Showing 89 items
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Marysville & District Historical Society
Postcard (item) - Colour postcard, Donovan Wilson, MARYSVILLE, Post 2009
A postcard with four colour photograph of attractions in an around Marysville in Victoria.A postcard with four colour photograph of attractions in an around Marysville in Victoria. This postcard was produced by Donovan Wilson as a souvenir of Marysville.Tree fern and Alpine Ash/ Goulds Memorial Drive/ Murchison St. Marysville/ Steavenson Falls Donovan Wilson Place/ Stamp/ Heremarysville, tree fern, alpine ash, goulds memorial drive, murchison street, steavenson falls, donovan wilson, postcard, souvenir -
Marysville & District Historical Society
Flyer (item) - Information Flyer, Parks Victoria, park notes-Yarra Ranges National Park-Lady Talbot Drive and Cambarville Historic Township, June 2013
A flyer produced by Parks Victoria of information on Lady Talbot Drive and Cambarville Historic Township.A flyer produced by Parks Victoria of information on Lady Talbot Drive and Cambarville Historic Township. Lady Talbot Drive a 24 kilometer scenic rainforest car journey which passes a number of walks and waterfalls in the Yarra Ranges National Park. Lady Talbot Drive is named after Lady Sarah Elizabeth, the wife of Sir Reginald Talbot, who was the Governor of Victoria from 25th April, 1904 to 6th July 1908. Cambarville is notable for its giant mountain ash (Eucalyptus regnans) trees within the Cumberland Memorial Scenic Reserve, and relics from former sawmills and gold mining. The Big Culvert is located nearby on the Marysville-Woods Point Road, which was historically part of the Yarra Track. Cambarville was established as a timber mill town in the 1940s. Timber mill owners A Cameron and FJ Barton named Cambarville. They established the mill to salvage timber from trees destroyed in the 1939 bushfires. Cambarville was impacted by the 2009 Black Saturday bushfires and any remaining structures were destroyed. parks victoria, yarra ranges national park, lady talbot drive, lady talbot forest drive, cambarville, taggerty river, sir reginald talbot, lady sarah elizabeth talbot, phantom falls, keppel falls, keppel falls lookout, beeches rainforest walk, big culvert, cumberland walk, the big tree, the sitka spruce, cora lynn falls, sovereign view -
Marysville & District Historical Society
Postcard (item) - Black and white postcard, Rose Stereograph Company, Talbot Drive, Marysville, Vic. No. 5, Beech Grov, 1913-1967
A postcard in a series produced by the Rose Stereograph Company in Victoria, Australia as a souvenir of Marysville.A black and white photograph taken along Lady Talbot Drive, Marysville, Victoria, of the area known as the Beech Grove. The Beeches Rainforest Walk is a loop that starts at Taggerty Cascades before winding through Myrtle Beech and Mountain Ash woodland and is one of the many walking tracks in and around Marysville. It is accessible from Lady Talbot Drive which is a 24 kilometer scenic rainforest car journey which passes a number of walks and waterfalls in the Yarra Ranges National Park. Lady Talbot Drive is named after Lady Sarah Elizabeth, the wife of Sir Reginald Talbot, who was the Governor of Victoria from 25th April, 1904 to 6th July 1908. This postcard was produced by the Rose Stereograph Company as a souvenir of Marysville.POST CARD The "Rose" Series/De Luxe A Real Photograph/ Produced in Australia Published by the Rose Stereograph Co./ Armadale, Victoria. MATHESONtalbot drive, marysville, victoria, beech grove, p. 2310, rose series postcard, postcard, souvenir, beeches rainforest walk, sarah elizabeth talbot, sir reginald talbot, mountain ash, myrtle beech -
Kiewa Valley Historical Society
Ash Tray Pocket
This flip top pocket aluminium ash tray was at the beginning of the social "cleaning up" of cigarette ash and related products. This cigarette waste container was for those occasions when it was polite not to throw the cigarette ash and used up cigarettes "buts" on the ground, or if working in any rural area during a dry fire prone season, when discarding burning cigarette waste could set up a severe "bush" fire. It was also at the beginning of an intensive look at the affects of smoking upon the health of users. Later in the 1900s was a time when medical evidence supported a ground swell of the anti smoking movement which resulted in further restrictions of the use cigarette smoking in public places. Before the anti cigarette smoking revolution, it was both fashionable and manly to either roll your own cigarette or open up a packet of "tailor made's". In the rural and man's man environment the roll your own provided a visual acknowledgement that the user was "true blue" Aussie male and not a city boy. The cycle of use of cigarettes has drastically changed from when this item was first used. Today's society (post 2000) has produced a ground swell of government and non government organisations whose aim is provide a cigarette "ash" free environment and society. This is highlighted in the beginning of the 2000 millennium by a cigarette "Free" Australia campaign, and the pocket flip top personal ash tray as a practical solution for butt litter disposal.This light weight aluminium pocket ash tray not only was used when social