Showing 116 items
matching banksias
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Eltham District Historical Society Inc
Photograph, George Coop, Single Motor Carriage Tait Parcels Van at Heidelberg Railway Station, 23 August 1983, 1983
Looking southwest towards Banksia Street overpassDigital TIFF file Scan of 35mm Kodak Safety 5062 black and white transparencyheidelberg railway station, parcels van, red rattler, single motor carriage, tait train -
Eltham District Historical Society Inc
Photograph, George Coop, Flinders Street bound Comeng train near Banksia Street overpass, Heidelberg, 23 August 1983, 1983
Looking southwest towards Banksia Street overpassDigital TIFF file Scan of 35mm Kodak Safety 5062 black and white transparencybanksia street, comeng electric train (1981), heidelberg railway station, overpass -
Whitehorse Historical Society Inc.
Article, ULA set to start house project, 6/10/1992 12:00:00 AM
Article on the development of 'Banksia Estate',Article on the development of 'Banksia Estate', former site of Blackburn South Primary School, Branksome Grove, by the Urban Land Authority. In Nunawading Gazette, 6 October 1992.Article on the development of 'Banksia Estate', banksia estate, victoria. urban land authority, blackburn south primary school, no. 4035, xeriscope, water supply, canterbury road, blackburn south, branksome grove, land subdivision -
Whitehorse Historical Society Inc.
Article, New landscaping idea comes to Blackburn, 4/10/1992 12:00:00 AM
Article on the development of 'Banksia Estate',Article on the development of 'Banksia Estate', former site of the Blackburn South Primary School, Branksome Grove, by the Urban Land Authority. In Nunawading Post, 4 October 1992.Article on the development of 'Banksia Estate',banksia estate, victoria. urban land authority, blackburn south primary school, no. 4035, xeriscope, water supply, canterbury road, blackburn south, branksome grove, land subdivision -
Federation University Art Collection
Artwork, Celia Rosser, Banksia solandri by Celia Rosser, 1987
Celia Rosser (1930- ) Born Melbourne, Victoria Celia Elizabeth Rosser is a renowned Australian botanical artist, best known for having published The Banksias, a three-volume series of monographs containing watercolour paintings of every Banksia species. She trained in Art at the Melbourne Institute of Technology In 1970, Celia was appointed Science Faculty Artist at Monash University. Four years later she was appointed University Botanical Artist, and began the project of painting every Banksia species. The project took over 25 years to complete, and resulted in the publication of a three volume monograph entitled The Banksias, with accompanying text by Alex George. Publication of the final volume in 2000 represented the first time that such a large genus has been entirely painted. In 1977 Celia Rosser was awarded the Linnaean Society of London's Jill Smythies Award for botanical illustration, and in 1995 was awarded a Medal of the Order of Australia. Monash University awarded her an honorary Master of Science degree in 1981, and an honorary PhD in 1999. Banksia Rosserae is the last banksia species discovered and was named after the artist. Since 2002, the Friends of the Royal Botanic Gardens Melbourne have awarded the "Celia Rosser Medal for Botanical Art" to outstanding exhibitors at their "The Art of Botanical Illustration" exhibition.Un-numbered limited edition offset photolithographcelia rosser, botanical, banksia, gippsland campus -
Federation University Art Collection
Artwork, Banksia canei by Celia Rosser
