Showing 124 items
matching aboriginal man
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Koorie Heritage Trust
Book, Bonwick, James, The wild white man and the blacks of Victoria, 1863
Contents: Life of Buckley; James Morrill; Blacks of Victoria; Early Stories of the Blacks; Physical Appearance; Intelligence; Character; Clothing & ornaments; Homes & food; Hunting; Songs & dances; Women and children; Marriages; Infanticide & Cannibalism; Weapons; Religion & Superstition; Missions; Diseases; Death & Burial; Language; Origin of our Natives; Conflicts of Whites & Blacks; Native rights & British rule; Protectors & Native Police; Government of Tribes & numbers; Civilisation; Decline; Appendix.90, iii pages : illustrations ; 22 cm.Contents: Life of Buckley; James Morrill; Blacks of Victoria; Early Stories of the Blacks; Physical Appearance; Intelligence; Character; Clothing & ornaments; Homes & food; Hunting; Songs & dances; Women and children; Marriages; Infanticide & Cannibalism; Weapons; Religion & Superstition; Missions; Diseases; Death & Burial; Language; Origin of our Natives; Conflicts of Whites & Blacks; Native rights & British rule; Protectors & Native Police; Government of Tribes & numbers; Civilisation; Decline; Appendix.buckley, william, 1780-1856. | aboriginal australians -- victoria -- social life and customs. | victoria -- social life and customs. -
Koorie Heritage Trust
Book, Bostock, Gerald, Black man coming, 1980
viii, 32 p. : ill. ; 24 cm.poetry-aboriginal, australian -
Koorie Heritage Trust
Book, Bohemia, Jack et al, Nyibayarri Kimberley tracker, 1995
... . Records the life of a fully initiated Aboriginal man who worked ...Records the life of a fully initiated Aboriginal man who worked as a tracker for most of his life.vii-xvi; 294 P.; maps; ill.; glossary; refs.; index; 24 cm. Records the life of a fully initiated Aboriginal man who worked as a tracker for most of his life.bohemia, jack, 1900-1994 -- career in the police. | aboriginal australian police -- western australia -- kimberley -- biography. -
Koorie Heritage Trust
Book, Broome, Richard et al, A man of all tribes : The Life of Alick Jackomos, 2006
... : Aboriginal Studies Press Manning, Corinne ...No account of race relations in Victoria could be reliable, or complete, without a focus on Alick Jackomos. Ethnically Greek, he devoted his life to Aboriginal advancement, bringing sense to what were often pretty senseless situations.Colin Tatz - Visiting Fellow in Political Science - A.N.U.vi-xiv; 298 P.; ports; index; notes; bib.No account of race relations in Victoria could be reliable, or complete, without a focus on Alick Jackomos. Ethnically Greek, he devoted his life to Aboriginal advancement, bringing sense to what were often pretty senseless situations.Colin Tatz - Visiting Fellow in Political Science - A.N.U. jackomos, alick, 1924-1999. | political activists -- victoria -- melbourne -- biography. | aboriginal australians -- civil rights -- victoria. | historians -- victoria -- melbourne -- biography. -
Koorie Heritage Trust
Book, Butlin, Noel George, Our original aggression : Aboriginal populations of southeastern Australia, 1788-1850, 1983
Contents: Introduction and Disease Background - Black fellow fall down, jump up white man; Death at a long distance. Demographic Modelling - Assumptions and procedures - Basis of modelling; Depopulating disturbances - Diseases and population recovery - Smallpox; the potential for population recovery; Other diseases; Summary diseases effects - Resource competition - Resource depletion and depopulation; Black and white options. Appraisal of estimates - '1788' population possibilities; Possible extrapolations; Summary results. Towards an Ecological Model - Economy and ecology; Some general inferences.xii, 186 p. : ill. ; 22 cm.Contents: Introduction and Disease Background - Black fellow fall down, jump up white man; Death at a long distance. Demographic Modelling - Assumptions and procedures - Basis of modelling; Depopulating disturbances - Diseases and population recovery - Smallpox; the potential for population recovery; Other diseases; Summary diseases effects - Resource competition - Resource depletion and depopulation; Black and white options. Appraisal of estimates - '1788' population possibilities; Possible extrapolations; Summary results. Towards an Ecological Model - Economy and ecology; Some general inferences.aborigines, australian -- population. | aborigines, australian -- statistics, vital. | aborigines, australian -- treatment. | europeans -- australia. | australia -- history -- 1788-1851. | fire-stick farming -
Victorian Aboriginal Corporation for Languages
Video, Richard Frankland, From Sand to Celluloid, 1996
A compilation of 6 short films by Aboriginal filmakers dramatising various aspects of Aboriginal life in white Australia. Touches on topics which include Black Deaths In Custody, family life, social interaction and social disadvantage, traditions and racial discrimination. No way to forget /? writer, director, Richard Frankland (11 min.) Fly Peewee fly /? writer, director, Sally Riley (10 min.) Round up /? writer, director, Rima Tamou (16 min.) Two bob mermaid /? writer, director, Darlene Johnson (15 min.) Payback /? writer, director, Warwick Thornton (10 min.) Black man down /? writer, co-producer, Sam Watson ; director, Bill McCrow (11 min.) No way to forget /? writer, director, Richard Frankland (11 min.).videocassetteindigenous filmmakers, richard frankland, darlene johnson, sally riley, rima tamou, warwick thornton, australian film institute, afi -
