Streetscape development over timeRoll of 35mm colour negative film, 2 stripsAgfa CNSpara road, lower plenty, shops, shoe inn, maunder's food store

Streetscape development over timeRoll of 35mm colour negative film, 2 stripsAgfa CNSlower plenty, shops, main road, shoe inn, maunder's food store

Streetscape development over timeRoll of 35mm colour negative film, 2 stripsAgfa CNSpara road, lower plenty, shops, main road, shoe inn, maunder's food store

A death mask is a plaster or wax mould made of a human face shortly after death (around 30 minutes after the execution). The intention was to capture the likeness of the individual and maintain their facial expression and features before these became distorted in death. They differ from their counterparts the life masks which were made to preserve the likeness of an individual while alive. Death masks were often replicated and sold to various institutions and private buyers. Death masks were created for a variety of reasons. Organisations like museums and scientific institutes collected these masks to support the study of phrenology. Phrenology is the study of the conformation of a skull in an effort to understand the mental faculties and traits of an individual. This was undertaken in a period in which it was argued that the shape of a head could provide detailed knowledge into personality. In addition, death masks were also created to aid effigy making, as tools for sculpture and as objects of veneration. Death masks were often placed on display as objects of curiosity. Edward “Ned” Kelly was convicted of murder on the 29th of October 1880 and executed by hanging on the 11th of November that same year. In the 1800s it was common practice for authorities to make a death mask of an executed criminal. In Kelly’s case, there were multiple copies made of his death mask, one of which is in the collection of the Burke Museum. Copies of the official death Mask (attributed to Maximilian Kreitmayer) have been made by artists including Max Meldrum (1875-1955). It depicts the head, neck and partial right shoulder of Ned Kelly. Whilst generally considered to be a ‘pseudoscience’ today, phrenology and the study of the reception and use of artefacts like Ned Kelly’s death mask, can provide valuable insight into a past era’s views of personality and the human body. This mask presents a unique three-dimensional depiction of Ned Kelly shortly after his execution which is unlike any other depiction of him. It can provide vital information as to the use of death masks in Victoria and their popularity in the 1800s. These masks were mostly done of criminals and used for exhibition purposes alongside phrenological study. Phrenologist AS Hamilton used Kreitmayer’s replication of the mask (displayed in Kreitmayer’s Bourke Street waxworks the day after Kelly’s death) to report a detailed phrenological analysis on Ned Kelly and concluded from his research that the deceased had an “enormous self-esteem”. Portraits of living people represent the way they themselves and/or the artists wished themselves to be remembered. The death mask contrasts this and therefore, creates a likeness of a person in their entirety and not just an ideal representation. Therefore, the study of such artefacts and their history of use and disuse can provide interesting information valuable to understanding the past. Colour rectangular photograph printed on gloss photographic paper.Obverse: Reverse: AGFA kelly album, ned kelly, death mask, kreitmayer, old melbourne gaol, phrenology, craneology, 1800s, pseudoscience, burke musuem, max meldrum

Roll of 35mm colour negative film, 7 stripsAgfa XRG 100kinglake

Roll of 35mm colour negative film, 7 stripsAgfa XRG 100kinglake

Roll of 35mm colour negative film, 7 stripsAgfa XRG 100kinglake

Roll of 35mm colour negative film, 7 stripsAgfa XRG 100kinglake

Roll of 35mm colour negative film, 7 stripsAgfa XRG 100kinglake

Roll of 35mm colour negative film, 7 stripsAgfa XRG 100kinglake

Roll of 35mm colour negative film, 7 stripsAgfa XRG 100kinglake

Opened May 1994.Roll of 35mm colour negative film, 7 stripsAgfa XRG 100building construction, eltham library

Opened May 1994.Roll of 35mm colour negative film, 7 stripsAgfa XRG 100building construction, eltham library

Opened May 1994.Roll of 35mm colour negative film, 7 stripsAgfa XRG 100building construction, eltham library

Opened May 1994.Roll of 35mm colour negative film, 7 stripsAgfa XRG 100building construction, eltham library

Opened May 1994.Roll of 35mm colour negative film, 7 stripsAgfa XRG 100building construction, eltham library

Opened May 1994.Roll of 35mm colour negative film, 7 stripsAgfa XRG 100building construction, eltham library

Opened May 1994.Roll of 35mm colour negative film, 7 stripsAgfa XRG 100building construction, eltham library

Opened May 1994.Roll of 35mm colour negative film, 7 stripsAgfa XRG 100building construction, eltham library

Opened May 1994.Roll of 35mm colour negative film, 7 stripsAgfa XRG 100building construction, eltham library

Bellfield was a guest house from 1910 could be after 1924 and now licenced.Photo of house with people in car arriving or leaving Sundial Peak in back groundAGFA name and logo accommodation, guesthouses, bellfield

Taken opposite No., 140Streetscape development over timeRoll of 35mm colour negative film, 2 stripsAgfa CN S602mountain view road, briar hill

Taken opposite No., 140Streetscape development over timeRoll of 35mm colour negative film, 2 stripsAgfa CN S602briar hill

Taken opposite No., 140Streetscape development over timeRoll of 35mm colour negative film, 2 stripsAgfa CN S602briar hill

