Showing 75 items
matching jewish museum of australia
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Jewish Museum of Australia
ring, Martha Ash, Marriage ring, by Martha Ash, 1981
... Jewish Museum of Australia 26 Alma Road St Kilda melbourne ...Our contemporary Judaica collection was developed through a series of exhibitions titled Australian Contemporary Design in Jewish Ceremony I, II and III. For each of the three exhibitions, contemporary artists and crafts-makers were invited to design new objects that could be used to perform the Jewish ceremonies and rituals that had been preserved and developed by Australia’s Jewish community over the last 200 years. This collection now comprises over sixty unique and distinctive objects made using very different methods of production, including tapestry, silver-smithing, carpentry, ceramics and glass-work. These objects have been inspired by a broad spectrum of religious, spiritual, artistic and emotional responses to the ideology and practice of Jewish rituals, as well as deeply considered connections to Australia’s broader culture and landscape.jewellery, judaica -
Jewish Museum of Australia
ceramic platter, Fiona Hiscock, Platter for honey cake, by Fiona Hiscock, 2007
... Jewish Museum of Australia 26 Alma Road St Kilda melbourne ...To celebrate Rosh Hashanah (Jewish New Year), Jews eat foods like honey cake and apple dipped in honey. Along with a special prayer, this is a way of asking God for a sweet and happy year ahead. Our contemporary Judaica collection was developed through a series of exhibitions titled Australian Contemporary Design in Jewish Ceremony I, II and III. For each of the three exhibitions, contemporary artists and crafts-makers were invited to design new objects that could be used to perform the Jewish ceremonies and rituals that had been preserved and developed by Australia’s Jewish community over the last 200 years. This collection now comprises over sixty unique and distinctive objects made using very different methods of production, including tapestry, silver-smithing, carpentry, ceramics and glass-work. These objects have been inspired by a broad spectrum of religious, spiritual, artistic and emotional responses to the ideology and practice of Jewish rituals, as well as deeply considered connections to Australia’s broader culture and landscape. judaica, ceramics, jewish new year -
Jewish Museum of Australia
Kathryn Tilley, Afikoman pouches, by Kathryn Tilley, 2007
... Jewish Museum of Australia 26 Alma Road St Kilda melbourne ...Artist's statement: I chose to make these afikoman pouches even though they may not be familiar to or used by all Jewish families. In these little pouches, a small piece of matzah would be placed in the pouch and then hidden in the house for the children to find during the Passover meal. On finding it, a gift is given. The story of Passover and Judaism in general have been kept alive over the centuries. I wanted to honour the passing down of the Torah through the generations, and, in particular, the role of children in its transmission. I have used the Australian desert as a metaphor for the great wilderness crossed by the People of Israel. A recent trip to Broken Hill and beyond inspired me to work with the subtle colours and textures of that landscape and I have incorporated into the work found objects, stones and beads collected there. (2007, New Under the Sun: Australian Contemporary Design in Jewish Ceremony III)machine embroidered -
Jewish Museum of Australia
Menorah, by Mark Edgoose
... Jewish Museum of Australia 26 Alma Road St Kilda melbourne ...This menorah has 7 candle holders joined in a horizontal row, on thin rod stands. The circular holders sit on two flat silver strips that are attached to silver rectangles on either side of the holders, creating a shield-like form on either side of the holder. The stand on which this construction is propped up, is made up of rods that stand vertically on either side of the holders and behind the shields. The rods are intersected by other rod 'lines' that visually weave horizontally across the top half of the stand. Each point of intersection of lines and rod stands is marked by a circular shape. Artist's statement: In terms of the Jewish diaspora, the variety and flexibility of approaches within Judaism has enabled the culture to endure and nurture ever stronger connections despite physical distance. This notion of an enriched connectedness was one of the two central ideas which contributed to the development of this piece. The second was the idea of light and its cultural significance. Light is about both practical illumination and spiritual expression. While revealing and manipulating material and form, light has also come to stand for the triumph of goodness over evil for many cultures, Of utmost importance in Jewish ritual, light and its media are also recognised symbols of connection and interaction for Jewish people throughout the world. (1999, Blessed Be the Work, Australian Contemporary Design in Jewish Ceremony II) -