Victorian Aboriginal Corporation for Languages
Book, Tim Bonyhady, Words for country : landscape &? language in Australia, 2002
Landscape and Language -- Lubra Creek -- The River Runs Backwards -- These Blarsted Hills -- Scarcely Any Water on Its Surface -- Everyone Who Has Ever Done A Tree Sit Always Says That The Tree Talks To You -- The Spirit of the Plains Kangaroo -- The Graveyard of a Century -- So Much for a Name -- Blackfellow Oven Roads -- The Ends of the Earth -- Natural Beauty, Man-Made -- Uluru -- The Outside Country -- It's Only Words.Mapslanguage and landscape, language essays, writing, storytelling -
Victorian Aboriginal Corporation for Languages
CD, Korrawinga Aboriginal Corporation, Waaka yaalangu : untold stories, 2009
Nine songs in the Butchulla language sung by students. Joyce Bonner Co-ordinator, Kassie Bonner Music Director, Travis Page Song man and Tutor, Malcolm Burns Traditional dancer and Tutor, Nikki Michail freelance filmmaker and photographer (CD design and layout), Grevillea Studios, ALbion, Brisbane CD recording and mixing.CDbutchulla, korrawinga aboriginal corporation -
Victorian Aboriginal Corporation for Languages
DVD, Dylan McDonald, Buckskin, 2013
Jack Buckskin is a man whose mission is to sculpt a new urban Aboriginal language and culture, and through that bring hope back to his people. Broadcast on ABC1 Television on 13 October, 2013DVDkaurna, south australia, language activism -
Victorian Aboriginal Corporation for Languages
Periodical, Australian Institute of Aboriginal and Torres Strait Islander Studies, Australian Aboriginal studies : journal of the Australian Institute of Aboriginal and Torres Strait Islander Studies, 2008
Mawul Rom Project: Openness, obligation and reconciliation Morgan Brigg (Universtiy of Queensland) and Anke Tonnaer (University of Aarhus, Denmark) Aboriginal Australian initiatives to restore balanced relationships with White Australians have recently become part of reconciliation efforts. This paper provides a contextualised report on one such initiative, the Mawul Rom crosscultural mediation project. Viewing Mawul Rom as a diplomatic venture in the lineage of adjustment and earlier Rom rituals raises questions about receptiveness, individual responsibility and the role of Indigenous ceremony in reconciliation efforts. Yolngu ceremonial leaders successfully draw participants into relationship and personally commit them to the tasks of cross-cultural advocacy and reconciliation. But Mawul Rom must also negotiate a paradox because emphasis on the cultural difference of ceremony risks increasing the very social distance that the ritual attempts to confront. Managing this tension will be a key challenge if Mawul Rom is to become an effective diplomatic mechanism for cross-cultural conflict resolution and reconciliation. Living in two camps: the strategies Goldfields Aboriginal people use to manage in the customary economy and the mainstream economy at the same time Howard Sercombe (Strathclyde University, Glasgow) The economic sustainability of Aboriginal households has been a matter of public concern across a range of contexts. This research, conducted in the Eastern Goldfields of Western Australia, shows how economically successful Aboriginal persons manage ?dual economic engagement?, or involvement in the customary economy and the mainstream economy at the same time. The two economies sometimes reinforce each other but are more often in conflict, and management of conflicting obligations requires high degrees of skill and innovation. As well as creating financially sustainable households, the participants contributed significantly to the health of their extended families and communities. The research also shows that many Aboriginal people, no matter what their material and personal resources, are conscious of how fragile and unpredictable their economic lives can be, and that involvement in the customary economy is a kind of mutual insurance to guarantee survival if times get tough. Indigenous population data for evaluation and performance measurement: A cautionary note Gaminiratne Wijesekere (Dept. of Families, Housing, Community Services and Indigenous Affairs, Canberra) I outline the status of population census counts for Indigenous peoples, identifying information on Indigenous births and deaths, and internal migration estimates. I comment on the ?experimental? Indigenous population projections and question the rationale for having two sets of projections. Program managers and evaluators need to be mindful of limitations of the data when using these projections for monitoring, evaluating and measuring Indigenous programs. Reaching out to a younger generation using a 3D computer game for storytelling: Vincent Serico?s legacy Theodor G Wyeld (Flinders University, Adeliade) and Brett Leavy (CyberDreaming Australia) Sadly, Vincent Serico (1949?2008), artist, activist and humanist, recently passed away. Born in southern Queensland in Wakka Wakka/Kabi Kabi Country (Carnarvon Gorge region) in 1949, Vincent was a member of the Stolen Generations. He was separated from his family by White administration at four years of age. He grew up on the Cherbourg Aboriginal Reserve in the 1950s, when the policies of segregation and assimilation were at their peak. Only returning to his Country in his early forties, Vincent started painting his stories and the stories that had been passed on to him about the region. These paintings manifest Vincent?s sanctity for tradition, storytelling, language, spirit and beliefs. A team of researchers was honoured and