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Australian Queer Archives
Audio, 2SER 107.3 FM (Radio Station : Sydney, NSW) : Gaywaves : 4/8/1983 : Enola Gay special on disarmament, 1983
Produced for Enola Gay's participation in Hiroshima Day, Sat 6 August 1983, assembling at Belmore Park at 10 am under the Enola Gay banners. 0:00: Introduction and song; 3:50: Japanese instrumental music; 9:08: Commentary resumes - history of the bombing of Hiroshima, 6 Aug 1945, and Nagasaki 3 days later; 15:30: Music Tomorrow never comes until it's too late; 19:45: Commentary including accounts from survivors; 26:58: Music, Take the toys from the boys; 29:25: Commentary regarding arms race, including voice of Fabian LoSchiavo regarding dissident religious views in the USA; 33:05: Music, California dreaming; 36:10: Commentary re the practicalities of bomb shelters; 38:00: Music, Cancer, cancer; 41:40: Commentary re peace marches in Europe, health effects of radiation, civil defense in nuclear war, music; 47:35: Music, Universal soldier (cut off towards end), anti-war parody of Yankee Doodle Uncle Sam with Australian refs (Omega, Pine Gap etc); 59:10: Commentary regarding nuclear bomb testing at Marilinga (SA) and Monte Bello islands; 1:01:15: Music, 'But I aint a marchin' any more'; 1:04:05: Commentary re costs of arms race - refs to gay and feminist anti-war groups overseas; 1:05:58: Music, Down by the riverside/Aint gonna study war no more, promo for Enola Gay and prep for Hiroshima Day, instrumental music, music US forces (Midnight Oil), Soft touch (Poison Girls); 1:26:56: Music, Thank Christ for the bomb, eerie instrumental music, Maralinga (Midnight Oil), Not another bomb song, ending at 1:39:00.Maxwell UD XL I - C90 cassette tapeInscribed in biro on label: "ENOLA GAY Disarmament Special - Gaywaves 2SER 4/8/83."anti-nuclear activism, gay and lesbian activism, hiroshima day -
Australian Queer Archives
Banner, Gay Solidarity Group : International Gay Solidarity, c.1978, 1978
This banner was produced by the Gay Solidarity Group (GSG) for use in the first Mardi Gras, one of the events held as part of the Day of International Gay Solidarity, held on 24 June 1978. The banner was displayed on the side of the truck that was used in the Mardi Gras. It was subsequently used in numerous protests and demonstrations by GSG into the late 1980s.White text on green canvas backing, ends folded and stitched with red cotton, reinforced by black tape. -
Australian Queer Archives
Flyer, His own special friend, 1993
Associated text: "Cyclone Productions presents : His own special friend : a two man show by Darwin author Dino Hodge, based on the first chapter of his book : Did you meet any malagas? A homosexual history of Australia's tropical capital. 3 nights only Dec 9, 10, 11, Brown's Mart. In conjunction with the show will be an exhibition of Male nudes and Territory landscapes, by Ian Hanse. Exhibition opens 7:30pm. Performance at 8:30pm. Drinks and copies of the book available.darwin, gay, aboriginal and torres strait islander -
Australian Queer Archives
Ephemera, Strategy Against Right-Wing Attacks (S.A.R.A) [kit], 1980
The Strategy Against Right-Wing Attacks (S.A.R.A) kit was produced by wimmin from around Australia following the 1980 National Wimmin's Conference, Darwin, NT. It includes a fantastic set of papers from a forum on the state of feminism in Australia discussing right-wing attacks on women's organisations, and highlights success stories for attacking back. The kit was meant to be added to through a national network of SARA contacts in each state.women's liberation movement, lesbian feminism, darwin -
Australian Queer Archives
Periodicals, Australian Bisexual Network, National Biways, 1992-1999
Cover title. Subtitle: National newsletter of the Bisexual Movement in Australia. Produced by the Australian Bisexual Network, incorporating Biways newsletter form Western Australian Bisexual Network. bisexuality, bisexuals -
Australian Queer Archives
Ephemera, Radicalesbians, Bisexuality [Conference Paper], Radicalesbian Conference, Sorrento, Victoria, 6-8 July 1973, 1973
The attached paper was presented to the Radicalesbian Conference held in Sorrento over the weekend of 6-8 July 1973. Barb Creed presented this paper written by Barb, June, and Jenny. As Chris Sitka notes in her history of the Radicalesbians, the paper was easily the most controversial of the Conference, generating a significant amount of hostility. The implication that many drew from the paper was that 'bisexuality was the really non-sexist form of relating because only bisexuality was breaking down gender divisions.' Participants subsequently highlighted their resentment towards the paper as stemming from the 'fact that we were reclaiming our lesbianism... Meanwhile bisexuals were only trying to reap the privileges of heterosexuality while enjoying benefits of lesbianism.'radicalesbians, bisexuality -
