Showing 172 items
matching blasting
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Tennis Australia
Racquet, Circa 1997
A Prince 'Thunder Blast' oversize tennis racquet, with Prince 'Duraperf' synthetic handle grip, and Gamma 'Synthetic Gut 16' strings. Materials: Graphite, Composite Materials, Paint, Synthetic Gut, Ink, Synthetic material, Plastictennis -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Blacknose Quarry, 05/11/1952
Port of Portland Authority ArchivesFront: 'BLACKNOSE QUARRY FROM MAGAZINE 5.11.52 STRIPPING FACE AFTER TRIAL BLAST' printed on bottom frame Back: Purple PHT stamp -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Blacknose Quarry, 05/11/1952
Port of Portland Authority ArchivesFront: 'DRILLING BLAST HOLES AT BLACKNOSE QUARRY MINERAL DRILLERS' E100 MACHINE 5.11.52 ' - printed on bottom frame Back: Purple PHT stampport of portland archives, blacknose quarry -
Bendigo Military Museum
Book - NOTES ON ATOMIC WARFARE, London War Office, 1954
This explains Atomic blasts, protection from damage done, radiation levels and protection. Item in the collection re BCOF Association, refer Cat no 7625.This is a foolscap sized book. The covers are khaki card board. Printing is in black ink. Top RH Corner has WO code No. 8912. Bottom shows the War Office London. It was bound by 3 metal staples, which have rusted or taken out. atomic warfare, book -
Bendigo Military Museum
Photograph - SET OF 16 PHOTOGRAPHS
Refer to 4575P, service of Doug Dean. See Museum staff for description of each photo.Each photo is B & W. They show various scenes from the Siege of Tobruk (Including enemy aiircraft). They include a Mess queue, Stuhas, bomb, blasts, campsite in a wadi, shipwrecks in harbour, including the "Liguria", flak, Blasted buildings, inc 2/4 AGH>There are no inscriptions on any of the photos.photographs, ww2, tobruk -
Ballarat Heritage Services
Tool - Object, Oriental Box Bellows
Japanese style box bellows (fukisashi/吹差鞴) reached their current and finalized form by about the sixth century. They are constructed almost entirely of wood and allow a smith to supply a highly controlled air blast to the forge by pulling and pushing the handle slowly back and forth. Using dual chambers and two sets of valves, the air is supplied on both the push and the pull stroke, and the blast may be highly intensified or stopped in an instant as needed by the smith.(http://islandblacksmith.ca/2015/06/why-you-need-a-swordsmiths-fuigo-box-bellows/, accessed 18 February 2018)Timber box with handle on the side which pulls out.fuigo bellows, japanese, bellows, fukisashi bellows, oriental box bellows, pump -
Bendigo Military Museum
Weapon - ROCKET LAUNCHER, post 1960
M72 LAW 66mm Rocket Launcher Anti Tank Cylinder Housing. Round cylinder with a 2 clip on end caps adjustable sites & trigger mechanism rubber. All metal construction, has a fabric shoulder strap. Firing instructions drawn in white on one side.Rocket HE 66 mm Anti Tank M72 A3 Lot RAN90 E 001 - 018, Operating and Storage Temp 40oF to + 140oF - Danger near blast area.arms-ordnance, military history, m 72, rocket -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, Graeme Turnbull, 13/03/1970 12:00:00 AM
Yields information about the Ballarat's tramcars in the early 1970's and the Sturt St near Lydiard St .Black and white photograph of Ballarat No. 21 Sturt St, showing Special, east bound, with the SEC offices in the background. Graeme Turnbull photograph, 13/3/1970. Tram has a "Everything's fine in my all electric kitchen" roof advertisement. In the background are shops for Valpied (Fruiters?) and "Blast Off"On the rear in pencil, "Ballarat Single Truck car 21 outside the SEC Offices in Sturt Street, 13/3/70. Graeme Turnbull photograph. and in ink in the top right hand corner, "13/3/70 AA-27"tramways, trams, sturt st, secv, tram 21 -
The Beechworth Burke Museum
Container - Box, National Explosives Co Ltd, c1870
This cardbord box was used to package explosives which were used for mining. Black powder and dynamite were heavily used on the goldfields to blast away large sections of earth which. Explosives were stored at Beechworth Powder MagazineMining played an important role in the history of Beechworth, for the township was established in the mid-1850s after gold was discovered in the area. The success of goldmining lead to the growth and development of early Beechworth.A brown rectangular cardbord box with opening flaps at top and features printed text on sides and top.GLASGOW / THE PERFECT COMBINATION / NOBEL-GLASGOW EXPLOSIVES / NOBEL-GLASGOW DETONATORSburke museum, beechworth, mining, explosives -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Quarry, Blacknose, 03/12/1952