graces required it to, but also provided a container for any unfinished cigarettes or stogies (cheap half used cigars). In rural areas (open fresh air countryside), where time was always made available for the "smoko" (Australian rest period), at any time, especially after some hard physical work, the ability to have a self contained ashing apparatus, not to offend the gentler folk, was a pre-requisite . The rural environment, in the days of these cigarette ash containers,was one which could range from harsh and unforgiving to mild and relaxing. Smoking could be enjoyed anywhere and at any time without too much "fussing" around. This ash tray was mobile, convenient, unobtrusive and regarded by the user as being considerate to those around. It also eliminated the tell tale evidence that the "no smoking" signs had been ignored. The Kiewa Valley was like many rural ares that found it hard for smokers to come to grips with a governmental "non smoking policy" to indoor recreational and other "confined space" environments. The covered lid reduces odors and eliminates ashes from being blown around.Aluminium round container with a lid. The opening lid is spring loaded, hinged top, circular and fixed by a clasp, pop- riveted (4) onto the main housing. Opposite the hinge the lid is held closed by a small metal ball fitting tightly to the top wall of the container. The lid is opened by the use of a fingernail positioned at junction of lid to body. This edge is bevelled to allow access.personal effects, tobacco waste products, smoking accessories, tobacco -
Kiewa Valley Historical Society
Ash Tray Pocket, Circa mid to late 1900s
This flip top pocket steel ash tray was at the beginning of the social "cleaning up" of cigarette ash and related products. This cigarette waste container was for those occasions when it was polite not to throw the cigarette ash and used up cigarettes "buts" on the ground, or if working in any rural area during a dry fire prone season, when discarding burning cigarette waste could set up a severe "bush" fire. It was also at the beginning of an intensive look at the affects of smoking upon the health of users. Later in the 1900s was a time when medical evidence supported a ground swell of the anti smoking movement which resulted in further restrictions of the use cigarette smoking in public places. Before the anti cigarette smoking revolution, it was both fashionable and manly to either roll your own cigarette or open up a packet of "tailor made's". In the rural and man's man environment the roll your own provided a visual acknowledgement that the user was "true blue" Aussie male and not a city boy. The cycle of use of cigarettes has drastically changed from when this item was first used. Today's society (post 2000) has produced a ground swell of government and non government organisations whose aim is provide a cigarette "ash" free environment and society. This is highlighted in the beginning of the 2000 millennium by a cigarette "Free" Australia campaign, and the pocket flip top personal ash tray as a practical solution for butt litter disposal.This pocket ash tray not only was used when social graces required it to, but also provided a container for any unfinished cigarettes or stogies (cheap half used cigars). In rural areas (open fresh air countryside), where time was always made available for the "smoko" (Australian rest period), at any time, especially after some hard physical work, the ability to have a self contained ashing apparatus, not to offend the gentler folk, was a pre-requisite . The rural environment, in the days of these cigarette ash containers,was one which could range from harsh and unforgiving to mild and relaxing. Smoking could be enjoyed anywhere and at any time without too much "fussing" around. This ash tray was mobile, convenient, unobtrusive and regarded by the user as being considerate to those around. It also eliminated the tell tale evidence that the "no smoking" signs had been ignored. The Kiewa Valley was like many rural ares that found it hard for smokers to come to grips with a governmental "non smoking policy" to indoor recreational and other "confined space" environments. Tin plated mild steel round container with a lid. The opening lid is spring loaded, hinged top, circular and fixed by a clasp, pop- riveted (4) onto the main housing. Opposite the hinge the lid is held closed by a small metal ball fitting tightly to the top wall of the container. The lid is opened by the use of a fingernail positioned at junction of lid to body. This edge is bevelled to allow access. personal effects, tobacco waste products, smoking accessories -
Upper Yarra Museum
Wooden Serviette holder
Used by The Mayer Chalet, Warburton.Wooden two tone, serviette Holder, hand painted on the sideTwo Mountain Ash Gum trunks in fore ground with blue mountains another tree in the background. In creme writing "From Mayer Chalet"serviette holder, mayer chalet -
Emerald Museum & Nobelius Heritage Park
Book, Beauty from Ashes A Church Grows From the Bushfires of Ash Wednesday, 1987
The town of Cockatoo was destroyed by fire in 1983. This book tells the story of the building up of the parish of St. Luke's Anglican Church and the building of the Church in the four years following the fires. It is written by Peter Crawford who became the vicar of the Emerald-Cockatoo parish on the outskirts of Melbourne.Soft cover. Signed by the author Peter Crawfordst. lukes church, cockatoo, peter crawford -
