'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 23 Barkers Road, Hawthorn by Margaret Picken.23 Barkers Road, Hawthorn, Margaret Picken '99. Woodards - Hawthorn artist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 23 Burton Avenue, Hawthorn by Margaret Picken.23 Burton Ave, Hawthorn, Marg Picken '87. Woodards - Hawthorn.artist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 23 Denham Street, Hawthorn by Margaret Picken.23 Denham Street, Hawthorn, Margaret Picken c2000. Woodards - Hawthorn.artist - margaret picken 1950-

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of Cr. H.A.A. Warner, Mayor of Kew 1935-6. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served. The photographers signature is located in the lower right hand corner of the portrait.H.A.A. Warner, Mayor [of Kew] 1935-6 Spencer Shier 1938mayors of kew (vic), cr. h.a.a. warner, kew (vic.) — municipal collection

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 2/23 Clifton Road, Hawthorn East by Margaret Picken.2/23 Clifton Road, Hawthorn, Margaret Picken '87. artist - margaret picken 1950-

Advertises the Linton Amateur Dramatic Club night of "dramatic entertainment", to be held in the Parish Hall on September 21st 1935 to raise funds for the Linton Free Library.Cream sheet with 1cm decorative red border.Text: " Linton Free Library / PARISH HALL, SATURDAY, SEPT. 21st, 1935 / THE LINTON AMATEUR DRAMATIC CLUB / Will Assist the Library with a Grand / DRAMATIC ENTERTAINMENT. "linton amateur dramatic club, programmes, jack sheehan, clem o'beirne, h. p. bennett, h.a. mccorkell, j. collins, annie o'beirne, celia kennedy, daisy smith, kath cunningham, lionel sparrow

During the Great Depression of the early 1930's, Vermont Football Club merged with Mitcham Football Club for 3 years - 1932 to 1934. In 1935 Mitcham reverted to its own team and won the premiership that year.black and white photograph of the Mitcham Stars Football Club in 1935. Photograph taken outside.mitcham stars football club, mitcham football club, supporting clubs, football clubs

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for real estate agents in Melbourne between 1983 and 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 23 McConchie Avenue, Kew East by Margaret Picken.23 McCONCHIE AVE.,E. KEW / MARGARET PICKEN ~91 / WOODARDS ~ KEWartist -- margaret picken 1950-, property illustrations — buildings — kew east (vic.), 23 mcconchie avenue - kew east (vic)

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

Postcard Photo Rutherglen Hibernian Ball 1935hibernian ball, hibernian australasian catholic benefit society, balls, dances

A fascinating script of a scene in a Pageant by the Intermediate Legacy Club. Each state or city that had a Legacy Club was represented by a performer in costume that displayed some aspect of their city - for example Mildura was represented as Citrus, by wearing a pickers apron. The dialogue is worth reading and the central character is Peace, who welcomes all the Legacy Clubs to the stage. The final line is that "Legacy is Comradeship". A folder of documents about the history of Legacy. Appears to have been mostly compiled by Legatee Cyril Smith as he has many hand written notes on miscellaneous pieces of paper (some are envelopes addressed to him). The notes were typed up into a summary of the History of Legacy. Also documents relating to the first time Legacy approached the public for donations in September 1956, including newspaper articles that were reprinted, a schedule of information that was approved to be released to the press, and a list of potential donors that was circulated to Legatees in the hope they could contact the ones they knew personally or professionally. The call for public donations was partially due to the purchase of the Dureau building and the need to modify the building for Legacy's needs. The documents from this folder have been added in seperate records (see 01262 to 01281). The folder was part of an attempt to capture history of Legacy, generally from the 1950s.The documents provide an insight into the working of Legacy, especially in the 1950s. Legatee Cyril Smith and others were detailing their experiences and knowledge for the future.Four pages of a scene performed at the 1935 Pageant.history, ilc, concert

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 23 Pakington Street, Kew by Margaret Picken.23 PAKINGTON ST., KEW / MARGARET PICKEN © 2000 / FLETCHERS REAL ESTATEartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 23 pakington street - kew (vic)

This register was used by the Mission to Seamen, in the St. Peter's Seamen's Church from the 14th of December, 1935 to the 3rd of May, 1941. It records the weddings that took place at the church, along with all the information necessary to legalise the marriage under Australian law.The register details weddings conducted at the St. Peter's Seamen's Church between 1935 to 1941.Front cover: REGISTER NO. 4 / 14-12-35 / TO / 3-5-41 handwritten in ink. In the top right hand corner of the the front cover is a Mission to Seamen, Melbourne stamp, in blue ink.wedding, mission-to-seamen, wartime, register, marriages, dio-marriages, st peter chapel, mission to seafarers, seamen's mission

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

These minutes contain information on attendees, meeting chairs, apologies, correspondence, subscriptions, donations, legacies and general business. Reports are also included from Auxiliaries, Auditors, Library and Home teacher, Directors, The Black and White committee, Victor Maxwell House, Helen Keller Hostel, The Victor Maxwell Kindergarten, The Sandy Robertson Kindergarten, Alexis Albert House, Lighthouse, Silver Lighthouse committee, Newcastle Branch, 'Heathfield' and other Woollahra properties. 22/3/1965 it was noted to assist blind persons with the transfer to Decimal Currency an application had been made to the Commonwealth Treasurer for early release of specimen coins and notes. 24/1/1996 it was resolved that a dollar note gauge be supplied to all blind persons in N.S.W. 30/11/1966 it was noted the Management Committee had recommended to Council that the Society should transfer all its activities currently conducted at Williams Street to Mitchell Street and that the William Street be offered for sale at not less than $700,000. 1 volume of typed sheets glued to pagesroyal blind society of nsw, annual reports

This items relates to John W. Alexander who studied Civil Engineering at the Ballarat School of Mines in the 1930s.Ballarat School of Mines Blazer pocket, with hand embroidered coat of arms.Ingenio effodere opes Science 1935ballarat school of mines, pocket, john alexander, engineering, science, costume, textiles, embroidery

752 pages, illustrated.Limited edition, 1935. Signed by author. publication, australian native bees, hymenoptera, publication, australian native bees, hymenoptera

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The North Warrnambool Rifle Club was operating in Warrnambool in the 1930s. It had 132 members in 1935. A noted member was the well-known local photographer, Arthur Jordan whose father, Joseph, was a crack rifle shot and was a member of the Warrnambool Rifle Club. The Barber Centenary Cup was presumably established to commemorate the Centenary of Victoria as the cup competitions commenced in 1934 and were completed in 1935. The competitions were usually held over distances of 300, 500 and 600 yards. It is not known which member of the several Barber families in Warrnambool at the time donated the cup but G. Barber was a member of the Rifle Club in 1934-5 and winner of the Gray Centenary Cup. W. D. McDonald, the winner of the trophy, was the Captain of the C lub in 1935.This item is significant as it is connected with early 20th century Warrnambool sport (rifle shooting). It shows what sort of award was given for competition winners and reveals the popularity of rifle shooting in Warrnambool in earlier decades, with two clubs existing at that timeThis is a sports trophy cup made of electro-plated nickel silver (now very tarnished). It was a trophy named ‘The Barber Centenary Cup’ given for competitions amongst the North Warrnambool Rifle Club members during 1934-5. On cup: N.W.R.C. The Barber Centenary Cup Won by W.D.McDonald 1935 On base: E.P.N.S. Empire Plate warrnambool;, rifle shooting; barber centenary cup; w.d.mcdonald, barber centenary cup, w.d.mcdonald