Australian Queer Archives
Periodicals, Bifocal, 1994-1996
BAM (Bisexual Awareness in Melbourne) was a group of bisexual individuals and allies that provided information and support for bisexuals, their partners, and friends. BAM provided newsletters, and ran social, discussion, and political groups. bisexuality, bisexuals -
Australian Queer Archives
T-shirt, Real : Visible : Here : Bisexual+ Community Perth, September 2017
This t-shirt was produced for Bisexual Visibility Day 2017, also known as Celebrate Bisexuality Day, which is celebrated on the 23 September.White short-sleeved t-shirt.A rectangle on the chest with a vertical bisexual pride flag is overlaid with text in white.bisexual -
Australian Queer Archives
Photograph, Roberta Perkins speaking at the Australian Transsexual Association (ATA) and Gay Solidarity protest, Manly, Sydney, October 1982, October 1982
In October 1982 the Australian Transsexual Association (ATA), supported by the Gay Solidarity Group (GSG), staged the first transgender protest in Australia. The protest was held to challenge a recent judgement against two transgender women, who a Magistrate ruled were men. In response NSW Attorney-General said that ‘Attorneys-General of the six states had committed to new legislation to recognise the validity of sex changes’.transsexual, transgender -
Australian Queer Archives
Ephemera, Laurie Lane's Leather World [tag], c.1985-1989
leather, bdsm, fetish -
Australian Queer Archives
Catalogue, Leather World at The Beat, 1987
leather, bdsm, fetish -
Australian Queer Archives
Poster, Cathie Knox, International Women's Day 1995, 1995
The use of the colours purple, green and white reference the colours used during the first wave feminist movement initially in the UK by the Women’s Social and Political Union (WSPU), and subsequently emblematic of the Australian women’s movement.Graphic illustration of a naked female seated figure in purple, white and red, against a background with 'rays' of purple, green and white. Main text in red, with additional text at base in purple.Additional text: "A woman's place is… …in the struggle : 24th consecutive rally and march : 6:30pm steps of Parliament House : Dance afterwards 8:30pm Brunswick Town Hall (cnr. Sydney Rd. + Dawson St.)."women's liberation -
Australian Queer Archives
Poster, Women of the world Unite! : International Women's Day, Melbourne, 8 March 1975, 1975
Poster features a purple and white photograph of a group of women marching at a rally, against a white background, with a purple line border, and text in purple at the base.Additional text: "Meet: March 8th at Assembly Hall, 156 Collins Street, 7.30pm. Meet: March 10th: City Square, 10am. Women of the world unite!"women's liberation -
Australian Queer Archives
Uniform - Textiles, Tony Shaw's Roo BC overlay, c.1970s-1980s
This motorcycle club overlay belonged to former Roo BC [Roo Bike Club] President Tony Shaw, and dates from the mid 1970s.Sleeveless blue denim jacket with green and yellow trim to the sleeve holes, with various patches to the front, and a large club patch on the back.gay, motorcycle club -
Australian Queer Archives
Uniform - Textiles, Jasper Laybutt's Dolphin Motor Club overlay, c1990s, 1990s
This Dolphin Motor Club, or DMC, overlay belonged to Jasper Laybutt, a highly active member of the Sydney LGBT community of the 1980s and 1990s, co-founding organisations like Wicked Women, Girls and Guys of Disgrace (G.O.D.), and Boys Will Be Boys. Sleeveless blue denim jacket with light and dark blue ribbon trim on the sleeve holes, with cotton patches and metal and enamel badges on the front, and a large club patch on the back.motorcycle club, transgender, gay -
Australian Queer Archives
Uniform - Textiles, Colin Simson's Roo BC overlay, 1970s-1980s, 1970s
This Roo BC overlay was worn by Colin Simon int he 1970s and 1980s, and documents the wealth of club activities undertaken by one of the earliest gay motorcycle clubs in Sydney, NSW, Australia.Sleeveless blue denim jacket, or overlay, with yellow and green ribbon trim on the sleeve holes, and a large number of cotton patches, as well as metal and enamel badges on the front, and a large club patch on the back.motorcycle club, gay -
Australian Queer Archives
Uniform - Textiles, Paul Costello's Dolphin Motor Club overlay, c.1980s-1990s, 1980s
This Dolphin Motor Club overlay was worn by Paul Costello in the late 1980s and early 1990s.Sleeveless blue denim jacket or overlay, with light and dark blue ribbon on the sleeve holes, with cotton patches and metal and enamel badges on the front, and a large club patch on the back.gay, motorcycle club -
