cities Standard. Community leaders emerged who wanted to show that the anti-mosque protesters did not reflect the views of the majority of Bendigo residents. The community lead ‘Believe in Bendigo’ movement gained momentum, and the Council and other local organisations joined forces to present a unified message that Bendigo residents do not tolerate racism. Muslims have made Central Victoria their home since the Goldrush, contributing to the community and the economy for the past 120 years. Traditional Islamic rugs, especially their patterns and motifs are intrinsically linked with the design of the Bendigo Mosque and Bendigo Islamic Community Centre providing important points of reference for the architects of the project. Typically, mosques are linked with specific cultural groups but not in the case of Bendigo where the Muslim community is made up of multi-ethnic groups. This meant the building's design was not fixed to a specific style or cultural iconography but instead needed to encompass many. The small local Muslim community selected a specific Australian architect because of their interest and knowledge of Islamic design and iconography gained through family collection of Islamic textiles. In thinking about the design of the mosque and community centre the architects wanted to acknowledge the role of Afghans in Australian history, especially tribal Afghans who helped build connections across the interior of Australia between First Nations communities, European settlers and Central Asian migrants. The gift of this Turkmen rugto the Bendigo community thus symbolises collaborative partnerships across faith and cultural groups based on friendship and mutual benefit. A Turkman rug was specifically chosen as it is the pinnacle of nomadic arts of the Islamic world. It was also important to the architects and the local Muslim community that the gift was a female artistic product as it was mainly a female Muslim architecture team that designed the mosque in Bendigo and there was a desire to select something that celebrated female artistry. This hand-woven rug is an engsi, made for a woman in preparation for marriage. Design work and weaving is a shared experience, between many generations of women and each rug hold the personal story of the woman it is made for and her family and thus holds deep symbolic meaning. There are often songs and poetry that are recited as the rug is made – helping the makers to memorisze the mathematical structure of the design. An engsi is put on the doorway to a yurt as part of a wedding ceremony. During the ceremony the groom turns the engsii upside down to check the quality of the rug makers weaving skills. The nomadic lifestyle of Yomut Turkman tribes determines the size of the rug as the loom can’t be carried. Its size is also restricted by the dimensions of the doorway of the yurt. This rug is dated as c 1880 because of the types of patterns used, the use of natural dyes (synthetic dyes were introduced to the area in 1890s) and with the smoother weaving on the back indicating the quality of craftsmanship dating to this time period. The Yomut engsi rug was made in Turkmenistan c1880 by Yomut Turkmen Tribes people and is designed to fit over the doorway of a yurt during a wedding ceremony. The main field motif is related to Turkoman jewelery design. The women and girls of the tribe spin the wool and design and weave the rugs. The men shear the sheep, dye the wool and clip the rug after it has been woven. The word “Turkoman” is thought to have been derived from Turk-iman, meaning the first nomadic Turkic tribes that began to follow Islam. Dyes used are natural including orange from madder root. bendigo mosque, bendigo islamic association, city of greater bendigo community partnerships, city of greater bendigo community groups -
National Wool Museum
Currency - One Pound Note, John Ash, 1938 - 1948
... represented, as they had been in the first series of the nation's... and agricultural industries were represented, as they had been in the first ...John Ash succeeded Thomas Harrison as the Australian Note Printer in 1927 and oversaw the printing of a new series of banknotes, known as the Ash Series. First issued between 1933 and 1934, the new banknotes sought to improve the currency's resistance to counterfeiting. A special watermark was created to increase the security of the new series. Shaped as a medallion, the watermark showed the profile of Edward, the Prince of Wales. A new portrait of the King was also introduced, depicting him frontally rather than in profile as he had appeared in the prior banknotes of the Harrison Series (1923-1925). The back of each denomination contained an individual vignette that reflected a sector of the country's economy. The wool and agricultural industries were represented, as they had been in the first series of the nation's banknotes (1913-1914), and they were joined by manufacturing and commerce. The prominent British sculptor, Paul Montford, contributed to