In 1964, Robin and Patricia Boyd spent several weeks on a world tour - Boyd took a leading role at the International Design Conference in Aspen and he also visited Chicago, Yale University, and New York’s World Fair. The Boyds then travelled on to England, Finland (especially to see Tapiola), Russia and India to see Le Corbusier's Chandigarh, and also Hong Kong and Thailand.Colour slide in a mount. Jacob Epstein's bronze statue of St Michael and the Devil (1958, unveiled in 1961), New Coventry Cathedral 1950, Coventry, England. (Architect: Jacob Epstein.)Coventry Cathedral / Epstein's bronze statue of St Michael and the Devil / Encircled 25 (Handwritten)uk, slide

The 'Black Saturday' bushfires were a series of bushfires that ignited across the Australian state of Victoria on and around Saturday, 7 February 2009. It was Australia's worst ever natural disaster. The fires occurred during extreme bushfire-weather conditions and resulted in Australia's highest ever loss of life from a bushfire: 173 people died and 414 were injured as a result of the fires.This work is by a local contemporary artist with a national and international reputation for figurative and portrait works. The 'Black Saturday' series is a powerful investigation of emotion and grief as experienced by many Nillumbik residents during the 2009 'Black Saturday' bushfires. A cluster of bronze figurines either stand alone or embrace in groups. Their expressions and gestures of despair are made more pertinent with the raw like application and surface treatment of the material used. The 'Black Saturday' series is a challenging work, but one that encourages healing, connection and empathy. Solitary male figure wrapped in a blanket, clutched to his chest and over his head. Surface treatment is textured. Metallic brown colour with base starting to turn a green patina. Sticker underside of sculpture 'WEGNER THE BLANKET AG205642'wegner, bronze, figurine, black saturday, sculpture

The 'Black Saturday' bushfires were a series of bushfires that ignited across the Australian state of Victoria on and around Saturday, 7 February 2009. It was Australia's worst ever natural disaster. The fires occurred during extreme bushfire-weather conditions and resulted in Australia's highest ever loss of life from a bushfire: 173 people died and 414 were injured as a result of the fires.This work is by a local contemporary artist with a national and international reputation for figurative and portrait works. The 'Black Saturday' series is a powerful investigation of emotion and grief as experienced by many Nillumbik residents during the 2009 'Black Saturday' bushfires. A cluster of bronze figurines either stand alone or embrace in groups. Their expressions and gestures of despair are made more pertinent with the raw like application and surface treatment of the material used. The 'Black Saturday' series is a challenging work, but one that encourages healing, connection and empathy. Solitary male figure wearing a long hooded coat clutching his hands underneath his chin in shock. Surface treatment is textured. Dark metallic brown colour. Hand carved on base, back of figure '2/6 WEGNER 10'wegner, bronze, figurine, black saturday, sculpture

The 'Black Saturday' bushfires were a series of bushfires that ignited across the Australian state of Victoria on and around Saturday, 7 February 2009. It was Australia's worst ever natural disaster. The fires occurred during extreme bushfire-weather conditions and resulted in Australia's highest ever loss of life from a bushfire: 173 people died and 414 were injured as a result of the fires.This work is by a local contemporary artist with a national and international reputation for figurative and portrait works. The 'Black Saturday' series is a powerful investigation of emotion and grief as experienced by many Nillumbik residents during the 2009 'Black Saturday' bushfires. A cluster of bronze figurines either stand alone or embrace in groups. Their expressions and gestures of despair are made more pertinent with the raw like application and surface treatment of the material used. The 'Black Saturday' series is a challenging work, but one that encourages healing, connection and empathy. Two men embrace in despair. One man throws his arms around the other man's shoulders. The other man holds the other's back. Surface treatment is textured. Dark metallic brown colour with figures starting to turn a green patina. Note stuck with tape underside of sculpture 'Savage Art Prize Peter Wegner (phone number) The Embrace 2011'wegner, bronze, figurines, black saturday, sculpture

