Showing 1774 items
matching black glass
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National Wool Museum
Photograph - Boonoke Rams, J W Allen, 1900 - 1940
... forty three black and white glass lantern slides, along...Black and white glass lantern slide with paper edging... forty three black and white glass lantern slides, along ...This item is part of a collection of seven black and white glass lantern slides previously housed together in a glass plate box. The slides are part of a greater collection of around forty three black and white glass lantern slides, along with other photographs and photo albums related to this collection. This item is associated with the New South Wales Graziers Association world tour of merino sheep 1928/9. The slides were possibly used as supporting material in presentations made by J W Allen when on tour.Black and white glass lantern slide with paper edging showing five rams in a stockyard, with a man standing behind them.[handwritten] BOONOKE Sons of DAVID / 20agriculture, new south wales graziers association, travel, sheep, breeding, photography, glass lantern slides, j w allen -
Montmorency/Eltham RSL Sub Branch
Souvenir - 38th Anniversary Bottle of Port commemorating the Battle of Kapyong, Korea, 1951, 1989
... Black bottle with long neck, made of black glass with black... of the bottle Black bottle with long neck, made of black glass ...Black bottle with long neck, made of black glass with black metal screw top and label front and backKapyong 1989 is at top of label with emblem between, then 111, 38th year, Kapyong, Commemorative Port. 750 ml. Wine made in Australia. 18% Alc/vol. Mt Aitken Vineyard Gisborne Vic On the back of the bottle -
National Wool Museum
Photograph - Cow, J W Allen, 1900 - 1940
... collection of around forty three black and white glass lantern slides...Black and white glass lantern slide with paper edging... collection of around forty three black and white glass lantern slides ...This item is part of a collection of twenty black and white glass lantern slides previously housed together in an old cardboard box. [8611 - 8630] The slides are part of a greater collection of around forty three black and white glass lantern slides, along with other photographs and photo albums related to this collection. This item is associated with the New South Wales Graziers Association world tour of merino sheep 1928/9. The slides were possibly used as supporting material in presentations made by J W Allen when on tour.Black and white glass lantern slide with paper edging depicting a horned cow in a barn with a rope on it's muzzle, held by a man.new south wales graziers association, travel, cattle, agriculture, j w allen, photography, glass lantern slide -
National Wool Museum
Photograph - Cow, J W Allen, 1900 - 1940
... collection of around forty three black and white glass lantern slides...Black and white glass lantern slide with paper edging... collection of around forty three black and white glass lantern slides ...This item is part of a collection of twenty black and white glass lantern slides previously housed together in an old cardboard box. [8611 - 8630] The slides are part of a greater collection of around forty three black and white glass lantern slides, along with other photographs and photo albums related to this collection. This item is associated with the New South Wales Graziers Association world tour of merino sheep 1928/9. The slides were possibly used as supporting material in presentations made by J W Allen when on tour.Black and white glass lantern slide with paper edging depicting a horned cow standing in front of a barn with a rope on it's muzzle.new south wales graziers association, travel, cattle, agriculture, j w allen, photography, glass lantern slide -
National Wool Museum
Photograph - Cow, J W Allen, 1900 - 1940
... collection of around forty three black and white glass lantern slides...Black and white glass lantern slide with paper edging... collection of around forty three black and white glass lantern slides ...This item is part of a collection of twenty black and white glass lantern slides previously housed together in an old cardboard box. [8611 - 8630] The slides are part of a greater collection of around forty three black and white glass lantern slides, along with other photographs and photo albums related to this collection. This item is associated with the New South Wales Graziers Association world tour of merino sheep 1928/9. The slides were possibly used as supporting material in presentations made by J W Allen when on tour.Black and white glass lantern slide with paper edging depicting a cow standing in front of a barn, with a rope tied on it's muzzle.new south wales graziers association, travel, cattle, agriculture, j w allen, photography, glass lantern slide -
National Wool Museum
Photograph - Boonoke, Worker Rams, J W Allen, 1900 - 1940