Celia Rosser (1930- ) Born Melbourne, Victoria Celia Elizabeth Rosser is a renowned Australian botanical artist, best known for having published The Banksias, a three-volume series of monographs containing watercolour paintings of every Banksia species. She trained in Art at the Melbourne Institute of Technology In 1970, Celia was appointed Science Faculty Artist at Monash University. Four years later she was appointed University Botanical Artist, and began the project of painting every Banksia species. The project took over 25 years to complete, and resulted in the publication of a three volume monograph entitled The Banksias, with accompanying text by Alex George. Publication of the final volume in 2000 represented the first time that such a large genus has been entirely painted. In 1977 Celia Rosser was awarded the Linnaean Society of London's Jill Smythies Award for botanical illustration, and in 1995 was awarded a Medal of the Order of Australia. Monash University awarded her an honorary Master of Science degree in 1981, and an honorary PhD in 1999. Banksia Rosserae is the last banksia species discovered and was named after the artist. Since 2002, the Friends of the Royal Botanic Gardens Melbourne have awarded the "Celia Rosser Medal for Botanical Art" to outstanding exhibitors at their "The Art of Botanical Illustration" exhibition.celia rosser, banksia, botanical, gippsland campus -
Federation University Art Collection
Artwork, Banksia aquilonia by Celia Rosser
Celia Rosser (1930- ) Born Melbourne, Victoria Celia Elizabeth Rosser is a renowned Australian botanical artist, best known for having published The Banksias, a three-volume series of monographs containing watercolour paintings of every Banksia species. She trained in Art at the Melbourne Institute of Technology In 1970, Celia was appointed Science Faculty Artist at Monash University. Four years later she was appointed University Botanical Artist, and began the project of painting every Banksia species. The project took over 25 years to complete, and resulted in the publication of a three volume monograph entitled The Banksias, with accompanying text by Alex George. Publication of the final volume in 2000 represented the first time that such a large genus has been entirely painted. In 1977 Celia Rosser was awarded the Linnaean Society of London's Jill Smythies Award for botanical illustration, and in 1995 was awarded a Medal of the Order of Australia. Monash University awarded her an honorary Master of Science degree in 1981, and an honorary PhD in 1999. Banksia Rosserae is the last banksia species discovered and was named after the artist. Since 2002, the Friends of the Royal Botanic Gardens Melbourne have awarded the "Celia Rosser Medal for Botanical Art" to outstanding exhibitors at their "The Art of Botanical Illustration" exhibition.celia rosser, banksia, botanical, gippsland campus -
Federation University Art Collection
Artwork, Banksia benthamiana by Celia Rosser
Celia Rosser (1930- ) Born Melbourne, Victoria Celia Elizabeth Rosser is a renowned Australian botanical artist, best known for having published The Banksias, a three-volume series of monographs containing watercolour paintings of every Banksia species. She trained in Art at the Melbourne Institute of Technology In 1970, Celia was appointed Science Faculty Artist at Monash University. Four years later she was appointed University Botanical Artist, and began the project of painting every Banksia species. The project took over 25 years to complete, and resulted in the publication of a three volume monograph entitled The Banksias, with accompanying text by Alex George. Publication of the final volume in 2000 represented the first time that such a large genus has been entirely painted. In 1977 Celia Rosser was awarded the Linnaean Society of London's Jill Smythies Award for botanical illustration, and in 1995 was awarded a Medal of the Order of Australia. Monash University awarded her an honorary Master of Science degree in 1981, and an honorary PhD in 1999. Banksia Rosserae is the last banksia species discovered and was named after the artist. Since 2002, the Friends of the Royal Botanic Gardens Melbourne have awarded the "Celia Rosser Medal for Botanical Art" to outstanding exhibitors at their "The Art of Botanical Illustration" exhibition.celia rosser, botanical, banksia, gippsland campus -
Bendigo Historical Society Inc.
Document - PETER ELLIS COLLECTION: WILDFLOWERS DECALS
Instructions for the use of Non-Fire Decal with five Wildflower Bouquet decals. The decals have Sturt's Dessert Pea, Banksia, Kangaroo Paw, Flannel Flower, Wattle, Bottlebrush, Heath? And Gum Nuts.ephemera, mementoes, flower decals, peter ellis collection, wildflower bouquet, decal -
Whitehorse Historical Society Inc.