Emerald Museum & Nobelius Heritage Park
Incense Burner, Early 19th century
Nancy Hawley requested one of a pair come to the Emerald Museum . It was brought back from Japan by a friend of Noni Smith after World War 2. Noni Smith was Mr Murphy's nurse for many years Noni died at the age of 90 years . She was principal of Emerald Primary School. She was very involved with the recovery after Ash Wednesday 1983 firesJapanese Incense Burner Circa early 19th centuryFloral Bowl with Figured Legs and Topjapanese insense burner -
Emerald Museum & Nobelius Heritage Park
Kitchen boiler, Copper Kitchen boiler, Approx 1900
Joseph Fowler (1888-1972), businessman and municipal councillor, was born on 28 February 1888 at Bagworth, Leicestershire, England, one of thirteen children of John Fowler, groom, and his wife Mary, née Ash. With his brother Sydney, in the early 1900s Joseph worked in a fruit-preserving business run by an uncle at Maidstone, Kent, and continued with the firm after 1908 when it was relocated at Reading. At St Andrew's parish church, Leicester, on 7 September 1910 he married a nurse, Elizabeth Harris (d.1965); they emigrated in 1913 and settled at Camberwell, Melbourne. Encouraged by his commercial experience, and by the variety and quality of fruit in Australia, Fowler set up a fruit-bottling business in the rear of his small house in Burke Road. Trading as J. Fowler & Co., by 1915 the company had begun producing home-bottling kits which contained a sterilizer, bottles, lids, rings and a thermometer. To acquire the capital to establish a factory, Fowler travelled the district, selling his kits door-to-door from the back of a cart. In 1920 he bought a shop at the corner of Power Street and Burwood Road, Hawthorn, and registered his business as a private company. During the Depression his kits became a household name. In 1934 Fowlers Vacola Manufacturing Co. Ltd was registered as a public company. Housewives, nationwide, were urged to bottle their own fruits and jams by 'Mrs B Thrifty', the dainty cartoon character who graced the firm's advertisements. Numerous recipes and instruction books, such as From Orchard to Bottle the Fowlers Way, advertised the necessary preserving equipment, extending to jelly bags and juice extractors. Australian-made glass and imported steel and rubber were used in the production of Fowlers Vacola Bottling Outfits. Determined to put something back into the community which had supported him so well, in 1933-60 Fowler represented Yarra Ward on the Hawthorn City Council (mayor 1938-39 and 1945-46). He served as vice-president of Swinburne Technical College (1942) and of the Hawthorn branch of the Australian Defence League (1943); he was also a Rotarian, and a warden and vestryman of St John's Anglican Church, Camberwell. Changed demands in World War II encouraged Fowlers Vacola to diversify their product. Canned goods were manufactured for allied troops in the South Pacific. In 1953 new buildings and plant, including a giant pressure-cooker, were installed to increase productivity: from that time Fowlers Vacola sold canned and bottled food throughout Australia and abroad. By 1960 the factory occupied more than 122,000 sq. ft (11,330 m²) and further expansion was to occur when the firm moved to Nunawading. Fowler retired in 1961, but remained chairman of directors; his son Ronald succeeded him as managing director. Variously described as a generous, jovial man with a sense of humour, and as a strict and astute manager whose company was his life, Fowler was renowned for his straight business dealings and his 'no-nonsense' attitude. Survived by his son and daughter, he died on 24 April 1972 at Camberwell and was cremated. His estate was sworn for probate at $204,424. On Ronald Fowler's death in 1978, the company was bought out by the Sydney firm, Hooper Baillie Industries Ltd; it in turn sold to Sabco Ltd of South Australia; in 1994, when Sabco went into receivership, Australian Resource Recovery Technologies re-established Fowlers Vacola Australia Pty Ltd's headquarters in Melbourne. Copper boiling pot for home preserves, handles, lid and removable thermometer, also acc ompany instruction booklet. "Fowlers Method of Bottling Fruits and Vegetables"Fowler's "Vacola" Reg. No. 68081 Sterilizer -
Emerald Museum & Nobelius Heritage Park
Compact Disc, Norm Smiths Experiences at Gembrook, US Bus Lines, Olympics and Ash Wednesday, January 2012
A talk given by Norm Smith a bus driver with US Bus lines to Emerald Probus January 2012, about his experiences with US Bus Lines during the 1956 Olympics, Ash Wednesday and also life in Gembrook. CD -
Hume City Civic Collection
Magazine, ASH WEDNESDAY 1983 BUSHFIRES, 1983
A large size printed magazine consisting of 78 pages with red border top and bottom of front and back cover with white writing in red border. A picture of a burnt out house and car is on the front and back cover.non-fictionash wednesday fires, victoria, the herald, the sun, newspapers, geelong, bendigo, south australia, 1980s, bushfires, macedon ranges -
Mt Dandenong & District Historical Society Inc.