... forty three black and white glass lantern slides, along...Black and white glass lantern slide with paper edging... forty three black and white glass lantern slides, along ...This item is part of a collection of seven black and white glass lantern slides previously housed together in a glass plate box. The slides are part of a greater collection of around forty three black and white glass lantern slides, along with other photographs and photo albums related to this collection. This item is associated with the New South Wales Graziers Association world tour of merino sheep 1928/9. The slides were possibly used as supporting material in presentations made by J W Allen when on tour.Black and white glass lantern slide with paper edging showing rams in a paddock in the background, with a fence line under water in the foreground.[handwritten] BOONOKE, WORKER RAMSagriculture, new south wales graziers association, travel, sheep, breeding, photography, glass lantern slides, j w allen -
National Wool Museum
Photograph - Farming Property, J W Allen, 1900 - 1940
... forty three black and white glass lantern slides, along...Black and white glass lantern slide with paper edging... forty three black and white glass lantern slides, along ...This item is part of a collection of seven black and white glass lantern slides previously housed together in a glass plate box. The slides are part of a greater collection of around forty three black and white glass lantern slides, along with other photographs and photo albums related to this collection. This item is associated with the New South Wales Graziers Association world tour of merino sheep 1928/9. The slides were possibly used as supporting material in presentations made by J W Allen when on tour.Black and white glass lantern slide with paper edging showing a fence line with trees. Two men are standing near the fence.agriculture, new south wales graziers association, travel, sheep, breeding, photography, glass lantern slides, j w allen -
National Wool Museum
Photograph - Cow, J W Allen, 1900 - 1940
... collection of around forty three black and white glass lantern slides...Black and white glass lantern slide with paper edging... collection of around forty three black and white glass lantern slides ...This item is part of a collection of twenty black and white glass lantern slides previously housed together in an old cardboard box. [8611 - 8630] The slides are part of a greater collection of around forty three black and white glass lantern slides, along with other photographs and photo albums related to this collection. This item is associated with the New South Wales Graziers Association world tour of merino sheep 1928/9. The slides were possibly used as supporting material in presentations made by J W Allen when on tour.Black and white glass lantern slide with paper edging depicting a horned cow standing in a paddock. Other cows are partially shown in the background.new south wales graziers association, travel, cattle, agriculture, j w allen, photography, glass lantern slide -
Coal Creek Community Park & Museum
Black beaded bag, c 1900
... Black glass beaded bag, with woven rope-like handles... Korumburra gippsland Black beaded bag Black glass beaded bag ...Black glass beaded bag, with woven rope-like handles and cream silk lining -
Wangaratta High School
WHS trophy, 2013
... Black Glass plate trophy with lines and spirals along...-country WHS trophy Black Glass plate trophy with lines and spirals ...Black Glass plate trophy with lines and spirals along the rim and gold text reading Wangaratta High School Host of the: 2013 Dirrawarra Proud & Deadly Awards -
Port Melbourne Historical & Preservation Society
Domestic object - Dudley Sherlock Pty Ltd Glass Ashtray, c.1960
... Square black glass ashtray with ceramic base made... Square black glass ashtray with ceramic base made for Dudley ...Dudley Sherlock Pty Ltd were manufacturing Representative at Leylyn House, 226 Bay Street, Port Melbourne.Square black glass ashtray with ceramic base made for Dudley Sherlock Pty Ltd.dudley sherlock pty ltd, business and traders - hardware -
Bendigo Historical Society Inc.
Container - BOTTLES COLLECTION: EMPTY GLASS BOTTLE
... Dark/black glass bottle. No label or inscription.../black glass bottle. No label or inscription on the bottle ...Dark/black glass bottle. No label or inscription on the bottle. The bottle is empty and has no cork. -
National Wool Museum
Photograph - Cow, J W Allen, 1900 - 1940
... collection of around forty three black and white glass lantern slides...Black and white glass lantern slide with paper edging... collection of around forty three black and white glass lantern slides ...This item is part of a collection of twenty black and white glass lantern slides previously housed together in an old cardboard box. [8611 - 8630] The slides are part of a greater collection of around forty three black and white glass lantern slides, along with other photographs and photo albums related to this collection. This item is associated with the New South Wales Graziers Association world tour of merino sheep 1928/9. The slides were possibly used as supporting material in presentations made by J W Allen when on tour.Black and white glass lantern slide with paper edging depicting a cow in a barn with a rope on it's muzzle. A man can be seen partially in the background.new south wales graziers association, travel, cattle, agriculture, j w allen, photography, glass lantern slide -