The 'Black Saturday' bushfires were a series of bushfires that ignited across the Australian state of Victoria on and around Saturday, 7 February 2009. It was Australia's worst ever natural disaster. The fires occurred during extreme bushfire-weather conditions and resulted in Australia's highest ever loss of life from a bushfire: 173 people died and 414 were injured as a result of the fires.This work is by a local contemporary artist with a national and international reputation for figurative and portrait works. The 'Black Saturday' series is a powerful investigation of emotion and grief as experienced by many Nillumbik residents during the 2009 'Black Saturday' bushfires. A cluster of bronze figurines either stand alone or embrace in groups. Their expressions and gestures of despair are made more pertinent with the raw like application and surface treatment of the material used. The 'Black Saturday' series is a challenging work, but one that encourages healing, connection and empathy. Solitary figure sitting on rock/log with elbows resting on knees and hands on head. Face looking down in despair. Surface treatment is textured. Dark metallic brown colour with figure starting to turn a green patina.Sticker underside of sculpture 'No. 205640 (AP)'wegner, figurine, bronze, black saturday, sculpture

The 'Black Saturday' bushfires were a series of bushfires that ignited across the Australian state of Victoria on and around Saturday, 7 February 2009. It was Australia's worst ever natural disaster. The fires occurred during extreme bushfire-weather conditions and resulted in Australia's highest ever loss of life from a bushfire: 173 people died and 414 were injured as a result of the fires.This work is by a local contemporary artist with a national and international reputation for figurative and portrait works. The 'Black Saturday' series is a powerful investigation of emotion and grief as experienced by many Nillumbik residents during the 2009 'Black Saturday' bushfires. A cluster of bronze figurines either stand alone or embrace in groups. Their expressions and gestures of despair are made more pertinent with the raw like application and surface treatment of the material used. The 'Black Saturday' series is a challenging work, but one that encourages healing, connection and empathy. Three figures embrace in despair (two men, one woman). One throws his arms around the other two figures who are consoling each other in an emotional embrace. Surface treatment is textured . Metallic brown colour. 'WEGNER THE WAKE 1 AG205643'wegner, figurines, bronze, black saturday, sculpture

Cato Park Plaque. The information on the plaque states the name change from Victoria Reserve to Cato Park in 1930. Victoria Reserve was gazette in c 1914 then had a name change in 1930 to Cato park. The Park renamed after Frederick J. Cato in contribution to his generosity to the Stawell community. The plaque was unveiled on 23rd November 1982.Colour photograph of Cato Parks bronze plaque on a stone located near the Cato Park entrance gate. The plaque acknowledges the name change of the Park from Victoria to Cato Park in c 1930 and the plaque was unveiled in c 1982. stawell

Sourced from the private collection of fashion designer Lisa Ho, purchased at Moss Green auctions.A good example of the silk and metallic lame' fabrics available in the 1920s.Evening jacket of rich lame' in burnished autumn tones of gold, bronze and olive. Ruched square collar, long sleeves with turned back ruched cuffs. No openings, is worn open. Fully lined in chinoise style rayon jacquard in a cafe au lait colour - lining dates to the 1940s and probably replaced a delicate silk original lining.None

Colour photograph of the Silbury Hill, an immense Neolithic man-made mound part of the Avebury World Heritage Site. The Avebury World Heritage Site is a complex of outstanding prehistoric monuments comprising Windmill Hill (Early Neolithic enclosure and Bronze Age burial mounds); Silbury Hill; West Kennet Long Barrow; Avebury Stone Circles and West Kennet Avenue; The Sanctuary (site of stone and timber circles). It is part of National Trust and English Heritage. Visitors may walk to sites.avebury world heritage site, mound, prehistoric monuments, silbury hill, west kennet long barrow, neolithic, world heritage

Colour photograph of the Silbury Hill, an immense Neolithic man-made mound part of the Avebury World Heritage Site. The Avebury World Heritage Site is a complex of outstanding prehistoric monuments comprising Windmill Hill (Early Neolithic enclosure and Bronze Age burial mounds); Silbury Hill; West Kennet Long Barrow; Avebury Stone Circles and West Kennet Avenue; The Sanctuary (site of stone and timber circles). It is part of National Trust and English Heritage. Visitors may walk to sites.Colour photograph of rocks at Avebury World Heritage Site avebury world heritage site, prehistoric monuments, rocks