fortunate to have worked closely with Vincent to develop a 3D simulation of his Country using a 3D computer game toolkit. Embedded in this simulation of his Country, in the locations that their stories speak to, are some of Vincent?s important contemporary art works. They are accompanied by a narration of Vincent?s oral history about the places, people and events depicted. Vincent was deeply concerned about members of the younger generation around him ?losing their way? in modern times. In a similar vein, Brett Leavy (Kooma) sees the 3D game engine as an opportunity to engage the younger generation in its own cultural heritage in an activity that capitalises on a common pastime. Vincent was an enthusiastic advocate of this approach. Working in consultation with Vincent and the research team, CyberDreaming developed a simulation of Vincent?s Country for young Aboriginal and non-Aboriginal persons from the Carnarvon Gorge region to explore Vincent?s life stories of the region. The use of Vincent?s contemporary paintings as storyboards provides a traditional medium for the local people to interactively re-engage with traditional values. Called Serico?s World, it represents a legacy to his life?s works, joys and regrets. Here we discuss the background to this project and Vincent?s contribution. A singular beeswax representation of Namarrkon, the Lightning Man, from western Arnhem Land RG Gunn (La Trobe University) and RL Whear (Jawoyn Association) Samples from a beeswax representation of Namarrkon, the Lightning Man, from western Arnhem Land were analysed for radiocarbon and dated to be about 150 years old. An underlying beeswax figure was found to be approximately 1100 years old. The Dreaming Being Namarrkon is well known throughout Arnhem Land, although his sphere of activity is concentrated around the northern half of the Arnhem Land plateau. Namarrkon is well represented in rock-paintings in this area and continues to be well represented in contemporary canvas-paintings by artists from the broader plateau region. We conclude that representations of Namarrkon in both painted and beeswax forms appear to be parallel manifestations of the late Holocene regionalisation of Arnhem Land. ?Missing the point? or ?what to believe ? the theory or the data?: Rationales for the production of Kimberley points Kim Akerman (Moonah) In a recent article, Rodney Harrison presented an interesting view on the role glass Kimberley points played in the lives of the Aborigines who made and used them. Harrison employed ethnographic and historical data to argue that glass Kimberley points were not part of the normal suite of post-contact artefacts used primarily for hunting and fighting or Indigenous exchange purposes, but primarily were created to service a non-Indigenous market for aesthetically pleasing artefacts. Harrison asserted that this market determined the form that these points took. A critical analysis of the data does not substantiate either of these claims. Here I do not deal with Harrison?s theoretical material or arguments; I focus on the ethnographic and historical material that he has either omitted or failed to appreciate in developing his thesis and which, in turn, renders it invalid. The intensity of raw material utilisation as an indication of occupational history in surface stone artefact assemblages from the Strathbogie Ranges, central Victoria Justin Ian Shiner (La Trobe University, Bundoora) Stone artefact assemblages are a major source of information on past human?landscape relationships throughout much of Australia. These relationships are not well understood in the Strathbogie Ranges of central Victoria, where few detailed analyses of stone artefact assemblages have been undertaken. The purpose of this paper is to redress this situation through the analysis of two surface stone artefact assemblages recorded in early 2000 during a wider investigation of the region?s potential for postgraduate archaeological fieldwork. Analysis of raw material utilisation is used to assess the characteristics of the occupational histories of two locations with similar landscape settings. The analysis indicates variability in the intensity of raw material use between the assemblages, which suggests subtle differences in the occupational history of each location. The results of this work provide a direction for future stone artefact studies within this poorly understood region.document reproductions, maps, b&w photographs, colour photographskimberley, mawul rom project, 3d computer game, storytelling, vincent serico, beeswax, namarrkon, artefact assemblages, strathbogie ranges, groote eylandt, budd billy ii -
Victorian Aboriginal Corporation for Languages
Book, Dawn A Lee, Daughter of two worlds, 2002
The biography of a Victorian Koori woman who traced her family lineage back to the first contact between Indigenous Victorians and the founder of Melbourne. Daughter of Two Worlds by Dawn Lee begins with a tragic affair between Eliza Batman, the wife of Melbourne pioneer John Batman, and William Willoughby, Batman's right-hand man and a pillar of Melbourne's early Wesleyan church. The book also unearths the remarkable truth behind a family legend that Dawn Lee's great grandfather was a mysterious white English lord who met her great grandmother, Susannah, a full tribal Gunditjmara woman.maps, b&w photographsgunditjmara, dawn a lee, aboriginal victorians, victorian history -
Victorian Aboriginal Corporation for Languages
Book, Wendy Mitchell et al, Corroboree or war party: the last dance of the Wangaratta Pangerang : No more the valley rings with Koorie laughter, 2009