National Wool Museum
Photograph - Man with a Cow, J W Allen, 1900 - 1940
... collection of around forty three black and white glass lantern slides...Black and white glass lantern slide with paper edging... collection of around forty three black and white glass lantern slides ...This item is part of a collection of twenty black and white glass lantern slides previously housed together in an old cardboard box. [8611 - 8630] The slides are part of a greater collection of around forty three black and white glass lantern slides, along with other photographs and photo albums related to this collection. This item is associated with the New South Wales Graziers Association world tour of merino sheep 1928/9. The slides were possibly used as supporting material in presentations made by J W Allen when on tour.Black and white glass lantern slide with paper edging depicting a man holding a horned cow with a rope. A fence, trees and farmland is shown in the background.front: [printed] MAKERS / NEWTON & Co. / 3 FLEET St. LONDON / [handwritten] Werlir[?] Herry[?] Cownew south wales graziers association, travel, cattle, agriculture, j w allen, photography, glass lantern slide -
National Wool Museum
Photograph - Water Channel, J W Allen, 1900 - 1940
... forty three black and white glass lantern slides, along...Black and white glass lantern slide with paper edging... forty three black and white glass lantern slides, along ...This item is part of a collection of seven black and white glass lantern slides previously housed together in a glass plate box. The slides are part of a greater collection of around forty three black and white glass lantern slides, along with other photographs and photo albums related to this collection. This item is associated with the New South Wales Graziers Association world tour of merino sheep 1928/9. The slides were possibly used as supporting material in presentations made by J W Allen when on tour.Black and white glass lantern slide with paper edging showing a water channel surrounded by farmland. A wooden structure is shown above the water channel.agriculture, new south wales graziers association, travel, sheep, breeding, photography, glass lantern slides, j w allen -
Clunes Museum
Clothing - LADIES JACKET
... - LACE OVERLAY ON SLEEVES AND YOKE - BLACK GLASS BUTTONS DOWN... FORMAL JACKET - LACE OVERLAY ON SLEEVES AND YOKE - BLACK GLASS ...BLACK SATIN WHALE BONED LADIES SHORT FITTED FORMAL JACKET - LACE OVERLAY ON SLEEVES AND YOKE - BLACK GLASS BUTTONS DOWN FRONT - SMALL BLACK GLASS BEADING AT WRIST, ON YOKE AND MANDARIN COLLAR - NARROW CREAM DECORATIVE EDGING AT WRISTScostume, costumes - female, ladies jacket -
Glenelg Shire Council Cultural Collection
Functional object - Bottle, n.d
... Dark green/black glass bottle. Handblown with slight... Dark green/black glass bottle. Handblown with slight ...Dark green/black glass bottle. Handblown with slight imperfections. Lip of bottle appears to be made seperately.bottle, glass, domestic -
Dandenong/Cranbourne RSL Sub Branch
Document - Signal message, Signal meessage on action at Slaters Knoll Bouganville 1945, 6/4/1945
... enclosed. Message on white paper with black glassed frame.... with signal message enclosed. Message on white paper with black ...Item is linked to a WW11 battle at Slaters Knoll Bouganville describing a battle 1n 1945 describing the military action, the number of enemy killed and the type of weapons used.History of WW11 battle in New Guinea.Framed copy of original message form with signal message enclosed. Message on white paper with black glassed frame.From 25 Bn to 7 Bde dated 6/4/1945signal, signal of contact report message on action at slater knoll bouganville 1945. -
Bendigo Military Museum
Equipment - CAMERA LENS, Pentax, c1939-1945
... 1. Camera Lens - Black metal, glass lens. 2. Small camera... goldfields CAMERA LENS Equipment 1. Camera Lens - Black metal, glass ...Unknown origin. Has Dept of Defence arrow, 14a/780 aIR mINISTRY LENS.1. Camera Lens - Black metal, glass lens. 2. Small camera lens - black metal, glass lens.1. Pentax 8"small F/2.9. No. 023069. N.O.C.camera, ww2 -
Flagstaff Hill Maritime Museum and Village
Bottle
... Bottle, Black glass with some encrustation and iron stain... Warrnambool great-ocean-road Bottle Bottle, Black glass with some ...HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29 year old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only nine in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Bottle, Black glass with some encrustation and iron stain, recovered from the wreck of the Loch Ard. Artefact Rego No LA/80. -
Bendigo Historical Society Inc.
