"Joseph and the Amazing Technicolor Dreamcoat" is a musical in two acts with music by Andrew Lloyd Webber and Words by Time Rice from a story coming from Genesis in the Bible. Music Programme for "Joseph and the Amazing Technicolor Dreamcoat" a musical in two acts performed by the Bendigo Theatre Company Inc. June 27, 28, July 3 to 5 and matinee June 29th 1997 at the Capital Theatre - a 24 page booklet with acknowledgements, advertisements, details of Acts, cast,and story synopsis. Included is a list of productions from 1953 to 1997programme, concert

A black and white photograph of a local farmer and his sons drive their cart out into the paddy fields of Phuoc Tuy Province to commence a day of tending to the rice fields. They are driving past an area surrounded by barbed wire used by APC'sgibbons collection catalogue, phuoc tuy province, photograph, paddy fields, apc

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981This tropical-looking package for rice crackers is woven with strips of bamboo sheath - an interesting variation in the use of this ubiquitous material. It comes from the island of Kyushu, from the vicinity of the volcano Asozan in Kumamoto Prefecture. - Professor Hideyuki Oka, curator.japanese art, japanese packaging, tsutsumi, gift giving

A black and white photograph North West of the 1st Australian Task Force Base, 05/09/1970, 44 gallon drums of high octane fuel exploded into a fireball as Australian troops clear NVA/VietCong rice paddies and vegetable gardensphotograph, 1 atf, nva/vc, rice paddies, gibbons collection catalogue, fire ball

A black and white photograph of IV Corps Mekomg Delta South Vietnam,1969. Helicopters of the 135th Assalt Helicopter Company land Vietnamese rangers in rice paddies, in the Delta, to commence a series of search and destroy missions against NVA/VietCong in the area.photograph, iv corps, mekong delta, 135th aslt helicopter co. emus, nva/vc, gibbons collection catalogue

Melbourne and Metropolitan Board of Works. Yarra 2500 [base map]. 12-22, Parishes of Keelbundora 2856, Municipalities of Whittlesea 239 and Diamond Valley 257. Shows street names, easement sizes, lot numbers, lodged plan numbers, names of prominent features, contour values, creek or river names. Watsonia Railway Station and environs. Prominent streets: Edmund Rice Parade and Macorna Street. Includes Christian Brothers Edmund Rice College and Janefield Special School sites and "proposed future freeway" (now Metropolitan Ring Road).MMBW Map in 1:2500 [scale] series. Cream parchment with green tape reinforcing on edges and punched holes on left edge.mmbw, melbourne and metropolitan board of works, shire of diamond valley, watsonia - maps, bundoora - maps

Photo depicts an early manager of the Valley Mills (c.1940s?). Thought to be Mr Pickles (on the advice of Judith Rice, whose father worked at the mill at the same time. Info given 01/08/07)Depicts a Manager of the Valley Mill.T. Lockwoodtextile mills management, valley worsted mill, textile mills - management

A William de Morgan rice plate from the Sands End pottery 1893. An associate of William Morris, De Morgan produced a range of pottery including tiles and tile murals and works also for Morris.Arts and Craftswilliam morris, arts and crafts, british pottery, pottery, lustreware,

Richard Squire was a former student of the Ballarat School of Mines. A large sheet of paper with seals - an agreement under the Miners Act, 1890, Part 2 between Richard Brereton Squire of 66 Lewistram Road, Windsor and Alfred Rice of Mt Mercer. The agreement is unsigned, but dated 1919. Gift of the Squire Family, 2014squire, richard squire, ballarat school of mines, alfred rice, mt mercer, mining, mount mercer

A black and white photograph of a local Vietnamese women of Phuoc Tuy, seen froma 161 (Indep) Recce Flight helicopter tending to their local village rice fields. The women are wearing tradional vietnamese "black pyjamas" garments used for most daily work.photograph, 161 recon flt, phuoc tuy, gibbons collection catalogue, vietnamese women

A black and white photograph taken at Phang Rang 1967. Flt Sgt Al Thomas and Sgt Ray Morrison of 2 Sqn RAAF shelter from the midday sun under a rice paper umbrella as they discuss their laundry with two Vietnamese laundry women.photograph, phan rang, flt sgt al thomas, sgt ray morrison, 2 sqn, raaf, vietnamese women, gibbons collection catalogue

20 Edmund Rice Parade Watsonia North, 5 bedroom, 2 storey home. Sale by set date 05/06/2018 price not disclosed. Previous sale September 2001 for $345,000 and December 1984 for $31,000..Real estate advertising leaflet, 1 sheet, printed in colour.edmund rice parade watsonia north

19 page history of Sho Noboru Takasuka. A Great Australian. Accompanied by various pictures of Sho and his family. Mr. Isaburo (Jo) Takasuka. Ichiko. Rice growers. Japanese. House of Representatives Rikken Seiyukai Party Japan. Shire President of Huntly, Victoria.person, individual, sho takasuka

