"Rangoon" Wooden three mast barque of 379 tons, built Sunderland, England, wrecked 22nd March 1870 at the mouth of Minnamurra River between Kiama and Shellharbour NSW AustraliaThe donor's grandfather was Master of the shipLamp - Candle Holder supported by brass bracket, screw cap and spring missingbarque, rangoon, lighting equipment

Tree trunk with bracket fungiWood Specimen

Container, metal, half cylinder in shape with attached lid, 2 metal brackets on sides.containers, metalcraft, military history, passchendaele barracks trust

Tin Buggy Lamp with candle. Small glass window. Bracket for attachment. Liddle Family stawell

Used over horse collar Ca1900 to attach to horse cartImported and sold by Holden and FrostSteel painted black hames with bracket hook with kangaroo imprint with leather strap and buckleKangaroo imprint on hookequine, collar, hames

Used for Velvet wall bracket decoration.2 small china cherub dolls. 1 with movable arms and legs. 1 touching toe.dolls, doll components, character dolls

Yields information about the appearance of SEC single truck trams during 1945 and a photograph of a tramcar that later ran in Bendigo. Has a strong association with Wal Jack.Black and white photograph of No. 25, at the depot, taken on 11/1/1945. Photo by Wal Jack - details on rear in his hand writing. Has part of depot building in background. Original negative scanned at hi res and image updated 1/6/2020.On rear in blue ink "No 25, Depot Ballarat / Jan 11th, 1945" and in brackets "ex MMTB".tramways, trams, depot, secv, tram 25

This Flying Angel lamp bracket was recovered from the wreck site of the steam sailing ship, "Loch Ard", which sank near Port Campbell, Victoria in 1878. It formed part of the ship's cargo. The 'flying angel' lamp was, for a time, displayed in the St Nicholas Seamen's Church at Flagstaff Hill. The design was very appropriate to the Missions to Seamen, being associated with the emblem of the 'flying angel' on the Missions' to Seamen's flag. Brief history of the Loch Ard: The vessel Loch Ard was constructed on the Clyde River in Scotland in 1873 for the prestigious Loch Line of colonial clipper ships, designed for the Australian run. She sailed from England on 1 March 1878 carrying 37 crew, 17 passengers and a diverse general cargo ranging from luxury items to bulk railway iron. On 1 June 1878, emerging from fog and hearing too late the sound of breakers against the tall limestone cliffs, the vessel struck the southern foot of Mutton Bird Island and sank in 23 metres of water. Of the fifty-four people on board only two survived, one young male crewman, Tom Pearce, and one young female passenger, Eva Carmichael. A century later, despite the pounding seas and the efforts of looters, the wreck site continued to provide ample evidence of the extraordinary range of goods being imported into the Colony of Victoria in the post-Gold Rush era. Flagstaff Hill divers in the 1970s reported finds of “Bottles of champagne, window panes, rolls of zinc, barrels of cement, iron rails, clocks, lead shot, corrugated iron, lead, marble, salad oil bottles, ink bottles, copper wire, gin bottles, rolls of carpet, floor tiles, copper rivets, gas light fittings, pocket knives, toys, crystal chandeliers, beer mugs, cutlery, candles sticks, wick scissors, cow bells, and sauce bottles.” The lamp bracket is significant for its connection with the wreck of the sailing ship, Loch Ard, in 1878. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Gas lamp, brass, single burner, wall-mounting bracket, delicately crafted. Ornate decoration features bust of an angel with up-swept wings, or 'flying angel'. Recovered from the wreck of the Loch Ard.Noneflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, lamp fitting, shipwreck artifact, 1878, shipwreck cargo, household effects, 19th century lighting, angel lamp, loch ard lamp, angelic lamp, lighting at sea, marine technology, ship's lighting, flying angel, gas lamp, maritime archaeology, port campbell