Australian Queer Archives
Book, Ultrasex (beyond division), 2019
"Autobiography of the first person to be declared by a final court judgment to be of non-binary sex. Perhaps TMI, a few extraordinary ups and downs, more than a few ordinary ups and downs, and the odd bit of hippy cosmology and amazingly effective amateur lawyering. Begins with the tale of when I was a boy, which wasn't very often..." -- Back cover.non-fiction"Autobiography of the first person to be declared by a final court judgment to be of non-binary sex. Perhaps TMI, a few extraordinary ups and downs, more than a few ordinary ups and downs, and the odd bit of hippy cosmology and amazingly effective amateur lawyering. Begins with the tale of when I was a boy, which wasn't very often..." -- Back cover.non-binary, autobiography, transgender -
Women's Art Register
Book, Susie Bright et al, Madonnarama: essays on Sex and popular culture, 1993
A collection of essays from various critics, activists and artists on the phenomenon that is pop-icon Madonna.non-fictionA collection of essays from various critics, activists and artists on the phenomenon that is pop-icon Madonna.susie bright, pat califia, cathay che, bell hooks, kirsten marthe lentz, carol a. queen, queer theory, popular culture -
Public Record Office Victoria
Document (item) - The prison letters of George Bateson
In Victoria’s State archives there is a remarkable cache of letters written by George Bateson, who was arrested and convicted of sodomy in late 1860. There are some 200 letters addressed to notable Victorians including the governor, premier, inspector-general of penal establishments, members of parliament, and lawyers. These rare documents provide powerful evidence of homosexual life and the impacts of mid-nineteenth century laws relating to sodomy. The story begins on an evening in November 1860, when 19-year-old William Gardner went to the police to complain that the previous evening, when he was staying at a city hotel with George Bateson, he had been subjected to Bateson’s sexual advances. The police asked Gardner to meet with Bateson again the following evening and when their sexual connection was sufficiently advanced, Gardner should cough twice. He agreed to the plan, and when Gardner coughed the police emerged from a closet in the hallway, catching the two men in the act. Bateson was convicted of sodomy in 1860, but his death sentence was recorded rather than pronounced. In due course the Governor of Victoria commuted the sentence, as was usual for the crime, and instead sentenced Bateson to 15 years’ hard labour, with the first three years to be spent in chains. In 1871, Bateson was released, having spent four years less in prison than his original sentence. During and after his time in prison, Bateson wrote letters to the authorities to assert that he was innocent, falsely accused and the victim of a conspiracy. He demanded that this terrible miscarriage of justice should be reversed and a pardon granted to him. Bateson was not the first man in Victoria to be convicted and sentenced in this way; nor was he the first to petition for redress. But the extent of his letters and the scope of the issues raised in them offer a remarkable insight into homosexual life in the mid-nineteenth century, such as how men might meet each other, and approaches to police and punish homosexual behaviour. Bateson’s letters provide crucial evidence to expand our understanding of Victoria’s queer past. Quoted from "A History of LGBTIQ+ Victoria in 100 Places and Objects" by Graham Willett, Angela Bailey, Timothy W. Jones and Sarah Rood. -
Public Record Office Victoria
Letter (item) - Mr Cleal’s Letter to the Chief Commissioner of Police
In October 1901, Mr B. Cleal wrote to the Chief Commissioner of Police complaining about the large number of effeminate young men using ‘various conveniences’ for ‘an evil of the most terrible description’. Mr Cleal’s letter is part of a remarkable collection of documents held by Public Record Office Victoria that are valuable to LGBTIQ+ history and heritage in providing unparalleled insight into where and how beats operated in and around the city at that time. By ‘conveniences’ Cleal meant public toilets, and he listed the busiest of them: the corner of Rathdowne and Victoria streets; Lansdowne Street, East Melbourne; under the viaduct opposite the Customs House in Flinders Street; at the rear of the old City Court in Little Collins Street; and under the viaduct at the foot of King Street. Cleal described in detail how these beats worked: ‘One cannot enter but two or three of the above fellows rush in and on pretence of using same will pass some disgusting remark concerning