Plaster relief of a male and female nude holding a child. Nonematcham skipper, relief, plaster, male, female, nude, child

Two plaster ornaments of Lions in a lying down pose with front feet extended, painted with a bronze like finish and sitting on a rectangular base.ornaments, plaster, statue

Baptist Manse beside the church in Scallan Street Stawell. The handwritten sign out the front is hard to decipher. Black & white photo of a brick single story building beside the church with wood and wire fence. The sign out the front is difficult to read from the photo, but words we can work out are ".... Designed & Erected by The Stawell ...... Plaster .... Inspection Invited Estimates Submitted for plastering cement work". "... Designed & Erected by The Stawell ...... Plaster... Inspection Invited Estimates Submitted for plastering cement work".stawell, religion

Ornamental plaster statue titled 'Like Papa' of a boy in cap & large boots, hands in pockets with pipe in his mouth, cream in colour with tan highlights.ornaments, plaster, statue

A number of plaster nativity statues photographed at St Brigid's Crossley. The staues are by Mattei brothers.mattei brothers and co., mattei, mattei brothers, plaster, nativity, st brigid's crossley

A number of plaster nativity statues photographed at St Brigid's Crossley. The staues are by Mattei brothers.mattei brothers and co., mattei, mattei brothers, plaster, nativity, st brigid's crossley

David Pepper-Edwards used a number of plaster cast footprints for comparison of unidentified field casts.Plaster casts of big cat footprint. These casts were used in the identification of photographs and sightings of large cats in the Australian Bush. Australian Animal Folklore Collectionaustralian animal folklore collection, david pepper edwards, pepper edwards, big cat, cat, plaster cast, cast, resin cast, footprint, mythical, myth, folklore

Large plaster statue of female leaning on an urn, wearing gold sandals and with red flower in hair, gold tones and marked Sapho on front of base & numbered 13c on back.ornaments, plaster, statue

Square plaster relief depicting a male and female nude in front of a cross motif. Nonematcham skipper, relief, plaster, male, female, nude, cross

Plaster statue of girl with finger in mouth, barefoot & dressed in green and brown dress with patch on skirt, circular base with tree stump & leaves.ornaments, plaster, statue, d4706

The Ballarat Technical Art School boasted a well-stocked Antique Room replete with plaster copies of classical, Renaissance and Gothic sculptural examples, which were used as drawing props by students. The school inherited some casts from its predecessor institutions, and further consignments were purchased during the 1920s, including full length, bust and relief figures, as well as dozens of ornamental and architectural casts. Unfortunately, much of the collection was lost or destroyed in the late 1950s. This is one of the few surviving pieces. The foot came into the school’s collection prior to 1920 as it appears in a photo in the SMB Annual Report. There are two possibilities where these sculptures may have originated, either Victorian and Albert Museum or the British Museum. There is a reference to the purchase of plaster casts from the Victoria and Albert Museum in the 1918 School of Mines Ballarat Minute Book. This plaster cast of a foot is of local significance as only one of a few remaining teaching pieces from the substantial collection of sculptures used in the art school. The foot also has significance as an interpretive tool complementing the complete art folio of Edith Alice Watson who was a student from 1930-1933.Plaster cast of right foot including ankle. Made from plaster of Paris. Mainly white in colour with grey patches around metatarsels, flecks of blue and green paint and pale brown paint (possibly shellac) and on top of ankle. Measurements suggest a size 11 man's right foot.plaster cast, foot, drawing aid, art school, smb, edith alice watson, 1931, 1931-33, 1918, 1920, plaster of paris, sculpture, ballarat technical art school number 10, drawing from the antique, drawing the human figure from cast

Plaster statue of small Dutch boy with clogs, seated with legs crossed & carry bag at his feet, wearing a hat with feathers, blue vest, red shirt and brown pants. Signed by artist - unreadable.Mattei Bros & Co Melb 25ornaments, plaster, statue, dp550

Large plaster statue of a boy eating cherries with one detachable arm, green pants with patch on knee, brown coat slung over shoulder & holding a bowl of cherries, tree stump and leaves on base.682ornaments, plaster, statue, u4697