Photograph, Jeeves Coach on CRB Road at Foot of Farringdon Road Kalorama, 1920
Scene looking down Farringdon Road showing Jeeves horse drawn coach going along the CRB road (Mt Dandenong Tourist Road) in 1920. Detailed inscription on the back handwritten by John Lundy-Clarke in 1974.Jeeves Coach on CRB road at foot of Farringdon Road Kalorama (Mt Dandenong North) 1920. Road was formed most of the length from Montrose by contractors Bladin and Dick employing Robert Logan the younger, in 1919 and lay unmetalled till metalled by the contractors in 1922. Mountain ash trees in foreground were on Thomas Hand’s original 23 acre holding. Those beyond coach were on Isaac Jeeves original 160 acre holding Selection Crown Allotment 925(B). This was the area forming part of the inheritance lost by John William Richardson because of the expense of his wife’s illness. Hand enlarged his 23 acres to 305 in 1874. William and his family grew large crops of raspberries on his area, part of which is in the foreground. It had been cleared by his father’s employees before 1877. The section below the Main Road was cultivated by Fred hand, son of William and grandson of Thomas in the twenties before he moved to Redcliffes where he is today (1974). Comment by John Lundy-Clarke 10.5.1974 coach service, jeeves, crb road, farringdon road, kalorama, mt dandenong north, mt dandenong tourist road, john lundy-clarke, coach -
Federation University Historical Collection
Book, University of Ballarat - Assessment Task: Group Project Assignment, Community & Organisational Plan, 2006
University of Ballarat - Assessment Task: Group Project Assignment, Community & Organisational Plan. Hepburn Shire Council. Student Research Project.White bound book of 30 pages.university of ballarat, mary hollick, hepburn shire council, casey nelson, ash hardy, erin ward, melissa russell, josh wood, importance of tourism to the local economy, assessment of local community issues, attitudes and involvement, assessment of organisational structures and relationships, assessment of the role and effectiveness of the local and regional tourism associations, identification of strategies to achieve better co-ordination of all stakeholders in tourism, conclusion, references, daylesford regional tourism association, hepburn regional tourism association, local tourism assocation, macedon ranges regional tourism association, regional tourism association, judith bedford -
Otway Districts Historical Society
Book, Lothian Custom Publishing, The redwoods of the Otway Ranges. Roger Smith, January 2015
This book is the remarkable story of the world's tallest tree species, the Redwood, growing in the Great Otway National Park in Victoria's south-west. It was originally planted by Victorian foresters for experimental purposes on land abandoned by the early settlers. The Coast Redwood, native of California, is now thrives in the Otways alongside the famous eucalypt, the towering Mountain Ash. The majestic Otway Redwoods, still in their youthful growth phase, have withstood adversity caused by fire, landslide, lighting and chainsaws, while the ongoing political debate about the conservation of the valuable forest resources continues.The redwoods of the Otway Ranges. Roger B. Smith. Lothian Custom Publishing; Middle Park (Vic); 2015. ii, 202 p.; illus., maps, appendices, notes. IBSN 978 1 921737 13 8. Soft cover.With best wishes from Roger Smith. -
Eltham District Historical Society Inc
Register, Register of Significant Trees, Shire of Eltham, 1993, 1993c
In 1983, the National Trust advised the Shire of Eltham that it was investigating a number of trees within the shire which had been nominated for recording the Register of Significant Trees of Victoria. The trees involved were described in the Shire of Eltham Historical Society Newsletter No. 29, March 1983 as follows:- 1. Eucalyptus melliadora (Yellow box) . a) An outstanding mature specimen 42 metres high in Laughing Waters Road, Eltham. b) Another mature specimen in Arthurs Creek road, Hurstbridge is reported to be the tree under which the bushranger Robert Bourke was tied after he shot and killed Henry Hurst in 1866 . 2. Quercus robur (English Oak). a) "Donaldson's Oak", Donaldsons Road, Kangaroo Ground was planted by John Donaldson from seed collected from Windsor Great Park in 1878. b) "Wippells Oak". This now misshapen tree is located on the St. Andrews Road near the Kangaroo Ground Fire Station. Its origins may have been similar to Donaldson's Oak, and as a young tree it apparently slipped from higher up the hill during wet weather. Both oaks are of local historical importance. 3. Eucalyptus globulus (Blue Gum). A large mature specimen at the corner of the Kangaroo Ground-St. Andrews Road and Bakehouse Road, Panton Hill. 4. Plantanas acerifolia (Plane tree) A number of trees forming the Avenue of Honour to Eltham's First World War soldiers along Main Road between Dalton and Pitt Streets, Eltham. 