Refer Cat No. 7944. Item in the collection of "Arthur E. Tranter". V50166 - VX52843 2/29th Bn. P.O.W.Hard cover book with dust cover. First Edition Book. Hard cover - cardboard, black colour buckram adhered cover. Dust cover - paper, with black print on front and spine. Cover ilustration - muted green colour tones of a tank and roadblock - "Muar Road Battle". Plastic cover - clear soft plastic - protective cover with adhesive tape. 224 pages, cut, plain white paper. Illustrated with black and white photographs and maps. A number of pages have handwritten notes in grey lead pencil and blue ink pen. P.186 has an added note on paper. Handwritten owner's name front end paper. Page 186 - note on paper, blue ink pen. "P.186/ This section by R.F. Nelson/ describes my experience/ fairly well./ I was with him throughout the whole/ term of imprisonment". Front end paper - handwritten owner's name - blue ink pen "Arthur E. Tranter/ 24-4-83".plublications, book, 2/29 battalion, ww2, arthur e tranter

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for real estate agents in Melbourne between 1983 and 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 25 Maitland Avenue, Kew by Margaret Picken.25 MAITLAND AVE., KEW E. / MARGARET PICKEN ~98 / WOODARDS ~ artist -- margaret picken 1950-, property illustrations — buildings — kew (vic.), 25 maitland avenue - kew (vic)

This architectural drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 25 and 27 Edgecombe Street, Kew by Margaret Picken.25 EDGECOMBE ST., KEW / WOODARDS ~ HAWTHORN ~ M PICKENartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 25 edgecombe street -- kew (vic.)

To honour 25 years of service provided, a silver coloured medallion inset to a wooden column was awarded to individuals. On the front is a cameo of a woman (Tilly Aston) wearing a pendant and an old-fashioned ruffled blouse. Around the outside is written 'Vision Australia Foundation Tilly Aston Award' and below this '25 Year Award'.1 maroon wooden stand with silver tone inlaid medallion, with illustrations25 Years Awardvision australia foundation, awards

In 1996 when North Kew Cricket Club, which had the Bears as their emblem, merged with the Deepdene Cricket Club. The photograph is of local significance as an image of participation in sport and recreation in North Kew in the decade following the First World War.Photograph on paperboard of the North Kew Cricket Team of 1929-30. The names of the players are listed under the photograph.NORTH KEW CRICKET CLUB 1929-30 Back Row: A. Seidel | A. Brown | H. Wills | H. Herbert. Centre Row: C. Webber | J. Redfern | K. Stewart | A. McAllan (Captn) | A. Holmes (Vice Captn) | M. Colvin | V. Greaves. Front Row: J. McCarthy | S. Wills | J. Sheehan MUNTZ Malvernmuntz, north kew cricket club, a. seidel, a. brown, h. wills, h. herbert, c. webber, j. redfern, k. stewart, a. mcallan, a. holmes, mccolvin, v. greaves, j. mccarthy, s. wills, j. sheehan

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 25 Davis Street, Kew by Margaret Picken.25 DAVIS ST., KEW / MARGARET PICKEN ~91 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 25 davis street -- kew (vic.)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 25 Denmark Street, Kew by Margaret Picken.25 DENMARK ST., KEW / MARGARET PICKEN ~94 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 25 denmark street -- kew (vic.)

This architectural drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 25 Grandview Terrace, Kew by Margaret Picken.25 GRANDVIEW TCE., KEW / MARGARET PICKEN '97 / WOODARDS ~ HAWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 25 grandview terrace -- kew (vic.)

This architectural drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 25 Grandview Terrace, Kew by Margaret Picken.25 GRANDVIEW TCE., KEW / MARGARET PICKEN '97 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 25 grandview terrace -- kew (vic.)

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 25 Barton Street, Hawthorn by Margaret Picken.25 Barton Street, Hawthorn, Margaret Picken '94. Woodards - Hawthorn.artist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 25 Burton Avenue, Hawthorn by Margaret Picken.25 Burton Ave, Hawthorn, Margaret Picken '94. Woodards - Hawthorn.artist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 25 Falmouth Street, Hawthorn by Margaret Picken.25 Falmouth St, Haw, Margaret Picken '92. Woodards - Hawthorn.artist - margaret picken 1950-

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.World War I-era pressed metal fundraising badge, featuring an olive wreath encircling in red text: ‘ANZAC Apr. 25. 1915’, on a white background. "ANZAC Apr. 25. 1915 / Copyright"anzac day, first world war (1914-18), patriotic buttons, world war one, numismatics, badges

Twice yearly School Inspectors reports on facilities, organisation, instruction at Yendon School No. 719 from 1914 to 1925Shows the priorities and values in education during this time. Gives a record of who the inspectors and teachers were at Yendon School No 719 during 1914 to 1925Yendon School 719 Inspector's Report Book 1914 - 25 is stapled bound book issued to all schools by the Department of education."Yendon 719" on coverschool, buildings, yendon school, no 719, inspectors, inspector reports, school instruction, school organisation, school furniture, school grounds

1929 saw the establishment of the Ringwood Bowls Club initially located on the land now occupied by the Eastland Shopping Centre. It moved to its current location in Loughnan Road, Ringwood in 1997.Ringwood Bowling Club requesting to meet councillors regarding the use of Bamford Park in 1929city of ringwood bowls club, ringwood bowling club, ringwood bowls club, lawn bowls, bowling

(a) Donated by Carine Williams Wettenhall for the 1991 Centenary Year. (b) Donated by P. McVickar for the 1991 Centenary Year.4 female students standing under the willow beside the lily ponds. (a) Sepia. (b) B/w. Three of the students are dressed in the uniform of jodhpurs, shirt and tie(a) On reverse, "Clowning in a spare moment 1929."female students, willow, lily ponds, carine williams (née wettenhall), 1991, centenary, 1929, pat mcvickar, luffmann ponds, recreation

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for real estate agents in Melbourne between 1983 and 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 25 Campbell Street, Kew by Margaret Picken.25 CAMPBELL ST., KEW E. / MARGARET PICKEN '89 / WOODARDS ~ KEWartist -- margaret picken 1950-, property illustrations — buildings — kew (vic.), 25 campbell street - kew (vic)

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

E.C.M.A - 1929 - Senior cadets Bicycle Race - 1 mile won by 58th Battalion - J.KENNEDY 1930 59BNTrophy cup which can detach from trophy plate. Has both handles intact and they are shaped like a sea horse. E.C.M.A - 1929 - Senior cadets Bicycle Race - 1 mile won by 58th Battalion - J.KENNEDY 1930 59BN5/6 rvr, 5/6 rvr bhq, 5/6 rvr p&d, e.c.m.a - 1929 - senior cadets bicycle race, 58th battalion, j.kennedy 1930 59bn

This architectural drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 25 and 27 Edgecombe Street, Kew by Margaret Picken.25 & 27 EDGECOMBE ST., KEW / MARGARET PICKEN ~92 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 23 & 25 edgecombe street -- kew (vic.)

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 25 Clive Road, Hawthorn East by Margaret Picken.25 Clive Road, Haw E, Margaret Picken '96 Woodards - Haw. artist - margaret picken 1950-