Details the coming of the white man, including explorers and squatters to the Wangaratta area, from a white perspective, written by Wendy Mitchell, and an Aboriginal perspective, written by Freddie Dowling.maps, b&w illustrations, b&w photographs, word listswangaratta, pangarang, genocide -
Victorian Aboriginal Corporation for Languages
Book, Lewis Yerloburka O'Brien, And the clock struck thirteen : the life and thoughts of Kaurna Elder Uncle Lewis Yerloburka O'Brien /? as told to Mary-Anne Gale, 2007
The story of Kaurna man Uncle Lewis O'Brien and his family, beginning with his great, great grandmother Kudnarto - the first Aboriginal woman to marry a white man in South Australia. Contents: 1: Padniadlu wadu: Let's walk together in harmony 2: Kudnarto of Skillogalee Creek 3: Who was Tom Adam senior? 4: Tom and Tim Adams of Poonindie 5: The Adams Family of Point Pearce mission 6: Treasured memories and lessons from the mission 7: My difficult childhood 8: Leaving school and doing an apprenticeship 9: Joining the Merchant Navy 10: Becoming a 'land-lover' and settling down 11: Reflections on working in schools and university 12: Sharing our space 13: Achievements and celebrations.colour photographs, maps, b&w photographskaurna, south australia, political activism -
Victorian Aboriginal Corporation for Languages
Audio CD, Linguistic eliciting : Madi Madi words and a few sentences : Jack Long speaking at Pt. Pearce on May 9th 1971, 1972
Discussion with Jack Long about story of Turkey and Emu, making bark canoes and the man known as Euston Billy.CD, transcription and notesmadi madi, mathi mathi, jack long, euston billy, oral histories, luise hercus -
Victorian Aboriginal Corporation for Languages
DVD, Michelle Mahrer, Urban clan : a portrait of the Page brothers and the Bangarra Dance Theatre, 1998
A documentary portrait of three brothers who together formed the creative core of the Bangarra Dance Theatre. The essence of the Page brothers' story captures an Aboriginal 'dreaming' of three spirits, a storyteller, a song man and a dancer, who through their collective art, build bridges within their own culture and between Aboriginal and non-Aboriginal people.DVDnunukul, munaldjali, yugambeh, south east queensland, stephen page, david page, russell page, bangarra dance theatre -
Victorian Aboriginal Corporation for Languages
Book, Nicolas Peterson, Tribes and boundaries in Australia, 1976
Some ecological bases for Australian tribal boundaries /? Norman B. Tindale Man and ecology in the highlands of southeastern Australia : a case study /? Josephine Flood The natural and cultural areas of Aboriginal Australia : a preliminary analysis of population groupings with adaptive significance /? Nicolas Peterson 'The chain of connection' : the material evidence /? D.J. Mulvaney Realities and transformations : the tribes of the Western Desert of Australia /? Joseph B. Birdsell Structure, event and ecology in Aboriginal Australia : a comparative viewpoint /? Aram A. Yengoyan Territoriality and the problem of demarcating sociocultural space /? Ronald M. Berndt Communication and change in mythology /? Kenneth Maddock Levels of organisation and communication in Aboriginal Australia /? D.H. Turner Boundaries and kinship systems in Aboriginal Australia /? F.G.G. Rose Tribes, languages and other boundaries in northeast Queensland /? R.M.W. Dixon Aboriginal language distribution in the Northern Territory /? E.P. Milliken.maps, b&w photographs, diagramsecology, environment, sociology, kinship systems, language distribution -
Victorian Aboriginal Corporation for Languages
Book, Koorie studies : classroom activities together : teachers resource book 2, 1993
Resource book developed by Aboriginal woman in consultation with local Kurnai community of Gippsland, Victoria; includes advice on story telling, involving community and parents, Koorie parents view of schooling , how Koories learn, strategies and activities for classroom, shows symbols used in art, making animal tracks, Kurnai stories include the first man and woman, the Southern Cross and the moon, the talking dog, the echidna, robin redbreast, Tidda-lick the frog, origin of fire, Kur-bo-roo the koala bear, how the sun was made; artwork in planning lessons is copyright free.b&w illustrations, games, classroom activitiesgunai, kurnai, gippsland, lake tyers, koorie studies, dreaming stories, storytelling, koorie education -
Stawell Historical Society Inc
Photograph, Mr Thomas Wills' Centenary of AFL Monument -- 2 Photo
Two photographs of Australian Rules Football Memorial at Moyston2 Photos of the Memorial to commemorate a Centenary of Australian Rules Football This Monument commemorates the Memory to Thomas William Wills (1835 - 1880) Picture of a man kicking a football black top white Shorts in oval frame Thomas Wills was the Founding father of Australian Rules football co-founder and Captain of the Melbourne Football Club (1859) He Was Involved in forming the Geelong Football club (1859) And Was Captain (1860) Playing As Estimated 172 games. He was captain of an early team from Richmond. He Lived at Lexington Station Moyston While playing as a child with Aboriginal Children in this Area He developed a game which he later utIlised in the Formation of Austrian Football. This Monument was unvieled by the Australian Football League Historian Colin N. Hutchinson on September 17 1988, And this tribute to the memory of Thomas Wills was made Possible by The generosity of Wsetpac Banking Corporation and Staff This Monument Commemorates the Memory of Thomas Wentworth Wils (1835 -1880) a Picture of a Man kicking a football, black long sleeve thomas wiils, afl, vfl, sport -