Colour photograph of the Silbury Hill, an immense Neolithic man-made mound part of the Avebury World Heritage Site. The Avebury World Heritage Site is a complex of outstanding prehistoric monuments comprising Windmill Hill (Early Neolithic enclosure and Bronze Age burial mounds); Silbury Hill; West Kennet Long Barrow; Avebury Stone Circles and West Kennet Avenue; The Sanctuary (site of stone and timber circles). It is part of National Trust and English Heritage. Visitors may walk to sites.Colour photograph of Avebury World Heritage Stte.avebury world heritage site, prehistoric monuments, rocks

Colour photograph of the Silbury Hill, an immense Neolithic man-made mound part of the Avebury World Heritage Site. The Avebury World Heritage Site is a complex of outstanding prehistoric monuments comprising Windmill Hill (Early Neolithic enclosure and Bronze Age burial mounds); Silbury Hill; West Kennet Long Barrow; Avebury Stone Circles and West Kennet Avenue; The Sanctuary (site of stone and timber circles). It is part of National Trust and English Heritage. Visitors may walk to sites.Colour photograph of Avebury World Heritage Site. avebury world heritage site, prehistoric monuments, rocks

Colour photograph of the Silbury Hill, an immense Neolithic man-made mound part of the Avebury World Heritage Site. The Avebury World Heritage Site is a complex of outstanding prehistoric monuments comprising Windmill Hill (Early Neolithic enclosure and Bronze Age burial mounds); Silbury Hill; West Kennet Long Barrow; Avebury Stone Circles and West Kennet Avenue; The Sanctuary (site of stone and timber circles). It is part of National Trust and English Heritage. Visitors may walk to sites.Colour photograph of Avebury World Heritage Site. avebury world heritage site, prehistoric monuments, rocks

Colour photograph of the Silbury Hill, an immense Neolithic man-made mound part of the Avebury World Heritage Site. The Avebury World Heritage Site is a complex of outstanding prehistoric monuments comprising Windmill Hill (Early Neolithic enclosure and Bronze Age burial mounds); Silbury Hill; West Kennet Long Barrow; Avebury Stone Circles and West Kennet Avenue; The Sanctuary (site of stone and timber circles). It is part of National Trust and English Heritage. Visitors may walk to sites.Colour photograph of Avebury World Heritage Site.avebury world heritage site, rocks, prehistoric monuments

Colour photograph of the Silbury Hill, an immense Neolithic man-made mound part of the Avebury World Heritage Site. The Avebury World Heritage Site is a complex of outstanding prehistoric monuments comprising Windmill Hill (Early Neolithic enclosure and Bronze Age burial mounds); Silbury Hill; West Kennet Long Barrow; Avebury Stone Circles and West Kennet Avenue; The Sanctuary (site of stone and timber circles). It is part of National Trust and English Heritage. Visitors may walk to sites.Colour photograph of the Avebury World Heritage Site.prehistoric monuments, avebury world heritage site, rocks

Colour photograph of the Silbury Hill, an immense Neolithic man-made mound part of the Avebury World Heritage Site. The Avebury World Heritage Site is a complex of outstanding prehistoric monuments comprising Windmill Hill (Early Neolithic enclosure and Bronze Age burial mounds); Silbury Hill; West Kennet Long Barrow; Avebury Stone Circles and West Kennet Avenue; The Sanctuary (site of stone and timber circles). It is part of National Trust and English Heritage. Visitors may walk to sites.Colour photograph of Avebury World Heritage Site. avebury world heritage site, prehistoric monuments, rocks

Devizes is a medieval market town in the centre of Wiltshire, 16 miles from Stonehenge and 8 miles from Avebury. The building of a castle in Norman times dictated the layout of the town which is still visible. It contains over 50 Heritage Plaques. There were people in Devizes locality in prehistoric times and a Roman villa once stood on The green. The Wiltshire Museum is home to one of the best Bronze Age collections in Britain and includes finds from around Stonehenge including the famous Bush Barrow gold. Some convicts that were tried at the Devizes Assizes were transported to Australia. Amongst these was John Chew, transported to Tasmania, but later his family settled in Victoria.devizes, the bear hotel, staircase, window

Devizes is a medieval market town in the centre of Wiltshire, 16 miles from Stonehenge and 8 miles from Avebury. The building of a castle in Norman times dictated the layout of the town which is still visible. It contains over 50 Heritage Plaques. There were people in Devizes locality in prehistoric times and a Roman villa once stood on The green. The Wiltshire Museum is home to one of the best Bronze Age collections in Britain and includes finds from around Stonehenge including the famous Bush Barrow gold. Some convicts that were tried at the Devizes Assizes were transported to Australia. Amongst these was John Chew, transported to Tasmania, but later his family settled in Victoria.devizes, bear hotel, staircase, window