Coloured photograph of the Golden Square Primary School School Sports Captains 1999. Names are: Back row: Dearne Rice, Jessica Gloster, Noni Hyett. Front row: Trent Burchell, Jedd Fettling, Seb Robins, Jeff Lewis. (Absent - Ebonee Bryan.)education, primary, golden square laurel st p.s., golden square laurel street p.s. collection - photograph - school sports captains 1999, dearne rice, jessica gloster, noni hyett, trent burchell, jedd fettling, seb robins, jeff lewis, ebonee bryan

Colour photograph taken on the deck of fishing boat Tarpeena at Co-op jetty, Bullock Island, shows deck hand Gerald Rice at work during unloading of catch from fish well. Cunninghame Arm and New Works cottages in image. Lakes Entrance Victoriaships and shipping, fishing industry, ocean

Coloured photograph of the GSPS'Aussie Footy' Team 1990. The names of the boys are:- N. Rice, D. Johnson, B. Thompson, N. Cameron, M. Lea, N. Maber, D. Goodwin, D. Brown, K. Roberts, M. Bourke, G. Lockwood, S. Worrell, A. Hinck and T. Reid.education, primary, golden square laurel st p.s., golden square laurel street p.s. collection - gsps 'aussie footy' team 1990, n rice, d johnson, b thompson, n cameron, m lea, n maber, d goodwin, d brown, k roberts, m bourke, g lockwood, s worrell, a hinck, t reid

Coloured photograph of the Regional Athletics Team 1996. The children in the front row are seated on a stool and the back row are standing behind them. Their names are: Standing: Lee Hayden, Andrew Rice, Brett Smith. Seated: Kent Cheng, Emma Tremain, Jacklyn Owen, Sara Anderton, Rebekah Peters.education, primary, golden square laurel st p.s., golden square laurel street p.s. collection - photograph - regional athletics team 1996, lee hayden, andrew rice, brett smith, kent cheng, emma tremain, jacklyn owen, sara anderton, rebekah peters

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981Another Kyoto confection, a kind of sweetened rice paste, is simply but strikingly wrapped in a package marked with its name (uiro) in vigorously written characters. Simplicity could hardly be carried further, but, as seen in this ensemble of three separate packages, the effect is altogether engaging. - Professor Hideyuki Oka, curator.japanese art, japanese packaging, tsutsumi, gift giving

An aerial view of Amberley Mansion in Lower Plenty, taken during the 1930s. Amberley was built in the 1920 as a private residence and later as a centre for Christian Brothers. Located on a bend in the Yarra River and now known as Edmund Rice Centre Amberley, it is currently a conference centre, school camp and function centre.An example of an early 20th century building that has survived for over 100 year, with variations to its use.Digital copy of black and white photographamberley, edmund rice centre amberley, christian brothers, lower plenty

The Marriage Register lists Harold Priestley Simpson and Amy Dora Walker as the bride and groom, and the wedding date as 14th of February 1928. The photograph uses the personal Harry and Dora, instead of the formal Harold and Amy. In the Register, Amy started signing her name as Dora. before correcting it. The photograph shows that weddings took place at the Chapel during the late 1920's, and the style of weddings at the time. This includes the type of outfits worn, such as the length of the veil and the type of bouquet carried. Dora's Bridesmaids are depicted in 2 other images in the MTSV collection also an image of the chapel decked with flowers for the occasion. The article in the Herald of the day describes the event: "WEDDING AT SEAMEN'S CHAPEL Reception at Hotel Windsor The pretty little chapel at the Sea men's Institute was packed with interested friends this afternoon, when Miss Dora Walker, one of the Mission's most enthusiastic and efficient voluntary helpers, chose it as the setting for her marriage with Mr H. P. Simpson, son of Mr and Mrs J. H. Simpson, of Mornington. A group of her fellow workers decorated the chapel with lovely pink and white gladioli, carnations and roses. The ceremony was performed by the Rev. J. R. Weller, chaplain of the Mission, and the bride was given away by her father, Mr A. W. Walker, of Manning road, East Malvern. She wore a lovely ivory georgette frock, the finely tucked skirt being fashioned with a deep transparent hem of Chantilly lace. Over it fell a beautiful Honiton lace veil mounted on tulle and arranged to give the ef fect of a train. Fragrant white roses composed her bouquet. Two attendants followed her down the aisle — her sister, Miss Molly Walker, and Miss Ella Kendall — both wearing dainty shrimp pink georgette frocks and large crinoline straw hats in the same shade with a dainty edging of tulle. They carried bouquets of pink cactus dahlias nnd delphiniums. Mr Louis Buscombe was best man, and Mr George Thompson grooms man. After the ceremony Mr and Mrs Walker entertained about 50 guests at the Hotel Windsor."The photograph shows St. Peter chapel was being used for weddings in 1928. The Anglican church has been used for weddings since being finished in 1917. The Marriage Register shows that these weddings were legal in the Commonwealth of Australia, and lists Church of England as the denomination for this wedding. Miss Amy Dora Simpson (nee Walker) had a long association with the Mission, first as a young Volunteer with the Ladies Harbour Light Guild circa WW1, and through to her wedding in early 1928 and beyond. Square sepia, glossy photograph of a bride and groom, taken as they leave a building. Guests are throwing rice at the newlywed. The groom is turned towards the camera, while the bride is looking ahead, carrying a bouquet. There is a white border around top, bottom and left edges, the photograph seems to have been cut in half along the right edge.On the reverse: handwritten in blue pen JUST MARRIED!/DORA & HARRY/28/2/28. 618 is stamped in blue ink . (date is incorrect as wedding took place on 14/2/28)bride, wedding, groom, 1928, dora simpson, dora walker, st peter chapel, harry simpson, lhlg, flinders street, harold priestley simpson, valentine's day, amy dora walker, ladies harbour lights guild, mr and mrs a.w. walker, malvern, manning road, reverend j.r weller, molly walker, ella kendall, david simpson

