A medal celebrating the visit of the Duke and Duchess of Cornwall and the birth of the Australian Commonwealth in Melbourne, 01 - 11th May 1901.bendigo, gold mining, qc binks, cornwall, royalty, melbourne, qc binks.

Public reception by Mayor outside the Town Hall.royalty, ballarat town hall, persons, building, costume, hrh duke of york, hrh duchess of york

The visit to Ballarat was on 2nd June 1920 to open the Arch of Victory.hrh prince of wales, royalty, ballarat railway station, building, vehicle, persons, costume

The visit to Ballarat was for the opening of the Arch of Victory on 2nd June 1920.hrh prince of wales, royalty, ballarat railway station, persons, public, vehicle, costume

The first meeting of the 1st Bendigo Guides was held by Miss Merle Bush on the 22nd of August 1922 in the St Paul' School Room. Twelve girls were present. Miss Bush was given permission to open the Company by Miss R. Hamilton, State Secretary for Victoria, she received her Captain's Warrant on 12th December 1922.Letter with black border on parchment paper - Buckingham Palace 3rd March 1952 - Black typing and blue handwriting. Typed address a at the bottom -rectangular envelope with black border with Royal insignia on back of envelope3rd March 1952. Dear Madam I am commanded by the Queen to express to you and to all those on whose behalf you wrote her sincere thanks for your kind message of sympathy in her great loss. Her Majesty greatly appreciates their thought of her and her family at this time Yours truly Edward Ford - The Divisional Commissioner -The Northern Division Girl Guides Association of Victoria Serpentine Victoria Australiagirl guides, guiding, merle bush, trefoil guild, queen elizabeth ii, buckingham palace, royalty

Carbon copy of Correspondence dated 15 June 1916 between The Municipal Tramways Trust of Adelaide and the Secretary of the Prahran and Malvern Tramways Trust regarding the "Woods Gilbert Rail Planning Machine". Consists of - Carbon copy (on quarto paper) from W. Goodman, on MTT letterhead to W. Strangward of the PMTT regarding assistance for the machine (and two carbon copies of the same letter on plain paper) and a carbon copy of the agreement between the Woods Gilbert Rail Planer Co. Limited of Victoria and the MTT giving details of Royalties, use and letters Patent. Gives the names of the parties who signed the agreement - dated 1915.trams, tramways, pmtt, letters, mtt, trackwork, rail wear, rail planning, machines

Quat Quatta, Ropponlea, Lion statue on porchblack and white photograph, mounted, original, good conditionOn Back: The reason why I chose to take this photo is because Ripponlea has an historical background and this building is very old. I put the photo in black a nd white to symbolise this. As you can see in the photo there is a lion that shows royalty and that we are a strong community. Also, the plants in the photo are well cared for which shows our communities respone for nature. By Bailey Troeth

This is a photo of the "Queen Competition", probably the best remembered entertainment of the 1930's. Four local lasses were chosen to represent the following: Bellfield Hotel, Grampians House, The Cricket Club and the Grampians Mountains. When the long awaited evening came each Queen and her attendants paraded through the hall, the results were announced and the winner (who this year was Valerie Evans) took her place on a throne erected in the middle of the stage. The other Queens made their way to thrones on either side of her. The audience were treated to a right royal display as the "Bishop" placed a crown on the winner's head. Much merriment followed including a play, with students dressed as Minnie and Mickey Mouse and other Disney characters. For the names of the people in the photo refer to "Bridging the Gap" by Ida Stanton, p.88. The photo shows a group of people arranged on and below a dais. There is a woman dressed as royalty sitting on a throne in the centre, flanked by a man dressed as a bishop on the left and a man dressed as a courtier on the right. There are two young girls in long white dresses wearing flowered bands in their hair standing in front of the men. There are more girls in white dresses and flower bands along both sided of the dais and two youths wearing ruffle fronted shirts and holding batons/walking sticks(?) at the front of each row of girls. Carpeted steps lead down from the dais and in front of the dais on either side are two boys dressed as pages. Flower arrangements flank the foot of the stairs.recreation, entertainment

