Showing 67 items
matching aboriginal artefact
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Whittlesea Historical Society Inc.
Flyer, Level Crossing Removal Authority, The Old Bridge Inn Artefacts, Excavations, 2017
... Mernda Aboriginal artefacts wurundjeri Level Crossing Removal ...Excavations A flyer distributed at the event, Unearthed: A Shared Heritage artefacts display which ran from 21 May to 29 June, 2017, at the City of Whittlesea Shire Offices.1 page, coloured flyerbridge inn, artefacts, excavation of the old bridge inn, mernda, aboriginal artefacts, wurundjeri -
Truganina Explosives Reserve Preservation Society Inc (TERPS)
Digitised Oral History – Truganina Explosives Reserve - Tape 11 Rob Andrew, 2018
... artefacts aboriginal habitation aboriginal remains red gums ...The interviews were recorded in 2000 by Bronwen Gray and Alan Young for the production of Unreserved, Stories from Truganina Explosives Reserve, animated stories from past residents, workers and interested people of the Reserve (subject to copyright 2004). Rob Andrew’s career was as an Environmental Health Officer with various councils around Victoria. As an Altona resident he became interested in the Truganina Explosives Reserve when he heard the site was to be sold. He was concerned that because of the prospect of commercial development the community would lose tranquil open parklands. Through his involvement with the Reserve he realised the historical, geomorphic, flora and fauna significance of the site. A primary source of information on memories of the Truganina Explosives Reserve and Altona,VictoriaDigital copy of original cassette recorded in 2000 and digitised in 2018native grasses, explosives, cheetham wetlands, cheetham salt works, doug grant, chirnside, cliff gibson, lava plain, brown coal, sand ridges, selwyn fault, rowsley fault, victorian coastal strategy, aboriginal stone artefacts, aboriginal habitation, aboriginal remains, red gums, casuarinas, altona skipper butterfly, orange bellied parrot -
Whitehorse Historical Society Inc.
Article, Koori Sites, 5/05/1999 12:00:00 AM
... Aboriginal artefacts Presland Gary Whitehorse Gazette article dated 5 ...Whitehorse Gazette article dated 5 May 1999..Whitehorse Gazette article dated 5 May 1999 reporting the launch of the brochure 'Koorie Sites in the City of Whitehorse' prepared jointly between Whitehorse Council and Friends for Whitehorse Reconciliation Group.Whitehorse Gazette article dated 5 May 1999..sacred sites, aborigines, wurundjeri - william tribe, friends for whitehorse reconciliation group, aboriginal artefacts, presland, gary -
Whitehorse Historical Society Inc.
Pamphlet, Koori Sites, 1/04/1999 12:00:00 AM
... of Whitehorse Archaeological sites Aboriginal Artefacts Wurundjeri ...Brochure with map showing Koori sites in the City of Whitehorse and giving a brief history of aborigines in area.Brochure with map showing Koori sites in the City of Whitehorse and giving a brief history of aborigines in area.Brochure with map showing Koori sites in the City of Whitehorse and giving a brief history of aborigines in area.aborigines, sacred sites, city of whitehorse, archaeological sites, aboriginal artefacts, wurundjeri-willam tribe -
Stawell Historical Society Inc
Photograph, Aboriginal Collection Presented (Historical Society) in 1992, handing over artefacts from McNamara Collection to Brambuk Aboriginal Cultural Centre Halls Gap
Aboriginal Collection Presented (Historical Society) 1992 handing over artefacts from McNamara Collection to Brambuk Aboriginal Cultural Centre Halls Gapstawell -
Federation University Art Collection
Work on paper - Printmaking - Silkscreen, Lin Onus, 'Walawala Garrkman' by Lin Onus, 2001
Lin ONUS (1948-1996) Language: Wiradjuri / Yorta Yorta Lin Onus played a pivotal role in the recognition of Aboriginal art as an expression of a contemporary and dynamic living culture. Prior to his premature death at just 47 years of age he was a prominent, strident, yet non-confrontational agent in renegotiating the history of colonial and Aboriginal Australia. His father, Bill Onus, was the founder of the Aboriginal Advancement League in Victoria and a prominent maker of artefacts in Melbourne. As a young Koori growing up, Lin lived in a cultural environment that included exposure to visiting Aboriginal artists, including Albert Namatjira. He began his artistic life assisting his father in decorating artifacts, went on to develop skills working with metal and painting with air brush as a panel beater; and by 1974 he was painting watercolors and photo-realist landscapes. In the 1970's he completed a set of paintings on the first Aboriginal guerrilla fighter Mosquito, which holds pride of place on the walls of the Advancement League in Melbourne, to this day. Lin Onus was a largely self-taught artist. Particularly important in his development was his visits to Garmedi (Arnhem Land) starting in 1986. Jack Wunuwun, the Yolngu artist, introduced him into the Murrungun-Djinang clan and gave him permission to use some of traditional images in his paintings. His cultural education on the Aboriginal side was also provided by visits to Cummeragunja with his father, and stories told by his uncle Aaron Briggs, known as 'the old man of the forest' who gave him his Koori name - Burrinja, meaning 'star'. They would sit on the banks of the Murray River within view of the Barmah Forest, Lin's spiritual home, the subject of many of his later paintings and his final resting place. Lin's father had been of the Yorta Yorta people from the Barmah Forest country, and Lin also used images from this area in his paintings. The images in his works include haunting photorealist portrayals of the Barmah red gum forests of his father's ancestral country, and the use of rarrk cross-hatching-based based painting style that he learned (and was given permission to use when in Arnhemland). His painting Barmah Forest won Canberra's national Aboriginal Heritage Award in 1994. (http://www.cooeeart.com.au/aboriginal_artist/lin_onus/A, accessed 18 May 2015) This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed limited edition silkscreen.Signed 'Onus' lower right (posthumously by Tiriki Onus) Edition 68/80art, artwork, lin onus, onus, printmaking, screenprint, aboriginal, dreaming, frogs, available -
Federation University Art Collection
Work on paper - Printmaking - Screenprint, Lin Onus, 'Garkman' by Lin Onus, 1991
Lin ONUS (1948-1996) Lin Onus was integral to the recognition of Aboriginal art in the contemporary Australian art landscape. His work expresses the dynamism of living culture; Onus was a prominent figure in renegotiating the history of colonial and Aboriginal Australian. An early influence of this dedication was his father, who was the founder of the Aboriginal Advancement League in Victoria and a maker of artefacts. As a young boy Onus was subsequently exposed to visiting Aboriginal artists and assisted his father in decorating artefacts. His painting Barmah Forest won the Aboriginal Heritage Award in 1994; Onus also received a Member of the Order of Australia “for service to the arts as a painter and sculptor and the other promotion of Aboriginal artists and their work.” (https://www.portjacksonpress.com.au/artists/lin-onus)Unframed colour screenprint with a limited edition of 60.lin onus, frogs, aboriginal, screenprint, printmaking, gippsland campus, print council australia