Sign - GERMAN HERITAGE SOCIETY COLLECTION: DEUTSCHER VEREIN NAME-PLATE (ORIGINAL)
... Item 8. Sign 'Deutscher Verein', gold lettering on black... 'Deutscher Verein', gold lettering on black glass in wood frame ...Item 8. Sign 'Deutscher Verein', gold lettering on black glass in wood frame. Typed note stuck to the top of the sign: 'Original name-plate of the Sandhurst Deutscher Verein'.bendigo, clubs, bendigo heritage, german heritage society collection - deutscher verein name-plate (original) -
Glenelg Shire Council Cultural Collection
Container - Desk Set containers, n.d
... Brass, cut glass (clear) ink containers, black lids... Container Brass, cut glass (clear) ink containers, black lids ...Displayed in History House.Brass, cut glass (clear) ink containers, black lids. Rectangular black base, moulded glass (black). Brass fittings. -
Clunes Museum
Accessory - LADIES BONNET
... AND SMALL BLACK GLASS BEADS - BONNET SHAPED ON COVERED WIRE FRAME... SEQUINS AND SMALL BLACK GLASS BEADS - BONNET SHAPED ON COVERED ...SMALL BLACK LACED BONNET DECORATED WITH BLACK SEQUINS AND SMALL BLACK GLASS BEADS - BONNET SHAPED ON COVERED WIRE FRAME, TIED WITH BLACK SILK RIBBONS - SILVER LACE WITH BLACK DOTS DECORATES BACK CROWN ON BONNETfemale headwear, costumes - female headware, lace bonnet, bonnet -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: BLACK BEADED CAP, 1910-20
... in a floral design covers the shape - these are tiny round black glass... covers the shape - these are tiny round black glass beads ...Clothing. A wire frame shape, with a black canvas lining, and covered on the outside with black velvet. The shape is ''head-hugging'' with scalloped extensions towards the ears. Beading in a floral design covers the shape - these are tiny round black glass beads and black bugle beads. These glass beads reflect the light against the black velvet.costume accessories, female, black velvet beaded cap -
Rutherglen Historical Society
Servants' bell indicator
... Wooden rectangular box, windowed in bevelled frame, black... in bevelled frame, black glass with 4 gold framed clear glass squares ...Would have been located in servants' quarters of a houseWooden rectangular box, windowed in bevelled frame, black glass with 4 gold framed clear glass squares showing numbers 1-4, with push-knob on RH side. Manufactured of wood, glass window, metal knob, cardboard nos. -
Greensborough Historical Society
Salt and Pepper Shakers, Glass Salt and Pepper Shakers, 1960s
... Small salt and pepper shakers, cut glass with black lids....Small salt and pepper shakers, cut glass with black lids ...Small salt and pepper shakers, cut glass with black lids.Set of cut glasss salt and pepper shakers with black plasic lids.Stamped on base "IS 702 4"salt shakers -
Flagstaff Hill Maritime Museum and Village
Craft - Ship Model, Victoria
... case painted black, glass face and brass trim. ... with painted backdrop and ocean. Timber case painted black, glass face ...Ship model, Victoria with full ship rig. 3 masted, with 2 deck houses, 2 boats on top of forward house. Yellow hull decoration. Mounted in case with painted backdrop and ocean. Timber case painted black, glass face and brass trim. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, ship model -
Flagstaff Hill Maritime Museum and Village
Container - Bottle, 1840s to 1910
... such as different forms of iron, resulting in ‘black’ glass, which... such as different forms of iron, resulting in ‘black’ glass, which ...This handmade ‘gallon’ style of bottle was generally used for storing and transporting wine and ale. Many bottles similar to this one have their bases embossed with “6 TO THE GALLON”. It is one of many artefacts recovered from unidentified shipwrecks along Victoria’s coast between the late 1960s and the early 1970s. It is now part of the John Chance Collection. The capacity of this is one-sixth of a gallon (imperial measure), which is equal to 758 ml. (American bottles were often inscribed “5 TO THE GALLON”, which is one-fifth of an American gallon, equal to 757 ml.) Contemporary home brewers can purchase new ‘6 to gallon’ bottles that hold 750 ml. and are sold in cases of 36 bottles, which is equal to 6 gallons of wine. Glass was made thousands of years ago by heating together quartz-sand (Silica), lime and potash. Potash was obtained from burnt wood, but these days potash is mined. The natural sand had imperfections such as different forms of iron, resulting in ‘black’ glass, which was really dark green or dark amber colour. The ‘black’ glass was enhanced by residual carbon in the potash. Black glass is rarely used nowadays but most beer, wine, and liquors are still sold in dark coloured glass. Glass vessels were core-formed from around 1500 BC. An inner core with the vessel’s shape was formed around a rod using a porous material such as clay or dung. Molten glass was then modelled around the core and decorated. When the glass had cooled the vessel was immersed in water and the inner core became liquid and was washed out. Much more recently, bottlers were crafted by a glassblower using molten glass and a blow pipe together with other hand tools. Another method was using simple moulds, called dip moulds, that