Alice Francis Mother of Mary Patching.stawell

Portrait of Moulden Family mother and four daughtersstawell

Jessie Partington and her mother Annie May Partington (nee Medhurst).Digital copy of black and white photograph.jessie partington, annie may partington

Margaret Devery and her mother Teresa Devery nee Amarant. c1950Copy from original with permission of Liz Driscoll. Donated with framed photo with Embroidered flowers

Graphic illustration of two women and two childrenin red against a grey background, printed on white paper.Additional text: "Child custody : the rights of the lesbian mother : a public forum, George Hunt Room, Trades Hall, 4 Goulburn Street, City. Followed by film: In the best interest of the children".

The Garden of the Grieving Mother is an acknowledgement of the trauma, grief and anxiety felt by the families of Australian servicemen and women. Of the 3,801 WWI service men and women commemorated in the Ballarat Avenue of Honour, 1 in 5 made the ultimate sacrifice, giving their lives. At the centre of the memorial space is a bronze sculpture of a mother clutching a photograph of her son by sculptor Peter Corlett who has created many war memorial public artworks. The memorial was unveiled on 15 February 2017 by Governor General Sir Peter Cosgrove and Mrs Kaye Baird, mother of posthumous Victoria Cross recipient, Corporal Cameron Baird.Bronze sculpture installed in landscaped garden on lit plintha mother grieving the loss of her child at war

This photographs shows a small envelope addressed to Charles' mother. The envelope measures 6cm high by 10 cm wide.Digital copy of black and white photograph. "Mrs S Marshall [and address]"charles marshall, world war 1

non-fictionqueen mother, royal visit, ballarat, 1958

The Maternal, Infant, and Pre-school Welfare division of the Victorian Health Department published this booklet to assist expectant mothers with information regarding their confinement.Pre-natal information was important for expectant mothers especially those living in isolation eg. the farming community in the Kiewa Valley.Cream coloured booklet with 65 pages held by 2 staples. It has 10 chapters on pre-natal and 4 chapters on post natal. It is very comprehensive with a few black & white illustrations. There is an 'Obstetric Table' on page 5 "To calculate the date of confinement." It was produced by the Maternal, Infant, and Pre-School Welfare Division. prenatal, victorian health department

Experiences of Tony McDonald, a Greensborough mother of a Down Syndrome child, including accounts of her work in building support facilities for families of children with disabilitiesTwo articles: 2 p. black and white reprint of newspaper article, text with photograph, printed both sides; and, 1 p. article, black and white reprint of journal articledown syndrome, tony mcdonald

People - "Hooppell, Samuel Ebenezer (& Brother Robert & Mother Mary ?)" Buildings - "Studio Portrait, Garden" Associated with - J G Whorwell Dover Englad

Norma Bull and her mother, Catherine Bull (nee Perrier) outdoors. it was probably taken at 'Medlow' in Warrigal Road. Mrs Gentleman was a friend of Norma Bull.A black and white photograph of two ladies in the garden. One lady looks dressed in a fur coat and hat whilst the other is in a sun dress.miss norma bull, mrs catherine bull, miss catherine perrier

Her Majesty Queen Elizabeth The Queen Mother was the mother of Queen Elizabeth II and the widow of King George VI. King George took the throne in 1936, at which time she became the first British-born Queen consort since the Tudor times. She visited Australia on 14 February – 7 March 1958 to attend the British Empire Service League Conference in Canberra. She travelled to the Australian Capital Territory, Brisbane, Sydney, Melbourne, Tasmania, Adelaide and Perth, as well as many regional and rural areas.black and white photograph, unmounted, original, fair conditionst kilda, st kilda town hall, queen mother, queen elizabeth the queen mother, 1958

Note by T.H. Kneen, "The photo was staged to depict a "mother" and "son" seeking information about Burnley. "Mother" was a staff member and "son" was a current student."Black and white photograph. Staged student interview depiciting a mother and her son.t.h. kneen, mother, son, staff, students, student interview, publicity

