In 1980, Mr Laurie Bennett presented the Kew Historical Society with a number of photographs and postcards from the estate of his mother Eileen Mary Bennett (nee Clark). His mother was the daughter of Lawrence FH Clark(?-1946) and Mary Clark (?-1925) of 22 Harp Road, East Kew, in whose yard the photograph was taken. A year before the donation occurred a notice appeared in the Canberra Times stating that: "BENNETT, Eileen Mary. — May 8th at Tuross Heads, N.S.W. Late of 22 Harp Rd, East Kew, (Vic). Dearly loved wife of the late Harold Bennett, loved mother and mother in law of Laurie and Shirley (Melbourne), Kevin and Doreen (Canberra), grandmother of Linda, Stephen, Paul, Gabrielle, Peter, Mark and Jon."Part of a large collection of photographs and postcards in the collectionFamily portrait of members of the Bennett family of 22 Harp Road, East Kew. laurie bennett, eileen mary bennett, eileen mary clark

Harper & Climas Bottle. Clear glass bottle with neck broken off and missing. Base is 8 cm in diameter. Height is 23 cm. A large amount of writing is moulded into the bottle along with a pictorial representation of a poppet head. The word ''Registered '' is superimposed on the poppet head. Written vertically on either side of the poppet head are the words ''HARPER CLIMAS'' and across the top and below the poppet head are the words ''This bottle is the property of the ALPINE BREWING & CORDIAL COMPANY BENDIGO. Any person using this bottle will be prosecuted.'' On the base of the bottle is a Capital M.''ALPINE BREWING & CORDIAL COMPANY BENDIGO'' ''HARPER CLIMAS'' ''REGISTERED'' ''M''food technology, bottling, cordial bottle

Copy of B&W photograph c.1920 taken from the Eastern Jetty looking across Lagoon to Esplanade West with a yacht' in the foreground. Across the Lagoon is Harpers Starch factory with the pump house at right, & lour mill at left. Against the wharf lies the ketch 'Ripple' belonging to the Stennikens. Known as a 'ti-tree' ketch, it was used to transport ti-tree and shell grit from down the bay.Photograph of a single masted yacht in the Lagoon and Harpers Starch Factory in the background..built environment - commercial, harpers starch factory, transport - shipping, a stenniken

Copied from a postcardBlack and white photograph of Harpers Bight, Gippsland Lakes. It shows rustic jetty in foreground with boat moored, jetty below zigzag pathway to Cliff Crest Tea Rooms, a popular tourist venue, run by Mrs Westerson. Distant view of Jemmys Point. Lakes Entrance VictoriaLakes Scene at Scone Cottage, Harpers Bay, Gippsland Lakes tearoom, tourism, waterways

Hexagonal coffee tin with round lid. Empire Compys. Oriental Brand. Reg June 21st 1883 Trade Mark Mel. Ad. Bris. Syd. Paper label attached. 2lb weight. - black background, colourful.tin harper troedel coffee

"LEST WE FORGET" "100/YEARS OF/ANZAC/ THE SPIRIT LIVES/ 2014-2018" THIS IS A STORY BOOK FOR CHILDREN.Hard cover book. Cover - cardboard with adhered white paper cover. Gold, blue, red and black print on front, spine and back. Illustrated, front in colour of elderly person with a child surrounded by red poppies. Back, elderly person seated in armchair with a child seated on his knee. No page numbers, cut, plain white paper. Illustrations in colour.books, anzac day, children

Owner and donor details - see Cat No. 5836.3.Hard cover book with dust cover. Hard cover - cardboard, pale blue colour linen look buckram paper. Gold print on spine. Dust cover - paper, gold, black and white print on front, spine and back with pale blue background. Illustrated - front (top) 2 Tobruk soldiers (bottom) patrol moving through barbed wire entanglements. Back - wounded soldier. 580 pages - cut, plain, white paper. Black and white photographs and maps. End papers - front and back - illustrated sepia tones - half portraits of "General Field Marshal Rommel and Corporal John Edmondson AIF".books, military history, ww2, campaigns, tobruk