Photograph of a bronze coin minted to celebrate the 150th anniversary of the State of Victoria.victoria 150, numismatics, anniversary

Colour photograph of a Matcham Skipper bronze sculpture of a head of a woman wearing a head scarf. Printed on reverse: 9821308 2 © Sandy Kilpatricksandy kilpatrick, matcham skipper, photograph, sculpture, female head

Colour photograph of a bronze sculpture by Matcham Skipper of a seated boy with grapes. Printed on reverse: 9821308 7 © Sandy Kilpatricksandy kilpatrick, matcham skipper, photograph, sculpture, boy

Colour photograph of a bronze sculpture by Matcham Skipper of the head of a man. Printed on reverse: 9821308 3 © Sandy Kilpatricksandy kilpatrick, photograph, matcham skipper, sculpture, male head

Members of the Victorian Blind Indoor Bias Bowls Association won 13 medals at the recent championships held in Queensland. Initially beginning as a small self-help group at the Association for the Blind, the group of Ken Gunning, Gloria Pascoe, Bill Muller, Rose Del-ZMonaco, Sally Leighton, Bill Lovett, Athol Blain, Alma Box, Pat Gaze and Frank Bartoli came way with five gold, four silver and four bronze medals. Pictured is Sally Leighton on the green.1 white page with black writing and colour photographnon-fictionneil maxwell, association for the blind, elizabeth maxwell, sally leighton

Held in Melbourne from the 22nd November to 8th December, the 1956 Summer Olympics, officially known as the Games of the XVI Olympiad or the Melbourne Olympics were the first held outside of Europe or the USA. The Olympic torch relay passed through Central Victoria on its way from Cairns to Melbourne. Faith Yvonne Leech (31 March 1941 – 14 September 2013) was born in Bendigo and won a gold medal in the 4×100–metre freestyle relay and bronze in the 100-metre freestyle at the Melbourne Games.White cotton towel with green and gold horizontal stripes with the word Australia written across centre.left top manufacturers label; Olympic Games / 1956 / Manufactured by Supertex. Verso manufacturers label; Super Tex / All Cotton Fast Colour / Made in Australiamelbourne olympics, 1956, olympic games, bendigo, faith leech, faith leech memorial swimming pool, city of greater bendigo tourism

Medals from WW1.Significant to remember previous wars and conflicts as it is from these that the qualities and attributes for future generations of soldiers (including Vietnam veterans) have been born.WW1 trio of Medals: 1st medal: 1914-15 Star: The four pointed star is bright bronze, ensigned with a crown. The obverse has crossed gladius, overlaid with an oak wreath that is ensigned with the cypher of King George V. A scroll bearing the legend 1914-15 is centrally placed across the crossed blades. 2nd Medal: The medal is circular, 36mm in diameter, silver in colour. The obverse bears an un-crowned effigy of King George V, facing left, with the inscription; ‘GEORGIVS V BRITT: OMN: REX ET IND: IMP:’ The reverse depicts St. George naked on horseback, armed with a short sword. The horse tramples on the Prussian shield and the skull and cross-bones. Just off-centre, near the right upper rim, is the Sun of Victory. The dates 1914 and 1918 appear in the left and right fields respectively. The recipient's details can be found on the medal's rim impressed in sans serif capitals - but due to the large numbers that were issued and the several suppliers that were involved this varies. The ribbon is 36mm wide with colours orange, white, black and blue. 3rd Medal: Victory Medal: The medal is bronze with a winged figure of Victory on the obverse. The obverse has the words ‘THE GREAT WAR FOR CIVILISATION’, all surrounded by a laurel wreath. The ribbon has a ‘two rainbow’ design, with the violet from each rainbow on the outside edges moving through to a central red stripe where both rainbows meet. Dimensions: rack: xxmm by yymm; medal 1: xxmm x ymm; medal 2: xxmm x ymm; medal e3: xxmm xy yymm. 1st medal: The obverse has, centrally located, a scroll reading 1914-15. 2nd medal: The obverse has the inscription; ‘GEORGIVS V BRITT: OMN: REX ET IND: IMP 3rd medal: The obverse has the words ‘THE GREAT WAR FOR CIVILISATION’.diamond valley vietnam veterans sub branch, ww1