Published: The opening of the railway line by His Excellency The Governor General, The Weekly Times, June 14, 1902, p10. Governor General was John Hope, Earl of Hopetoun THE HEIDELBERG TO ELTHAM RAILWAY. OPENING CEREMONY. The opening of the railway line from Heidelberg to Eltham took place on the 6th inst. The special train, containing a large number of members of Parliament, including Mr Trenwith, the Minister for Railways, left Prince's Bridge at half-past eleven, and arrived at Eltham at twenty minutes past twelve. The party was accompanied by Mr Fitzpatrick, Acting Commissioner for Railways; Mr Lockhead, the Traffic Manager; and Mr Norman, Engineer for Existing Lines. On arrival, the visitors were entertained at a banquet in the marquee, of which a photograph is given, erected close to the railway station. Mr E. H. Cameron, M.L.A., the member for the district, occupied the chair, and, seated on his right, was Mr Mason, the Speaker of the Legislative Assembly, and on his left the Minister of Rail-ways. After the banquet His Excellency the Governor-General arrived, and was received and welcomed by Mr Cameron, the local State school children singing the National Anthem. The Governor-General, in declaring the line open, said that he felt highly honored at being asked to perform the opening ceremony, and he trusted that the railway would be a source of great convenience to the inhabitants of the district. He was sorry to say that this would be the last opportunity he would have of seeing them. It cost him a great deal to leave them. (Hear, hear.) He had a great many friends amongst all sections of the community, and he could hardly bear to trust himself to speak about leaving them. (Hear, hear.) He was sorry Lady Hopetoun was on the high seas, and unable to accompany him that day. Mr Cameron thanked his Excellency for performing the opening ceremony, and hoped the trip home would have the effect of restoring His Excellency to good health again. In replying. Lord Hopetoun thanked them sincerely for the cordial vote of thanks. He hoped Providence would shower her blessings over them, and that they would have a series of good seasons. He would always keep a warm corner in his heart for the people of Victoria. (Loud cheers.) THE COUNTRY. In our illustrations, views are given of a couple of sections of the new line, and glimpses of the surrounding country are shown. The line is eight miles in length, and cost £51,000 in construction. Eltham, which is the terminus, possesses many of the features that go to make a favorite holiday resort. It is a quiet picturesque little hamlet, snugly ensconced on the slope of one of many sombre-tinted hills by which it is sur-rounded. Even when viewed under ad-verse conditions one could not fail to be-impressed with the natural, rugged beauty of the place. It is situated about sixteen miles from Melbourne, and the line takes a circuitous course through a continuation of pretty undulating country. At intervals on the slopes of the surrounding green-mantled hills, patches of brown, freshly tilled soil indicate that for all its serene reposeful-ness Eltham possesses its phases of industrial life as well. Looking down into this valley from the main road which skirts the slope of a hill, distant something less than a quarter of a mile from the railway station is one of the prettiest pieces of scenery in the district. Verdure-clad hills ascend on all sides, whilst beneath stretches a broad expanse of carpet-like green sward, dotted here and there with picturesque homesteads, each with its patches of tilled soil. In the township itself the dwelling-houses are comparatively few, the larger portion of the inhabitants residing in the scattered homesteads. Eltham is as yet only in its youth, but energetic and un-tiring public men can effect wonders in a community's prosperity, and Eltham, whatever other real or imaginary advantages it may lay claim to, certainly possesses this one. The railway is the result of their endeavor. 1902 'THE HEIDELBERG TO ELTHAM RAILWAY.', Weekly Times (Melbourne, Vic. : 1869 - 1954), 14 June, p. 14. , viewed 26 Sep 2018, http://nla.gov.au/nla.news-article221230719This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image Negative black and white film 120 6x9 format 2 stripsAgfa APX 100sepp, shire of eltham pioneers photograph collection, eltham, heidelberg-eltham railway extension, earl of hopetoun, john hope, opening day, railway line construction

Published: The opening of the railway line by His Excellency The Governor General, The Weekly Times, June 14, 1902, p10.This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image Negative black and white film 120 6x9 format 2 stripsAgfa APX 100sepp, shire of eltham pioneers photograph collection, eltham, heidelberg-eltham railway extension

Taken opposite No., 140Streetscape development over timeRoll of 35mm colour negative film, 2 stripsAgfa CN S602mountain view road, briar hill

P.A. Cooper with the Cooper family waggonette and his two daughters at "Evansdale" on Sherbourne Road at Greensborough in 1913. Sherbourne Road is visible in the background. Marjorie North (nee Cooper) was one of his daughters. Copy of the original image contained in a photo album belonging to Marjorie North.Roll of 35mm colour negative film, 1 strip (3 frames) - copy of original photo in private album Colour print of negativeAgfa XRG 200greensborough, evansdale, p.a cooper, sherbourne road, horse drawn vehicles, marjorie north, phaeton, wagonette

Photo taken at P.A. & E.M. Cooper's front paddock of their weekender at Sherbourne Rd, Greensborough. The drag was pulled by two horses and was hired for the day by Marjorie Cooper's class at Merton Hall. Copy of the original image contained in a photo album belonging to Marjorie North (nee Cooper).Roll of 35mm colour negative film, 1 strip (3 frames) - copy of original photo in private album Colour print of negativeAgfa XRG 200p.a cooper, e.m. cooper, sherbourne road, greensborough, merton hall, horse drawn vehicles, marjorie north, phaeton, school groups