Originally contained in an A4 spiral bound blue plastic document folder with clear inserts of inkjet printouts, 3 images per page, 7 pages with explanatory notes and "Sue Law" at the top of each page.Low-resolution copy of colour photographmain road, eltham festival, parade

Originally contained in an A4 spiral bound blue plastic document folder with clear inserts of inkjet printouts, 3 images per page, 7 pages with explanatory notes and "Sue Law" at the top of each page.Low-resolution copy of colour photograph150th anniversary, eltham primary school, state school no. 209

Originally contained in an A4 spiral bound blue plastic document folder with clear inserts of inkjet printouts, 3 images per page, 7 pages with explanatory notes and "Sue Law" at the top of each page.Low-resolution copy of colour photographparade, eltham

Photograph taken prior to bridge being demolished and replaced with a new wider bridge, 2 March-6 May 2012Colour photo print 43.2 x 55.9 cm Museo Silver Rag Archival Fine Art Inkjet Paper 100% Cotton, gloss finish, No optical brighteners 300 GSM (17 x 22 inch)eltham, wattletree road bridge

Photograph taken prior to bridge being demolished and replaced with a new wider bridge, 2 March-6 May 2012Colour photo print 43.2 x 55.9 cm Museo Silver Rag Archival Fine Art Inkjet Paper 100% Cotton, gloss finish, No optical brighteners 300 GSM (17 x 22 inch)eltham, wattletree road bridge

Yields information about the form and style of the early Geelong trams and how they were used with trailers for football matches.Black and white photograph, printed onto card (inkjet printer?) of Geelong Cross bench tram No. 3, in the Geelong Depot yard, decorated with Australian flags and a "Help + Funds" = Red Cross during First World War. C1918?"Geelong Hist Soc / William Scott Collection." in ink.trams, tramways, geelong, depot, red cross, world war 1, tram 3

Colour print - inkjet on colour photo paper of tram 33 at Gardens Loop photographed from "fairy land" area of Lake Wendouree. Photographed by Peter Bruce on 15/8/2015 (email advice of 16-11-15).trams, tramways, lake wendouree, gardens loop, tram 33

Yields information about the appearance of Ballarat 28 following its repainting in ESCo colour scheme by the BTM 2002.Set of three colour photographs, from the same photograph of No. 28 running out into service across Wendouree Parade, first day in service following BTM Refurbishment, 5.11.2002. Photograph by Austin Brehaut. .1 - small print - car in the background - printed on Kodak Royal paper .2 - medium size print with the car in the background removed - see image 2 - printed on Canon hyper photo paper - colour inkjet print .3 - larger size print with the car in the background not removed - printed on Kodak picture maker paper - colour inkjet print.On rear in ink .1 - "63)" / "28 entering Wendouree Parade on first day back in revenue service 5.11.02 / Austin Brehaut" and "Returning into traffic after refurbishment over a 6 year period and carrying the company livery" .2 "63)" / Ballarat car 28 5.11.02, Ballarat Tramway Museum / Austin Brehaut pic / car returning into traffic after refurbishment over a 6 year period and carrying the company livery" "Modified image (background only) and a "William F Scott" address label .3 "photo Austin Brehaut: / Ballarat Tramway Museum / car 28 leaving the depot access track to enter into Wendouree Parade on its first day in service after extensive refurbishment an din the company livery 5.11.2002"trams, tramways, wendouree parade, depot junction, restoration, esco, tram 28

Twin girls riding a camel, probably at Eltham Festival, November 1993. Originally contained in an A4 spiral bound blue plastic document folder with clear inserts of inkjet printouts, 3 images per page, 7 pages with explanatory notes and "Sue Law" at the top of each page.Low-resolution copy of colour photographeltham festival, camel

Imam is represented in the Nillumbik Shire Art Collection and was the winner of the 2015 Nillumbik Prize for her work "Diagram of sentiment #1" (judged by Linden New Art Director Melinda Martin). She was also a finalist in the Nillumbik Prize 2016, 2015, 2013 and 2010. Imam completed a residency at Laughing Waters in 2011. Imam works within photography, the moving image and installation to create works centred on themes of embodiment and the female perspective. In this work she participates in a dialogue between her body and the Finnish Archipelagos in order to develop a relationship with the islands as both a place and an organic body [of land] where flux and change occurs. Photograph of the artist immersed from the waist down in green moss (landscape).N/Afinnish, archipelago, inkjet, print, photographic, body, island, moss