the design of the new series. Recognised for his sculptural works on the exterior of Melbourne's Shrine of Remembrance, Montford was commissioned to produce relief sculptures that formed the basis of the banknotes' vignettes. His sculptures were translated into wash drawings by Frank Manley, the artist and engraver for the Commonwealth Bank's Note Printing Branch. Manley accentuated the sculpture's three-dimensional qualities with deep shadows and touches of illusionism. A sheep in Montford's pastoral scene, for example, stands forward from the frame as if entering the viewer's space to escape branding and Manley preserves this visual conceit in his drawing. Whereas the printing of the previous series of Australian banknotes had been criticised for its poor definition, the sculptural basis of the Ash Series clarified the banknotes' imagery. During a period of record unemployment, the scenes emphasised the strength of the human figure in gestures of labour, evoking classical, heroic qualities in their poses. The sculptural forms suggested stability in the turbulence of the Great Depression and imparted a sense of solidity to paper currency. - museum.rba.gov.auCommonwealth of Australia paper one pound note in green and white tones depicting graphics and text. The obverse has a framed design with a blank portal to the left and King George VI in the right portal. The centre shows the Australian Coat of Arms, serial number, and detail over one pound symbol on a mosaic background, with signatories below. The reverse features a framed pastoral scene with farmers tending sheep, with a blank portal to the right.Obverse: ONE / 1 / 1 / ONE / COMMONWEALTH OF AUSTRALIA / K / 58 / 790230 / K / 58 / 790230 / This Note is legal tender for / ONE POUND / in the Commonwealth and in all / Territories under the control of the / Commonwealth. / [signature] / GOVERNOR / COMMONWEALTH BANK ON AUSTRALIA / [signature] / SECRETARY TO THE TREASURY Reverse: 1 /1 / 1 / 1 / PASTORALcurrency, money, pound note, pastoral scene, industry, commonwealth of australia, paul montford, king george vi, frank manly, john ash -
National Wool Museum
Currency - One Pound Note, John Ash, 1938 - 1948
... represented, as they had been in the first series of the nation's... and agricultural industries were represented, as they had been in the first ...John Ash succeeded Thomas Harrison as the Australian Note Printer in 1927 and oversaw the printing of a new series of banknotes, known as the Ash Series. First issued between 1933 and 1934, the new banknotes sought to improve the currency's resistance to counterfeiting. A special watermark was created to increase the security of the new series. Shaped as a medallion, the watermark showed the profile of Edward, the Prince of Wales. A new portrait of the King was also introduced, depicting him frontally rather than in profile as he had appeared in the prior banknotes of the Harrison Series (1923-1925). The back of each denomination contained an individual vignette that reflected a sector of the country's economy. The wool and agricultural industries were represented, as they had been in the first series of the nation's banknotes (1913-1914), and they were joined by manufacturing and commerce. The prominent British sculptor, Paul Montford, contributed to the design of the new series. Recognised for his sculptural works on the exterior of Melbourne's Shrine of Remembrance, Montford was commissioned to produce relief sculptures that formed the basis of the banknotes' vignettes. His sculptures were translated into wash drawings by Frank Manley, the artist and engraver for the Commonwealth Bank's Note Printing Branch. Manley accentuated the sculpture's three-dimensional qualities with deep shadows and touches of illusionism. A sheep in Montford's pastoral scene, for example, stands forward from the frame as if entering the viewer's space to escape branding and Manley preserves this visual conceit in his drawing. Whereas the printing of the previous series of Australian banknotes had been criticised for its poor definition, the sculptural basis of the Ash Series clarified the banknotes' imagery. During a period of record unemployment, the scenes emphasised the strength of the human figure in gestures of labour, evoking classical, heroic qualities in their poses. The sculptural forms suggested stability in the turbulence of the Great Depression and imparted a sense of solidity to paper currency. - museum.rba.gov.auCommonwealth of Australia paper one pound note in green and white tones depicting graphics and text. The obverse has a framed design with a blank portal to the left and King George VI in the right portal. The centre shows the Australian Coat of Arms, serial number, and detail over one pound symbol on a mosaic background, with signatories below. The reverse features a framed pastoral scene with farmers tending sheep, with a blank portal to the right.Obverse: ONE / 1 / 1 / ONE / COMMONWEALTH OF AUSTRALIA / K / 58 / 790230 / K / 58 / 790230 / This Note is legal tender for / ONE POUND / in the Commonwealth and in all / Territories under the control of the / Commonwealth. / [signature] / GOVERNOR / COMMONWEALTH BANK ON AUSTRALIA / [signature] / SECRETARY TO THE TREASURY Reverse: 1 /1 / 1 / 1 / PASTORALcurrency, money, pound note, pastoral scene, industry, commonwealth of australia, paul montford, king george vi, frank manly, john ash -