Article - Manningham Matters, Dr Richard Lay, Highways and Byways of Manningham, June 2021
August Schwerkolt walked between his properties at Northcote and Mitcham and probably crossed the Yarra River at the Banksia St bridge and took the ridge route which is now the Manningham, Doncaster and Mitcham Roads.August Schwerkolt walked between his properties at Northcote and Mitcham and probably crossed the Yarra River at the Banksia St bridge and took the ridge route which is now the Manningham, Doncaster and Mitcham Roads.non-fictionAugust Schwerkolt walked between his properties at Northcote and Mitcham and probably crossed the Yarra River at the Banksia St bridge and took the ridge route which is now the Manningham, Doncaster and Mitcham Roads.schwerkolt august, mitcham, doncaster road, mitcham road -
Federation University Art Collection
Artwork, Banksia aquilonia by Celia Rosser
Celia Rosser (1930- ) Born Melbourne, Victoria Celia Elizabeth Rosser is a renowned Australian botanical artist, best known for having published The Banksias, a three-volume series of monographs containing watercolour paintings of every Banksia species. She trained in Art at the Melbourne Institute of Technology In 1970, Celia was appointed Science Faculty Artist at Monash University. Four years later she was appointed University Botanical Artist, and began the project of painting every Banksia species. The project took over 25 years to complete, and resulted in the publication of a three volume monograph entitled The Banksias, with accompanying text by Alex George. Publication of the final volume in 2000 represented the first time that such a large genus has been entirely painted. In 1977 Celia Rosser was awarded the Linnaean Society of London's Jill Smythies Award for botanical illustration, and in 1995 was awarded a Medal of the Order of Australia. Monash University awarded her an honorary Master of Science degree in 1981, and an honorary PhD in 1999. Banksia Rosserae is the last banksia species discovered and was named after the artist. Since 2002, the Friends of the Royal Botanic Gardens Melbourne have awarded the "Celia Rosser Medal for Botanical Art" to outstanding exhibitors at their "The Art of Botanical Illustration" exhibition. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.celia rosser, botanical, banksia, gippsland campus -
Federation University Art Collection
work on paper - Artwork, Celia Rosser, Banksia incana by Celia Rosser, 1987
Celia ROSSER (1930- ) Born Melbourne, Victoria Celia Elizabeth Rosser is a renowned Australian botanical artist, best known for having published The Banksias, a three-volume series of monographs containing watercolour paintings of every Banksia species. She trained in Art at the Melbourne Institute of Technology In 1970, Celia was appointed Science Faculty Artist at Monash University. Four years later she was appointed University Botanical Artist, and began the project of painting every Banksia species. The project took over 25 years to complete, and resulted in the publication of a three volume monograph entitled The Banksias, with accompanying text by Alex George. Publication of the final volume in 2000 represented the first time that such a large genus has been entirely painted. In 1977 Celia Rosser was awarded the Linnaean Society of London's Jill Smythies Award for botanical illustration, and in 1995 was awarded a Medal of the Order of Australia. Monash University awarded her an honorary Master of Science degree in 1981, and an honorary PhD in 1999. Banksia Rosserae is the last banksia species discovered and was named after the artist. Since 2002, the Friends of the Royal Botanic Gardens Melbourne have awarded the "Celia Rosser Medal for Botanical Art" to outstanding exhibitors at their "The Art of Botanical Illustration" exhibition. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Un-numbered limited edition offset photolithograph of Banksi incana.celia rosser, banksia, gippsland campus, botanical, churchill, flora -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Nelson Joan, 1980c
Colour photograph of the beach at the southern shore of Cunninghame Arm. It shows people swimming and paddling, also on the beach, coastal banksia and scrub on sand hummocks, surf lifesaving clubrooms in background. Lakes Entrance Victoriawaterfront, recreation -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 2000 c
Also another colour photograph of a man collecting seeds from grass in bushland coastal banksia in background 04699.1Colour photograph of eleven people believed to be Friends of the Environment seated around a picnic table in what appears to be Lions Park Eastern Beach Lakes Entrance Victoriaenvironment, politics, conservation -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Vera Bennett, 1/04/1989 12:00:00 AM
Also another colour photograph of same bird watching tower 04710.1Colour photograph of the bird watching tower on Rotamah Island showing a timber hut and viewing platform supported on four timber poles accessed by steel ladders. Tower situated amongst coastal banksias Gippsland Lakes Victoriapeople -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1920c
Photo taken prior to 1924, no memorial cypress treesBlack and white tinted photograph of Victoria House, showing a group of buildings on Esplanade. Rock wall on edge of lake. Two coastal banksias on verge of road, two men standing on rock wall. Lakes Entrance VictoriaVictoria House Lakes Entranceguesthouses, waterfront, architecture -
Halls Gap & Grampians Historical Society
Photograph - Coloured, C 1996
Wooden items are made from Banksia baueri. Local women made wooden items and jewellery of pressed flowers for sale (1960-1990s).Photo shows wooden items on a round display stand with a fringe tacked to bottom tier . Arranged flower vases cn be seen in background. events, wildflower show -
Halls Gap & Grampians Historical Society
Photograph - Coloured, C 1996
This is a photo of items made out of Banksia Bauerii. During the 1960's to the 1990's, local women made wooden items and jewellery of pressed flowers for sale at the Wildflower Show.The photo shows a display of wooden items standing on a white dip[lay stand. Dried flowers and grasses can be seen in the background, as well as a sketch on the wall to the right.events, wildflower show -
Halls Gap & Grampians Historical Society
Photograph - Coloured, C 1996
The wooden items are made from Banksia Bauerii. During the 1960's to the 1990's, local women made wooden items and jewellery of pressed flowers for sale at the Wildflower Show.The photo shows a collection of wooden items displayed on a white stand. There is a brown cloth draped amongst the display.events, wildflower show -
Warrnambool and District Historical Society Inc.