5. Pinus canariensis (Canary Island Pine), Pinus pinea, (Stone pine) and Cedras altlantica, (Cedar) These trees are located at the Hurst family graves in the grounds of the Hurstbridge Pre-school Centre. In 1991 the Shire of Eltham introduced controls into its planning scheme to protect sites of architectural, historic or conservation interest and significant trees. The controls were approved by the Minister for Planning and Housing. As advised in the Shire of Eltham Historical Society Newsletter No. 78, May 1991, a planning permit is required to demolish or alter any listed building or to destroy, lop or remove any listed tree. Provision is made for comments to be obtained from the National Trust or Historic Buildings Council in considering any applications. The buildings and trees listed were: Buildings: 250 Bolton Street Eltham (former Walter Withers home) "Rosehill" - Bonds Road Lower Plenty St Andrews Church of England - St Andrews "Montsalvat" - Hillcrest Avenue Eltham St Margarets Church and former vicarage - Pitt Street Eltham Presbyterian Church - Kangaroo Ground Parks and Environment Office (former police quarters) Main Road Eltham Former Court House - Main Road Eltham "Shillinglaw Cottage" - Main Road Eltham "The Robins" - Kangaroo Ground Road Warrandyte Trees: "Donaldsons Oak" - Donaldsons Road Kangaroo Ground Yellow Box - Laughing Waters Road Eltham Yellow Box - Arthurs Creek Road Hurstbridge Wippells Oak - St Andrews Road Kanqaroo Road Pines and Cedar - Hurst family cemetery Greysharps Road Hurstbridge Yellow Box - Parsons Road Eltham A large Blue Gum at Panton Hill has been listed but has recently died (1991). In 1993 work by Council Parks and Environment staff and volunteers resulted in the preparation of a Significant Tree Register listing forty-one trees or groups of trees. According to Shire of Eltham Historical Society Newsletter No. 91, March 1993, a similar number remained to be assessed for inclusion in the register. There is a wide range of indigenous and planted trees on private and public land and extending through the Shire of Eltham from Lower Plenty to Kinglake. Most can be viewed from publicly accessible locations. The Significant Tree Register lists 41 trees or groups of trees throughout the Shire. It contains a wide range of naturally occurring and planted trees. They have been assessed according to eleven criteria including size, age, rarity, historical value and the like. The list includes large old Red Gums at Lower Plenty, historic Oaks at Kangaroo Ground and Mountain Ash at Kinglake. The register includes a set of slides showing each tree. Garry Bartlett of the Council's Parks and Environment Section and Faye Shepherd were extensively involved in establishment of the register (Newsletter No. 93, November 1993). In 1999 Niliumbik planners prepared an amendment to the Planning Scheme to provide protection for approximately 200 of the places listed in the heritage studies and also in the Significant Tree Register commenced by the Eltham Council (Eltham District Historical Society Newsletter No. 127, July 1999. In 2004, The Register of Significant Trees was presented to the Eltham District Historical Society by Nillumbik Shire Council as part of a wider collection of of its memorabilia of the former Eltham Shire Council (EDHS Newsletter No. 159, July 2004. Album of loose handmade paper sheets contained within a handmade slip cover constructed of handcrafted card with encapsulated flora material (flowers, vines, ferns) and tinted. Each page also contains an embedded/adhered fern leaf also tinted with lacqueur or similar, text as appropriate in ink by hand calligraphy. Each page also has a white protective sheet cut to size and adhered to back surface with sticky tape and folded over face of page. Pages variously have photographs and coloured masks adhered with a gum resin. Over time much of this resin has let go and photos/masks have been reattached using acid free archival safe adhesive. 15 pages 41 x 29 cm inclusive of 3 blank pages. Slip case 42 x 30 x 1 cm; face cover of slip case has broken off at left hand margin as insufficient depth/flexibility for contents.arthurs creek road, blue gum (eucalyptus globulus), canary island pine (pinus canariensis), couties road, donaldsons oak, donaldsons road, eltham, english oak (quercus robur), eucalyptus melliodora, graysharps road, hurst tree, hurstbridge, ironbark (eucalyptus tricarpa), ironbark hill, kangaroo ground, kangaroo ground-kinglake road, laughing waters road, panton hill hotel, panton hill, parsons road, significant trees register, sonia van bodegraven, sonjart, stone pine (pinus pinea). atlantic cedar (cedrus atlantica), wippells oak, yellow box gum (eucalyptus melliodora), yellow box gum -
Cockatoo History & Heritage Group
Medal, Royal Humane Society of Australasia - Bronze Medal for Bravery 1983
Bronze Medal. Ribbon navy blue edged with silver & gold central strip. Observe (face or main design) the female figure represents Australasia placing a wreath on the head of a kneeling figure, under the Southern Cross. The Latin motto translates as "Bravery Rewarded". Reverse: the name of the awardee is inscribed inside a wreath of laurel and eucalyptus.Awarded to DJ Griffin 16-2-1983bravery awards, ash wednesday, bushfires, cockatoo victoria, dorothy joan griffin, -
Mont De Lancey
Ash tray, c1939-1945
... -and-dandenong-ranges Ash tray Brass ashtray made with two bullets ...Made during WW2 by gun mechanic Jack Morris of Bayswater during his time in the Navy on board the Ship "Arunta".Brass ashtray made with two bullets and a detonator cover. ash tray, bullets -
Ballarat Heritage Services
Ceramic - Studio Pottery, John Gleeson, Ceramic Platter, 2007
John GLEESON Living at Campbell's Creek for over 30 years, John Gleeson makes a range of functional stoneware pottery. He fell in loved with pottery during a hobby class in Geelong in 1972. He worked for a year at Canny Ridge Pottery in Harcourt. John Gleeson uses white stoneware and porcelain clay from The Bendigo Pottery, and buff clay from Bennetts Pottery in Adelaide. He mixed all his own glazes from commercially sourced raw materials, sometimes supplemented with ash from his fire and local red clay to get special effects.Large celadon platter with incised fish design. john gleason, studio pottery, ceramics, australian studio pottery -
Southern Sherbrooke Historical Society Inc.