Visit of HRH The Prince Edward, Earl of Wessex KG GCVO to Federation University Mt Helen Campus. Prince Edward is Chair of the Trustees of the Duke of Edinburgh's International Award Foundation.prince edward, earl of wessex, royal visitor, federation university, wudawurrung smoking ceremony, helen bartlett, paul hemming, royalty

Artist's Statement: I spent time visiting the barracks, museums, libraries, gaining information, making special pencil drawings and colour notes, when and where possible. Preparatory drawings for larger paintings were always on detail paper. The reason for this was I could use both sides, correfting mistakes on either side, until a satisfactory end. I use this procedure so that the surface of the painting paper was not effected by erasion. The final drawing was traced on having rubbed a stick of charcoal on the detail paper. I have used this procedure from my early days as a commercial artist. In drawing each horseman fully and tracing each horseman fuly in his place in relation to the whole and rubbibg out the parts covered by the nearer objects. Such essential things as legs and shadows are sure to be in the right place. Most of the pencil drawings of the palace gates, and other features I needed had to be made from a standing position. all these were filed for future reference. Everything had to be in the right proportion to the palace gates. The procedure for the Escort is as follows: If the Life Guards mount the escort an officer of the Blues rides at the right of the coach by invitation. The Guards officer rides on the left. Then follows the Standard flanked by a commissioned officer on the right. The trumpeter on the left. The trumpeter rides on a white horse. He has a selection of twelve different uniforms. After that follows the unit. The stirrups used by the officers are squarish. The troopers stirrups are a conventional form. All personnel riding and on no account rise in the stirrups as normally they would at the trot. This modifies the ragged impression of heads bobbing up haphazardly - their behinds become acclimatized in time." Gift of the Artist, 1981. Allan BERNALDO (05 August 1898-25 June 1988) Born Creswick, Victoria Allan Bernaldo won a scholarship to the Ballarat School of Mines to study Architecture. He received a certificate of merit in 1917, and the Ballarat School of Mines President's medal for the most meritorious Art student. Allan Bernaldo was editor of the Ballarat School of Mines Magazine in 1918. He became known as a commercial artist, teacher and water-colourist who specialiesd in horses and flowers. He died at St. Ronan’s Nursing Home in Armadale, Victoria and was buried at Springvale Botanical Cemetery, with his wife Florence Victoria May Elliott, who predeceased him in 1966. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Gift of Allan BernaldoFramed watercolour painted from materila gathered while the artist was in London during 1952 showing the queen's guards on horseback. art, artwork, bernaldo, allan bernaldo, royalty, guards, watercolour, available

Red cloth bound copy of M H Ellis's account of Legacy with a paper dust jacket with photosnon-fictionhistory, ellis

l.r; BAXTER'S/PATENT/OIL/PRINTING/11 NORTHAMPTON SQUAREqueen victoria, royalty, british royal family, leader, monarchy, gown crown, portrait, work on paper, print

Black and white image of H.R.H. The Duke of Edinburgh and and his brother, in Mining Costume after descending the Band of Hope Gold Mine, Ballarat. R.M. Serjeant stands to the left. ballarat, band and albion gold mine, mining, duke of edinburgh, royal visit, princes, robert malachi serjeant, r.m. serjeant, royalty

Special coronation issue of the sun news - pictorial dated Monday, June 1st, 1953. on the front a photo of queen Elizabeth II in her royal carriage with the words " happy and glorious, long to reign over us: God Save The Queen!" On the back a photo of Queen Elizabeth II and Philip, Duke of Edinburgh. With the words underneath: The Queen and her consort in state dress. with her robe and garter collar, the Queen wears the diamond tiara-crown which from tomorrow will be replaced on high occasions by the Imperial State Crown. Contents: Elizabeth is crowned - Chair and stone of destiny - The coronation story - The queen's reign - The regalia and its history - King George VI - The royal romance - The royal family tree - Princess Margaret - The royal children - The queen and the people - The mountbattens - Queen Mary - The first Elizabeth - The economics of royalty - Empire/Commonwealth - The coronation route.newspaper, sun news -pictorial, coronation issue