Port of Portland Authority ArchivesFront: Front- Blacknose Quarry face 3/12/52 before second blast'- Printed bottom frame. Back- Purple PHT Stamp '5/7'- top left, black inkport of portland -
The Beechworth Burke Museum
Photograph, c1900
A black and white photograph depicting seven men and four women surrounded by tunnel boring machinery. A tunnel boring machine (TBM), also known as a "mole", is a machine used to excavate tunnels with a circular cross section through a variety of soil and rock strata. They may also be used for microtunneling. They can be designed to bore through anything from hard rock to sand. Tunnel boring machines are used as an alternative to drilling and blasting (D&B) methods in rock and conventional "hand mining" in soil. TBMs have the advantages of limiting the disturbance to the surrounding ground and producing a smooth tunnel wall. This significantly reduces the cost of lining the tunnel, and makes them suitable to use in heavily urbanised areas. The major disadvantage is the upfront cost. TBMs are expensive to construct, and can be difficult to transport. The longer the tunnel, the less the relative cost of tunnel boring machines versus drill and blast methods. This is because tunneling with TBMs is much more efficient and results in shortened completion times, assuming they operate successfully. Drilling and blasting however remains the preferred method when working through heavily fractured and sheared rock layers.This photograph is significant as it shows the machinery used and attire worn by men and women during the gold rush era. Black and white rectangular photograph printed on photographic paperburke museum, mining, beechworth, boring machinery, excavate, gold, gold fields, gold rush, miners -
Bendigo Historical Society Inc.
Photograph - Forest next Wesley Church
Cast iron lace was made in foundries in most cities. There were 42 such foundries in Melbourne alone. It was cheaper to make than wrought iron. "Pig iron", iron ore, was melted in a blast furnace, mixed with alloys and poured into molds made of sand. The alloys needed a minimum of 2% carbon.Black and White Photo by A Doney Bendigo of balustrade in Forest Street next to Wesley ChurchA. Doney Bendigoa doney, forest street -
Bendigo Historical Society Inc.
Photograph - Spastic Centre, Bendigo
Cast Iron lace was made in foundries in most cities. There were 42 such foundries in Melbourne alone. It was cheaper to make than wrought iron. "Pig iron", iron ore was melted in a blast furnace, mixed with alloys and then poured into moulds usually made of sand. The alloys needed a minimum of 2% carbon. Two black and white photographs by Alan Doney of the Spastic Centre in Don Street, Bendigo. Both photos shows detail of the wrought iron on the verandah. alan doney, bendigo, wrought iron, spastic children's society -
Bendigo Historical Society Inc.
Photograph - "Illira" Bendigo
Cast Iron lace was made in foundries in most cities. There were 42 such foundries in Melbourne alone. It was cheaper to make than wrought iron. "Pig iron", iron ore was melted in a blast furnace, mixed with alloys and then poured into molds usually made of sand. The alloys needed a minimum of 2% carbon. Three black and white photographs by Alan Doney of the residence 'Illira' at 57 Forest St, Bendigo. The first photo shows the front of the residence. The other two photos show detail of the wrought iron on the verandah. alan doney, bendigo, wrought iron, illira bendigo -
Bendigo Historical Society Inc.
Photograph - 247 View St, Bendigo
Cast Iron lace was made in foundries in most cities. There were 42 such foundries in Melbourne alone. It was cheaper to make than wrought iron. "Pig iron", iron ore was melted in a blast furnace, mixed with alloys and then poured into molds usually made of sand. The alloys needed a minimum of 2% carbon.A black and white photograph by Alan Doney of the building at 247 View St in Bendigo. The photo shows detail of the wrought iron on the verandah. alan doney, bendigo, wrought iron -
Bendigo Historical Society Inc.
Photograph - 257 View St, Bendigo
Cast Iron lace was made in foundries in most cities. There were 42 such foundries in Melbourne alone. It was cheaper to make than wrought iron. "Pig iron", iron ore, was melted in a blast furnace, mixed with alloys and then poured into moulds usually made of sand. The alloys needed a minimum of 2% carbon.A black and white photograph by Alan Doney of the building at 257 View St in Bendigo. The photo shows detail of the wrought iron on the verandah. alan doney, bendigo, wrought iron -
Bendigo Historical Society Inc.