allowed the glass to be blown into the mould to form the base, then the glassblower would continue blowing free-form to shape the shoulders and neck. The bottle was then finished by applying a lip. These moulded bottles were more uniform in shape compared to the free-form bottles originally produced. English glassblowers in the mid-1800s were making some bottles with 2-piece and 3-piece moulds, some with a push-up style base, sometimes with embossing in the base as well. Improvements allowed the moulds to also have embossed and patterned sides, and straight sided shapes such as hexagons. Bottles made in full moulds usually displayed seam seams or lines. These process took skill and time, making the bottles valuable, so they were often recycled. By the early 20th century bottles were increasingly machine made, which greatly reduced the production time and cost. This bottle is historically significant as an example of a handmade, blown inscribed glass bottle manufactured in the mid-to-late 1800s for specific use as a liquor bottle with a set measurement of one-sixth of gallon. It is also historically significant as an example of liquor bottles imported into Colonial Victoria in the mid-to-late 1800s, giving a snapshot into history and social life that occurred during the early days of Victoria’s development, and the sea trade that visited the ports in those days. The bottle is also significant as one of a group of bottles recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection of shipwreck artefacts by his family, illustrating this item’s level of historical value. Bottle, brown glass, handmade. Tall slim Gallon style liquor bottle. Applied, double collar lip; square upper with flared lower. Neck has seams and shoulder seam from 3-piece mould. Body with horizontal ripples tapers inwards to base. Push-up base with pontil mark and embossed inscription. Tape over wire around mouth. Cork remnants inside mouth. Embossed on base "6 TO THE GALLON"flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, gallon bottle, 6 to the gallon bottle, handmade, dip mould, mouth blown, pontil mark, blown bottle, liquor bottle, ale bottle, double collar, 19th century bottle, collectable -
Flagstaff Hill Maritime Museum and Village
Container - Bottle, 1840s to 1910
... such as different forms of iron, resulting in ‘black’ glass, which... such as different forms of iron, resulting in ‘black’ glass, which ...This handmade ‘gallon’ style of bottle was generally used for storing and transporting wine and ale. Many bottles similar to this one have their bases embossed with “6 TO THE GALLON”. It is one of many artefacts recovered from unidentified shipwrecks along Victoria’s coast between the late 1960s and the early 1970s. It is now part of the John Chance Collection. The capacity of this is one-sixth of a gallon (imperial measure), which is equal to 758 ml. (American bottles were often inscribed “5 TO THE GALLON”, which is one-fifth of an American gallon, equal to 757 ml.) Contemporary home brewers can purchase new ‘6 to gallon’ bottles that hold 750 ml. and are sold in cases of 36 bottles, which is equal to 6 gallons of wine. Glass was made thousands of years ago by heating together quartz-sand (Silica), lime and potash. Potash was obtained from burnt wood, but these days potash is mined. The natural sand had imperfections such as different forms of iron, resulting in ‘black’ glass, which was really dark green or dark amber colour. The ‘black’ glass was enhanced by residual carbon in the potash. Black glass is rarely used nowadays but most beer, wine, and liquors are still sold in dark coloured glass. Glass vessels were core-formed from around 1500 BC. An inner core with the vessel’s shape was formed around a rod using a porous material such as clay or dung. Molten glass was then modelled around the core and decorated. When the glass had cooled the vessel was immersed in water and the inner core became liquid and was washed out. Much more recently, bottlers were crafted by a glassblower using molten glass and a blow pipe together with other hand tools. Another method was using simple moulds, called dip moulds, that allowed the glass to be blown into the mould to form the base, then the glassblower would continue blowing free-form to shape the shoulders and neck. The bottle was then finished by applying a lip. These moulded bottles were more uniform in shape compared to the free-form bottles originally produced. English glassblowers in the mid-1800s were making some bottles with 2-piece and 3-piece moulds, some with a push-up style base, sometimes with embossing in the base as well. Improvements allowed the moulds to also have embossed and patterned sides, and straight sided shapes such as hexagons. Bottles made in full moulds usually displayed seam seams or lines. These process took skill and time, making the bottles valuable, so they were often recycled. By the early 20th century bottles were increasingly machine made, which greatly reduced the production time and cost. This bottle is historically significant as an example of a handmade, blown inscribed glass bottle manufactured in the mid-to-late 1800s for specific use as a liquor bottle with