During a visit to Mount Helen campus a student presented Prince Charles a dandelion for his lapel. The Sun of 29 October 1974 ran the headline 'Some Splendid Girl Gives Charles Flower'. The newspaper reported that Prince Charles did not have the flower when he left a Ballarat Civic Hall reception for a tour of the Institute of Advanced Education at Mt Helen. When asked where he got the flower Prince Charles said 'It was given to me by some splendid girl'. In September 2022, after the death of Queen ELizabeth II, Prince Charles became the King.Colour photographs of Prince Charles' visit to Ballarat Institute of Advanced Education at Mount Helen. .1) Police escort for the visit of Prince Charles visit to Ballarat Institute of Advanced Education at Mount Helen .2) Ballarat Institute of Advanced Education student look inside Prince Charles' car. .3) Left to right: ? , Morgan B. John, Prince Charles, Jack Barker. .4 & .5) Prince Charles receives a dandelion for his lapel from a Ballarat Institute of Advanced Education at Mt Helen looked on by Morgan B. John (brown suit) and E.J. (Jack) Barker .6 & .7) Morgan B. John, President of the Ballarat School of Mines Council, farewells Prince Charles. E.J. Barker looks on, and Education Minister Lindsay Thompson stands to the far left (navy suit). The dandelion is evident in Prince Charles' lapel. .8) Prince Charles leaves Mount Helen Campusprince charles, mount helen campus, ballarat college of advanced education, m.b. john, morgan b. john, e.j. barker, royalty, royal visit, dandelion, king charles, king charles iii

A small booklet titled 'Royal Visit. Queen Elizabeth II and Duke of Edinburgh Souvenir.' Inside it contains a photo of Her Majesty Queen Elizabeth II and an itinerary of the Bendigo tour. On the back of the booklet is a photo of Her Majesty Queen Elizabeth II and H.R.H. Duke of Edinburgh. 5th March, 1954.royalty, british, royal tour, lydia chancellor collection, collection, royal visit, british royal family, royal family, event, queen elizabeth ii, duke of edinburgh

A guarantee in the form of a wall hanging which would have been issued with a special piece of 'Crown Devon' musical pottery designed by Beresford Hopkins and produced at the factory in Stoke-on-Trent. It is in the form of a scroll with a decorative red and black design. Produced for the Coronation of King Edward VIII who abdicated in 1936.handcrafts, ceramics, lydia chancellor, collection, scroll, guarantee, 'crown devon musical pottery, king edward viii, royalty, royal coronation, ceramics, pottery

Red hardcover book published by Legacy Club of Adelaide in 1970.non-fictionhistory, adelaide legacy, coleman

A postcard containing a photograph of King Edward V11 and Queen Alexandra.postcard, photograph, royalty, lydia chancellor collection, collection, british royalty, royal family, person, male, female, postcard, king edward v11, queen alexandra

Document with Bendigo Seal - It reads - May it please your Royal Highness. We, The Mayor,Councillors and Citizens of Bendigo desire to express our continued and devoted loyalty to the Throne and Person of His Majesty King George V., your Royal Sire and her Her Majesty Queen Mary. The visit of your Royal Highness to the Southern portions of His Majesty's Dominions is hailed with delight in as much as it evinces the length and continuance of the recognition of Australia's Royalty to the British Throne. In the year 1881 your Royal Father visited our shores as Prince George of Wales and again in 1901 as the Duke of Cornwall and York, two most memorable occasions in Australia's History. We now desire to assure Your Royal Highness that your visit will also remain in our minds as one of the most pleasant of all memories. Given under the Seal of the Corporation of Bendigo. Written on the bottom in own hand writing. 'To my friend Mr. Maher, with compliments From the illuminator.'civic mementoes, royal souvenirs, king and throne., bendigo council. affirmation of allegiance to king and throne.