"EMPIRES OF THE DEAD" - HOW ONE MAN'S/ VISION LED TO THE/ CREATION OF WW1'S/ WAR GRAVES"Hard cover book with Dust Cover. Hardcover - cardboard, black colour buckram, gold print on spine. Dustcover - Paper, white, red and black print on front, spine, back and front and back flaps. Illustrated front, black and white photographs (top) soldiers from the rear, (bottom) war graves. Back cover - colour copy of oil painting "The Cemetery, Etaples" 1919 by Sir John Lavery. 289 pages, paper, cut, plain, off white. Illustrated black and white and colour photographs. End papers - red.ww1, books, war graves

Book - "A WEEK/ IN/ SEPTEMBER/ - A STORY OF ENDURING LOVE/ FROM THE BURMA RAILWAY."Soft cover book. Soft cover - cardboard, white, gold and yellow print on front, spine and back. Illustrated in colour, sky and jungle in silhouette. 356 pages - cut, plain, off white paper. Illustrated - black and white photographs. End papers - on back of front and back - illustrated, hand writing - in colour yellow.biography, ww2, history, books

ANZAC 100 Years On - An intimate insight into the impact war has on Our Family's Journey. A true story based on war diaries, war records, recollections & personal experiences by Betty Brooks.Hard cardboard cover. Black white & gold print on front, spine & back. Beige coloured with faint writing background & front cover illustration of two books & a poppy in colour. 125 pages, cut plain white paper. Illustrated with sepia, black & white & coloured photos. Front fly leaf inscription Biography of a family. Handwritten in black ink on front fly leaf: "Donated by Julie Bennett"books, anzac journey, 100 years

The Search for the Sydney, How Australia's Greatest Maritime Mystery was Solved. David L Mears, leader of the expedition which found Sydney and Kormoran. From back cover: The Full and Official Story of the Six Year Hunt for HMAS Sydney.Hard cardboard cover, buckram, silver colour print on front & spine, aquamarine colour background. Dust cover is silver, yellow, white & pale blue print. Photos on front are model of naval shipwreck, on back is a naval ship. The dust cover unfolds to show detailed diagrams of HMAS Sydney for the Wallsend Shipyard. Beige & brown colours. 264 pages, cut, glossy white. Illustrated black & white & colour photos & maps. Name plate on front flyleaf.Handwritten in black ink on front flyleaf name plate: "Noel R"hmas sydney, the search, maritime

The Lost Diggers. (Photos from WWI). From acknowledgements: This book was conceived out of the extraordinary public response we had on the Seven TV Network's Sunday Night public affairs program to several stories presenting The Lost Diggers images. From preface: Swarthy Anzacs, village of Vignacourt, photographs taken by local photographers Louis & Antoinette Thuillier.Hard cardboard cover, buckram texture, with sepia coloured faded photo background. Cut out panel on front, see through to black & white 1/2 portrait photo of uniformed soldier. Dark brown print front & spine, some white on back. Brown ribbon page marker. Front & back end papers & flyleaf, black & white photos. 399 pages, cut glossy white. Illustrated black & white, colour & sepia photos.book, photographs, lost diggers

Book, hard cover with dust jacket. Black with title on red background on front. Title in white on spine: Red Cross - 100 Years Helping People 1914-2014 on back cover. 317 cut edge pages, illustrated with black & white & coloured photographs covering The History of The Australian Red Cross from Birth to 2014 including The Great War, Peace & War, Challenges & Crises, One Red Cross 2000-2014.books - medical, books-biography, essential services - red cross, military history

Text tells the stories of the bravery of Australian women from Gallipoli to Kokoda.Book, soft cover with sepia illustration depicting 4 women. Title in cream lettering. Black & white photographic illustrations & black & white maps. 296 pages with cut edges.Handwritten in black on 1st page: “O'Brien”book, australian women

Book, soft cover, 280 pages, illustrated black & white photos & maps. Front cover of orange appearance, images of barbed wire, modern soldier in DPU uniform & Stehyr Rifle silhouettes of 2 WWI Diggers in slouch hats in background.Written inside front cover: P Chapmanbooks, military history