Federation University Art Collection
Artwork, other - Artwork, 'Reconciliation' by Shanaya Sheridan and Josh Muir, 2018
This artwork was created in collaboration by Shanaya Sheridan and Josh Muir in 2018. Josh Muir was a proud Yorta Yorta, Gunditjmara and Barkinji man, who holds his culture close to his heart as it gives him a voice and great sense of identity. Josh is a Ballarat-based multimedia artist. In 2015 Josh was the recipient of the Telstra National Indigenous and Torres Strait Islander Art Award – Youth Award and the Hutchinson Scholarship, through which he undertook a 12-month residency at the Victorian College of the Arts in Melbourne. Muir's work has been acquired by the Koorie Heritage Trust, The National Gallery of Australia, the Museum and Art Gallery of the Northern Territory, the National Gallery of Victoria and was commissioned as a major project artist by White Night. Shanaya Sheridan, is a proud Yorta Yorta, Dja Dja Wurrung and Boon Wurrung woman who has resided in Ballarat for 20 years, after living in Horsham, Shepparton and Melbourne. Growing up and watching her Elders, and their style of artworks, Shanaya is influenced by a traditional style of Aboriginal art, mixing it up with contemporary colours. This reconciliation piece is Shanaya’s first commission. Artists' Statement: '“This painting represents reconciliation across all lands, from the skies down to the waters including the mountains, grass and sand. The hands represent people of all cultures reaching for a brighter future, and the men and women in talks of how reconciliation can be achieved. Last but not least, the footprints represent our Aboriginal and Torres Strait Islander ancestors that have fought for reconciliation before us and their steps/progress towards reconciliation.' Digital prints of this artwork on aluminum are displayed at Federation University Australia campuses at Mt Helen, Gippsland (Churchill), Berwick, Brisbane and Horsham.reconciliation, josh muir, shanaya sheridan, aboriginal, reconciliation action plan -
Federation University Art Collection
Painting - Artwork - painting, 'Grass Seeds' by Barbara Weir, 1999
Barbara Weir (b. 1945-03/01/2023) Born: In the region of Utopia, North East of Alice Springs, formerly known as Derry Downs Station Language: Anmatyerre and Alywarr Country: Atnwengerrp, Utopia Region, North East of Alice Springs, Northern Territory One of the Stolen Generation, Barbara Weir was removed from her Aboriginal family at the age of nine, and she was raised in a series of foster homes. Reuniting with her mother, Minnie Pwerle, in the 1960s, Weir eventually returned to her family territory of Utopia, 300 kilometres northeast of Alice Springs. Active in the local land rights movement of the 1970s Barbara Weir was elected the first woman president of the Indigenous Urapunta Council in 1985. Barbara’s career as an artist was inspired by the dynamic community of artists at Utopia and the work of her adopted auntie Emily Kame Kngwarreye. Highly experimental in her approach, Barabara Weir tried many mediums before travelling to Indonesia in 1994 with other artists to explore batik technique. She returned full of ideas on how to develop her own style which has since evolved to a more expressive abstract form. Grass Seed is part of her Dreamings and is associated with women’s ceremony and the activity of food gathering of local seeds, grasses, berries, potato, plum, banana, flowers and yams. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Barbara Weir's paintings include representations of particular plants and "dreamings". Inspired by a small grass found in Utopia called Lyaw, Munyeroo or Pigsweed, Barbara's Grass Seed paintings consist of a series of small brush strokes that overlap and weave to create a swaying effect. This Dreaming tells the story of grass seed that is part of the bush tucker found in the region of Utopia. This seed is collected, crushed to a fine powder and is then used to make a bread, very similar to damper. The people of Utopia were still using this seed as late as the 1950s. During that time the seed grew in abundance but as the years passed there were very few good seeds to be found due to bullocks roaming the land and eating the grasses. The people then began to eat a substitute that the white man provided, and today very few Aboriginal people collect these seeds. art, artwork, barbara weir, aboriginal, dreaming, stolen generation, acrylic on linen -
Whitehorse Historical Society Inc.
Document, Melbourne and Metropolitan Archaeological survey, 1/03/1982
History of Aboriginal occupation of the Melbourne area. Evidence of shell midden refuse associated with their campsites. Evidence of scarred trees and scatters of stone artefacts along major stream systems. It has been established that man was in the Melbourne area 40,000 years ago and that Aboriginal occupation probably continued uninterrupted throughout the extremes of the last ice age, around 20,000 years ago when Port Phillip itself was dry land. Study will take 2 - 3 years. Aims (1) identify areas of potential archaeological importance (2) implement a pilot survey program (3) prepare comprehensive proposals for survey of sites. (4) liaise and establish rapport with municipal authorities in study area.aborigines, wurundjeri, bunurong, australian heritage commission, victoria. ministry for conservation, victoria archaeological survey -
Whitehorse Historical Society Inc.