Mother Earth was created by modernist era sculptor George Allen. It is located in the western median strip at the intersection of Sturt and Raglan Streets. Made from Hawksbury stone on a granite base, the sculptor has created a female figure as the centrepiece, with two reliefs figures at the front and rear depicting a miner and a farmer. The work was created in commemoration of Mr Frank Pinkerton, an esteemed local lawyer in Ballarat. George Allen won the commission to design and execute the Pinkerton Statue in open competition in 1949. The statue is a significant work of one of Victoria's leading sculptors of the mid twentieth century, and controversy at the time surrounding its installation reflects the general attitude of the period to progressive public sculpture.Mother Earth was classified as regionally significant by the National Trust in 2003. The statement of significance below ha been provided by the National Trust, Victoria: The Pinkerton Statue by George Allen is of a simplified female figure which symbolises 'Earth', with smaller figures representing Mining and Agriculture carved in bas-relief at its base. The statue is carved in Hawkesbury Freestone and mounted on a granite plinth. It is located in a prominent position in central Ballarat. The statue in commemoration of Mr. Frank Pinkerton, an esteemed local lawyer, erected in Ballarat in 1952 is significant for aesthetic and social reasons at a Regional level. The statue is a significant example of the work of one of Victoria's leading sculptors of the mid twentieth century, and the controversy at the time surrounding its installation reflects the general attitude of the period to progressive public sculptures. George Allen won the commission to design and execute the Pinkerton Statue in open competition in 1949 against a large group of his peers. Following this. Allen was again successful in another major competition to design the National War Memorial for the Forecourt of the Shrine of Remembrance in Melbourne in 1951. Allen chose to work in a 'symbolic' manner using simplified forms with little detail, and relying on the strength of composition, 'boldness of statement' and the consideration of material for impact. Because of its lack of realism the Pinkerton Statue engendered much controversy, particularly within the popular press at the time, although it was generally appreciated in artistic circles. Allen had travelled extensively in Europe in the late 1930's, but his work mainly reflected influences from early modem sculptors in the United Kingdom such as Frank Dobson and Eric Gill. The Pinkerton Statue was the first example of modem sculpture to be erected in Ballarat and is an excellent example Allen's own work and the changing artistic culture of the period. Allen himself said that it reflected the "spirit of the time". A large Hawkesbury Freestone statue of a female figure and smaller figures representing Mining and Agriculture carved in bas-relief at its base. The statue is mounted on a granite plinth.CENTRAL FIGURE EARTH EMERGING FROM RELIEF FIGURES REPRESENTING THE INDUSTRIES OF MINING AND AGRICULTURE.pinkerton, mother earth

Dina MANN & portrait of her mother, Jerri at the launch of the Women of Port Melbourne Exhibition & book, October 2005.Dina MANN with portrait of her mother, Jerri MANN at the launch of the Women of Port Melbourne exhibition18/10/2005 Dina Mann with portrait of her mother, Jerri Mann.women of port melbourne, dina mann, jerri mann

Queen Elizabeth, Queen Mother celebrating her 100th birthday 4/8/2000Brown timber frame with green mount containing cloth poster of the Queen MotherHer Majesty Queen Elizabeth The Queen Mother In celebration of her 100th Birthday 4th August 2000queen elizabeth, queen mother

Maurice Fabbro and his mother Regina (wife of Guido) taken at home in Falkiner Street, Eltham. Regina passed away 21/03/1986 age 92 and is buried at Eltham Cemetery. (source: http://www.elthamcemetery.com/index.php/deceased-search) The site of the Fabbro farm (Diamond Creek side land) is now called Barrack Bushlands. It is doubtful that Fabbro's farm holding was ever called Barrak Park, This title is fairly recent after the Shire of Eltham purchased the land, including the last section in 1993/94. About this time the area on the west side of Falkiner Street was purchased by a private developer and developed as housing. The area in Bell Street opposite the Eltham High School was purchased by the State Government is recent years and is called Fabbro Fields. The Fabbro Family operated their farm in Bell Street, Eltham. Eltham, Falkiner Street, Maurice Fabbro, Regina Fabbro1 colour photographfabbro's farm, bell street, eltham, maurice fabbro, regina fabbro

Sarah Wright was the mother of Frank Wright who was a renown resident of Smeaton. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.A mounted black and white formal photograph of a woman standing in front of a classical scene of a column and fabric swathe. She is dressed in a fine white tucked skirt and a white blouse with lace and puffed sleeves. The women is Sarah Wright.Written in ink of the back of the mount - 'Xmas 1905'sarah wright, frank wright, 1900s ladies skirt and lace blouse