Thomas James Smith opened a small pharmacy in Hull, England in 1856. On his death in 1896, his nephew Horatio Nelson Smith took over the management of the business. Smith & Nephew plc is a British-based multinational medical equipment manufacturing company headquartered in London, United Kingdom. It is the world's largest producer of arthroscopy products, second-largest producer of advanced wound management products, third-largest producer of trauma and clinical therapy products and fourth-largest producer of orthopaedic reconstruction products. Its products are sold in over 90 countries with 11,000 employees. In 1928 the company developed the wound management product Elastoplast, recorded in Medical Journals worldwide. Since 1998 Smith & Nephew operates in three market segments through separate "global business units" under the Smith & Nephew brand name: Advanced wound management: advanced treatments for difficult wounds. Endoscopy: products for minimally invasive surgery, based in Andover, Massachusetts. Orthopaedics: hip and knee implants and trauma products, based in Memphis, Tennessee. Smith & Nephew was incorporated and listed on the London Stock Exchange in 1937 and in 1999 the Group was also listed on the New York Stock Exchange. In 2001, Smith & Nephew became a constituent member of the FTSE-100 index in the UK. This means that Smith & Nephew is included in the top 100 companies traded on the London Stock Exchange measured in terms of market capitalisation. .Today, Smith & Nephew is a public limited company incorporated and headquartered in the UK and doing business in 90 countries around the world. A tin cylinder with a lift off lid for ‘Cellona’ Plaster of Paris bandage, 3 inches wide x 4 yards long, made by Smith & Nephew Ltd, Hull, England mid 20thCLid - CELLONA / BPC Front - CELLONA / TRADE MARK / U.K. PATENT 385,658 / THE NEW AND IMPROVED / PLASTER of PARIS / BANDAGE / READY FOR USE / 3INS. 4 YDS. Back - ADVANTAGES …….. / DIRECTIONS………/ Made in England by T.J.SMITH & NEPHEW LTD. / LONDON, HULL, MANCHESTER, GLASGOW/ MAKERS OF ELASTOPLAST.* pharmacy, medicines, smith & nephew pty ltd, hull england, london england, plaster of paris, elastoplast, hospitals, nursing, wound dressings, orthopaedics, glassware, bottles, moorabbin, bentleigh, cheltenham

Adhesive Plasterequipment

patinated plastertempus fugit, time flies, sundial, figure, female, charles douglas richardson, c douglas richardson, cd richardson, relief, sculpture

patinated plasterfaces, relief, charles douglas richardson, memories, genius, scupture, cd richardson, c douglas richardson

Donated by the artist, 1977Silver, wax and plastergippsland, artwork, permanent collection

This handmade picture has been painted on a cast plaster or composition frame. Plaster frames were popular in the e19th century. The material is quite fragile and many pictures from this era suffer from damage such as chips and cracks.This simple handmade painting on cast composite frame is typical of 19th century art work found in middle and upper class Victorian homes of that era. It cannot be attributed to a particular artist due to lack of inscriptons.Painting, oil on composite material, handmade Pink coloured cast composite oval frame with decorative border. Painting depicts two figures in a small green boat on the shore, sandy beach, rocks nearby, small surf waves, mild sea, two sailing vessels in background. No inscription on front of painting. flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, victorian art work, maritime scen, composite material, plaster, cast frame, oval frame, victorian era

2. ALBATROSS - Commissioned 23 Jan 1929. Sold 1946.Plaques - wood, plaster. 1. Plaster Insignia painted in blue, green and gold with Kings Crown, Anchor WRAN. 2. Plaster Insignia painted in navy, blue, cream, gold with Kings Crown, bird. ALBATROSS RAN. 3. Plaster Insignia painted in blue and gold. Kings crown, anchor RAN.1. W.R.A.N.S. 2. "ALBATROSS EVER WATCHFUL", 3. "ROYAL AUSTRALIAN NAVY" .plaques, ran

Inspired by the opening lines of Percy Bysshe Shelley’s 1820 poem of the same title, The Cloud has grace of line that epitomises the model of classically informed beauty. Richardson’s figure successfully follows the serpentine line of Art Nouveau sculpture while also echoing the influence of British New Sculpture with its focused attention to bodily detail and surface articulation. A bronze version of The Cloud was cast in 1987 and can be seen in the formal garden between the Brighton Town Hall and the Brighton Library.Art Nouveauplaster patinated with paint and ground coppersculpture, female figure, charles douglas richardson, the cloud, cd richardson, c douglas richardson, percy bysshe shelley, poem, art nouveau, new sculpture, flowers

Round plaster mould depicting Pegasus.Nonematcham skipper, mould, jewellery, pegasus

Plaster relief of a rectangular decorative design.Nonematcham skipper, relief, jewellery, decorative design

Oval plaster mould of a decorative designNonematcham skipper, mould, jewellery, decorative design

Rectangular plaster mould of a decorative design.Nonematcham skipper, mould, jewellery, decorative design

Plaster mould of a square decorative design. Nonematcham skipper, mould, jewellery, decorative design

Square plaster relief depicting an owl.Nonematcham skipper, relief, jewellery, owl