artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

Writer not confirmed, - - Johnson Letter received by Gladys Holmes in Feb 1918 from abroad. One item of fourteen of original documents- letters, postcards and photographs received from local servicemen during WW 1.001805.1 - 001805.1R: Envelope- light blue/aqua writing paper with gray lead pencil handwriting and red 1d stamp with black ink postmark.. Reserve- 27th Dec 1917/Received 21st Feb 1918 001805.2 - 001805.2R: Letter, one sheet written on both sides.001805.1: Red censor stamp with overwritten signature (- Johnson), addressed to Miss Gladys Holmes/Byaduk/Hamilton/Victoria/Australia and hand drawn flourish 001805.1R: 27th Dec 1917/Received 21st Feb 1918. three censored phrases, blacked out script. 001805.2 - 2R: Thurs Dec 27/Dear Gladys.......'You must see it to realize what it is like'signed with 3 initials - - Jgladys holmes, byaduk, mona, johnson, ww1, letter, envelope, gladys holmes, byaduk, johnson, ww1, letter, envelope

Pier built 1870Cowes Pier 1917. At left on beach is a small cabin built of driftwood by the owner, Geo. Coxlocal history, photography, photographs, shipping, black & white photograph, cowes jetty, phillip island, ferries, george cox

"Genista" - built 1886 Sydney. Western Port Ferry 1889 to early 1930's. Copied by Jack Jenner??Cowes Jetty, 1917 with ferry "Genista" at end, goods shed and other sheds in foreground. Copy.local history, photography, photographs, transport, shipping, ferries, black & white photograph, phillip island, westernport bay

Enlargement of photograph taken by Norman Rowse in 1917 that shows the first home of Isaac Jeeves built at the Running (Olinda) Creek. This photograph has a detailed inscription on the back handwritten by John Lundy-Clarke in 1974.Enlargement of photo taken by Norman Rowse in 1917 of the group of buildings erected as his first home by Isaac Jeeves at the 800° contour on the Running (Olinda) Creek on Crown Allotment 925A. The small building on the right behind the pony and the fowls was Isaac’s first substantial home and was occupied in 1858 he having lived in camp on the creek as a miner since 1855. The tall building on left was barn built in the sixties and the large roof behind was the five roomed house with a tree fern floor. This last building was of blackwood entirely above the floor and was built in the early sixties. The two old homes were pulled down by the Rowses in 1918 and the tree fern floor was pulled up by Len Childs in 1933.norman rowse, isaac jeeves, len childs, running creek

Magazinewalsh st library

This microfilm produced in 1988 is a duplicate of the original Microfilmspooled roll of 35mm film in a cardboard boxrutherglen sun, chiltern valley advertiser, newspaper, 7-9-1900 to 18-12-1914, supplements

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 18 Macartney Avenue, Kew by Margaret Picken.18 McARTNEY AVE., KEW / PICKEN © 2002 / FLETCHERSartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 18 macartney avenue - kew (vic)

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

"Genista" - built 1886 Sydney. Wester Port Ferry 1889 to early 1930's Copied by Jack Jenner??Farewelling "Genista" - Cowes 1917. Mr. W. McFee at left, casts off line. (Ferry not in photo)local history, photographs, transport, shipping, black & white photograph, ferries, phillip island, westernport bay, ferry - genista

1917 was the year in which the new Mission at 717 Flinders St extension was being built but did not open until after Michaelmas that year. The old Mission opened in 1907 on the Australian Wharf was obviously still in operation. Proposed remodelling of the wharf necessitating removal of the Mission perhaps deferred due to the Great War.This detailed poster intended for visiting crews in 1917 provides some insight into the fact of continued access to the old Mission required circa 1914 by the Port Authority to be vacated. As an ephemeral document it has survived unusually well.A small poster or flyer with blue printed text and featuring the Missions to Seamen, Melbourne flag with logo. Addressed at the top edge as A Message to Men advertising Special Lantern Services in the Seamen's Chapel on the Australian Wharf for Holy Week and Easter 1917.Describes a program of special services and concerts or recitals for the last week of lent and Easter Day. Rev A.G Goldsmith and Rev C L Crossley as Chaplains.lantern services, 1917, wwi, first world war, great war, easter, good friday, missions to seamen, mission to seamen, seamen, seamen mission, chapel, music, maude breaks, miss macaw, jean morrison, marjorie bagge, elsie dallimore, chaplain, alfred gurney goldsmith, c.l. crossley, siddeley street institute

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2003. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 18 Yarra Street, Kew by Margaret Picken.18 YARRA ST., KEW / MARGARET PICKEN ~96 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 18 yarra street -- kew (vic.)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 18 Carson Street, Kew by Margaret Picken.18 CARSON ST., KEW / MARGARET PICKEN ~92/ WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 18 carson street -- kew (vic.)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 18 Carson Street, Kew by Margaret Picken.18 CARSON ST., KEW / MARGARET PICKEN ~94/ WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 18 carson street -- kew (vic.)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 18 Swinton Avenue, Kew by Margaret Picken.18 SWINTON AVE., KEW KEW ~ REALTOR ~ PICKEN ©2003artist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 18 swinton avenue - kew (vic)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 18 Thomas Street, Kew by Margaret Picken.18 THOMAS ST., KEW / MARGARET PICKEN '92 / WOODARDS ~ KEWartist -- margaret picken 1950-, 18 thomas street -- kew (vic.), property illustrations — buildings — kew (vic.)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 18 Victor Avenue, Kew by Margaret Picken.18 VICTOR AVE., KEW / MARGARET PICKEN ~95 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 18 victor avenue - kew (vic)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 18 Miller Grove, Kew by Margaret Picken.18 MILLER GVE., KEW / MARGARET PICKEN '94 / WOODARDS ~ BALWYNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 18 miller grove - kew (vic).

This architectural drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 18 Gordon Avenue, Kew by Margaret Picken.18 GORDON AVE., KEW / MARGARET PICKEN '96 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 18 gordon avenue -- kew (vic.)

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 18 Falmouth Street, Hawthorn by Margaret Picken.18 Falmouth St, Hawthorn, Margaret Picken '98. Woodards - Hawthorn.artist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 18 Haines Street, Hawthorn by Margaret Picken.18 Haines Street, Hawthorn, Margaret Picken, 99, Woodards - Hawthornartist - margaret picken 1950-

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses