sepia photograph

Soft cover book. Soft cover - cardboard, black print on front and spine. Illustrated background, colour (light) picture of a landscape. Front below title - colour photograph of group of men marching on parade. Two men at front holding banner. Back cover in colour - "Rats of Tobruk" emblem. 172 pages, cut, plain white, illustrated black and white photographs, many portraits. End papers - colour copy. Extra paper - one, colour illustration of Siege of Tobruk" . Colour patches. Title page - donation information.Biography of Bendigo's Rats of Tobruk"books, military, ww2, local history

Paperback. Front cover has the title and author's name. Also, a black and white photograph taken by John W. Lindt entitled 'First Glimpse of Fernshaw'.non-fictionThe story of the village of Fernshaw between the dates of 1864 and 1890.fernshaw, victoria, history, watts river, yarra track

Paperback. Front cover has the title and author's name. Also, a black and white photograph taken by John W. Lindt entitled 'First Glimpse of Fernshaw'.non-fictionThe story of the village of Fernshaw between the dates of 1864 and 1890.fernshaw, victoria, history, watts river, yarra track

Artist Proof.Signed and dated 'Kees Hos '66', lower left under printed image. Title and edition 'ALMA MATER A/P' lower right.

Information and photos about the Greensborough Primary School annual ball, with a photograph of Alma Quon and her band. Includes recollections of the School Ball.This photograph and text was copied from a Facebook site. Members are people who lived in the Greensborough area and share their reminiscences of the area with others. The site is administered by a GHS member but is not officially affiliated with the Society. Any information is the opinion of the contributor. Article and photograph sourced from social media.greensborough primary school, greensborough state school, alma quon

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.An undated photograph, one of two copies, of WHS Dickinson and Alma Figuerola at the opening of an exhibition in Kew in 1964/5."Artists of Kew Exhibition. Founder of KHS Cr Dickinson in dark suit. Miss Alma Figuerola to his left."arists - kew (vic), exhibitions -- kew (vic.), gordon greer

Packaged in "Filmpro King Size prints Definitely Better EST. 1918" envelope. Pencil notes: 36 shots $2.87 Eltham Shire J. McD and 19/7/67. Alma Street and Kett Street Lower Plenty c.July 1967.Black and white photographalma street, lower plenty, para road, houses, streets, lees road

Packaged in "Filmpro King Size prints Definitely Better EST. 1918" envelope. Pencil notes: 36 shots $2.87 Eltham Shire J. McD and 19/7/67. Alma Street and Kett Street Lower Plenty c.July 1967.Black and white photographalma street, lower plenty, houses, streets

Packaged in "Filmpro King Size prints Definitely Better EST. 1918" envelope. Pencil notes: 36 shots $2.87 Eltham Shire J. McD and 19/7/67. Alma Street and Kett Street Lower Plenty c.July 1967.Black and white photographalma street, lower plenty, houses, streets

Packaged in "Filmpro King Size prints Definitely Better EST. 1918" envelope. Pencil notes: 36 shots $2.87 Eltham Shire J. McD and 19/7/67. Alma Street and Kett Street Lower Plenty c.July 1967.Black and white photographalma street, lower plenty, houses, streets

Packaged in "Filmpro King Size prints Definitely Better EST. 1918" envelope. Pencil notes: 36 shots $2.87 Eltham Shire J. McD and 19/7/67. Alma Street and Kett Street Lower Plenty c.July 1967.Black and white photographalma street, lower plenty, houses, streets

Packaged in "Filmpro King Size prints Definitely Better EST. 1918" envelope. Pencil notes: 36 shots $2.87 Eltham Shire J. McD and 19/7/67. Alma Street and Kett Street Lower Plenty c.July 1967.Black and white photographalma street, lower plenty, houses, streets

Packaged in "Filmpro King Size prints Definitely Better EST. 1918" envelope. Pencil notes: 36 shots $2.87 Eltham Shire J. McD and 19/7/67. Alma Street and Kett Street Lower Plenty c.July 1967.Black and white photographalma street, lower plenty, houses, streets

Packaged in "Filmpro King Size prints Definitely Better EST. 1918" envelope. Pencil notes: 36 shots $2.87 Eltham Shire J. McD and 19/7/67. Alma Street and Kett Street Lower Plenty c.July 1967.Black and white photographalma street, lower plenty, houses, streets

Packaged in "Filmpro King Size prints Definitely Better EST. 1918" envelope. Pencil notes: 36 shots $2.87 Eltham Shire J. McD and 19/7/67. Alma Street and Kett Street Lower Plenty c.July 1967.Black and white photographalma street, lower plenty, houses, streets

Packaged in "Filmpro King Size prints Definitely Better EST. 1918" envelope. Pencil notes: 36 shots $2.87 Eltham Shire J. McD and 19/7/67. Alma Street and Kett Street Lower Plenty c.July 1967.Black and white photographalma street, lower plenty, houses, streets