Roderick William Mills, known as Saltbush Bill, was the inspiration for several poems by A.B. Paterson. Born at Balnarring in 1869, Mills earned the title of Saltbush Bill whilst working on a cattle station in Queensland. On these long droving trips, he learnt the art of cracking stock whips of many different lengths and sizes, a skill that earnt him £100 after a Melbourne saddler, J.K. Jennings, suggested that no man could crack a 65-foot stock whip in three tries. Saltbush Bill succeeded on his first attempt and decided to make a career in entertainment with his skill. Over his career he performed for royalty, travelled and performed extensively overseas and lent his skill to fundraising efforts, particularly during the war. His last concert was given in the Boomerang Hall in Dandenong in 1926.A local resident of the City of Moorabbin, Saltbush Bill was an ambassador for Australia and a literary inspiration to A.B. (Banjo) Paterson. Saltbush Bill, his wife Hannah Louise Porter and their 11 children lived in Old Dandenong Road, Heatherton, where Saltbush Bill and Hannah conducted a market garden for many years. Saltbush Bill is buried in Cheltenham's Pioneer Cemetery.Black and white digital imageheatherton, banjo paterson, saltbush bill, stock whip, entertainment

In 1964 Legacy was involved with the release of a rose that was dedicated to Legacy. It as a raised bush variety by RT Hamilton, Heidelberg. 'It is a deep rose pink, reliably splashed with white, large double and well-formed exhibition blooms'. The proceeds of the sale of the plants were donated to Melbourne Legacy. In 1974 a rose was released as 'Legacy Jubilee' which was 'a yellow with the tips of the petals suffused red'. It was profiled in 'The Australian Rose Annual' and distributor Mr John Neil of 'Australian Roses' had over 2,000 plants available for sale. Letters include replies to requests to purchase and receipt of donations. In 1975 Mr Neil wrote a note with a cheque for $100 as royalties and donation, and President Braidie replied with a letter of acknowledgement. Also see item 00155 for the 1974 brochure and order form of the two roses.An example of a fundraiser by Legacy in 1964 and 1974.Various documents relating to selling rose bushes called 'Rose Legacy' and 'Legacy Jubilee', and where it featured on a Christmas card.fundraising, legacy promotion

The Prince of Wales visited Mt Helen on 28 October 1974. At that time the campus was four years old. In September 2022, after the death of Queen Elizabeth II, Prince Charles became King Charles III..1) Visit of Prince Charles to the Ballarat Institute of Technology. Five men stand outside a single storey brick building with large windows. .2) Same as for .1) but in colour. Student Union President Peter Shepherd is in the photograph. .3) Prince Charles and students from the Ballarat College of Advanced Education. .4) Prince Charles and Minister Lindsay Thompson .5) Four men gather around Ballarat College of Advanced Education Metallurgy Student, Michael Martin, as he demonstrates a projection microscope to Prince Charles. From left to right: Lindsay Thompson (State Minister for Education), E.J. Barker (Director Ballarat College of Advanced Education), Brian Sunter (Head of Metallurgy), Michael Martin (student). .6) Prince Charles with Brian Sunter, Head of Metallurgy and student Michael Martin examining a projection microscope. .7) Prince Charles, E.J. Barker and Ballarat College of Advanced EducationPrince Charles and a party of Ballarat College of Advanced Education studentsstudents .8) Prince Charles and a party of Ballarat College of Advanced Education students .9) Prince Charles and a party of Ballarat College of Advanced Education students .10) Prince Charles talks to Ballarat College of Advanced Education students .11) Prince Charles and E.J. Barker .12) Prince Charles and party inspect students working on equipment. .13) Prince Charles, students, Minister for Education Lindsay Thompson and Brian Sunter .14) Prince Charles and a party of Ballarat College of Advanced Education studentsVerso Handwritten "Return to Director's Secretary" Stamped "Ballarat College of Advanced Education" Handwritten "Visit of Prince of Wales 28 Oct 74" Stamped "N.L. Harvey & Sons photographers.ballarat college of advanced education, mt helen, jack barker, prince of wales, bcae, prince charles, michael martin, mike martin, lindsay thompson, ej barker, brian sunter, colin kline, peter shepherd, minister for education, royal visit, royalty, prince charles iii