Starch is used to stiffen cloth when ironed, eliminating creases and giving a smooth finish . Now seldom usedTwo cardboard packets containing "Silver Star Starch" Box 1 Blue, light blue printed on white. Box 2: Multicoloured on whiteBox 1: Net weight 12 ounces when packed. Box 2: 300g Net. The very best since 1890starch, laundry starch

This cast iron kitchen appliance was made in England in the early 1900's and shipped to the "colony" Australia. This was before World War II and the "growing up" of a colony to an independent member of "the British Commonwealth". It was a period when most appliances (be they household) where manufactured in England and shipped to Australian ports. It was not until the late 1960's that the Asian manufacturing giant woke up and started to dominate the market palce.This domestic kitchen appliance is very significant to the Kiewa Valley because it highlights the "made at home" period when food processing was made "in house" due to inability to source food from specialised shops e.g. the butcher or slaughter houses. It was a period before mass food processing factories were established and roads constructed up to the standard for distribution to semi remote regions such as Kiewa Valley was in the beginning of the 1900's.This cast iron (malleable iron) mincer for meat products has a large "funnel" to direct "chunks" of meat to the grinding "wheels". These "star" shaped wheels with "teeth" of three different cutting surfaces (fine, medium and coarse) provide for texture types of the final meat product. The meat is placed into the "loading" funnel and push downwards(gravity feed) through the mincing chamber and out through the front side. There is a long "screw worm" which is rotated by turning the handle. The appliance is table mounted by a vice "G" screw on clamp (hand operated). "BEATRICE No. 3" and "MADE IN ENGLAND", "P 3181"household cast iron appliances, food processors

Ballarat School of Mines is a predecessor of Federation UniversityLetter from The Institute of Engineers, Australia regarding the Sixth Engineering Drawing Competition. ballarat school of mines, institute of engineers australia, sixth engineering drawing competition, correspondence, c.h.d. harper

Novel based on facts surrounding the author's grandparents, Ringwood residents Gordon and Cherry Parker, focusing on their marriage in post-war Japan and social and beauratic difficulties surrounding their move to Australia as a family, with Cherry as Australia's first Japanese war bride.

Booknon-fictionBiography of significant Mexican artist Frida Kahlo (1907 - 1954).painting, self portraiture

Booknon-fictionSeventeen essays covering every major art period from the ancient Egyptian to the 1970s presenting an alternative history of Western art history.representation, the male gaze, portraiture, the nude

Booknon-fictionAn examination of the relationship between representations of ancient and contemporary goddesses, and how they are used by contemporary artists.pre-history, spirituality, frida kahlo, judy chicago, religion, mythology, anna mendieta, ritual, sacred at, women's movement

non-fictionAn illustrated survey of the work of the Guerrilla Girls with interviews, an essay by Whitney Chadwick, and four pull-out postcards by the Guerrilla Girls. feminist art, political art, urban art, street art, activism, posters

Index, bibliography, notes, ill. (some col.), maps, ports, p.318.non-fictionOn 25 April 1915 - the day the Anzacs landed at Gallipoli - Lieutenant Commander Dacre Stoker set out as captain of the Australian submarine AE2 on a mission to breach the treacherous Dardanelles Strait with the intention of disrupting Turkish supply lines to the isolated Gallipoli peninsula. Facing dangerous currents, mines and withering enemy fire, Stoker and his men succeeded where British and French submarines had come to grief." "Stoker's achievement meant much in military terms, and even more emotionally in boosting the morale of embattled Allied troops. But what was proclaimed at the time as 'the finest feat in submarine history' has since sunk into oblivion. Few Australians even know their country had a submarine at Gallipoli, much less that it achieved daring feats, sank an enemy craft, and possibly played a pivotal role in Anzac troops staying on the beachhead for eight months." "Now, finally, Stoker's Submarine tells the story of a remarkable naval hero and the men under his command. And the AE2 itself, still lying intact on the floor of the Sea of Marmara, is celebrated as the most tangible relic of Australia's role at Gallipoli, the crucible of nationhood.world war 1914-1918 - campaigns - gallipoli, gallipoli campaign - naval operations, submarine ae2