"In 1839 John Dight purchased Melbourne block 88, which included 26 acres of land along the Yarra River for £481 at the Port Phillip land sales held in Sydney. Dight was already in the business of flour milling and had a mill near Campbell Town in New South Wales called ‘Ceres’. In April 1840, he notified his customers through The Sydney Herald that he was leaving to go to Port Phillip. The first steam powered flour mill was constructed in Melbourne in 1841. Dight built his water powered mill, soon after, from bricks bought over from Tasmania. Dight used the river to power his mill: Water flowed along an inlet channel to turn an undershot water wheel. In order to regulate flow or to ensure flow for times when river levels were low, Dight constructed a rough stone weir. " (https://www.melbournewater.com.au/whatwedo/projectsaroundmelbourne/Documents/A_Short_History_of_Dights_Falls_Fact_Sheet.pdf) This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.An engraving of Dight's Mill on the Yarra. The image was originally published in Sands & Kenny, Melbourne & Sydney. Dorothy Rogers reproduced the print in 'A History of Kew' (1973). It faces page 8.Published by Sands & Kenny, Melbourne & Sydney, 1856dight's mill, dorothy rogers, dight's falls, yarra river, kew, john dight

An item of ephemera relating to tourism and recreation on the Yarra River in Melbourne in the first half of the twentieth century.An item from a large collection assembled by the Christian and Washfold families of Kew, including photographs, postcards, and ephemera. Many of the items in the Christian-Washfold Collection relate to the Yarra River and its use as as a recreational resource. Numerous items in the collection are historically important in that they are rare and often unique records of vanished locations or past recreational activities.Article describing the effects of the partial collapse of the weir at Dight’s Falls and its impact on water levels between Kew, Fairfield, and Heidelberg. The article is undated however as it describes Cr Harry Tompkins as Mayor of Kew it must date to the years 1918-20.christian-washfold collection, river yarra -- recreation, dight's falls

he photograph was taken of Jacksons Creek near the waterfalls and weir which are downstream from Macedon Street.A sepia photograph in postcard format of a creek with the water tumbling over rocks. The land in the distance rises above the surrounding valley.JACKSONS CREEK SUNBURYjacksons creek, sunbury

The former mill and weir shown in the photograph were sited on the banks of Jacksons Creek downstream from the town of Sunbury. John Eadie, a Scottish immigrant established the water-driven flour mill on the banks of the creek after he arrived in the colony in 1866. The mill continued operating until the outbreak of World War 1 when the metal wheel and iron roofing were taken and used for the war effort. The hill in the back ground with the trees and buildings was the site of the former Sunbury Asylum. Milling was one of Sunbury's early industries that were established in the district.A black and white photograph of a building and a lake in a valley. Buildings and trees are visible on a distant hillside.sunbury flour mill., milling

The old weir constructed in the Jacksons Creek in Sunbury is featured in the photograph.A black and white photograph with a cream border of a waterfall tumbling over a built up rocky wall across the river.weirs, jacksons creek

Barbara Weir (b. 1945-03/01/2023) Born: In the region of Utopia, North East of Alice Springs, formerly known as Derry Downs Station Language: Anmatyerre and Alywarr Country: Atnwengerrp, Utopia Region, North East of Alice Springs, Northern Territory One of the Stolen Generation, Barbara Weir was removed from her Aboriginal family at the age of nine, and she was raised in a series of foster homes. Reuniting with her mother, Minnie Pwerle, in the 1960s, Weir eventually returned to her family territory of Utopia, 300 kilometres northeast of Alice Springs. Active in the local land rights movement of the 1970s Barbara Weir was elected the first woman president of the Indigenous Urapunta Council in 1985. Barbara’s career as an artist was inspired by the dynamic community of artists at Utopia and the work of her adopted auntie Emily Kame Kngwarreye. Highly experimental in her approach, Barabara Weir tried many mediums before travelling to Indonesia in 1994 with other artists to explore batik technique. She returned full of ideas on how to develop her own style which has since evolved to a more expressive abstract form. Grass Seed is part of her Dreamings and is associated with women’s ceremony and the activity of food gathering of local seeds, grasses, berries, potato, plum, banana, flowers and yams. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Barbara Weir's paintings include representations of particular plants and "dreamings". Inspired by a small grass found in Utopia called Lyaw, Munyeroo or Pigsweed, Barbara's Grass Seed paintings consist of a series of small brush strokes that overlap and weave to create a swaying effect. This Dreaming tells the story of grass seed that is part of the bush tucker found in the region of Utopia. This seed is collected, crushed to a fine powder and is then used to make a bread, very similar to damper. The people of Utopia were still using this seed as late as the 1950s. During that time the seed grew in abundance but as the years passed there were very few good seeds to be found due to bullocks roaming the land and eating the grasses. The people then began to eat a substitute that the white man provided, and today very few Aboriginal people collect these seeds. art, artwork, barbara weir, aboriginal, dreaming, stolen generation, acrylic on linen