Photograph - 22 Valentine St, Bendigo
Cast Iron lace was made in foundries in most cities. There were 42 such foundries in Melbourne alone. It was cheaper to make than wrought iron. "Pig iron", iron ore, was melted in a blast furnace, mixed with alloys and then poured into molds usually made of sand. The alloys needed a minimum of 2% carbon.A black and white photograph by Alan Doney of the building at 22 Valentine St in Bendigo. The photo shows detail of the wrought iron on the verandah. alan doney, bendigo, wrought iron -
Bendigo Historical Society Inc.
Photograph - 288 View St, Bendigo
Cast iron lace was made in foundries in most cities. There were 42 such foundries in Melbourne alone. It was cheaper to make than wrought iron. "Pig iron",iron ore, was melted in a blast furnace, mixed with alloys and then poured into moulds usually made of sand. The alloys needed a minimum of 2% carbon. A black and white photograph by Alan Doney of 288 View St in Bendigo. The photo shows detail of the wrought iron on the fence. alan doney, bendigo, wrought iron -
Bendigo Historical Society Inc.
Photograph - 159 Forest St, Bendigo
Cast Iron lace was made in foundries in most cities. There were 42 such foundries in Melbourne alone. It was cheaper to make than wrought iron. "Pig iron", iron ore, was melted in a blast furnace, mixed with alloys and then poured into moulds usually made of sand. The alloys needed a minimum of 2% carbon.A black and white photograph by Alan Doney of 159 Forest St in Bendigo. The photo shows detail of the wrought iron on the verandah. alan doney, bendigo, wrought iron -
Bendigo Historical Society Inc.
Photograph - Corner McKenzie Short
Cast iron lace was made in foundries in most cities. There were 42 such foundries in Melbourne alone. It was cheaper to make than wrought iron. "Pig iron", iron ore, was melted in a blast furnace, mixed with alloys and then poured into moulds usually made of sand. The alloys needed a minimum of 2% carbon.Black and White photos by A Doney of House on corner of Mc Kenzie and Short Street Bendigo showing lace ironwork on the balustrade.Photo A Doneyiron lace work, a doney, historical home bendigo -
Bendigo Historical Society Inc.
Photograph - Cathedral Short Street Bendigo
Cast iron lace was made in foundries in most cities. There were 42 such foundries in Melbourne alone. It was cheaper to make than wrought iron. "Pig iron", iron ore, was melted in a blast furnace, mixed with alloys and then poured into moulds usually made of sand. The alloys needed a minimum of 2% carbon.A black and white photograph by Alan Doney of Caretakers Residence Cathedral Short Street Bendigo showing detail of the wrought iron on the verandah. A Doney Bendigoalan doney, bendigo, wrought iron, balustrade -
Bendigo Historical Society Inc.
Photograph - Bench Seat Iron Lacework
Cast iron lace was made in foundries in most cities. There were 42 such factories in Melbourne alone. It was cheaper to make than wrought iron. "Pig iron", iron ore was melted in a blast furnace, mixed with alloys and then poured into moulds usually made of sand. The alloys needed a minimum of 2% carbon.Black and White photos by A Doney of bench seats one showing fern detail and the other leaves and flowers.Photo A Doneyiron lace work, a doney, bench seats -
Bendigo Historical Society Inc.
Photograph - Cnr Forest Barnard Streets Bendigo
CAst iron lace was made in foundries in most cities. There were 42 such foundries in Melbourne alone. It was cheaper to make than wrought iron. "Pig iron"' iron ore, was melted in a blast furnace, mixed with alloys and poured into moulds usually made with sand. The alloys needed a minimum of 2% carbon.Black and White photo by A Doney of Balustrade on property on the corner of Forest and Barnard Streets Bendigo.A Doney Bendigoalan doney, bendigo, wrought iron, forest street bendigo, barnard street bendigo -
Ballarat Tramway Museum
Photograph - Digital image Set of 2, Jim Seletto, Mar. 1971
Yields information about the operation of trams at night in Ballarat and the appearance of the City tram stop.Set of two Digital images of trams at the city terminus, by Jim Seletto, March 1971. 1 - Tram 32 - showing Mt Pleasant. Has a Wilkinson Sword Roof Adverts. In the background is the SEC office, illuminated and a sign for a shop with "Blast Off" .2 - Trams 31 and 32. Both photos have the short tram stop section pole in the view. trams, tramways, sturt st, city, sec street furniture, tram stops, sec showroom sturt st, tram 31, tram 32 -
RSL Victoria - Anzac House Reference Library and Memorabilia Collection
Photographs and Letters of Frederick George & Mary Jane BOXALL
George Frederick Boxall (1051 8th Battalion H Company), a miner from Bendigo, embarked from Melbourne on board Transport A24 Benalla on 19 October 1914. He returned to Australia on 8 May 1916, having suffered "shell shock" from a bomb blast on Gallipoli in September 1915.Hustlers Mine photograph inscribed on rear : "at the mouth of the shaft after the accident at Great Extended Hustlers"ww1, george frederick boxall, mary jane boxall, mary jane johnson, william henry johnson, 8th battalion, linton percy clarence rudd, allan tathorn moffat, robert carter, photographs, letters, great extended hustlers mine, shell shock -
Bendigo Historical Society Inc.
