Index, bibliography, notes, ill, p.224.non-fictionWas the man in Spandau prison Rudolf Hess? This book unravels the mysteryhess rudolf - 1894-1987, conspiracy theories

Index, bibliography, ill, maps, p.224.non-fictionAn account of why wars have been fought in the post world war two period.world politics - 1945-, national liberation movements

Index, bib, ill, maps, p.224.Within three months of the Japanese entering World War II on December 8, 1941 over 22 000 Australians had become prisoners-of-war. They went into camps in Timor, Ambon, New Britain, Java, Sumatra, Borneo, Singapore and Malaya, and a few were scattered to other points in what was briefly part of the Japanese empire. Later most of the prisoners were to be shifted further north into South-east Asia, Formosa, Korea, Manchuria and Japan itself. They were captives within lands and cultures and to experiences alien to those known to all other Australians. At the end of the war in August 1945, 14315 servicemen and thirty service women were alive to put on new, loose-fitting uniforms and go home. One in three of the prisoners had died. That is, nearly half of the deaths suffered by Australians in the war in the Pacific were among men and women who had surrendered. Another 8174 Australians had been captured in the fighting in Europe, the Middle East and North Africa: but of these men only 265 died as a result of wounds, disease or execution.By any quantitative measure the imprisonment of so many Australians is a major event in Australian history. For many soldiers it was living --and dying --in captivity which made World War II different from that of World War I. But the prisoners have received no permanent place in Australian history. Their story is not immediately recalled on celebratory occasions. In a general history of the nation in which a chapter is given to the war the prisoners might be mentioned in a sentence, or part of a sentence. Where the horror, stoicism and gallantry of Gallipoli have become part of a common tradition shared by all Australians, the ex-prisoners are granted just the horror. The public may be sympathetic; but the horror is for the prisoners alone. To make another comparison: in five months of fighting on the Kokoda Trail in 1942 the Australians lost 625 dead, less than the number who died on Ambon. Yet the events on Ambon are unknown to most Australians. There were no reporters or cameramen on Ambon and, for the 309 who defended Ambon's Laha airfield, no survivors. How many of them died in battle or died as prisoners will never be known. But there are more than just practical reasons why the record of the prisoners of war is so slight and uneven in the general knowledge of Australians. They have not tried to find out. No historian has written a book to cover the range of camps and experiences, and only in specialist medical publications has anyone investigated the impact of prison life on subsequent physical and mental health. The complexity of the experience and its impact on particular lives have not been expressed in a way to give them significance for other Australians.world war 1939 – 1945 - prisons and prisoners – japanese, world war 1939-1945 - personal narrativies - australia

Contributions on the history of World War 1 on previously unresearched areas, most relevant to Melbourne and Victoria.Paperback. 224 p., black and white and colour illustrationsworld war 1

A bearded man uses a white cane and sonic guide to help him navigate around the streets of Strathfield. The sonic guide consists of a pair of heavy black spectacles with three sensors built into the bridge of the glasses. The glasses are attached by a cable to a control box which is designed to be clipped onto the wearer's belt or clothing. The control box has two switches and a volume setting, and assists the user in determining objects in their path and their distance to them.2 B/W photographs of man using sonic guide and white cane"5156-220" and '5156-224" on back of photographsroyal blind society of nsw, white cane, orientation and mobility