Series of three black and white photographs printed on Kodak Inkjet paper of Frank Hanrahan working on the BTPS Isolating transformer during 1974 at the front of No. 1 road in the depot as part of the construction of the substation. Frank is being observed by one his sons. Could be posed, as Frank in white shirt and tie. See also Reg Item 6606 for other photographs.tramways, trams, btps, substation, depot, electric traction, electric failure

Yields information about the form and style of the early Geelong trams.Black and white photograph, printed onto card (inkjet printer?) of Geelong No. 7, at the depot, then Corio Terrace, now Brougham Street Geelong 1912. Has a number of men on board the tram - depot workers for the photograph? Shows as built details of the tramcar. Two copies held. Dave O'Neil advised 20/7/2009 - test tram prior to formal opening.Copy 1 on rear "Emerging from Depot 1912", "W.F. Scott Collection", "Geelong Historical Society" in Bill Scot's handwriting and in bottom right hand corner "William F. Scott" address label. and "14" in top left hand corner. Copy 2 - "Geelong Hist Soc / William F Scott Collection / Car outside the depot in Corio Tce (now called Brougham Street)"tramways, trams, geelong, depot, brougham st, tram 7

work on paper, photograph, inkjet, first nations artist, female artist, self portrait, clones, rocks, hair

Yields information about the form and style of the early Geelong trams.Black and white photograph, printed onto card (inkjet printer?) of Geelong Cross bench tram No. 11 in Corio Tce, now Brougham St outside Marks Hotel. Tram has the destination of Newtown. Two copies held. 4316.2 - same photograph printed on photographic paper - supplied by Peter Duckett - two copies held. Photograph used in Destination City, page 46.4316.1 Copy 1 - " Corio Tce, now Brougham St, outside Mark's Hotel, car travelling toward the Depot nearby - Geelong Hist Soc / W F S Collection." Copy 2 on rear "William F. Scott Collection / Geelong Hist Soc / W F S Collection" 4316.2 Copy 1 - On rear, stamped in black ink "Photo supplied from P.W. Duckett Collection, All Rights Reserved, 69 Howitt Rd. Nth Caulfield 3161." Copy 2 - On rear, stamped in black ink "Photo supplied from P.W. Duckett Collection, All Rights Reserved, 69 Howitt Rd. Nth Caulfield 3161." In the bottom right hand corner, a "William F Scott" address label in the bottom left hand corner.trams, tramways, geelong, depot, brougham st, tram 11

Yields information about the form and style of the early Geelong trams and in particular one of the cross bench trams.Black and white photograph, printed onto card (inkjet printer?) of the front of the Geelong depot soon after the opening of the tramway, four roads - 1915. Has trams 2, 8, 4 and 1 on front of the track and alongside is a small motor bus and a motorcycles. Each tram has a person vehicle in the front. Shows depot arrangements. Two copies held. Dave O'Neil advised 20/7/2009 - agree with date.Copy 1 - " Depot view about 1915 - Geelong Hist Soc / W F S Collection." Copy 2 on rear "Depot view about 1915. Note bus in right road. Buses were housed there until 1922" in Bill Scot's handwriting and in bottom right hand corner "William F. Scott" address label. and "20" in top left hand corner. Also "Geelong Trys" "C1915" and "W.F. Scott Collection." trams, tramways, geelong, depot, buses, tram 1, tram 2, tram 8, tram 4

Yields information about Sturt and Armstrong Streets with a toast rack tram and Snows Buildings on the left.Black and white historic photograph downloaded from a picture resource website within a decorative frame. Printed with an inkjet printer. Titled "Looking down Lydiard Street North Ballarat, circa:" shows a view looking north along the street from outside the Mining Exchange. Shows the centre poles in the street, the Federal Hotel, Cobb & Co building, blue stone gutters, gutter crossings and telephone wires. Original photo from a postcard - not currently (June 2010) in Museum's collection.trams, tramways, lydiard st north, horse drawn vehicle