Photograph - Early Nurses Home BBH
CAst iron lace was made in foundries in most cities. There were 42 such factories in Melbourne alone. It was cheaper to make than wrought iron. "Pig iron", iron ore, was melted in a blast furnace, mixed with alloys a nd then poured into moulds usually made of sand. The alloys needed a minimum of 2% carbon.A black and white photograph by Alan Doney of Early Nurses House Lucan Street (Bendigo Base Hospital). Now incorporated in portion of present Nurses home A Doney Bendigo - Copyalan doney, bendigo, wrought iron -
Bendigo Historical Society Inc.
Photograph - Lace Iron Work
Cast iron lace was made in foundries in most cities. There were 42 such foundries in Melbourne alone. It was cheaper to make than wrought iron. "Pig iron", iron ore, was melted in a blast furnace, mixed with alloys and poured into moulds usually med from sand. The alloys needed a minimum of 2% carbon.Black and White photo by A Doney of sandblasting iron lace work on unknown property in Bendigo. Two internal photos of door and arch ways. Larger photo of balustrade with verandah pillars in backgroundA Doney Bendigoalan doney, bendigo, wrought iron -
Falls Creek Historical Society
Ski Lift Tokens, 1970s
These tokens were used at Falls Creek throughout the 1970s to ride on the chair lifts. The tokens were donated by Veikko Tanner. He owned and operated Karelia Lodge at Falls Creek during the 1970s. At that time Veikko was also area manager for the ski resort. He also worked as a "powder monkey" during the blasting of the ski runs.These tokens are significant because they represent a stage in the progression of chair lifts and technical developments at Falls Creek.2 tokens for use on the Ski Lifts at Falls Creek. The bronze token is for use on the Novice Lift and the gold metal token is for one ride on a Major lift.Both tokens - an image of a skier and "Falls Creek" Gold metal token reverse - Around edge - ALPINE DEVELOPMENTS HOLDINGS FALLS CREEK In centre - SINGLE RIDE MAJOR LIFT Brass token reverse - Around edge - ALPINE DEVELOPMENTS HOLDINGS FALLS CREEK In centre - SINGLE RIDE NOVICE LIFTfalls creek chairlifts, chair lift tokens, veikko tanner, karelia lodge, alpine development holdings pty ltd -
Bendigo Military Museum
Print - PEN & INK PRINT, FRAMED, Walsh's Portrait Printers and Enlargers, "Saving Amiens", c1918-1930
The owner was John Conrad Brown NR 706 of the 38 Bn. He was severely wounded in action (GSW to face and left arm). He returned to Australia and was pensioned off. The owner had this artwork in his house at Goornong until a storm blew the roof off. It was important to him.This is a large black and white print depicting a scene in the Amiens battle. It shows Australian and German men fighting. A small stone bridge is near the centre of the work. High explosive blasts are depicted in the picture. It is finely detailed i.e. buttons on uniforms and dovetail joints in the ammunition box. It is set in a thick card mat. Under the image is the caption. The frame is a simple heavy timber type. The rear has a paper cover but is broken away.The artist was F. Matania. (Fortunino Matania)ww1, amiens, 9 brigade, framed print -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Cape Grant Quarry, Portland, 03/08/1953
Port of Portland Authority Archives. From the Port of Portland website: Just 6km south of Portland, the Cape Grant Quarry is located on the eastern cliff of Cape Sir William Grant. This cape represents the core of a volcanic complex between two collapse calderas which underlie Nelson and Grant Bays to the west and east respectively. The Cape Grant quarry supplied an inexhaustible quantity of bluestone for the building of the new Portland harbour. The first stone was tipped at the root of the main breakwater on 17 November 1952. A small band of interested citizens were there to see the historic event. In the building, the breakwater was consolidated by the heavy traffic of Euclid’s and bulldozers and was further solidified by several storms that swept over it. Nowadays, blasting at the quarry is heavily regulated and carried out under the instructions of a qualified “powder monkey.” The days of seeing large explosions, along with the deep long loud BOOM are long gone with techniques of controlled blasting now improving overall environmental and safety standards.Front: Back- Purple PHT Stampport of portland archives, cape grant quarry, harbour development, construction