Information folder - Fires, Ash Wednesday, 1983
... Belgrave Heights 3160 yarra-valley-and-the-dandenong-ranges ...Folder containing information pertaining to the Ash Wednesday fires, 16th February 1983. Contents: -Typescript, Australian Insight program broadcast 13th January 1984, prepared by Jennifer King. Contains interviews with Alan Marks and Maggie & Martin Bishop. -Typescript, "In The Shadow Of Ash Wednesday", prepared in 1983 by Selby CFA and detailing various problems encountered on Ash Wednesday. -Typescript, "Ash Wednesday 16 February 1983", a memoir by George Harmon. -Photocopy, "The Major Fires Originating 16 February 1983", detailing areas, casualties, damage, etc. Compiled by CFA, Victoria. -Article "Protecting Houses From Bushfires" by Bruce Gifford, unknown source, dated summer 1987. -Email, Peter Milton to Susan Heywood-Downard, "Extracts from Peter Milton's diary" dated 16 January [sic - should be February] to 2 March 1983. -Typescript, part of oral history recorded with Margaret Douglas -Age, 19th February 1983, death notices of people who died in Ash Wednesday fires -typescript, "february 16th, 1983 in Victoria, Australia" account, unnamed -letter attached to above typescript on 3AW headed paper, copy (?) of letter to station describing fires and thanking radio station for assistance.selby cfa, ash wednesday fires, bushfire-proof house design -
Southern Sherbrooke Historical Society Inc.
Photograph, Sherbrooke Forest 1968
Black and white photo showing a group of four or more people walking in Sherbrooke Forest between mountain ash trees. Treeferns are also visible. Created by the Australian News and Information Bureau. -
Ballarat Heritage Services
Ceramic, Springmount Pottery, Dip and Chip Platter by Springmount Pottery
Springmount Pottery is located in Creswick, Victoria, and produces and sells works designed by its owner, Tina Banitska, who also owns the Convent Gallery in Daylesford. Banitska came to Australia with her family from Greece in 1956. She trained at RMIT and Franklin State College, before taking over Doug Alexander's Springmount Pottery when he moved to Tharwa in 1976. Retaining the pottery name, she developed it as a workshop, employing throwers and decorators to make works to her design, and initially selling these through the Springmount Pottery Gallery on Main Street, Ballarat. The pottery now operates with its own gallery onsite. Banitska's initial interest in ash glazes is continued in the Pottery's ashware line and there has also been a wide range of other Springmount designs. Works are signed with a painted 'Springmount' often split over two lines.A hand thrown, glazed and decorated plate with attached bowl for dip.ceramics, springmount pottery, tina banitska, australian studio ceramics -
Hume City Civic Collection
Booklet - Policy guidelines adopted by Shire of Gisborne, Rebuilding Macedon and Mt. Macedon, August 1983
... and the policy of rebuilding the area Mt. Macedon Macedon Ranges Ash ...A booklet outlining the policy guidelines adopted by Shire of Gisborne Council to rebuild the community after the 1983 bushfires.A 27 page booklet outlining policies adopted by the Shire of Gisbourne for rebuilding the local community after the 1983 bush fires. The cream pages have sepia photographs throughout the booklet of a variety of buildings and sites throughout the area that were affected by the fires.non-fictionA booklet outlining the policy guidelines adopted by Shire of Gisborne Council to rebuild the community after the 1983 bushfires.mt. macedon, macedon ranges, ash wednesday fires, bush fires -
Glenelg Shire Council Cultural Collection
Painting, Robert Ulmann, Goat, c. 1974
Robert Ulmann was born in Zurich, Switzerland, where he studied sculpture and painting, exhibiting annually with the National Art Society of Switzerland and in Paris, Munich and Stockholm. He migrated to Canada in 1956 and became a Canadian citizen. After working on the restoration of sculpture on the west wing of the Parliament Buildings Ottawa, he took up a Government appointment as one of six artist advisers to the Eskimos, initiating handicraft and sculpture programs in isolated settlements across the Central Arctic. He arrived in Australia with his Australian wife, Helen, in 1969, after two adventurous years backpacking and sketching through the United States, Central and South America and the South Pacific. From 1970 to 1972 he was employed by the Northern Territory Administration as a manual arts instructor to the aboriginal people of Docker River, a remote settlement west of Ayers Rock. A series of drawings from this period was exhibited by the Department of the Interior in Canberra, Sydney and Adelaide. Robert Ulmann’s paintings and prints of wildlife from Australia and overseas fill a beautiful studio overlooking the famous Logans Beach whale nursery at Warrnambool in the Western District of Victoria. His