Article, Demise of native tribes : not a good story, 11/02/1997 12:00:00 AM
The impact of European settlement on the Wurundgeri people and surrounding tribes was horrific, including 'White man's' diseases and deliberate poisoning.The impact of European settlement on the Wurundgeri people and surrounding tribes was horrific, including 'White man's' diseases and deliberate poisoning.The impact of European settlement on the Wurundgeri people and surrounding tribes was horrific, including 'White man's' diseases and deliberate poisoning.aborigines, mcwilliam, gwen, wurundjeri aboriginal tribe, kulin nation, boroondara -
Victorian Interpretive Projects Inc.
Photograph - colour, Clare Gervasoni, Mungo at Dusk, 07/09/2008
Mungo National Park is a desert north of Mildura. It has numerous archaeological relics, and is the site of ancient Aboriginal burials known as Mungo Man and Mungo Woman. This photograph was taken during an expedition by Naga Tours in 2008.Colour photograph in digital format showing sand dunes and dramatic natural lighting at dusk at Mungo National Park. lake mungo, desert, archaeology, sand dune -
Victorian Interpretive Projects Inc.
Photograph - Colour, Clare Gervasoni, Corenderrk Cemetery, 31/08/2011
In 1860 the Wurundjeri Elder, Wonga, petitioned the Victorian Parliament for a piece of land in his people’s own country where he could establish a settlement. The land later named Coranderrk was granted. When Wonga died in 1875 his nephew William Barak, known by settlers as ‘King William, last chief of the Yarra Yarra tribe’, became the leader, the Ngurungaeta. William Barak believed strongly in justice for his people, and time and again made the arduous walk to Melbourne to petition to Parliament and to Queen Victoria for his people. ‘Freedom for our lifetime’, he said. The community at Coranderrk welcomed Aboriginal people displaced from other parts of Victoria; they established an economically self-sufficient settlement by growing and marketing hops. Barak negotiated with the Victorian Government officials as they made promises and broke promises. They finally promised to export the whole of a hop harvest of one year. The people worked around the clock to fill the contract; the Government pocketed the proceeds. The community never recovered. Barak died in 1903— a broken-hearted man. (from http://www.sosj.org.au/_uploads/_cknw/files/Corenderrk.pdf) Artist William Barak is buried in this cemetery.Photographs of graves in grass and bushland. It is the Corenderrk Cemetery, and is associated with the former Corenderrk Aboriginal Reserve.corenderrk, wurundjeri, barak, aborigines, aboriginal, cemetery, grave, barak, jemima dunolly -
Clunes Museum
Book - NOVEL, CONRAD H SAYCE, THE SPENDID SAVAGE
THE STORY OF A YOUNGMAN ARRIVING BY SHIP IN AUSTRALIA AND HIS LIFE ON THE LAND WITH ABORIGINALS AND WHITE PEOPLERED-BROWN COVER. ON FRONT: THE SPLENDID SAVAGE - CONRAD H, SAYCE. A YOUNG WHITE MAN WITH A FIFLE AND A BLACK MAN BEHIND HIMfictionTHE STORY OF A YOUNGMAN ARRIVING BY SHIP IN AUSTRALIA AND HIS LIFE ON THE LAND WITH ABORIGINALS AND WHITE PEOPLEthe splendid savage, conrad h sayce -
Federation University Historical Collection
Book, University of Ballarat Annual Report, 2010
In 2010 the University of Ballarat celebrated 140 years of technical education on 26 October.Blue and white soft covered book featuring an image of three men and a woman. Contents include: David Battersby, Catherine King, Robert Hook, Jannine Bennett, Clare Gervasoni, Geoffrey Blainey, Robert H. T. Smith, charter, honorary doctorate Wai Man-Woo, David Suzuki, beer awards, Equine Centre, Science and Engineering Building, Aboriginal Education Centre, E. J. Barker Library refurbishment, Ashley Toth, Golden Key, Indigenous Education, William Harvey, Robyn Brandenburg, Diane Clinging, David Gao, Bronwyn Blaiklock, UB Technology Park, university of ballarat, ballarat school of mines, annual report, 2010, anniversary, 140th anniversary, david battersby, catherine king, robert h.t. smith, ted lovett, shirley morgan, tim stares, e.j. barker library refurbishment, geoffrey blainey research centre, geoffrey blainey research centre opening, geoffrey blaing, e.j. barker, ashley toth, tom gleeson, graeme hood, bronwyn blaiklock, robyn brandenberg, diane clingin -
Melton City Libraries
Map, Streets of Melton, 1963