Packaged in "Filmpro King Size prints Definitely Better EST. 1918" envelope. Pencil notes: 36 shots $2.87 Eltham Shire J. McD and 19/7/67. Alma Street and Kett Street Lower Plenty c.July 1967.Black and white photographalma street, lower plenty, houses, streets

Packaged in "Filmpro King Size prints Definitely Better EST. 1918" envelope. Pencil notes: 36 shots $2.87 Eltham Shire J. McD and 19/7/67. Alma Street and Kett Street Lower Plenty c.July 1967.Black and white photographalma street, lower plenty, houses, streets

Packaged in "Filmpro King Size prints Definitely Better EST. 1918" envelope. Pencil notes: 36 shots $2.87 Eltham Shire J. McD and 19/7/67. Alma Street and Kett Street Lower Plenty c.July 1967.Black and white photographalma street, lower plenty, houses, streets

Packaged in "Filmpro King Size prints Definitely Better EST. 1918" envelope. Pencil notes: 36 shots $2.87 Eltham Shire J. McD and 19/7/67. Alma Street and Kett Street Lower Plenty c.July 1967.Black and white photographalma street, lower plenty, houses, streets

Packaged in "Filmpro King Size prints Definitely Better EST. 1918" envelope. Pencil notes: 36 shots $2.87 Eltham Shire J. McD and 19/7/67. Alma Street and Kett Street Lower Plenty c.July 1967.Black and white photographalma street, lower plenty, houses, streets

Packaged in "Filmpro King Size prints Definitely Better EST. 1918" envelope. Pencil notes: 36 shots $2.87 Eltham Shire J. McD and 19/7/67. Alma Street and Kett Street Lower Plenty c.July 1967.Black and white photographalma street, lower plenty, houses, streets

Packaged in "Filmpro King Size prints Definitely Better EST. 1918" envelope. Pencil notes: 36 shots $2.87 Eltham Shire J. McD and 19/7/67. Alma Street and Kett Street Lower Plenty c.July 1967.Black and white photographlower plenty, houses, streets, kett street, alma street

Packaged in "Filmpro King Size prints Definitely Better EST. 1918" envelope. Pencil notes: 36 shots $2.87 Eltham Shire J. McD and 19/7/67. Alma Street and Kett Street Lower Plenty c.July 1967.Black and white photographlower plenty, houses, streets, kett street, alma street

Packaged in "Filmpro King Size prints Definitely Better EST. 1918" envelope. Pencil notes: 36 shots $2.87 Eltham Shire J. McD and 19/7/67. Alma Street and Kett Street Lower Plenty c.July 1967.Black and white photographlower plenty, houses, streets, kett street, alma street

Residence of William A Brahe, Solicitor. Subsequently demolished for flats.black and white photograph copyAlma street (now Alma Road) Residence of William A Brahe, Solicitor Taken 1872 converted to Flats

Alma Isabell Ashcroft was born on the 11th of July 1920 in Newtown, Beechworth. Her father and four of her brothers worked at the Tannery, her mother was recognised as the ‘district nurse’ in the area and the family were well known and at the heart of the local community. Alma joined the Beechworth branch of the R.S.L. and at the time of the interview in 2000, had been with the R.S.L for 40-50 years. This oral history recording was part of a project conducted by Jennifer Williams in the year 2000 to capture the everyday life and struggles in Beechworth during the twentieth century. This project involved recording seventy oral histories on cassette tapes of local Beechworth residents which were then published in a book titled: Listen to what they say: voices of twentieth century Beechworth. These cassette tapes were digitised in July 2021 with funds made available by the Friends of the Burke.Alma Ashcroft’s story is significant because of her personal and familial connections with Beechworth. Her family were at the heart of the community, and Alma’s association with the RSL in Beechworth spanned 4-5 decades. During the interview with Jennifer Williams, Alma also provided a rich history of the town, the locals and her extensive family.This is a digital copy of a recording that was originally captured on a cassette tape. The cassette tape is black with a horizontal white strip and is currently stored in a clear flat plastic rectangular container. It holds up 40 minutes of recordings on each side.listen to what they say, beechworth, oral history, burke museum, jennifer williams, twentieth century, ashcroft, alma ashcroft, r.s.l, community

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.An undated photograph of WHS Dickinson and Alma Figuerola at the opening of an exhibition in Kew in 1964/5. It has been suggested that the exhibition at the Kew Town Hall in Walpole Street.Later hand: "Mayor of Kew opens exhibition of paintings (Miss Alma Figuerola left in doorway). arists - kew (vic), exhibitions -- kew (vic.)

Old community hall (long wall with row of windows) and Lower Plenty Kindergarten visible at corner of Glenauburn and Para Roads. Packaged in "Filmpro King Size prints Definitely Better EST. 1918" envelope. Pencil notes: 36 shots $2.87 Eltham Shire J. McD and 19/7/67. Alma Street and Kett Street Lower Plenty c.July 1967.Black and white photographalma street, glenauburn road, carisbrook crescent, lees road, lower plenty, lower plenty kindergarten, para road, houses, streets