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981Sugar-coated walnuts from Ishikawa Prefecture are packed in small straw baskets and sold under the name of Chitose Kurumi, or Thousand-Year Walnuts. Both the confection and the container are traditional products of this prefecture. The basket copies the tego (hand baskets) used by farmers to carry unhulled rice and vegetables. - Professor Hideyuki Oka, curator.japanese art, japanese packaging, tsutsumi, gift giving

This Book of Common Prayer, with once owned by Florence Harrison. It was part of the original furnishings of St Nicholas Seamen's Church, Williamstown, Victoria. The church was operated by the Missions to Seamen organisation. It is one of a set of similar books. This book is in our St Nicholas Seamen's Church Collection. THE MISSIONS TO SEAMEN (Brief History: for more, see our Reg. No. 611, Set of Pews) The Missions to Seamen was an Anglican charity that served seafarers of the world since 1856 in Great Britain. It symbol is a Flying Angel, inspired by a Bible verse. Today there are centres in over 200 ports worldwide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria, the organisation began in Williamstown in 1857 as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’ in an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000 the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943 a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981, and closely resembles the Williamstown chapel. This book is significant historically for its origin in the St Nicholas Mission to Seamen's Church in Williamstown, established in 1857 to cater for the physical, social, and spiritual needs of seafarers. It originated in Bristol, England when a Seamen's Mission was formed in 1837. The book is historically significant for its connection to the Ladies Lightkeepers’ Auxiliary, an organisation of women, formed to support seafarers. The connection of this book to the Mission to Seamen and to the Ladies Lightkeepers’ Auxiliary highlights the strong community awareness of the life of people at sea, their dangers and hardships, and their need for physical, financial, spiritual and moral support. Prayer book, cardboard front cover, textured black cover, rice paper pages with gold leaf edges. "The Book of Common Prayer with the additions and deviations proposed in 1928".There is an image on the fly page. Published in Oxford at the University Press London. The book was owned by Florence Harrison. The book is now part of the St Nicholas Seamen's Church Collection. Logo: [Shield enclosing three crowns and an open book with test, resting on six rods] Inscription: "Florence Harrison"flagstaff hill maritime museum and village, flagstaff hill, warrnambool, maritime museum, maritime village, shipwreck coast, great ocean road, religion, religious service, st nicholas seamen’s church, williamstown, missions to seamen victoria, prayer book, the book of common prayer, oxford university press, florence harrison, church service

'Rapid' tobacco tin for storing tobacco and contains 'Tally Ho' rice tobacco papers. Used for rolling own cigarettes. Chrome finished pocket size tin with canvas rolling mechanism. Tin lid is embossed with a decorative star/sun design. The tin is curved slightly to sot in a jacket pocket and making it easier hold when in use.'Rapid' stamped near the front edge of the lid.personal effects, smoking accessories

Item given to Geoff MURRAY in Vietnam by Sister Augustine from the Baria Orphanage. The figure, a bird feeding its young with rice in its mouth reminded the Sister of Geoff feeding the Orphanage with all his help he gave to them. Refer Reg No 638P for Geoffs service history and other items re the Baria Orphanage.Small arrangement, bone china representing a tree trunk, birds nest, floral arrangement with bird in nest & mother feeding. Colours range from white, pink, green & blue.On base: "Bone China SEYEA"ceramics - porcelain, military history - souvenirs, vietnam

Robert Harper & Co had an industrial complex on Beach Rd from Sandridge lagoon to Post Office Place. A wide variety of goods were produced including rice, starch, spices, cocoa, flour, spices, oatmeal, jelly crystals. Most of the complex was demolished around 1980 but some buildings have been transofmed into apartment blocks.Digital copy of Black and White photo mounted on card with the words "Harpers Picnic 1908" written below. The group of twenty two (22) includes two young children and the whole group are dressed in their finery and one man in the centre appears to be playing the piano accordion. The location of the bushland setting is unknown.social activities, industry - food, industry - manufacturing, robert harper & co ltd