Jewish Museum of Australia
Kippah, 1991
... Jewish Museum of Australia 26 Alma Road St Kilda melbourne ...A kippah, also called a yarmulke or skull cap, is a head cover worn by religious Jewish men for many reasons, one being that it is a sign of one's respect for God.This crochet kippah was made in Melbourne, Australia. This kippah is made of cotton. It is navy blue and decorated with decorative bands, mauve rose buds, blue leaves and yellow flowers. -
Tatura Irrigation & Wartime Camps Museum
Photograph - copy, Wounded Soldier, 1940's
Sculpture made by Pte Bruno Simon V377556, a 30 year old internee who became a member of the CMF Employment Company. After Nazism came to Germany in 1933, Simon studied sculpture in Paris and Florence and then came to Australia. He was a Jewish internee allowed released from camp in 1942 and after a short period picking fruit joined the CMF Employment Co.Copy of a photograph of the head of an Australian soldier mounted on a foam backingphotograph, wounded soldier, bruno simon, sculpture, internment camp sculptors -
Tatura Irrigation & Wartime Camps Museum
DVD, "From Venice to Australia" and "Dunera to Australia"
Reinhold Eckfeld's record of experiences as a Jewish refugee in England to Australia.DVD-rReinhold Eckfeld. May 19, 2015."Vienna to England" and "Dunera to Melbournereinhold eckfeld, erica chadderton, tonia eckfeld, jewish refugee, from venice to australia -
Tatura Irrigation & Wartime Camps Museum
Book, Kay Dreyfus, Silences and Secrets: The Australian Experience of the Weintraubs Syncopators, 2013
(From back cover): "The Weintraubs Syncopators, international musical celebrities of the 1930s, embarked on a four-year journey across Europe, Russia and the Far East in exile from the antisemitic ideologies of the German Third Reich. This band of mainly Jewish musicians arrived in Sydney, Australia, in 1937. The decision of some of them to stay brought them into conflict with the aggressively protectionist Musicians’ Union of Australia. They gained employment at a high-end Sydney nightclub but when war came, were forced to come to terms with a change in their status – from celebrities to enemy aliens. Denounced for alleged espionage activities in Russia, three were interned and the band broke up. In this major recounting of the experience of the Weintraubs Syncopators, Kay Dreyfus pieces together the complex personal, social and political forces at work in this story of migration at a time of insecurity, fear and dramatic conflict." The Tatura group of camps were built after the beginning of World War 2, and held prisoners of war (enemy military) and civilian internees (enemy nationals, regardless of political affiliation, either living in Australia or in Allied territories overseas). The Weintraubs Syncopators' members were just some of the civilians caught up in the conflict. Paperback book. Glossy black front cover, black & white photo of group of musicians. Blue & white text. Back cover glossy white, black & white photo group of men standing over bass drum labelled "Weintraubs Syncopators". 305 pages. Dewey no. 781.65092weintraub, camp 1, tatura, internment camps, civilian internees, jazz, jewish community, world war ii, musicians, stefan weintraub, horst graff -
Tatura Irrigation & Wartime Camps Museum
Book, Songs the People Love. A true story of laughter,love,tragedy & tears, 2015
Eric Liffman was a refugee from Nazi Germany who, as a prisoner, is transported to Australia on the troop ship HMS Dunera. He became the most celebrated tenor in Australia during WW11.Dunera Voyage. Eric Liffman's rise from refugee/prisoner to become a celebrated tenor during WW11Book -199 pages, B/W photos. Soft cover. Narrated & Illustrated by Eric Liffmann. Written by Patricia & Kurt LiffmannPhotos of Eric Liffmann on coverdunera, jewish refugee -
Tatura Irrigation & Wartime Camps Museum
Book, Dunera Lives. Volume 1 A Visual History, 2018