Demonstrates how tramway crew and Inspectors uniforms were to be worn during the summer and winter. Yields information about the actual uniforms themselves.Black and white historic photograph downloaded from a picture resource website within a decorative frame. Printed with an inkjet printer. Titled "Horse drawn passing St Andrews church Sturt St Ballarat, circa: 1895" Shows a horse drawn tram ascending Sturt St on the north side and St Andrews church. Note the wooden fence, the two boys on the footpath, and the telephone/telegraph poles. The Town Hall tower can be seen in the background. Original photo from a postcard?trams, tramways, sturt st, st andrews kirk, horse tram

Dr Mary Kent Hughes (nee Cantwell) lived in Warrandyte. She served in the second world war and published several books. The manuscript was wriutten by Bruce Bence for the Warrandyte Historical SocietyContents: 1. Manuscript: Dr. Mary Kent Hughes, Lieut. R.A.M.C. London 1940; photocopy, 6 typed pages and illustrated face sheet with additional alternate face page and hand written note from author Bruce Bence 2. Copy of catalogue record: MS 4856 Papers of Sir Wilfrid Kent Hughes (1895-1970), 2 pages A4 inkjet printout detailing scope and content of papers held by National Library of Australia including biographical noteskent hughes, mary, mary kent hughes, sir wilfrid kent hughes

work on paper, photograph, inkjet, first nations artist, female artist, self portrait, clones, binoculars, ocean, sea, rocks, shoreline

'Skin, Surfaces and Shadows' was created by Tommaso Durante in 2004 during his stay in Bundanon (gifted to the Australian people by Arthur & Yvonne Boyd - South East Australia) as international artist in residence and it was enriched during the artist’s stay in Broome (Western Australia) in 2005. On that occasion he collected the raw materials that were subsequently wrought to develop the actual bookwork.On the edge of artistic practice and philosophical inspiration, 'Skin, Surfaces and Shadows' pushes the boundaries of art, craft and design by combining digital technologies with traditional techniques and materials. Durante visually explores the surfaces of organic things (trees, surface textures, etc.) and the figurative dividing line of the shadow. The poet Wallace-Crabbe responds to these images in words. The poet and the artist flit in and out of shadows, skin and the surfaces of paper and life.(a) prints, artist's book (80 pages), ink; Somerset Book White paper (175gsm), digital images, printed in eight inkjet colour pigments, from digital files. Set in digital typefaces Utopia STD Display, Italic and Bold, Frutiger 57 Condensed, 67 Bold Condensed, and 56 Italic. Section sewn around 3 tapes. Full paper binding with blind blocking on front cover handmade head and tail bands. (b) CD of slide presentation to accompany bookwork on display Primary Insc: In black biro, signed and editioned by Tommaso Durante and Chris Wallace-Crabbe (last page '8/25 T DURANTE CWallace-Crabbe')prints, artist book, skin, surface, shadow, poetry, durante, wallace-crabbe

Yields information about the form and style of the early Geelong trams.Black and white photograph, printed onto card (inkjet printer?) of Geelong Cross bench tram No. 18 in Corio Tce, now Brougham St outside the wood stores. Tram has the destination of Belmont. Taken after SEC take over with the sides of tram panelled in. Late 1930's. See Reg item 4318 for a different view. Dave O'Neil advised 20/7/2009 - following conversion for one man trams. Given the condition of the tram, assume just after conversion." Corio Tce, now Brougham St / Geelong Hist Soc / W F S Collection."trams, tramways, geelong, depot, brougham st, tram 18