Gas lamps worked by heating something called a 'mantle' with a gas flame. The mantle then glowed brightly, lighting up the room. Lamps had either two chains, for a ceiling-mounted lamp or a tap for a wall-mounted burner to turn off the gas. These chains or taps could also adjust the flow of the gas and hence the brightness of the mantle. Before Carl Auer von Welsbach invented the gas mantle in the 1890s, all gas lights in homes and street lights had simple gas jets that pointed upwards. In the home, these lights were covered with glass globes and had an overall ornate look making the lamp ascetically pleasing and protecting the flame from being blown out. However, this arrangement was extremely inefficient: To get as much light as possible, the gas had to be turned fully up, resulting in large sheets of flame rising towards a ceiling. Also, because the lamp had to be point upwards, the illumination was directed upwards, i.e. at the ceiling rather than where it was needed. So the usable light for a given amount of gas was minimal but the invention of the gas mantle eventually changed this. It enabled gas lights to have a small flame and to direct their light downwards. The item is significant as it is part of a very ornate gas lamp wall bracket from the late 19th to early 20th century. Its provenance is currently unknown and at this time cannot be associated with a historical event, person or place and the item is assessed as a collective asset.Gas lamp wall bracket; part of a gas lamp. A single burner fancy wall mounted bracket, brass, ornate and decorative, featuring a Lamassu - figure with the body of a lion , wings of an eagle and human head. It was recovered from the wreck of the Loch ArdNoneflagstaff hill, warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, gas lamp, brass lamp, gas burner bracket, domestic artifact, gas lighting, gas lamp bracket

Slide, Allan Budge Collection: house, King Street window hoods. Note the bracketed sides.house, public, allan budge collection:, allan budge collection:

Set of two decorative candle protectors for piano brackets. Pink with gold bird and flower design.candles, candle equipment

.1) Mess tin base, metal, round shape with fold in/out metal handle & 2 metal side brackets. .2) Mess tin lid, metal, round shape with 2 u-shaped cut outs & 2 metal side brackets.military equipment, food & drink consumption, passchendaele barracks trust

Mask used for administering ether anaesthesia. This mask also has a carbon dioxide inlet tube. Carbon dioxide was found to promote deeper breather which assisted in attaining faster anaesthesia. The mask was designed by an American anaesthetist James Tayloe Gwathmey, (1863-1944). Gwathmey invented a range of anesthesia equipment. In 1904, he introduced this mask as one part of a resuscitation apparatus. Gwathmey modified an existing mask to more closely fit the contours of the face. The holes in the rim allow for oxygen to be delivered for resuscitation or for the delivery of a combination of oxygen and anaesthetic. Wire framed mask in tear shape. There is a hinged top bracket which allows for a piece of flannel or domette to secured to the mask, onto which the ether would be administered. There is an inlet tube near the hinged bracket to allow for the administration of CO2 or oxygen and the rim is pierced with holes.james tayloe gwathmey, ether, anaesthesia, anesthesiologist, carbon dioxide, oxygen

Bell, chrome coated with hard wound rope attached to gong, with a bracket used to attach bell to wall.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Stereoscopes work on the principle of viewing left and right eye images of the same image and in the process having the image appear as 3 dimensional. The have been popular since the middle of the 19th century.The Holmes version of this object was manufactured cheaply and became widely available, hence it is an object with which many people would be familiar.Wooden oval shaped with glass viewing inserts. Extension in cross shape with wire brackets either side.warrnambool, stereoscope, holmes stereoscope

Demolition of Orphanage iron frieze and brackets. It also shows the Polychrome brickwork.ballarat orphange, ballarat, victoria street, iron work, demolition

Tram Stop sign - made from silver painted metal bracket and cement sheet - stop No. 47. Two painted sections of white bakelite sheet - each with one number, bolted onto a metal bracket with a circular metal bracket and bolts to go around a pole. Numerals red - but have faded, off white background. See also item 3780 for another example of the numbers. Said to be from the tram stop outside Camberwell depot.trams, tramways, tram stops, camberwell, mmtb

Notice at cemetery 1889Wooden notice board, painted, black border, cream background, with raised black writing, stating rules of conduct of visitors to cemetery funerals. Signed by F. Hickox, Secretary, 1889. Metal angle brackets, painted black, situated top and bottom, year painted on bottom bracket."Notice is hereby given that visitors at funerals are not allowed to crowd around graves to the exclusion of mourners and friends of the deceased. This regulation will be strickly enforced by the Sexton. By Order of the trustees, Fred P. Hickox, Secretary, Janry 15th 1889"clunes cemetery, noticeboard

After an eight year international search for a complete bomb quadrant to fit the B24- Liberator fuselage it was decided to create a replica. This scale mode was used to prove the methodology.This scale model allowed us to manufacture a full size complete working replica.This replica is now installed in the B24-Liberator and completes the operational system.Quarter circle quadrant with operating levers and security bracket. Body is dark green with two red operating handles.