Black and white image of H.R.H. The Duke of Edinburgh and Suite, in Mining Costume after descending the Band of Hope Gold Mine, Ballarat. ballarat, band and albion gold mine, mining, duke of edinburgh, royal visit, lord newry, elliott yorke, manners sutton, verdon, baker, haig, rothwell, canpbell, o.w. brierly, paget, redan, royalty

This publication covers the mid 1900s and relates to a period where the majority of the Australian population was engrossed with the Queen of Australia, even though her Highness did not reside on this continent. The period covered was before the great immigration insurgence from Europe.The Labour Party's "White Australian" policy was a hinderance and a barrier towards the Asian and African prospective immigrants. The motto Queen and Country was still very ingrained in the rural population. This period in Australian domestic self reliance, brought about the growing strength and very active trade union movement and their staunch support for the Tariff protection against a growing swell of imported goods. This self reliance psyche was essentially a by product of World War II, and the isolation felt by the Australian People. The Queen (royalty) was the binding force holding the British Empire together which was emphasised with her popularity when touring Australia Queen Elizabeth's visited the MCG twice in 1954 1. to attend an assembly of ex-servicemen and women's organisations 2. to attend a Children's Display. She also visited Government House and visited Country Victoria on the Royal train from 24th Feb - 9th March.The Kiewa Valley and all the rural areas in the region were still very much tied to the "mother land" and trade between Britain and Australia was very strong. Trade with Asian manufacturers was minimal and needed the late 1900s to see both the trade and immigration barriers fall. This book was produced during a time when the majority of Australians looked more to England for trade and companionship. The agricultural trade with England and Europe was very high and the motto of the time was "Australia grows on the sheep's back". Late 1900's saw the motto "Australia grows on the miner's back" The Queen was still very popular then which was emphasised by the large crowds which greeted her on tour. Residents of Mt Beauty including Cubs, Brownies, Scouts and Guides travelled to Benalla to see the Queen. Clare Roper was a founding member of the KVHS and attended a garden party at Buckingham Palace representing the local CWA. She has purchased this book and therefore giving this a close historical significance connection, it has good provenance and interpretive capacity. This hard(blue coloured) covered book contains thirty six double sided pages. Both the first and last pages (inside cover included) has the royal crest of Australia (kangaroo and emu) balancing the individual six states crests ,united under the royal crown. The first six double pages, each portraying a coloured free hand sketches of various Australian scenery enclosing the Queen's day by day and State by State itinerary. There are 115 black and white photographs and 25 coloured photographs contained in this book.Third page has free hand penned signature "Clare Roper"1954 royal tour, queen elizabeth ii monarchy, british empire in the 1900s, god save the queen.

