Black and white photo, white border. View of the baths, Ocean Pier, Railway Pier with steamer at berth. Fishermen's Breakwater, Battery Point in background. Taken from ground level, looking east.'THE PIERS AND BATTERY POINT PORTLAND', black print, lower borderphotography, portland baths, pier, battery point, portland, fishermans breakwater

Photograph of a group of Australian soldiers from WW1 possibly on a pier.J.E.Barnes. Photo. Kew. Phone 1966 Haw.

CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint depicting a panoramic view of Portland Harbour and coastline in lower half. Top half of work features five enlarged sea creatures on a yellow background. The creatures are (from left to right): two seahorses; a side view of a fish; a bug; and a front view of a fish.Front: Portland Pier 32/70 A Gee 83 Back: 11

Albumem silver stereographs. The transport is pulling away from the pier. There is a crowd of onlookersThe titleboer war, victorian contingent

"Princes Pier and Gatehouse - Port Melbourne Victoria". A heritage report to the Princes Pier Precinct Committee Victorian Heritage Register No H981. Prfepared by Allom Lovell & Associates, Conservation Architects. July 2004 - for the City of Port Philliptown planning - proposals shelved - bayside, town planning, heritage, piers and wharves - princes pier, city of port phillip

Reserve with trees left and right. Road beyond fence. Across the toad, weatherboard Pier Hotel. Residence to left side of 2 storey turret. Building with flag pole. Colonial double-chimneyed homestead style house tucked amongst trees and bushes to right.Pier Hotel and adjacent house. A picturesque scene.The Rose Series P700 copyright. Pier Hotel from The Reserve, San Remo, Victorialocal history, photography, photographs, slides, film, pier hotel, san remo, hotels, black & white photograph, miss elms san remo

Albumem silver stereograph. Shows SS Medic pulling away from the pier. A crowd is watchingThe titleboer war, victorian contingent

Professional photograph of Station Pier c1980s. Vessels in photo- "Abel tasman" and "Alma Doepel" and "Esmeralda"piers and wharves - station pier, abel tasman, alma doepel, esmeralda

Ewan OGILVY, former Melbourne Councillor and also of Community Services Victoria, Inner Urban Ministerial Advisory Committee and Uniting Church's Centre for Urban Research and Action (CURA), was instrumental in social justice approaches to town planning. He and CURA's Social Justice and the City Project funded Port Melbourne community groups protesting against the SCDC development in 1987. His files were presented to the Society in May 2001 on his preparation for leaving Victoria.From Ewan OGILVY's chronologically organised 'Bayside Papers' relating to the proposed development of Port Melbourne industrial land in the late 1980s: 'Beacon Cove - A Future for Princes Pier' - promotional brochure for development of Princes Pier (Mirvac Beacon Cove Stage 2)Signed 'Ewan Ogilvy'town planning, town planning - proposals shelved - bayside, environmental issues, ewan ogilvy, mirvac

Photographic copy of sketch: 'Scene on the Sandridge Railway Pier' - Illustrated Sydney News 19 March 1873'46' and 'Syd N. 19 Mar 1873 P13' on backpiers and wharves - railway pier

Cameron Oglebury of Clark Street was awakened the night the pier burned, went to the end of the street and took this time exposure, which he gave to Ron Laing in October 2000 to be handed to the Society.Colour snapshot of Princes Pier on fire, taken from a distance (Clark Street). Time exposure, a bit blurry. 15 August 1996'Princes Pier Burning taken by Cameron Ogleby' in ink on backpiers and wharves - princes pier, fire and fire services, cameron oglebury