MELTON’S STREETS Heritage Week 2014 What’s in a Name? Alphabetical List Aboriginal place names, Early Family Names and landowners, Agricultural, Shop and Commercial premises, Places and Events Melton & District Historical Society Street Naming Project 1972 – c 1998 Suburb Name – KURUNJANG - Kirkton, 1972, Brookfield, West, 1988 Melton and Town Centre - A joint collaboration with the Shire of Melton and Subdivision Developers ARNOLD Court – Family house - Arnolds Creek ALKEMADE Drive Family – Lime kilns Coimadia ALEXANDRA Street 1902 – Corination of King Edward VII and Queen Alexandra AVIATOR Place Event, location of plane crash – Jimmy Melrose 1936 Adina ?Annibee - Anniba? Agricultural Avon court .. .. BAKERY Square - Location of Jongebloed shop, bakehouse and stables BALUK Place Aboriginal BARLEYCORN Place Agricultural BILLING Place Name of Jimmy Melrose Uncle Noel Pemberton Billing BLACKWOOD Drive - Alexander Blackwood 1860c Registrar BARRIES Road C. E. Barrie “Darlingsford” farmer 1911, chaff mill owner BROOKLYN Road Staughton family residence. 1875 – Dismantled c 193? CAHILL Drive Family - Glenville Dairy CAMERON Court Family Canopus Place ? CANALLAN Drive Early Surveyor CAMPBELL Court Aviation – Melrose passenger 6th July 1936 CARBERRY Drive Michael, early landowner family CAREW Court Edward and Michael. Royal Hotel. Vera (Carew) Forran Singer - Opera CASEY Court Family CASHIN Court Family CHEVIOT Court Agriculture, breed of sheep CHESNEY Road was re named ( Minns Road being duplicated c 1973) CHRISTINA Crescent Christina McPherson, daughter of James and Mary Mary McPherson. Died 1955 aged 85 years COLLYER Close a deleted street (parallel to Yuille) re-used CORRIEDALE Road Breed of sheep CORR Court Teacher at first school, landowner CROXTON Court Name of the Hornbuckle and Knox family home DALEY Court - William Daley and family 1865 Bootmaker High Street DARLINGSFORD Boulevard - Name of early homestead Thomas B Darling 1853 DJERRIWARRH Court - Parish County of Bourke - very early map. DODEMAIDE Place Early land owners - Melton Football Team had 6 brothers playing c 1924 DONALD Court McPherson family 6 generations in Melton in 1936 DOUGAL Court DUNCAN Court .. .. DUNVEGAN Circuit Home of the McPherson family, castle Isle of Skye Name of bluestone house Smith Street (now at Willows) EMIL Court Jongebloed family EXELL Avenue Farming family Melton Sth- Closer Settlement 1907 EXFORD Road Exe former name of the Werribee river FARMER Court Name of early postmistress FERRIS Road John Ferris Farmer HANNAH Close First name of Hannah Watts – midwife HAYBALE Place Agricultural HELDER Court Early surveyor J Helder Wedge map HEWSON Street Winston Hewson Shire Engineer – check title c 1960 HENRY Street Township map c 1860 HESTON Street Heston Phoenix – C.J. Melrose plane HILDEGARDE Court Jimmy Melrose’s mothers name HOMESTEAD Close HORNBUCKLE Cres Farmers. Three members of family - Shire Presidents HURLEY Street Farmers IAIN Court Descendent of James and Mary McPherson JAMES MELROSE Drive Name appears on 2013 Melton information map JANG Place KURUN – jang KIRKTON Drive Name of the McPherson family home Toolern Vale Road KIRWIN Street Michael early landowners (deleted for freeway construction) KILPATRICKS Road Deleted when Barries Road was extended across Station Rd KOROROIT Court Early map, Parish of Kororoit. Creek name KNOX Circuit Family – Hornbuckle “Croxton Park” KURRUNJANG Drive Aboriginal name for people of the red earth – Suburb name Lara Place ? LLOYD Court Garage owners High Street. Laura lived to 100 years D 1955 LUBY Court John Luby – Crown Grant Land Title LITTLE Court MANNING Avenue Richard, hotel owner 1891 MARGARET Drive McPherson family McDONALD Street Melton South family name McKENZIE Street Township c1860 MORROW Street Early name MOWBRAY Crescent Name of English Melton, popularly believed origin of Melton MYERS Court Early setters c 1866 Crown Grant Land Title NIMMO Street Early name NIXON Street Name submitted by Mary nee Nixon Collins c1985 OLDERSHAW Road Early builder PALMERSTON Street Early township map c 1860 PEART Court Early name PENNYROYAL Avenue Plant growing by the creek. Early name used for the Toolern Toolam Creek PINKERTON Street Family name and early street map PINNACLE Crescent Agricultural - type of wheat PHOENIX Circuit C.J. Melrose Phoenix Heston Plane 2013 map PRATT Family PRIOR Court PYKE Place Brothers – early settlement 1838 RADFORD Court Land owners and business operators. Former Royal Hotel Grocer High Street demolished 1970 RAGLAN Court Hotel 19th century Lord Raglan RALEIGHS Road Oliver Reierson family (Norweigen) Shopkeeper – Dressmakers RIDDELL Drive (misspelt Riddle) Resident and land owner RODERICK Road McPherson family – a re occurring name ROLLAND Court Jones family ROSS Court Daniel. Landowner. Agnes Ross music teacher RUSSELL Court Robert. Early land surveyor of Melton 1853 RYAN Court Family early landowner. Member of the 1862 Road Board SHEBLER Place Augustus early Melton resident – Golden Fleece Hotel SHEEPFOLD Court Farming SHERWIN Court Sherwin Street earliest Township map– became Golf course SMITH Street Early township map. STRATHULLOH Circuit Strathtulloh Homestead. STAUGHTON Street Family – LARGE land owners Strachan ? SWANEY Court Marie Swaney earlier resident of Strathtulloh. SUTHERLAND Family name TOOLERN Street TOOLAM – TOOLERN Creek TULLIDGE St Road marked on 1861 map UNITT Street Early Township c 1860 WALLACE Square Cr Jack Wallace 5 terms as President 46 years unopposed WATTS Court Hannah Watts – midwife, cottage hospital WALSINGHAM Name of house of Minns family. From Walsingham Norfolk England WESTLEY Place Name of Jimmy Melrose Percival Gull Plane WESTLAKE Drive Early resident WHICKHAM Street Family Name Melton South WILSON Road Albert, Melton South YUILLE Street William Cross, early landowner, Rockbank run Zoomed in section of Melton Streets including Church and High Streetlandscapes of significance -