previous studio and home, together with 13 years of field sketches and his best work collected together for two books were destroyed by the Ash Wednesday fires at Naringal in 1983. Rob exhibited in Sydney, Melbourne, Adelaide and Perth as well as in the Regional Galleries of Warrnambool, Ballarat, Portland and Horsham, and, among numerous prizes, he won the award for watercolour at six of the annual exhibitions of the Wildlife Art Society of Australasia, between 1978 and 1983. Although his principal interest was in drawing and painting, he retained a fascination with sculpture. His works range from two stone fountains with figures commissioned by the City of Zurich, while he was still a student, to a 4 ½ ton sculpture in bluestone commissioned in 1977 as a memorial to Sir Fletcher Jones., a five metre representation of whale tails in steel, and a life-size bronze of St. John of God commissioned for a private hospital.Image of a goat beginning to rise from a seated position, possible struggling out of mud. Painted in yellow and brown tones, with blue shadows. Earth colours form a rough ground area surrounding the goat. A brown wash provides a cursory background behind the goat's head. Dark cream matt surrounds image. Gold painted wooden frame, with glass.Front: Robert Ulmann (lower centre, paint) Back: (no inscriptions) -
Federation University Art Collection
Artwork, other - Artwork, "West Park Proposition' by Ash Keating, 2013
Ash KEATING Among fifteen finalists this artwork won the 2012 Guirguis New Art Prize, a prestigious national acquisitive biennial art prize administered by Federation University Australia. The Guirguis New Art Prize (GNAP) is a national acquisitive $20,000 contemporary art prize which presents a selection of Australia's most exciting contemporary artists with works that explore and embrace new ways of artistic expression, utilising existing mediums and new technologies in innovative ways. Initiated and generously supported by local Ballarat surgeon Mr Mark Guirguis, this prestigious art prize is administered by the Federation University Australia (FedUni). As a local philanthropist and art collector, in developing the Prize, Mark Guirguis' aims were to celebrate the significance of the arts to communities and to Ballarat, emphasising contemporary art and 'living' culture, and to highlight FedUni's Arts Academy. Artist Ash Keating works across a conceptual, site-responsive and often collaborative art practice that incorporates painting, sculpture, installation, video, performance and public interventions, and has referenced a wide range of social and environmental issues within his art. Frequently working beyond the gallery, and often harnessing community narrative and energy, his work also draws upon myth, ritual and ceremony. 'West Park Proposition', 2012, is a three channel and screen video installation, utilising multiple camera video documentation of an endurance painting intervention undertaken on the morning of 01 September 2012 on the east facing wall of a newly built tilt-slab industrial building, situated on the direct edge of the current urban and rural boundary in Truganina, Victoria. The multi-screen work documents an endurance guerilla-style action painting intervention and ritualised painting performance in which a symbolic violence is enacted against a storehouse of commodity production and consumption. Upon winning the award artists Ash Keating said; “The work was made near Ballarat on the Deer Park bypass. It is an aesthetic comment about the way these new tilt-slab industrial buildings spring up without caring for the environment." The work, which took eight hours to create, was about reclaiming the space from “cost-effective architecture” without any aesthetics. The inaugural judge for the Prize, Jason Smith, Director, Heide Museum of Modern Art (MoMA) said, "Selecting the winner of this inaugural GNAP was exhilarating and excruciating: exhilarating because the seriousness of each artist's enterprise, and their uncompromising resolution of concepts, has created an inaugural exhibition of exceptional power. This first GNAP is a survey of some of the most poetic and provocative imaginations working in Australia today. Selecting one winner from such a show in which each of these artists has in some way transformed my thinking about the world was the excruciating part. Ash Keating's work West Park Proposition, 2012 kept drawing me back in the several hours I spent viewing the works. It simultaneously affirms the political and critical role of the artist as a key agent of change and action, and someone who reminds us of the beauty and resilience of humanity and nature in the face of unrelenting change. As a work combining performance, collaboration and hope, Keating's West Park Proposition is a work of immense and compelling poetry."artist, artwork, keating, ash keating, guirguis, guirguis new art prize, gnap, gnap13 -