Plate souvenir, Royal Copenhagen, New parliament house
This item is a souvenir of the Bi- Centenary of Australia (1988) It features the new Parliament House in Canberra which was opened in May 1988 and cost more than one billion dollars to build and contains four thousand seven hundred rooms. This item came from the estate of a well known Warrnambool lawyer and is retained as a high quality souvenir of the Bi-Centenary of AustraliaCircular ceramic plate. White concave surface with blue drawing of Parliament House, Australian Coat of Arms, flowers including banksia, Sturt Desert Pea, eucalypt and seven pointed stars. Reverse has raised inner rim and includes text in blue. Front 1988 Reverse ROYAL COPENHAGEN DENMARK and crown. COPYRIGHT THE A.B.A 1981 REG.TRADE MARK OF THE A.B.A. USED UNDER LICENCE BY ROYAL COPENHAGEN NEW PARLIAMENT HOUSE, CANBERRA Logo Australia 1788-1988 Signature " Gorn Uestezaul"(?)parliament house, bi centenary of australia -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph - Lakes Entrance, 1920c
Also 10 x 15 cm sepia copy, has remnants of glue of the back, little bit fadedBlack and white photograph of Esplanade, showing Maranui Guest House, Police Station, corner of Bellevue Guest House and Club Hotel in distance. Natural vegetation of Coastal Banksia on grass verge between road and waterfront, and beside Maranui Guest House. Lakes Entrance VictoriaThe Esplanade Lakes Entrancewaterfront, township, guesthouses, police -
Ringwood and District Historical Society
Flyer, Land Auction Sale Advertisement, Eastwood Park, East Ringwood, Vic. - 1967
Subdivision is advertised as including homesites on former Eastwood Golf Course fairways and land contours.Double-sided advertisement for auction sale on Saturday, April 22nd, 1967, for Eastwood Park residential homesites with summary of local features and services.Subdivision includes Croydon South streets, Andrew Crescent and Banksia Court. Agents - N.R. Reid & Co Pty Ltd, 173 Coleman Parade, Glen Waverley, Tel. 560 0355 A.H. 232 8423. -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph - Western Wharf, 1910c
Black and white photograph of the Western Wharf, colloquially known as the Post Office Jetty. It shows a steamer moored at the wharf beside a sail powered vessel. There is a shed at the end of the jetty, another near the shore. Some banksia trees on bank, also small tree inside tree guard. Unsealed road in foreground. Lakes Entrance VictoriaWestern Wharf Lakes Entrancejetties, township, ships and shipping -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph - SS Bogong, 1886c
This is the paired before paired photograph used in the 150 year Lakes Entrance 1858-2008 display.|The after paired photograph number is 01464.1|Also one 12 x 16 framed photograph used in room display.Black and white photograph of the foreshore, showing a small steamer moored at a rough timber jetty, known as 'the Landing' (later Barrier Landing). Three small rowing boats moored to jetty loading fish to steamer identified as ss Bogong. Five men on jetty. Sandy shore strewn with dead seaweed, coastal banksia on bank. Lakes Entrance Victoriajetties, waterfront, boats and boating, vegetation, room display -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white print, Principal's Residence, 1913
Note from T.H. Kneen 13 February 1991, "Right hand tall tree is Californian Redwood. Over Pergola-Banksia Rose." On 19 November 1991, "Weatherboard construction of right rear of residence was modified/replaced to provide a bedroom for Mr. McLennan's family - he had 6 daughters. That room was later converted to a bathroom with three large storage cupboards." 2 copies black and white photograph. B91.17 and B91.18. View of various trees, shrubs and flowers. House on rise. On reverse "1913."trees, shrubs, flowers, californian redwood, mr. mclennan, principal's residence, principal's house, cordyline -
Federation University Historical Collection
Book, Ferdinand von Mueller, Introduction to Botanic Teachings at the Schools of Victoria, 1877, 1877 (exact)