Carlton Football Club
Commemorative Ash Tray, 1947 VFL Awarded to H O Bell Secretary of Carlton FC 1947, 1947
Presented to Carlton FC secretary H O Bell in recognition of Carlton's 1947 premiershipThe awarded trophy although for the 1947 season was passed onto former Carlton player Cyril Mann who missed selection for the 1945 Grand Final (The Blood Bath) victory over South Melbourne. Cyril Mann's maternal Grandfather William Cooper "is remembered as the Australian Aboriginal political activist, much-respected community leader and genuine man of stature whose extraordinary lifetime achievements cannot be properly acknowledged in the limited space available here". Tony De Bolfo 2013.Comprises stainless steel & bronze. Small bronze medallion sits atop ash tray on a small pedestal."Awarded to H O Bell Secretary Carlton Football Club 1947 PREMIERS" The VFL emblem is depicted on one side of the medallion. -
Federation University Art Collection
Artwork, other - Artwork, Josh Muir, [Eye] by Josh Muir, 2014
Josh MUIR (1991- ) Yorta Yorta/Gunditjmara Muir's art draws on hip-hop and street art culture and often depicts the history of indigenous people and European settlers. He spent a lot of time in his teens researching and enjoying public art, especially graffiti. Inspired by the commitment of graffers he was inspired by the concepts they illustrate. He started expressing his own ideas with pen and pad and once the basic concept down and it was tangible and could be converted that to canvas or walls. Muir experimented with spray and stencil work a lot in his teens and later branched out into acrylic paints, paint pens, and digital forms of Art. In 2016 Josh Muir's work 'Still Here', projected onto the front wall of the National Gallery of Victoria was critically acclaimed. At that time he stated: "‘I am a proud Yorta Yorta/ Gunditjmara man, born and living in Ballarat, Victoria. I hold my culture strong to my heart – it gives me a voice and a great sense of my identity. When I look around, I see empires built on aboriginal land. I cannot physically change or shift this, though I can make the most of my culture in a contemporary setting and use my art projects to address current issues of reconciliation." In 2016 Josh Muir was awarded the second recipient of HMS Trust’s Hutchinson Indigenous Fellowship at University of Melbourne, based at the Victorian College of the Arts (VCA). The Fellowship was created to enable Indigenous artists to undertake significant projects of their choice.Digital print on stretched canvas.josh muir, artist, artwork, aboriginal, hutchinson indigenous fellowship -
Federation University Art Collection
Artwork, other - Artwork, [Heart of a Champ] by Josh Muir, 2014
Josh MUIR (1991-05 February 2022) Yorta Yorta/Gunditjmara/Barkinjl Born Ballarat, Victoria Muir's art draws on hip-hop and street art culture and often depicts the history of indigenous people and European settlers. He spent a lot of time in his teens researching and enjoying public art, especially graffiti. Inspired by the commitment of graffers he was inspired by the concepts they illustrate. He started expressing his own ideas with pen and pad and once the basic concept down and it was tangible and could be converted that to canvas or walls. Muir experimented with spray and stencil work a lot in his teens and later branched out into acrylic paints, paint pens, and digital forms of Art. In 2016 Josh Muir's work 'Still Here', projected onto the front wall of the National Gallery of Victoria was critically acclaimed. At that time he stated: "‘I am a proud Yorta Yorta/ Gunditjmara man, born and living in Ballarat, Victoria. I hold my culture strong to my heart – it gives me a voice and a great sense of my identity. When I look around, I see empires built on Aboriginal land. I cannot physically change or shift this, though I can make the most of my culture in a contemporary setting and use my art projects to address current issues of reconciliation." In 2016 Josh Muir was awarded the second recipient of HMS Trust’s Hutchinson Indigenous Fellowship at University of Melbourne, based at the Victorian College of the Arts (VCA). The Fellowship was created to enable Indigenous artists to undertake significant projects of their choice. He was also a Telstra National Indigenous and Torres Strait Islander Youth Art Award winner. The Koorie Heritage Trust, the National Gallery of Australia, the National Gallery of Victoria, the Art Gallery of the Northern Territory and Federation University Australia all own his work. Digital output on stretched canvas.josh muir, artist, artwork, aboriginal, hutchinson indigenous fellowship