a set measurement of one-sixth of gallon. It is also historically significant as an example of liquor bottles imported into Colonial Victoria in the mid-to-late 1800s, giving a snapshot into history and social life that occurred during the early days of Victoria’s development, and the sea trade that visited the ports in those days. The bottle is also significant as one of a group of bottles recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection of shipwreck artefacts by his family, illustrating this item’s level of historical value. Bottle, brown glass, handmade. Tall slim Gallon style liquor bottle. Applied double collar lip; square upper with flared lower. Push-up base with pontil mark and embossed inscription. Base is uneven, glass composition has imperfections.Embossed on base "6 TO THE GALLON"flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, gallon bottle, 6 to the gallon bottle, handmade, dip mould, mouth blown, pontil mark, blown bottle, liquor bottle, ale bottle, double collar, 19th century bottle, collectable -
Flagstaff Hill Maritime Museum and Village
Container - Bottle, 1840s to 1910
... such as different forms of iron, resulting in ‘black’ glass, which... such as different forms of iron, resulting in ‘black’ glass, which ...This handmade ‘gallon’ style of bottle was generally used for storing and transporting wine and ale. Many bottles similar to this one have their bases embossed with “6 TO THE GALLON”. It is one of many artefacts recovered from unidentified shipwrecks along Victoria’s coast between the late 1960s and the early 1970s. It is now part of the John Chance Collection. The capacity of this is one-sixth of a gallon (imperial measure), which is equal to 758 ml. (American bottles were often inscribed “5 TO THE GALLON”, which is one-fifth of an American gallon, equal to 757 ml.) Contemporary home brewers can purchase new ‘6 to gallon’ bottles that hold 750 ml. and are sold in cases of 36 bottles, which is equal to 6 gallons of wine. Glass was made thousands of years ago by heating together quartz-sand (Silica), lime and potash. Potash was obtained from burnt wood, but these days potash is mined. The natural sand had imperfections such as different forms of iron, resulting in ‘black’ glass, which was really dark green or dark amber colour. The ‘black’ glass was enhanced by residual carbon in the potash. Black glass is rarely used nowadays but most beer, wine, and liquors are still sold in dark coloured glass. Glass vessels were core-formed from around 1500 BC. An inner core with the vessel’s shape was formed around a rod using a porous material such as clay or dung. Molten glass was then modelled around the core and decorated. When the glass had cooled the vessel was immersed in water and the inner core became liquid and was washed out. Much more recently, bottlers were crafted by a glassblower using molten glass and a blow pipe together with other hand tools. Another method was using simple moulds, called dip moulds, that allowed the glass to be blown into the mould to form the base, then the glassblower would continue blowing free-form to shape the shoulders and neck. The bottle was then finished by applying a lip. These moulded bottles were more uniform in shape compared to the free-form bottles originally produced. English glassblowers in the mid-1800s were making some bottles with 2-piece and 3-piece moulds, some with a push-up style base, sometimes with embossing in the base as well. Improvements allowed the moulds to also have embossed and patterned sides, and straight sided shapes such as hexagons. Bottles made in full moulds usually displayed seam seams or lines. These process took skill and time, making the bottles valuable, so they were often recycled. By the early 20th century bottles were increasingly machine made, which greatly reduced the production time and cost. This bottle is historically significant as an example of a handmade, blown inscribed glass bottle manufactured in the mid-to-late 1800s for specific use as a liquor bottle with a set measurement of one-sixth of gallon. It is also historically significant as an example of liquor bottles imported into Colonial Victoria in the mid-to-late 1800s, giving a snapshot into history and social life that occurred during the early days of Victoria’s development, and the sea trade that visited the ports in those days. The bottle is also significant as one of a group of bottles recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection of shipwreck artefacts by his family, illustrating this item’s level of historical value. Bottle, brown glass, handmade. Tall slim Gallon style liquor bottle. Applied double collar lip; square upper and flared lower. Neck has seams and shoulder seam from 3-piece mould. Body tapers towards base. Push-up base with pontil mark and embossed inscription. Base is uneven. Mouth has remnants of the seal in it and tape remnants around its outside. Embossed on base "6 TO THE GALLON"flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, gallon bottle, 6 to the gallon bottle, handmade, dip mould, mouth blown, pontil mark, blown bottle, liquor bottle, ale bottle, double collar, 19th century bottle, collectable