Comprises twenty-three extracts from the Minutes of Evidence of the Coranderrk Inquiry, accompanied by an analysis of the historical text and context. The book relies strongly on primary-source materials and accurately references historical analysis from scholarly and Aboriginal perspectives. This book is derived from a verbatim-theatre performance in which professional actors portrayed the witnesses who gave evidence before the 1881 Coranderrk Inquiry.; Inscriptions and Markings: illustrations, photographs, facsimiles, maps, portraits About the book One of the first sustained campaigns for justice, land rights and self-determination in colonial Australia was undertaken by the Aboriginal people of Coranderrk reserve in central Victoria. Despite having created an award-winning farm they were targeted for removal to make way for white settlement. As skilled communicators and negotiators, they lobbied the government, in alliance with their white supporters, and succeeded in triggering a Parliamentary Inquiry in 1881. Coranderrk – We Will Show The Country derives from a unique verbatim-theatre performance where professional actors brought to life the witnesses who gave evidence before the 1881 Parliamentary Coranderrk Inquiry. Rescued from dusty archives, and including renowned Wurundjeri leader, William Barak, those witnesses continue to speak to contemporary audiences. Here, their powerful petitioning can be read alongside that of their non-Aboriginal allies, and those who would move them off their land. The book features a concise and accessible history of the Coranderrk Aboriginal Station and of the events that led to the appointment of the 1881 Parliamentary Coranderrk Inquiry. The book also contains a special edition of the verbatim script which has been annotated and referenced so as to provide a blueprint of how the original minutes of evidence from the 1881 Parliamentary Coranderrk Inquiry were adapted into a theatre script. Each scene of the play has also been introduced with a short biography of each character and a discussion of the key themes raised in their testimony. Supplementing the verbatim script of the performance, the book includes a range of historical images and stills from the ILBIJERRI Theatre Company’s production. Coranderrk – We Will Show The Country celebrates the spirit of collaboration between black and white in pursuit of justice, and offers an engaging way to learn about our past – and to think about our future. Coranderrk - We Will Show The Country. (2023, October 19). Retrieved from http://www.minutesofevidence.com.au/education/coranderrk-we-will-show-the-country-book/Ex Yarra Plenty Regional Library copyaboriginal australians, coranderrk, first nations people, healesville, indigenous history, performance, play

Tells the story of the Western Front during World War I. 224 p., illus. (some col.), maps. Hard cover.world war i, western front

This book celebrates Australian 'creative genius' by describing some of the inventions originating in Australia.A good source book of Australian inventions.224 pages, colour and black and white illustrations. Hard cover.inventions, australian culture, australian artists

1 atlas (224 p.), 1 folded map : ill., maps ; non-fictionMap of southeastern Australia, Adelaide to Brisbane, showing roads and distances, with chief detail about Victoria. Includes strip maps, itinerary guides, and index. Issued by the Herald Touring Club, with new district and city maps surveyed by the Club.automobile travel, road maps, herald touring club

A booklet without a cover titled ' Martin Luther.' 209 - 224 pgs.books, biography, martin luther, lydia chancellor, collection, the life of martin luther, martin luther, ward & lock's penny books for the people, biographical series, biographies, individual, person, male, germany, german history, religion, penny books

Hard cover, with dust cover 224 pages Text with black and white photos

Property sketches done for Frank Gordon Real Estate in the 1990s. 224 Rouse Stbuilt environment - domestic, frank gordon & co, rouse street

Small full length portrait of a lady standing beside a chair reading a book which is resting on the back of the chair. She is wearing a long high neck dress with frills at the sleeve tops and dark bands across the bodice. The dark material is also repeated at the hem in a V shape. Photographer's name and address printed on the front and back.Mayall, 224 Regent Street, London. 90 King's Road, Brightonphotograph, portrait, female, portrait of a lady, mayall

Summary "A young man from the working-class suburb of Fitzroy was on the cusp of a brilliant career and was the talk of the Academy's salons. Far from his humble origins, he now stood shoulder to shoulder with the leading figures of London's art world. Max Martin was an enigmatic achiever who stood briefly on the mountaintop but died in obscurity. It was over thirty years after his death before a painting of his was acquired by a public collection. The National Gallery of Victoria, Newcastle City Gallery in New South Wales and the art collection of the State Library of Victoria now all hold his work. What made him turn his back on painting at the height of critical acclaim? How close was he to a career in mainstream ballet and what drove him to march for disarmament in his later years?"--Booktopia.artists, eltham, max martin, biography

Advertising pages for Crofts Stores Bendigo cr. Williamson and Hargreaves Streets and 224 Mitchell Street.bendigo, business, crofts stores

Hardcover book, 224 pages. Cover has a colour image of a man and a woman standing near a tree.fictionRomance novel.rethea creese, romance, fiction

Record of Olympic Track & Field events.- Paperback book - 224 page - Complete record of all Olympic Track & Field events 1896 - 1956As abovehistorical records, olympic games