Marysville & District Historical Society
Ephemera (Item) - Information brochure, Victorian Government Tourist Bureau, Forest Giants Victoria Australia, 01-1938
An information brochure on where to see tall trees, Forest Giants, in Victoria, including Marysville, that was published in January, 1938.An information brochure on where to see tall trees, Forest Giants, in Victoria, including Marysville, that was published in January, 1938.Victorian Railways Print January, 1938 469-38 Stamp of Victorian/ Government Tourist Bureau/ 272 Collins Street/ Melbourne C.1victoria, australia, victorian government tourist bureau, betterment and publicity board, victorian railways, white mountain ash, red mountain ash, messmate, blue gum, mountain ash, cumberland valley, marysville, mount monda, healesville, acheron way, alpine highway, omeo, baw baws, strzelecki ranges, otway ranges, warburton, yarra junction, noojee, bulga and tarra valley park, yarram, turton's pass, otway forest, beech forest, apollo bay, information brochure, brochure -
Marysville & District Historical Society
Ephemera (Item) - Tourist brochure, Victorian Railways, Marysville Victoria Australia, 11-1958
A tourist brochure showing information for travel to Marysville from Melbourne and accommodation venues in Marysville. This brochure was published by the Victorian Railways Public Relations and Betterment Board in November, 1958.A tourist brochure showing information for travel to Marysville from Melbourne and accommodation venues in Marysville.marysville, victoria, australia, marysville hotel, the cumberland, kerami guest house, kooringa guest house, marylands guest house, mary-lyn guest house, marysville chalet guest house, marysville house guest house, mt kitchener guest house, lake mountain, mckenzie tourist services, melbourne, great dividing range, cumberland valley, white mountain ash, eildon weir, alexandra, acheron way, warburton, victorian government tourist bureau, victorian railways -
Marysville & District Historical Society
Ephemera (Item) - Tourist brochure, Victorian Government Tourist Bureau, Marysville Victoria Australia, Unknown
A tourist brochure showing showing information for travel to Marysville from Melbourne and accommodation venues in Marysville. This brochure was published by the Victorian Government Tourist Bureau.A tourist brochure showing information for travel to Marysville from Melbourne and accommodation venues in Marysville.marysville, victoria, australia, marysville hotel, the cumberland, kerami guest house, kooringa guest house, marylands guest house, mary-lyn guest house, marysville chalet guest house, marysville house guest house, mt kitchener guest house, lake mountain, mckenzie tourist services, melbourne, great dividing range, cumberland valley, white mountain ash, eildon weir, alexandra, acheron way, warburton, victorian government tourist bureau -
Marysville & District Historical Society
Ephemera (Item) - Tourist brochure, Victorian Government Tourist Bureau, Marysville Victoria Australia, Unknown
A tourist brochure showing showing information for travel to Marysville from Melbourne and accommodation venues in Marysville. This brochure was published by the Victorian Government Tourist Bureau.A tourist brochure showing information for travel to Marysville from Melbourne and accommodation venues in Marysville.marysville, victoria, australia, marysville hotel, the cumberland, kerami guest house, kooringa guest house, marylands guest house, mary-lyn guest house, marysville chalet guest house, marysville house guest house, mt kitchener guest house, lake mountain, mckenzie tourist services, melbourne, great dividing range, cumberland valley, white mountain ash, eildon weir, alexandra, acheron way, warburton, victorian government tourist bureau -
Ballarat Heritage Services
Ceramic, Springmount Pottery, Vase by Springmount Pottery
Springmount Pottery is located in Creswick, Victoria, and produces and sells works designed by its owner, Tina Banitska, who also owns the Convent Gallery in Daylesford. Banitska came to Australia with her family from Greece in 1956. She trained at RMIT and Franklin State College, before taking over Doug Alexander's Springmount Pottery when he moved to Tharwa in 1976. Retaining the pottery name, she developed it as a workshop, employing throwers and decorators to make works to her design, and initially selling these through the Springmount Pottery Gallery on Main Street, Ballarat. The pottery now operates with its own gallery onsite. Banitska's initial interest in ash glazes is continued in the Pottery's ashware line and there has also been a wide range of other Springmount designs. Works are signed with a painted 'Springmount' often split over two lines.A hand thrown, glazed and decorated vase.ceramics, springmount pottery, tina banitska, australian studio ceramics, australian studio pottery