Yields information about the form and style of the early Geelong trams and assistance given to the Red Cross during the first world war.Black and white photograph, printed onto card (inkjet printer?) of Geelong Cross bench tram No. 18 in Corio Tce, now Brougham St outside the wood stores. Tram has the destination of Belmont. Taken after SEC take over with the sides of tram panelled in. Late 1930's. See Reg item 4317 for a different view. Two copies held. Dave O'Neil advised 20/7/2009 - following conversion for one man trams. Given the condition of the tram, assume just after conversion. Copy 1 - "Geelong Hist Soc / William Scott Collection." in ink. Copy 2 - " Corio Tce, now Brougham St / Moorabool Street crossing in background / Geelong Hist Soc / W F S Collection." in ink.trams, tramways, geelong, depot, brougham st, tram 18

Yields information about Sturt and the streetscape with a horse tram outside St Andrews Kirk with two small boys playing.Black and white historic photograph downloaded from a picture resource website within a decorative frame. Printed with an inkjet printer. Titled "Looking down Lydiard Street south, Ballarat. circa:" shows an ESCo tram turning from Lydiard St north into Sturt St with many parked motor vehicles and pedestrians. Has the Post Office, Craigs Hotel, Commonwealth Bank, National Mutual Building and the Bank of Australasia in the photograph. One centre pole in the photograph. Photo c1927 Original photo from a postcard?trams, tramways, lydiard st north, poles, post office, esco, tram 20

Yields information about Sturt and Lydiard St North intersection, mid to late 1920's, centre poles and condition of the streets and car parking arrangements.Black and white historic photograph downloaded from a picture resource website within a decorative frame. Printed with an inkjet printer. Titled "Looking up Sturt Street from Snows Sturt Street Ballarat, circa:" Original photograph taken soon after opening of the tramway in Sturt St., no windows and no destination box on the roof of the tram. Has a number of horse drawn vehicles in the photograph. On the left hand side of the photograph is Snows building. At the corner of Armstrong Street Original photo from a postcard - see Reg Item 2791 for a oval shape view. trams, tramways, armstrong st, snows, sturt st, toastrack tram, tram 20

Yields information about Lydiard St north after the opening of the electric tram system.Black and white historic photograph downloaded from a picture resource website within a decorative frame. Printed with an inkjet printer. Titled "Sturt & Lydiard Street intersection, Ballarat circa:." shows two ESCo trams travelling east along the north side of Sturt St, No. 5 or 8? and No. 14 with many people lining the streets, possibly prior to a parade. Photo taken after the tramway has opened as the destination boxes are located on the roof, but prior to the installation of windscreens. Original photo from a postcard - not currently (June 2010) in Museum's collection. Many horse drawn vehicles. In the background are the Commonwealth Bank, Ashmore's Hotel and other buildings along the south side of Sturt St. Original photo from a postcard - not currently (June 2010) in Museum's collection.trams, tramways, sturt st, lydiard st, commonwealth bank, esco, tram 14, tram 8?

Hayley Millar Baker is a Gunditjmara and Djabwurrung artist. Her series I Will Survive is about the cautionary tales and bush survival stories that Millar Baker heard as a child. Her Aboriginal and migrant parents and grandparents shared warnings, myths and ghost stories with her. As Millar Baker grew up, these stories evolved, becoming more emotionally charged with each retelling. As stories are retold, they are reformed and embellished, sometimes becoming more vivid and meaningful. In I Will Survive, Millar Baker inserts herself into the stories. Millar Baker says, ‘Recalling memories formed in my childhood and ruminating on these stories in adulthood, I can’t help but dissect my memory’s influences and influencers, and what roles my Aboriginal and migrant parents and grandparents played in feeding lessons and myths into my subconscious.’

Hayley Millar Baker is a Gunditjmara and Djabwurrung artist. Her series I Will Survive is about the cautionary tales and bush survival stories that Millar Baker heard as a child. Her Aboriginal and migrant parents and grandparents shared warnings, myths, and ghost stories with her. As Millar Baker grew up, these stories evolved, becoming more emotionally charged with each retelling. As stories are retold, they are reformed and embellished, sometimes becoming more vivid and meaningful. In I Will Survive, Millar Baker inserts herself into the stories. Millar Baker says, ‘Recalling memories formed in my childhood and ruminating on these stories in adulthood, I can’t help but dissect my memory’s influences and influencers, and what roles my Aboriginal and migrant parents and grandparents played in feeding lessons and myths into my subconscious.’