224 pages, 19 pages of plates : illustrations (chiefly colour), colour facsimiles, colour portraits ; 27 cm.non-fiction“Abalone Pioneers is the Australian story of the divers, deckhands, researchers and processors who established and developed the zone's abalone industry. The book chronicles the amateur fisherman of the 1950s and the hazy crazy tribe of ‘scruffy longhairs’, who were attracted by the hedonistic lifestyle and fantastic profits in the 1960s, to the professional enterprise of today. It charts the development of the Victorian Western Abalone Divers Association and it role managing and protecting the Victorian Western Zone’s resources, and explores the successful diver-led commercial processors. Illustrated with over 100 historical photographs and featuring over 50 interviews, Abalone Pioneers is an exuberant and fascinating account of the establishment of one of Australia’s valuable but little-known fisheries.”--Back cover.western abalone divers association (victoria) -- history., divers -- victoria, western -- biography., abalone fisheries -- victoria, western -- history., abalone industry -- victoria, fishers -- victoria, abalones., fisheries -- victoria., sports &​ active outdoor recreation., local history., abalones -- victoria, western., abalone industry -- australia., deep diving., fisheries -- australia -- victoria., victoria, victoria., australian, book

A book of 224 pages including maps, illustrations and photographic images, both black and white and colour. It includes a bibliography.The lives of the mountain cattlemen of Victoria's alpine country revolve around the annual muster held before the first snowfall of autumn, when they bring their cattle down to lower pastures for winter feeding, or consign them for auction at the annual calf sales in Omeo or Myrtleford. The close-knit communities of cattlemen share the common hazards of this mountainous region, enduring the snow and freezing conditions of winter and the threat of ravaging bushfires in summer, finding shelter from the harshness of the environment in little huts which they built from the rough materials available. But the dangers of steep slopes and rocky terrain, in which more than one drover has lost his life, hold no terrors for them. These tough and resourceful cattlemen are self-sufficient and skilful in everything they do, whether it is bushmanship, horse-riding, or telling tall tales. In this book their yarns and reminiscences about their mates, their horses and Hereford cattle, and their indispensable dogs, reveal a characteristic courage and endurance, and an indomitable sense of humour. This book provides an enduring record of a vanishing breed of Australians, folk heroes in their own right, whose lives form the basis of verse and legend.mountain cattlemen, cattle breeders victoria, australian cattlemen, bogong high plains history

1984, 224, director carleen thoernberg, heidelberg theatre company inc.

Illustrated large-format book with 224 pages [36] p. of plates. : ill., maps, ports.Bibliography: p. 199-201non-fictionIn the mid-nineteenth century, Victoria’s primitive maritime infrastructure was not coping with the volume of passenger and cargo traffic arriving in and departing from the burgeoning gold-fevered colony. However, the opening of Railway Pier at Port Melbourne in 1854 greatly improved the situation. Railway Pier serviced the steamships, which plied Port Phillip Bay and the Victorian coastal waters beyond, and also offered berths for vessels on the regular runs to other Australian colonies and to overseas destinations. However, as the larger and more powerful steamships of the early twentieth century found berthing increasingly difficult at Railway Pier, the need for a more modern pier became apparent. By 1930, the new Station Pier had replaced its predecessor. Itself extended and upgraded several times including during the past decade, Station pier still offers every contemporary convenience to shipping services using its busy facilities, just as did its predecessor Railway Pier, 150 years ago. The Victorian Government commissioned Welcome & Farewell to celebrate the 150 years since the opening of the Railway Pier. In doing so, it was mindful that the story of the site is not limited to its contribution to national and state economies, or to its physical development. The Government wanted a history that would also speak to ordinary Victorians, and other Australians, of their own experiences of this significant place. For indeed the Station Pier site has played its part in almost every milestone or phase in our history: at moments of celebration and commemoration, during economic booms and depressions, during times of war and peace. It has also won a place in the hearts of ordinary individuals affected by the welcomes and farewells they have experienced there: those for visiting royalty and celebrities, for servicemen and medical personnel off to war or returning home, for migrants from distant countries and refugees from war zones, for friends and family travelling for personal, professional or cultural reasons. Welcome & Farewell thoughtfully examines Station Pier’s significance and offers a splendid visual panorama of the experiences lived out there between 1854 and 2004.port melbourne, station pier

Black And White postcard of a sailing ship. Hand writing on front of card "S.V. Parma." (Sh 224 Ships M - R)Hand writing on front of card "S.V. Parma." flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, s.v. parma., post card, sailing ship, postcard

Book: 'My Game'. 224 pages. Hardcover with dustjacket. Edition uncertain (first published 1958). Materials: Paper, Ink, Cardboardtennis