Ferdinand von Mueller was an examiner of botany at the Ballarat School of Mines (SMB) between 1880 and 1888. During that era he was active in donating related items to the School. When the Ballarat School of Mines Council agreed to introduce pharmacy and botany classes in 1879, it was apparent students would require access to botanical specimens in order to further their studies. Council members, who were inspired by the work of Baron Ferdinand von Mueller, authorised development of an area along the School's northern boundary, fronting Lydiard Street South, and oversaw the establishment of the new Botanical Gardens. Baron von Mueller took a practical role the development of SMB's Botanical Gardens from the beginning. He became a generous benefactor who 'donated collections of seeds and leguminous fodder plants, including valued grasses of interest and use to agriculturalists and graziers generally' to SMB over many years. Ferdinand von Mueller's entry on the University of Ballarat Honour Roll can be found at http://www.ballarat.edu.au/curator/honour-roll/honourroll_von_mueller.shtml A light brown, hardcovered book of 152 pages. Chapters include Eucalyptus Trees; Wattles or Acacias; Casuarinas or Sheoaks; Cypress Pines or Sandarac trees; Exocarpos trees of Natice Cherry trees; Mistletoes; Native Honeysuckles or Banksias; Bellflower, Lobelia and Goodenia; Heaths; Correas; Mallow; Buttercups and Clematis; Cruciferous Plants; Mints; Orchids; grasses; ferns. The book has numerous botanical line drawings, and a comprehensive index.Inside front cover "J. Clement Souter M.D."victorian, schools, botany, ferdinand von mueller, von mueller, botanic illustrations, j. clement souter -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Sculpture, Ellen José, Boon wurrung Blossom, 2008
The bluestone is laid on crushed yellow ochre sandstone, with the base encircled by indigenous flowering plants. Each rock represents one of the six clans that made up the Boon wurrung. For thousands of years, Boon wurrung women and children congregated in this area during special periods in spring and summer. The area was rich in seafood and had fresh water wells dotted around it. Among the Banksia trees that provided shelter, grew indigenous plants and flowers through which the women made garlands to wear in their hair.boon wurrung, blossom, sculpture, public art, indigenous, bayside indigenous coastal trail, ellen josé, ellen jose, bluestone, sandstone -
Australian Army Museum of Western Australia
Regimental Colour - 1st Battalion, 11th Australian Infantry Regiment (Perth Regiment)
Purchased from Regimental funds in 1910 and presented by HE the Governor of WA Sir Gerald Strickland, KCMG, at a parade held on the Esplanade, Perth, 18 February 1911. Consecrated by the Right Reverend COL. Riley, DD, VD, Senior Chaplain of the Australian Commonwealth Military Forces. This colour was subsequently inherited by successor units to the 11th Australian Infantry Regiment (Perth Regiment), including 88th (Perth) Infantry, 11th Battalion (The Perth Regiment) and 11th/16th Battalion. The colour was handed over to the Perth City Council at a special parade of the 11th/16th Battalion held in Forrest Place on 2 June 1930, and was laid up in the Council Chambers in Murray Street. Together with the other historic colours handed over at the time, this colour later went into storage when Council moved premises in the early 1960's. Perth City Council had some restoration work carried out on these colours in 1975 and later had them on display in their display room at Council House, St Georges Terrace. They were subsequently placed in storage again. Following negotiations by the Army Museum of WA Perth City Council passed on these colours to the Museum in November 1993 Red George Cross on a white background with red and white fringe. In the centre the regimental badge in gold within a wreath of Western Australian kangaroo paw and banksia, surmounted by the Crown. Below the wreath is the Battle Honour "SOUTH AFRICA 1900-02". In the upper canton is the roman numeral "I" (Note:- The official Battle Honour for South Africa granted to 11th Australian Infantry Regiment under Military Order 123/1908 and subsequently published in the Australian Army List, was "South Africa 1899-1902") regimental colour, military heraldry, battle honour -