On March 2, 1940, Sir Winston Dugan, Governor of Victoria unveiled the busts of the six first prime ministers of Australia at a ceremony on the long avenue of Horse Chestnuts. The donor, Richard Armstrong Couch, was born in Ballarat in 1868.The Prime Ministers Avenue is a feature of national significance, set in the magnificent Horse Chestnut Avenue of the Gardens. The 28 Prime Ministers of Australia are displayed as bronze portraits mounted on polished granite pedestals. The collection includes a portrait of one of the founding fathers of Federation, Alfred Deakin, who was the first Federal Member for Ballarat and the second Prime Minister.Kodachrome slide depicting the gardens during the installation of the pedestals and busts of the first six prime ministers.Kodachromeballarat botanical gardens, trees, lawns, pathways, sculptures, busts, governors, prime ministers avenue, richard armstrong couch, federation, 1940, chestnut trees, horse chestnuts, bronze, granite, pedestals, alfred deakin, sir winston dugan, wallace anderson

On March 2, 1940, Sir Winston Dugan, Governor of Victoria unveiled the busts of the six first prime ministers of Australia at a ceremony on the long avenue of Horse Chestnuts. The donor, Richard Armstrong Couch, was born in Ballarat in 1868. Edmund Barton (1849 –1920) was an Australian politician and judge who served as the first Prime Minister of Australia, in office from 1901 to 1903. He was appointed prime minister on 1 January 1901, the day on which the new federal constitution came into effect. The Prime Ministers Avenue is a feature of national significance, set in the magnificent Horse Chestnut Avenue of the Gardens. The 28 Prime Ministers of Australia are displayed as bronze portraits mounted on polished granite pedestals. The collection includes a portrait of one of the founding fathers of Federation, Alfred Deakin, who was the first Federal Member for Ballarat and the second Prime Minister.3/4 view using flash of the bronze bust and granite pedestal of Prime Minister, Edmund Barton in the Prime Ministers Avenue. A vertical scratch line is visible on the right side.Kodachromeballarat botanical gardens, trees, lawns, pathways, sculptures, busts, governors, prime ministers avenue, richard armstrong couch, federation, 1940, chestnut trees, horse chestnuts, bronze, granite, pedestals, alfred deakin, edmund barton, wallace anderson, sir winston dugan

Captain Rufus won the Bendigo Pacing Cup on the 23 January 1998, followed by Skipper Trust and Low Bronze. Captain Rufus owned by A Gannell, H Manolitis, KR Hyslop & GJ Carey, was trained and driven by Ted Demmler. Captain Rufus raced from 1996 (3yo) through to 2001 (8yo). Career: 17 wins 13 seconds 18 thirds 85 starts.Two colour photographs, one small one large in a brown, black, gold frame. At the top: Bendigo Harness Racing 23-1-98/ The Sulky Shop Bendigo Pacing Cup At the bottom: Left corner: Distance 2385 metres/ Mile rate 2.00.1 / Greg Matthews Photos - Stawell Centre: Captain Rufus (Sokys Atom - Hurricane Mark) / Skipper Trust 2nd / Low Bronze 3rd Right corner: Owned by- A Gannell, H Manolitis, KR Hyslop & GJ Carey/ Trained and driven by Ted Demmlerbendigo harness racing club, horses, race, winner, bendigo trotting club, pacing cup, driver, trainer, owner, 1998, captain rufus, ted demmler, a gannell, h manolitis, kr hyslop, gj carey, skipper trust, low bronze, te demmler, t demmler

Legacy widow Nancy Ayres won a Bronze medal at the World Masters Games in 2002 - possibly for the 50 Freestyle in 75-79 age group. She was 79 at the time. She also swam in the 100m and 200m freestyle races. According to the note it seems she was profiled in The Answer issue in December 2002. Later she went on to be part of a 4 x 50m relay team that set a world record in 2012, where the combined age of the 4 team members had to equal at least 360 years, swimming the race in 5 minutes and 45 seconds.It shows that Legacy celebrated the achievements of the widows in their care.Colour photo of Nancy Ayres.Printed on back