Account of the international competition for the Sydney Opera House, in which Eero Saarinen claims responsibility for the outcome. The building costs progressively grow due to the redesign of the shells to conform to more conventional construction methods. Article concludes that, despite cost increase that will eventually be forgotten, the success of the Sydney Opera House will be determined by whether the initial vision will be carried through. A copy of the published article was in the Sydney Opera House scrapbook in the desk cupboard (item P1378.20).Original manuscript of an article published in The Australian on 20.09.1965. This is the second part of a three part series called 'This Opera House' published 18th, 19th and 21st September 1965 (see D174 and D176).Typewritten, quarto, 8 pagesPencil mark ups on first pageinternational architecture competitions, sydney opera house, jorn utzon, sydney opera house project, eero saarinen, design vision, cost of building, robin boyd, manuscript

An account of the protest march from the Sydney Opera House to NSW parliament house.Typewritten, quarto, 3 pagesjorn utzon, sydney opera house, sydney opera house project, robin boyd, manuscript

Boyd quickly surveys the first generation of modern architecture. The talk then concentrates on where modern architecture turned next: "the search for new richness on the surface and a search for new excitement in form". Boyd focuses on the second generation of modern architects: Edward Stone (surface search) and Eero Saarinen (excitiement search). Several of their influential buildings are critiqued by Boyd. This document includes the whole of the typed manuscript titled "The Crisis in Architecture" (item D522, with edits), and includes two handwritten pages at the start and ends with a handwritten statement about "architectural poetry". The text and annotations indicate this was a lecture with slides.Typewritten and handwritten sections, an amalgamation of documents, quarto, 18 pagesUnderlinings, pencil additions, indications for slidesinternational style, mies van der rohe, frank lloyd wright, edward stone, eero saarinen, le courbuier, felix candela, matthew novicki, eduardo catalano, hugh stubbins, raymond and rado, jorn utzon, toro-ferrer

Boyd quickly surveys the first generation of modern architecture. The talk then concentrates on where modern architecture turned next: the "search for new richness on the surface and a search for new excitement in form". He focuses on the second generation of modern architects: Edward Stone (surface search) and Eero Saarinen (excitiement search). Several of their influential buildings are critiqued by Boyd. This document was the basis for a lecture titled "The Contemporary Situation in Architecture" (item D521, with edits).Typewritten, quarto, 16 pagesinternational style, mies van der rohe, frank lloyd wright, edward stone, eero saarinen, le courbuier, felix candela, matthew novicki, eduardo catalano, hugh stubbins, raymond and rado, jorn utzon, toro-ferrer