A remarkable, thoroughly researched and detailed record of "Dunera" internee artists with examples of their varied styles of water and colour paintings, sketches and cartoons. Vivid reminders of the whole experience of internment in Australia during World War 2 for these men. Launched at the Jewish Museum in St Kilda, Sunday July 8th and Monday July 9th at Readings Books in Melbourne.Visual history of camp life of the Dunera boysBlue soft cover, with front cover painting by Emil Wittenberg. Painted at Tatura on 23rd May 1941, depicts a group of Dunera internees behind barbed wire. B/W and colour photos, sketches, paintings and watercolour.To the memory of Amirah Inglis. A photograph of Kenneth Stanley Inglis, 7 October 1929 - 1 December 2017dunera boys -
Tatura Irrigation & Wartime Camps Museum
Photograph - Photograph - copy, The Young Girl by Bruno Simon, 1940's
Bruno Simon, German,Italian, Jewish refugee interned Australian WW2 8th Employment Co. AMFPhotographed copy of Bruno Simon and one of his sculptures entitled "The Young Girl".photography, sculptures, bruno simon, internment camp sculptors -
Queenscliffe Maritime Museum
Painting - SS Ascanius, Dacre Smyth
Completed in December 1910 as a steam passenger ship she was requisitioned as a troop transport for the Australian Expeditionary Force (AEF) in 1914. She was returned to the owner in 1920 only to be requisitioned again in 1940 by the Admiralty for use as a troopship. After the war, the Ascanius brought Jewish emigrants from Marseilles to Haifa and was sold to Italy and renamed San Giovannino for Cia de Nav. Florencia (A. Motosi), Genoa in 1949. B Smythe An oil painting of the SS AscaniusAscaniusss ascanius, troop transport, aef, wwi, wwii, migrant ship -
Moorabbin Air Museum
Manual (Item) - Sydney Jewish Museum Collection of WW I Images, Digital Image Archive The Sydney Jewish Museum A Collection of WW1 Images
Sydney Jewish Museum -
Glen Eira Historical Society
Article - Jewish Holocaust Centre
This file contains six items: 1/An article from the ‘Caulfield/Port Phillip Leader’ titled ‘Bid to counter anti-semitism’ written by Jenny Ling, dated 15/03/2011. It describes a tour of the Jewish Holocaust Museum by thirteen state MPs for Familiarization Day, which was organized by David Southwick. It includes a photograph of the tour. 2/A black and white pamphlet for the ‘Jewish Holocaust and Research Centre’, which includes three photographs, a map, details on business hours and the logo. 3/A flyer produced by the ‘Jewish Holocaust Centre’ in 1988 to celebrate the Bicentary of Australia. It includes acknowledgements and two illustrations. 4/An article from the ‘Caulfield/Port Phillip Leader’ titled ‘Long Memory Serves Her’ written by Jenny Ling, dated 19/10/2010. It concerns Holocaust survivor Eva Marks being awarded the Australian Holocaust Memorial Award and a history relating to the award. Includes coloured photograph of Eva Marks. 5/An article from the ‘Caulfield/Port Phillip Leader’ titled ‘Saving Holocaust Artefacts’ written by Jenny Ling, dated 01/03/2011. It concerns fundraising to preserve deteriorating artefacts at the Jewish Holocaust Centre. 6/Magazine titled ‘Centre News’, volume 8, number 4, dated December 1991, published by the Volunteers’ Committee of the Jewish Holocaust Centre. Contents include an editorial, obituary to Aron Sokolowicz, letters regarding visits to the Holocaust Centre, and two pages of Hebrew text.southwick david, hanner irma, goldberg abram, jewish community, religion, jewish holocaust museum and research centre, jewish religion, ethnic communities, museums, education and research establishments, shows and exhibitions, murdoch elisabeth, selwyn street, banazewska rachel, einhorn renee, fink mina, langsam raya, kohn mali, young joyce, schnall janek, burston myer, feniger saba, flicker ursala, silver michael, wajsenberg sonia, weiss claire, weiss alex, newmann charlotte, gurvich aron, kohn adam, rice beverly, liebman henrietta, rener charles, lippmann walter, dolia frank, dolia maurice, marks eva, beth weizmann community centre, josem jayne, artefacts, conservation, rockman pauline, fundraising events, maisel phillip, shaw adela, liebmann henia, sokolowicz aron, shelford girls school, marks caitlin, adler ruth, scholes rebecca, elsner lisa, balaclava road caulfield 234, rechter bernard, zygier ted, caulfield/port phillip leader, ling jenny, mann helena, elsternwick -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1/12/2016 12:00:00 AM
Also three colour photographs taken on same day. Also black and white photograph taken 1966 of three members of Lederman family financiers of East Gippsland Timber Industry - in Hancock box. Shirley Hancock's Sharon Frock Salon on Esplanade Lakes Entrance was named after SharonColour photograph showing Shirley and Brian Hancock welcoming Jeffrey Lederman and Sharon Siger nee Lederman on verandah at 5 Uplands Avenue, with Australian and Jewish flags flying, Lakes Entrance Victoriacelebrations, genealogy