A digital copy of a black and white photograph of Arthur Dickinson as a baby along with his mother and grandmother. Arthur Dickinson went on to build Marysville House.A digital copy of a black and white photograph of Arthur Dickinson as a baby along with his mother and grandmother. Arthur Dickinson went on to build Marysville House.BABY ARTHUR WITH MOTHER/ JOSEPHINE + GRANDMOTHER/ MARY ANN JANE ROBINSONmarysville, victoria, australia, marysville house, arthur james dickinson, grace dickinson, arnold spooner, eileen marie spooner, eileen marie dickinson, grace sweetland, eric dowdle, elsie may denton, elsie may dickinson, peter dickinson, linda dickinson, 2009 black saturday bushfires, photograph

Frank's mother Florence was visiting from England at the time. Frank Stokes first traveled to the district by train in 1944 to find land with the intention to establish an orchard. By chance he met Arthur Bird of Bird Orchard (bounded by Pitt Street, Eucalyptus Road and Wattle Grove) and they got talking over their common interest. Arthur put Frank up for the night and pointed out the land, part of Crown Allotment 15, Section 5, Parish of Nillumbik (CA15) somewhat diagonally opposite Bird Orchard. Frank bought the land and for the next two years would travel by train from Melbourne to Eltham every weekend establishing Stokes Orchard and building a home for his family, which they eventually moved into in 1946. In the mid 1970s the Shire of Eltham divided the orchard up into numerous rate-able parcel lots, which became affordable for Frank. As a consequence Stokes Orchard was turned into a housing development by Macquarie Builders and marketed as the Stokes Orchard Estate in two stages; Stage 1 encompassing Scarlet Ash Court, Ironbark Close and Peppermint Grove bounded by Nyora and Eucalyptus roads c.1976 and Stage 2 encompassing Stokes Place, Orchard Way, The Crest and The Lookout bound by Nyora and Diosma roads c.1979. The development of Orchard Way, The Crest and The Lookout did not proceed as planned due to the lack of the sewer along Diosma Road and so many of the proposed lots were incorporated into five-acre parcels instead.Representative of the orchard growing areas of ElthamDigital file only - Digitised by EDHS from a scrapbook (containing commercially printed photos of digital scans) on loan from Beryl Bradbury (nee Stokes), daughter of Frank Stokes.1950, beryl bradbury (nee stokes), beryl bradbury (nee stokes) collection, david stokes, dorothy stokes, eltham, flatbed truck, florence stokes (nee west), frank stokes, nyora road, stokes orchard

On the 19th and 20th September 1910, the Mission organised a fundraising evening at the Masonic Hall on Collins Street. The "Tableaux vivants", called "Tennison's Dream of Fair Women" were arranged by artist Violet Teague. She arranged and painted the decors for the "tableaux vivants" in the Siddeley Mission. It's likely she also created the cover of this programme. "Mother and Lover of Men the Sea" is a verse form the poem: The Triumph of Time by Algernon Charles Swinburne While she was working, seamen from the Carnarvon Bay shipwreck were welcomed to the institute and subsequently invited to the evening. "They went through a large room, where a lady was standing on a scaffolding pointing a scene for the enter" tainment which is to take place this evening in the Masonic-hall. The lady was Miss Violet Teague, but she took her mind and her brush off the effects in marine blue sufficiently long to learn the main outlines of the story. " (Argus 19 September 1910). "During the evening the Rev W F Haire, acting chaplain to the mission announced that among those present were the shipwrecked survivors of the Carnarvon Bay, which was wrecked at King Island on Thursday last The men, who bore no traces of the hardships they endured took their places on the platform, whilst the large audience cheered itself hoarse and sang "For They Are Jolly Good relics". (Argus 20 September 1910) In 1935, Violet Teague was on the passengers on the C.B. Pedersen, one of the last windjammers. She Drew and painted during her voyage and exhibited the artworks in 1938.This rare programme is the last remaining testimony of the relationship between the Mission and famous artists of the time who provided illustrations for quotation calendars (Daryl Lyndsay, John Shirlow).12 pages programme. The cover is light blue paper with the design of the Greek ship printed in black ink.violet teague, tableaux vivants, 1910, fundraising, theatre, play, algernon charles swinburne, sponsors, advertising, carnarvon bay, shipwreck, una le souef, masonic hall, lady gibson-carmichael, willsmere certified milk and co, fry's cocoa, remington typewriter, hypol, lhlg, ladies harbour lights guild