The Beechworth Burke Museum
Ceremonial object - Message Sticks, Dja Dja Wurrung
These Message Sticks acknowledge the return of Dja Dja Wurrung Cultural material held by the Burke Museum. The Burke Museum is the current custodian of a significant collection of First Peoples’ cultural material from across South-Eastern Australia. These objects were sold to the Museum by Reynold Everly Johns in 1868. We recognise the harm caused by dispossession of cultural material, and by any inappropriate display and interpretation of this collection over the past 150 years. The Burke Museum is continuing to build relationships and collaborate with traditional owners, Aboriginal communities and the museum sector to ensure culturally appropriate outcomes for the collection, including repatriation of objects to communities of origin. Message sticks are a form of communication between Aboriginal nations, clans and language groups even within clans. Traditional message sticks were made and crafted from wood and were generally small and easy to carry (between 10 and 20 cm). They were carved, incised and painted with symbols and decorative designs conveying messages and information. Some were prepared hastily, like you might create a note left on a friend’s desk or a quick text message; others were prepared with more time to make the markings neat and ornate. There were always marks that were distinctive to the particular group or nation sending the message and often marks identifying the relationship of the carrier to their group. This way it could be identified and authenticated by neighboring groups and by translators when the message stick was taken long distances. Two solid cylindrical shaped pieces of wood bound together with black, red and yellow string. Each stick has etchings with angular lines and dots. dja dja wurrung, message sticks, burke museum, beechworth, beechworth museum, repatriation, reynold everly johns -
The Beechworth Burke Museum
Photograph - Photograph Reproduction, 1870
The photograph is a copy of the original one, with the latter been captured in 1870. The man depicted is Doctor Thomas Thomson Dick, who was the first Medical Superintendent at Mayday Hills Hospital. He was born in Scotland in 1840 and he died in East Malvern in 1919. He obtained his degree of Doctor of Medicine from Melbourne University in 1864 and, later in his career, he became Inspector-General of the mentally ill. Dr Dick promoted the hospital`s self-sufficiency by engaging patients in various forms of work, such as clothing alterations and cultivation of the farm. He also introduced monthly balls, which could be attended by patients, staff and guests, and they were later replaced by concerts. The Mayday Hills Hospital was constructed between 1864 and 1867, with buildings created in a number of periods. It formally opened on 24 October 1867 and, along with the Ovens Hospital and the Benevolent Asylum, made Beechworth a prominent social welfare centre in Victoria. The need for an institution of this kind was arisen due to the increased number of people with mental disturbances (induced by the harsh living conditions on the goldfields) and the remoteness of the district from Melbourne. The site was chosen for its panoramic view of the countryside, the hilltop atmosphere and the native fauna, all contributing to the cure of patients.The Hospital was originally named the “Ovens Lunatic Asylum” but, during the centenary celebrations in 1967, the name was officially changed to “Mayday Hills Hospital”, showing the gradual shift in the perception and understanding of mental health conditions over the last decades. The Hospital lies on the traditional land of the Kulin Nation.This photograph is historically significant as it provides information about the staff served at the Mayday Hills Hospital when it first opened. It also contributes to the understanding of the district`s development and its importance to the course of Victoria`s history and adds valuable information about the changing approaches to the treatment of mental health conditions.Black and white rectangular photograph printed on paper.Obverse: (7)/ Reverse: 1997.2452/ Dr Dick/No(7) Pioneer Board/doctor thomas thomson dick, superintendent, mayday hills hospital, scotland, east malvern, doctor of medicine, melbourne university, inspector-general, clothing alterations, cultivation of the farm, self-sufficiency, balls, concerts, ovens hospital, benevolent asylum, beechworth, goldfields, kulin nation, panoramic view, mental health conditions -
Warrnambool and District Historical Society Inc.