Family at the spillway in floodmisc.

Family at the spillway in floodmisc.

A family history of the Mitchell family of Whiteford, Victoria. This publication includes stories and many black and white images of the Mitchell family and their home."Whiteford is a mystical place. A small farm in north-east Victoria, rising from the rich flats of the Mitta Mitta River a few kilometres upstream from its confluence with the mighty Murray River. Taken up in 1879 from the large Bethanga run, Whiteford was home to the Mitchell family until it was flooded by the Hume Weir around 1934. Through this collection of family photos and small stories, we might glimpse something of family and farming in the fertile Mitta Mitta Valley before it was flooded by the Hume Weir" - Paul Mitchell, author.mitta mitta history, mitchell family history, whiteford mitta mitta valley

This item is from a collection donated by descendants of John Francis Turner of Wodonga. Mr. Turner was born on 6 June 1885. He completed all of his schooling at Scotts Boarding School in Albury, New South Wales. On leaving school, he was employed at Dalgety’s, Albury as an auctioneer. In 1924 John was promoted to Manager of the Wodonga Branch of Dalgety’s. On 15/03/1900 he married Beatrice Neal (born 7/12/1887 and died 7/2/1953) from Collingwood, Victoria. They had 4 daughters – Francis (Nancy), Heather, Jessie and Mary. In 1920, the family moved From Albury to Wodonga, purchasing their family home “Locherbie” at 169 High Street, Wodonga. "Locherbie" still stands in Wodonga in 2022. The collection contains items used by the Turner family during their life in Wodonga. Westminster Fine China Australia started in the Melbourne suburb of Cheltenham at 7 Arnold Street, in 1954 by Stanley Rogers and Son Ltd. They initially used imported blanks from Japan, which were made to their specifications, and which were then decorated locally. They produced a standard range of shapes for souvenir ware, later expanding into a wide range of tea sets, dinnerware and many other styles of china ware. The Abbey mark, based on Westminster Abbey in London, was used from the start of production until about 1962.The Hume Weir was constructed in the late 1920s and was a critical state in the development of water management in the Murray Darling Basin. At the time of its construction it was the largest water reservoir in the British Empire. Small bowl with gold trim printed with an image of the Hume Weir, Albury. The trademark of Westminster Fine China Australia is on the under side of the plate.On front beneath image "Hume Weir, Albury" Underneath the plate, surrounding an image of Westminster Abbey "FINE CHINA/WESTMINSTER CHINA /AUSTRALIA" souvenirs, westminster china, hume weir australia, memorabilia albury

The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. This digital image was produced from one of the glass negatives that form part of the collection, probably taken by Louis Haeusler (b.1887) with the photographic equipment in the Wodonga Historical Society Haeusler Collection. This item is unique and has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history.Digital image created from the Haeusler Glass negative collection. Image of Louis Haeusler building Mick Egan's house. The house is now under the Hume Weir,wodonga pioneers, haeusler family, glass negatives, dry plate photography, house construction

The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. This digital image was produced from one of the glass negatives that form part of the collection, probably taken by Louis Haeusler (b.1887) with the photographic equipment in the Wodonga Historical Society Haeusler Collection. This item is unique and has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history.Digital image created from the Haeusler Glass negative collection. Mick Egan's house in Bonegilla, Victoria under the final stages of construction. The house is made primarily from timber and corrugated iron. As a result of the construction and expansion of the Hume Weir, whatever may remain of the house is now below the waters of Lake Hume.wodonga pioneers, haeusler family, glass negatives, dry plate photography, bonegilla families, early victorian housing, mick egan