Part of horse harness used during World War 1 Leather and metal harness piece consisting of a leather piece with metal chain on one end and metal bracket on the other. ww1, first world war, ww one, world war 1, world war one, horse harness ww1, quick release harness ww1

The Churchill Island collection includes objects from the late 1800s. The collection is presented in sets and series, of which this wagon represents the Amess era.The horse-drawn dray was an early transport vehicle used for loads of hay or timber or related farming goods.Large wooden wagon with four steel-shod wooden wheels and a bracket at front to allow harnessing to horse or horses.farm machinery, hay, horse drawn vehicles, wagon

Belt used on horses to attach reins and strapping for use on carts and buggiesMade and sold by Holden and FrostBrown leather belt that fits around horses belly two metal rings for reins and two brackets for strappingPattern etched on front of beltleather, belt, equestrian

Research provided by Stuart Tompkins Studio, Box Hill, into alternatives for median strip street lighting to be used in Burke Road, Kew. The photographers identified variants in different suburbs appropriate to Kew's needs. The series from which the photograph is drawn provides a snapshot by a commercial photographic studio of each named vicinity in 1965 as well as providing examples of public works infrastructure being commissioned by local government in the 1960s. The photos originally formed part of the Engineering Department's files in the City of Kew before being donated to the kew Historical Society.Electricity Supply Poles, Warrigal Road, Holmesglen, 1965. Stuart Tompkins Studio provided this photograph for the Kew City Council. The photograph of Warrigal Road, north of Holmesglen looking north depicts wooden poles with bracket light fittings. These were the same as those proposed for Kew, except the lights and fittings were not to be 350 watt. Mercury lamps were preferred. [There are three copies of this photograph in the Collection.] Typed inscription on reverse: "Electricity Supply Poles. Photographed for Kew City Council 8/2/65. No.3 Warrigal Road - North of Holmesglen looking north. Wooden poles with bracket fittings same as those proposed for Kew except lights and fittings are not for 250 watt c. c. mercury lamps proposed. Wooden pole 3' up 11 3/4" dia." Studio stamp: "Stuart Tompkins Studio. 547 Station Street, Box Hill. WX1439."stuart tompkins studio, warrigal road (holmesglen) 1965, street lighting

Research provided by Stuart Tompkins Studio, Box Hill, into alternatives for median strip street lighting to be used in Burke Road, Kew. The photographers identified variants in different suburbs appropriate to Kew's needs. The series from which the photograph is drawn provides a snapshot by a commercial photographic studio of each named vicinity in 1965 as well as providing examples of public works infrastructure being commissioned by local government in the 1960s. The photos originally formed part of the Engineering Department's files in the City of Kew before being donated to the kew Historical Society.Electricity Supply Poles, Warrigal Road, Holmesglen, 1965. Stuart Tompkins Studio provided this photograph for the Kew City Council. The photograph of Warrigal Road, north of Holmesglen looking north depicts wooden poles with bracket light fittings. These were the same as those proposed for Kew, except the lights and fittings were not to be 350 watt. Mercury lamps were preferred. [There are three copies of this photograph in the Collection.] Typed inscription on reverse: "Electricity Supply Poles. Photographed for Kew City Council 8/2/65. No.3 Warrigal Road - North of Holmesglen looking north. Wooden poles with bracket fittings same as those proposed for Kew except lights and fittings are not for 250 watt c. c. mercury lamps proposed. Wooden pole 3' up 11 3/4" dia." Studio stamp: "Stuart Tompkins Studio. 547 Station Street, Box Hill. WX1439."stuart tompkins studio, warrigal road (holmesglen) 1965, street lighting

This plate was designed to slide into the brackets of a military vehicle for purpose of signifying which regiment was operating it. Square metal plate with regiment sticker. The sticker has one gold horizontal stripe between two green horizontal stripes and features an image of the English Crown above an image of a kangaroo jumping in-front of two crossed swords. brakets, vehicle plate, regiment

Pattern-hanging bracket slightly pyramid shaped object with wide base. Has square attachment both painted white. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

The kerosene lamp was one of the most common oil lamps used and was manufactured until the 1980s. This lamp is a wall-mounted model made in the likeness of a Victorian era lamp. The lamp is an example of a 19th and early 20th-century kerosene lamp that used kerosene for fuel. It has the option of being wall-mounted or used on a flat surface.Kerosene lamp with electro-plated tank and handle and shaped glass cover. The handle has holes for attachment to a wall bracket. warrnambool, shipwreck coast, flagstaff hill, flagstaff hill maritime museum, flagstaff hill maritime village, lamp, lighting, kerosene lamp, wall mounted model lamp