The egg preservation material offered in this tin was during a period in Australia's history (especially in the rural areas) when the "freshness" of produce was not able to be maintained by refrigeration means. Rural towns did rely on the "Ice Works" providing block ice for prolonging "produce shelf life" however semi remote and smaller communities did not have that facility. It was products such as this egg preserving ability that enabled these smaller rural communities to maintain a constant source of healthy "short life" organic produce.This tin which contained egg preservative powder is very significant to a rural region (Kiewa Valley) in the late 1800's to early 1900's. It details the type of food preservative methods that were available to rural areas which lacked proper refrigeration means at their disposal. Basic foodstuff which required "special" preservation means to extend their "shelf" life were sometimes regarded as luxuries by semi remote communities. Kiewa Valley and its regions were typical of these remote communities in the time frame of this egg preservation product. The ability to keep products that deteriorate due to "normal" outdoor temperature (bacterior prone produce) was a factor of rural living.This round "tubular" tin has a indented lid which fits snugly into the top opening. The lid has a rolled out lip which ensures a degree of "air" tightness. The tin is pressed and folded together and has no synthetic inner cover to protect the egg preservative powder from the raw tin surface. This "raw" method was the typical application for all tins containing dry food stuffs in this period(mid 1900's) of goods manufacture. The outer tin surface has a tightly pressed laminated paper label with product and manufacturer's information (promotional, preservation "tips" and usage details - will preserve sixteen dozen eggs). On the "front" side "EGG PRESERVATIVE" underneath "OVO" ,underneath "REGISTERED" and in a double lined enclosed square "AWARDED TWO GOLD MEDALS" underneath is a sketch of a mixing dish containing fourteen visible eggs. The bottom label has within an oval boundary (white print on a blue background) "FOR HOUSEHOLD USE" underneath "OVO" and underneath "PRESERVES EGGS PERFECTLY WITHOUT MESS OR TROUBLE" On the opposite side of the tin is printed "VICKERY'S FIRST & ONLY ORIGINAL EGG PRESERVATIVE - in red print. Underneath this is a "round stamp" with the figurehead(royalty) and these encircling words" TASMANIAN INTERNATIONAL EXHIBITION" with a scrolled "GOLD MEDAL HOBART 1895" with another medal like "medallion" showing another female face with a "warrior" headdress and these encircling words "HONOR TO WHOM HONOR IS DUE". Below this within a scrollis printed "GOLD MEDAL BALLARAT 1896" underneath this is printed "MANUFACTURED BY OVO PROPRIETARY LIMITED BALLARAT"egg preservation, rural food storage, kitchen preservation facilities

Roderick William Mills, known as Saltbush Bill (left) with his sons, James Charles Mills (centre) and John James Mills (right), in London. In 1917 Saltbush Bill travelled from America to London after giving shows in various cities of the US, to spend time with his sons. James and John Mills were serving with the AIF and on leave from the French front in London. Saltbush Bill remained in London for the rest of the war as he was unable to return to Australia. Saltbush Bill, was the inspiration for several poems by A.B. Paterson. Born at Balnarring in 1869, Mills earned the title of Saltbush Bill whilst working on a cattle station in Queensland. On these long droving trips, he learnt the art of cracking stock whips of many different lengths and sizes, a skill that earnt him £100 after a Melbourne saddler, J.K. Jennings, suggested that no man could crack a 65-foot stock whip in three tries. Saltbush Bill succeeded on his first attempt and decided to make a career in entertainment with his skill. Over his career he performed for royalty, travelled and performed extensively overseas and lent his skill to fundraising efforts, particularly during the war. His last concert was given in the Boomerang Hall in Dandenong in 1926.A local resident of the City of Moorabbin, Saltbush Bill was an ambassador for Australia and a literary inspiration to A.B. (Banjo) Paterson. Saltbush Bill, his wife Hannah Louise Porter and their 11 children lived in Old Dandenong Road, Heatherton, where Saltbush Bill and Hannah conducted a market garden for many years. Saltbush Bill is buried in Cheltenham's Pioneer Cemetery.Black and white photograph of three men, one seated behind a table and two standing. The two standing are in military uniformsHandwritten in blue ink: K000733saltbush bill, stock whip, entertainment, heatherton

Staffordshire dog figurines are matching pairs of pottery spaniel dogs, standing guard, which were habitually placed on mantelpieces in 19th-century homes. Mainly produced by Staffordshire pottery factories, these earthenware figures were also made in other English counties and Scotland. They are also known as hearth spaniels or fireplace dogs as they were positioned on top of the mantelpiece. Many other breeds were produced, particularly the greyhound, though the spaniels were especially popular and this is attributed to royalty favouring the King Charles Spaniel breed. In Scotland, they have colloquially been termed 'Wally dugs.' and were manufactured in bulk at potteries in places such as Pollokshaws in Glasgow and Portobello near Edinburgh. Though the most popular, the dogs were only one of many types of Staffordshire figures; other animals and human figures of various kinds were also popular. Staffordshire dogs are nowadays collectors’ items and since the 1720s, spaniels had been produced by various pottery factories in Staffordshire. The quality of the modelling and painting of the Staffordshire dogs may differ from factory to factory. As the popularity of the figurines increased towards the end of the 19th century, the quality began to decline. Thousands were manufactured but originals in good condition and their correct pairs are now uncommon. These figures continued to be made until the 1920s and early models are of better quality. However, reproductions were still being manufactured in 2009.Early 19th century pair of Staffordshire dogs used as a mantle place display however given their damaged condition and being of a later provenance have little historic or monetary value. Ceramic white dog, figurine one of a pair, with painted face and collar. Both are nearly identical except one sits to the left while the other sits to the right.Noneflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, ornament, ceramic ornament, dog ornament