Hepburn Shire Council Art and Heritage Collection
Medal, 1951 Commemorative Plaque, 1951
Medal commemorating the Centenary of Government of Victoria and the Discovery of Gold, commissioned by the Victorian Government and gifted to the Shire of Glenlyon. Designed by Andor Mészáros and minted by K.G. Luke, Melbourne, 1951. 1951 marked the centenary of Victoria's separation from the colony of New South Wales. As part of the celebrations, the Victorian Government commissioned this medal from Andor Meszaros. Drawing on his classical background, Mészáros developed the imagery for 'Equality and Justice through Freedom'. The man holding the torch represents equality; the blindfolded woman holding a sword is the symbol of justice, and both are mounted on a horse that has broken its shackles. Features on the reverse a design of a banksia and bottlebrush. There was another version of this medal which depicted a pair of gold prospectors on the reverse.This medal was presented to the Shire of Glenlyon in 1951. For over half a century, sculptors Andor (1900-1973) and Michael (1945- ) Meszaros have created medals that reflect the high points of life in Australia. From major awards and portraits of eminent Australians to artwork celebrating popular culture and the natural world, these objects illuminate our culture and history. Grounded in a centuries-old European art tradition, the medals create connections across disciplines and link such diverse subjects as scientific advances, religious themes, sport, the performing arts and motherhood. Through their public and private commissions and their personal artworks, the Meszaros sculptors have defined the modern Australian medal.Bronze medal with images and text insetObverse Description: Horse bounding left, broken shackles on foreleg, carrying woman holding sword and man holding torch; around, EQUALITY AND JUSTICE THROUGH FREEDOM Artist's name behind horse's tail: A MESZAROS Reverse Description: Stake supporting plant; above, CENTENARY OF GOVERNMENT OF VICTORIA 1851 - 1951; inscribed, Presented to / the Shire of / Glenlyon / 1951 Artist's initials to left of stakeglenlyon, hepburn shire, centenary of government, centenary of gold discovery, history of victoria, victorian governement, meszaros, kg luke, commemorative, commemorative plaque, centenary 1951 -
Surrey Hills Historical Society Collection
Photograph, Matron Elizabeth Maitland Anderson
Elizabeth Maitland Anderson was born c1887, daughter of William Anderson and Elizabeth MacKay. After she retired she lived at the Loyal Orange Lodge in Station Street, Box Hill South. She died on 14 May 1974 at Box Hill. She was cremated and ashes interred at Springvale Cemetery – Banksia, Wall H, Niche 302. Elizabeth Anderson opened Mosgiel Prvate Hospital in 1923 and was the Matron there from 1923-1950. She had been Matron of the Queen Victoria Hospital for four years. She lived next to the hospital at 297 Mont Albert Road from 1923-1930s. 'Mosgiel' was very highly regarded by medical practitioners and patients alike. After her retirement in 1950, along with with Doctors Roberta and Agnes Donaldson, she opened the Elgar Private Nursing Home in Elgar Road. Elizabeth Anderson was particularly involved with Moral Re-Armament and supported activities that took place in the Melbourne Home and Centre for Moral Re-Armament.A black and white photograph of an older lady wearing a hat and a coat.mosgiel private hospital, queen victoria hospital, elgar private nursing home, elgar road, mont albert road, nurses, nursing homes, health professionals, melbourne home and centre for moral re-armament, miss elizabeth maitland anderson, dr roberta donaldson, dr amelia roberta donaldson, dr agnes donaldson