The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. This digital image was produced from one of the glass negatives that form part of the collection, probably taken by Louis Haeusler (b.1887) with the photographic equipment in the Wodonga Historical Society Haeusler Collection. Thomas Hugh Maher, born 1881, was the youngest of 11 children of Owen Maher and Sarah nee Finn. After migrating from Ireland and marrying in Sydney in 1853, Owen and Sarah eventually made their home at “Fairview”, Bonegilla, Victoria in 1870. Owen later became a member of the first shire council formed in Wodonga. Thomas attended school at Bonegilla, then as a boarder at St. Joseph’s College in Sydney for his final two years. He returned to work on the farm until his father settled him on a small farm at Ebden. He married Jane Rowley from Bethanga. For some years Thomas and Jane conducted the general store and post office at Ebden which was next to their home ‘Marara”. When Jane died in 1916, Thomas leased “Marara” and moved to Melbourne. After marrying a second time, Thomas returned to Wodonga where he set up a real estate business. In about 1924, Thomas received compensation for his Ebden property when it was resumed for the development of the Hume Weir. He returned to Melbourne where he saw out the rest of his days until his death in 1952 aged 71 years old.This item is unique and has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history.Digital image created from the Haeusler Glass negative collection. Thomas Maher and his wife Jane operated a general store at Ebden in Victoria.haeusler family, glass negatives, dry plate photography, thomas maher ebden, ebden general store

non-fictionA short history of the town of Bethanga , located on Lake Humebethanga, hume weir, tallangatta shire, norm martin

This photo is part of the Fred Griffith Photographic Collection documenting his time with the Australian Alpine Club and the formation of the Albury Ski Club. Frederick Charles “Fred” Griffith was born in Albury, NSW on 2 March 1910. Educated in Albury and Geelong Grammar. Beginning in 1927 he spent many years working first as a jackeroo and on a range of prominent pastoral and merino stud properties in NSW and Queensland. In 1935 he repurchased his former family property “Toonallook", Bowna, NSW and developed it to be the largest Romney Marsh stud in the world, exporting rams to Argentina. He introduced many innovative practices on his property including rabbit control measures and aerial crop dusting. He was an active member of the Albury Show Society and in 1949 established the Albury Sheep Show. Fred was also the Albury representative on the Graziers’ Association Council for over 30 years. He became a life member of both the Albury and Commercial Clubs. Fred’s greatest hobby was snow skiing. His first visit to the snow was to Kosciusko in 1919. The Albury Ski Club was formed in 1935 and Fred was an inaugural member. In 1949 they were granted a site at Falls Creek to build their own lodge. Fred guaranteed the Club for finance from the Bank of NSW. The first portion of the prefabricated building was constructed in Albury. It was transported to Falls Creek on the back of Fred’s truck and erected in one day. This was the bathroom section and the rest was completed in 1950. The original lodge was burned down in 1952 and a new one built the following year. In 1955, Fred also built the Bowna Lodge for his family in partnership with David Fairbairn. He became head of the North Eastern District Skiing Association (N.E.D.S.A.) and successfully applied to run the Australian Ski Championships. Fred also inaugurated children’s races at Falls Creek and ran them for about 20 years. He also formed the company “Falls Creek Ski Tows”. In 1956 Fred along with a group of key people selected the site for Thredbo Village. Fred and his brother sold Toonallook in sections between 1951 and 1974. He moved to Albury and set up as a landscape gardener and fencing contractor. After a serious work accident, Fred retired in 1985 and moved to Rosebud, Victoria where he died on 19 August 1992.These images record the photographer's family in 1953Black and white photos of Fred Griffith's family at the Hume Weirbogong, falls creek, snow, snowfields

Samuel Todd married Margaret Jane Weir in Scotland in 1853. Their son Hugh Todd was born in Scotland in 1854, and the family is thought to have migrated to Victoria in the same year. Samuel Todd died at Happy Valley, age 93, in 1924.Black and white copy of original photograph, which shows the head and shoulders of an older man who has a moustache and white beard. He is wearing a dark jacket. Shrubs in the background indicate that the photograph was taken outdoors.samuel todd, happy valley