one’s person etc’. The Chief Commissioner despatched one of his officers, Sergeant Canty, to investigate. Canty’s report provides further detail and description of who he encountered at the public toilets. He reported that men ‘known by the term “Pufters” [sic], are generally well dressed, sober, quiet in their manner and some of them very well connected’. Canty further noted about these men: 'it is often very difficult for the police to catch them offending, and if they do at any time make filthy or indecent overtures to any man, they believe him to be similarly inclined, but should they make a mistake the man insulted never thinks of giving any of them in charge [complaining to the police], but sometimes gives the offender a well-deserved blow or kick instead, of which the recipient never complains.' Sergeant Canty admitted that the problem had existed for some time. But, he added, ‘I don’t think the evil complained of is as great as said in attached [Cleal’s letter]’. In reviewing the file, Canty’s supervisor noted that Cleal, ‘appears to have given these resorts considerable attention’. Much of the evidence for same-sex activity in Melbourne in the early twentieth century comes from court cases and sensationalist news reports. With their eyewitness accounts of the use of local beats, these documents in the collection of Public Record Office Victoria provide a more detailed, understated account, making them some of the more unusual and historically significant records in Melbourne’s queer history. Quoted from "A History of LGBTIQ+ Victoria in 100 Places and Objects" by Graham Willett, Angela Bailey, Timothy W. Jones and Sarah Rood. -
Mrs Aeneas Gunn Memorial Library
Book, Wyatt & Watts, Chaos enthroned, 1945
Fact or fiction or fantasy or a treatise on economics or a political manifesto? Or a queer mixture of them allp.337.fictionFact or fiction or fantasy or a treatise on economics or a political manifesto? Or a queer mixture of them allaustralia - fiction, novels - australia -
Mrs Aeneas Gunn Memorial Library
Book, Chatto & Windus, The proud servant : the story of Montrose, 1936
The interwoven story of James Graham, first Marquis of Montrose, and his king. A queer tale of sedution and witchcraft.p.528.fictionThe interwoven story of James Graham, first Marquis of Montrose, and his king. A queer tale of sedution and witchcraft. montrose 1612-1650 - fiction, scotland - fiction -
Merri-bek City Council
Ceramic - Ceramic, acrylic paint, gold lustre and mix media, Bundit Puangthong et al, FOOD, 2018
These captivating pieces are part of a series called "FOOD / FLESH / FAME," a collaborative effort between Melbourne-based Thai artists Bundit Puangthong and Vipoo Srivilasa. Drawing from Buddhist teachings, the series explores the three elements of attachment: Food (consumption), Flesh (sex), and Fame (power). Although these elements are known to cause suffering, they remain persistently alluring, a paradox that the artists intend to explore further in the future. In creating these pieces, Vipoo Srivilasa initiated the process by sculpting three figures with bare surfaces. Bundit Puangthong then added his artistic touch by painting each sculpture. The artists' conceptual visions harmonized perfectly, especially considering their shared commitment to Buddhist principles, which frequently inspire their respective artistic practices. After Bundit completed his painting, Vipoo enlivened the pieces by adding eyes to the figures. He also embellished the works with pom-poms, lending them a softness that makes them appear both approachable and innocent, despite the weightiness of their themes. Each sculpture embodies a specific teaching from Buddhism: "FOOD" depicts a durian, the king of fruits, painted by Bundit Puangthong. He notes, "Despite its pungent aroma, many people still love to eat it."Donated the by the artists -
Merri-bek City Council
Ceramic - Ceramic, acrylic paint, gold lustre and mix media, Bundit Puangthong et al, FLESH, 2018
In creating these pieces, Vipoo Srivilasa initiated the process by sculpting three figures with bare surfaces. Bundit Puangthong then added his artistic touch by painting each sculpture. The artists' conceptual visions harmonized perfectly, especially considering their shared commitment to Buddhist principles, which frequently inspire their respective artistic practices. After Bundit completed his painting, Vipoo enlivened the pieces by adding eyes to the figures. He also embellished the works with pom-poms, lending them a softness that makes them appear both approachable and innocent, despite the weightiness of their themes. Each sculpture embodies a specific teaching from Buddhism: "FLESH" features a golden umbrella, serving as a metaphor for sex.