Book, For King & Country, 2016
This book, a 2006 second edition of a book first published in 2004, includes additional material in the second edition. It has been meticulously compiled from a variety of official war records and local information and is the most comprehensive work available on the records of World War One enlistments from Warrnambool and district. Australia’s military involvement in World War One was highly significant and a most important event in the history of our growth as a nation and our newfound place on the world stage. This book is very important as it gives a comprehensive coverage of the people from Warrnambool and district who enlisted in World War One. It is an essential reference for researchers of those times and for family history recorders. This is a soft-cover book of 270 pages. It is the 2016 second edition of the book by Blair & Affleck of Great War Enlistments from Warrnambool and District. It has a blue cover with an image of a World War One battle scene in the background covering both the front and the back cover. The front cover has an inset colour photograph of the soldier figure from the Warrnambool War Memorial and the back cover has a colour photograph of the World War One Honor Roll from Christ Church, Warrnambool. The titles etc on the cover are printed in yellow. The book has a contents page, acknowledgements and introduction, an index, lists and descriptions of soldiers who died in the war and those who returned home, information on local Honour Boards and appendices.Front Cover: ‘For King & Country, Great War Enlistments from Warrnambool and District, Ron Blair and James Affleck, 2nd edition, 2016’ Spine: ‘For King and Country – Great War Enlistments from Warrnambool and District, Ron Blair and James Affleck’ world war one, enlistments in world war one from warrnambool and district., blair and affleck, warrnambool, history -
Kiewa Valley Historical Society
Framed Letter - Bogong State School, 1950
In 1950, the "Project Competition - Australia as a Member of the British Commonwealth of Nations" was conducted. Bogong State School was awarded a First Prize in the competition. The prize being 10 pounds to be used to purchase books for the school library on Empire subjects. Bogong is a local town established by the State Electricity Commission of Victoria during the construction of the Kiewa Hydro Electric Scheme. This letter is significant in that it shows that the British Empire was very relevant to the population at the time and being promoted in schools.Cream decorated frame with glass front and paper backing. Two rings are screwed into the top sides of the back of the frame with one plastic cord and one piece of string between them. The framed letter is titled 'The Empire Youth Movement", dated 22nd February, 1950 and addressed to the Head Teacher of the Bogong State School. Blue print with colored square in the middle at the top. bogong state school; empire youth movement; certificate -
Eltham District Historical Society Inc
Book, the colonisation of Australia . . . as told by a nine-year-old in 1960 by Robbo Bennetts, 2020
... of the First Nations history and reflections on what he was taught ..."The Colonisation of Australia is a record of what was taught in a small-town Victorian primary school sixty years ago about the arrival of the first European explorers and settlers, and what they saw when they got here. Included are over 50 scanned pages of the author's Grade 5 and 6 Social Studies workbooks."--Back cover. Retired teacher Robbo Bennetts book is part biographical, part history of education and part commentary. Robbo documents his childhood growing up in Lower Plenty and his attendance at Lower Plenty State School between 1955 and 1961. Most of the book is based on his interest of the First Nations history and reflections on what he was taught at school, acknowledging shortcomings at the time.Paperback; 100 pages; illustratednon-fiction"The Colonisation of Australia is a record of what was taught in a small-town Victorian primary school sixty years ago about the arrival of the first European explorers and settlers, and what they saw when they got here. Included are over 50 scanned pages of the author's Grade 5 and 6 Social Studies workbooks."--Back cover. Retired teacher Robbo Bennetts book is part biographical, part history of education and part commentary. Robbo documents his childhood growing up in Lower Plenty and his attendance at Lower Plenty State School between 1955 and 1961. Most of the book is based on his interest of the First Nations history and reflections on what he was taught at school, acknowledging shortcomings at the time. robbo bennetts, lower plenty state school, reminiscences, childhood, school work, lower plenty