Slawa built the umbrella using existing and modified umbrella parts purchased from manufacturers and other sources with the idea to develop a more practical umbrella. At the time Slawa was a student studying sculpture at the Akademie der Bildenden Kunste Wien (Academy of Visual Arts). She spent many months developing the prototypes in secret before she applied for and received a patent on 19 September 1929. The patent documentation for Flirt noted that although foldable umbrellas with telescopic shafts were not new, the inventor's umbrella was a significant improvement as it was smaller and more practical as the folding mechanism had been considerably simplified. The umbrella was included in the Inventors’ pavilion at the Vienna Spring Fair in 1931. In a contemporary newspaper report it was described as ‘the magic umbrella of the sculptress’. After the design was granted a patent, it was contracted to the firm Basch and Braun, which authorized its manufacture under licence by the largest Austrian umbrella manufacturer in Austria Bruder Wuster and a German firm Kortenbrach und Rauh. It was called Flirt. In the first year of production sales reached 10,000. This number increased steadily each year as sales spread throughout Europe and the Flirt umbrella was still being produced in the post-war period. Slawa was paid royalties till 1938, the year that she left Vienna and fled to Switzerland. In 1939 with pressure from the Nazis she sold her rights to the company Bruder Wuster. Ann Carew 2016The umbrella prototypes have national and international aesthetic significance as examples of technological innovation in industrial design. The archive has national and international scientific and research potential – detailed records concerning the development of the design, patent and its manufacture are held in the studio. The archive demonstrates the links between the realms of fine art, industrial design and manufacturing in Vienna in the early twentieth century. The sale of Slawa Horowitz-Duldig’s rights to the umbrella under duress from the Nazis makes this archive historically significant. The provenance is excellent, and the prototypes and accompanying documentation have national and international interpretative potential. Ann Carew 2016Three handmade compact foldable umbrella prototypes. The prototypes have black silk covers, a metal shaft, handle, ribs and ferrule. The shaft has a telescopic mechanism. The top and the end of the handle are metal disks. The related documents, designs, patent documentation, a hand written record of her inspiration for the design, and other archival material are also held in the Studio’s Collection.

The Lady Barbara Grimwade Costume Collection is comprised of Lady Barbara Grimwade's personal apparel and includes 145 pieces of clothing, 10 hats, 19 handbags, 66 pairs of shoes and assorted accessories of gloves, belts and scarves. In its breadth, this significant acquisition ranges from the mundane to the memorable, therefore giving a balanced representation of one person's taste. Following Lady Barbara Grimwade’s death in March 1990, Ararat Gallery formally accepted the generous gift of clothing and accessories donated by Lady Grimwade's son, Mr Angus K Grimwade, on 28 August 1991. Subsequent smaller donations in 1995 enhanced the collection. Lady Grimwade's Scottish forebears, the Gaerloch Campbells, first settled in Australia in 1861 in the Ararat-Beaufort district. Her great great grandfather, Mr Henry Campbell, died on the voyage to Australia. His widow, Jane, with 10 of her 13 children, farmed and grazed land, firstly at Stockyard Hill then at Fiery Creek, near Buangor, before leaving the shire in 1873. Lady Grimwade held a privileged position in Melbourne society. As the wife of Sir Andrew Grimwade, a prominent businessman, Chairman of several boards and a Trustee of various committees, Lady Grimwade met with royalty, heads of state, politicians, corporate directors, and horse and cattle breeders. Excerpt from 'Hot Pink Summers' catalogue essay, Helen Jackson, 1995.