Built around 1841, St Ninian’s, located at 10 Miller Street, was one of Brighton’s earliest buildings. It is best known as being the home of merchant shipping agent, politician and former British naval officer, George Ward Cole between the 1840s and 1902. Following the death of George Ward Cole in 1879 and his wife in 1898, their only surviving child, Margaret, sold the property to Sir Thomas Bent, who subdivided the land in the early 1900s. The property was demolished in 1974. John C. Paul, St. Ninian's north elevation c.1841 1971, watercolour, 29.5 x 42.3 cm. Bayside City Council Art and Heritage Collection. Purchased 1974.st ninian's, brighton, historic house, george ward cole, thomas bent

Built around 1841, St Ninian’s, located at 10 Miller Street, was one of Brighton’s earliest buildings. It is best known as being the home of merchant shipping agent, politician and former British naval officer, George Ward Cole between the 1840s and 1902. Following the death of George Ward Cole in 1879 and his wife in 1898, their only surviving child, Margaret, sold the property to Sir Thomas Bent, who subdivided the land in the early 1900s. The property was demolished in 1974. John C. Paul, St. Ninian's south elevation c.1841 1971, watercolour, 29.5 x 43 cm. Bayside City Council Art and Heritage Collection. Purchased 1974.st ninian's, brighton, historic house, george ward cole, thomas bent

Built around 1841, St Ninian’s, located at 10 Miller Street, was one of Brighton’s earliest buildings. It is best known as being the home of merchant shipping agent, politician and former British naval officer, George Ward Cole between the 1840s and 1902. Following the death of George Ward Cole in 1879 and his wife in 1898, their only surviving child, Margaret, sold the property to Sir Thomas Bent, who subdivided the land in the early 1900s. The property was demolished in 1974. John C. Paul, St. Ninian's eastern courtyard c.1841 1971, watercolour, 28.5 x 40.8 cm. Bayside City Council Art and Heritage Collection. Purchased 1974.st ninian's, brighton, historic house, george ward cole, thomas bent, courtyard

wner could not obtain the necessary licence and it became a coaching House for Cobb & Co. The building was demolished in 1971.John C. Paul, Prince Albert Hotel c.1851 1973, watercolour, 28 x 40.9 cm. Bayside City Council Art and Heritage Collection. Purchased 1974.brighton, prince albert hotel, historic building, john c paul, cobb & co.

John C. Paul, House designed by architect Charles Webb c.1865 1971, watercolour, 29 x 42.2 cm. Bayside City Council Art and Heritage Collection. Purchased 1974.brighton, john c paul, charles webb, historic house

The famous Australian poet Adam Lindsay Gordon (1833-1870) lodged for seventeen months in this cottage, located at 10 Lewis Street, Brighton. He and his wife Margaret lived here from 1869 until Gordon took his life on the Brighton foreshore in June 1970. Adam Gordon Lindsay was the first Australian poet to gain considerable recognition overseas and has been credited for beginning a national school of Australian poetry. His poetry reflected his love of the bush, a sense of humour, but also his battle with depression. In addition to being a poet, Lindsay was also a skilled horseman, police officer and politician. In 1946, the cottage at 10 Lewis Street was demolished. Local poet Mr Cyril Good, an ardent admirer of Adam Lindsay Gordon, purchased the bricks from the cottage which he carefully numbered and stored for a number of decades, in the hope that it would one day be re-erected in Gordon’s honour. John C. Paul, Adam Lindsay Gordon cottage c. 1870 1973, watercolour, 27.8 x 42.3 cm. Bayside City Council Art and Heritage Collection. Purchased 1974.brighton, john c paul, historic house, adam lindsay gordon, poet, lewis street, politician

Originally built around 1869-74, the residential house Boort which was located at 266 New Street, Brighton was sold to Brighton Grammar in 1968 and was subsequently demolished in 1974.John C Paul, Boort c.1965 1975, watercolour, 27.2 x 38.3 cm. Bayside City Council Art and Heritage Collection.brighton, john c paul, historic house, boort, new street, brighton grammar

492 p. : frontispiece illustration. Orange-brown cover, decorative design in black, red and gold on front cover. Title and author's name embossed in red on cover and spine.fictionA number of wealthy characters confront personal and social dilemmas in 19th century California.fiction, geraldine bonner

Illustrated book with brown and cream cover. Title, editors name, and an illustration of a gramophone are printed in brown on the front cover. Also on the front cover is a brown and white photo of a man and woman riding camels in front of the Sphinx: Olive " airing herself around the Pyramids in lieu of pay" accompanied by Dr John Kneebone. Title is also printed in brown on the spine. On the back cover are printed extracts from the book, along with two small photographs, one is of the front of an envelope, the other is a photograph of Olive Haynes in uniform 1915non-fictionA collection of letters and diary extracts written by Olive Haynes, between 1914 and 1918. This book gives an invaluable insight into the experiences of an Australian Army nurse whose service saw her minister to casualties from some of Australia's most significant campaigns during World War Oneolive l.c.hayes, world war 1914-1918 - medical care, world war 1914-1918-hospitals, australian army nurses, nurse

Presented to Cr J K McCaskill by J C Taylor & Sons Pty Ltd.|To lay Foundation Stone of the Ringwood Town Hall 27.6.1936.Wooden handled silver trowel with engravings EPNS - Apex. On trowel: Two bands of circular cut-outs on handle. Small knob on end of handle. In a presentation box - lined with pale blue silk. +Additional Keywords: McCaskill, Cr J K / Taylor, J C & SonsPresented to Cr J K McCaskill by J C Taylor & Sons Pty Ltd.; To lay Foundation Stone of the Ringwood Town Hall 27.6.1936.

This was the first-time winning the "C" grade band competition at Tanunda, S.A. as well as representing Victoria in that competition.There were five new bands participating in the Tanunda, South Australia Band Competition in October 1928, and the Nhill Brass Band under the direction of Mr. James Davis had the honor of representing Victoria. The band participated in the competition despite there being an influenza epidemic before they left. This was the first-time winning the "C" grade competition at Tanunda,S.A. as well as representing Victoria in that competition.Photograph attached to the center of brown colored picture card, with border, title and names inscribed. Pictured are 29 members of the Nhill Brass Band with instruments, plus their manager far left and President far right, in 1928 the year the band won the "C" Grade Tanunda S.A. Band Competition.WINNERS "C" GRADE CHAMPIONSHIP. TANUNDA S.A. 1928 D. Kent, J. Turner, G. Taylor, S. Perry, T. Butterworth, F. Jenkins, G. Diwell, H. Fritch, I. Schultz. H. Harris (Manager), S. Lambert, G. Eardley, E. Westphalin, T. Brown, C. Dalitz, E. Davis, R. Goldworthy, G. Johnston, R. Schultz, J. McLachlan (President). A. Schultz, L. Wade, H. Wilson, A. Davis (Bandmaster), G. Bourdon, N. Holt, Fraser, J. McCarthy. C. Storer, L. Brooks (Secretary).nhill brass band, band competition - south australia, nhill - competition - winners - music - band, d. kent, j. turner, g. taylor, s. perry, t. butterworth, f. jenkins, g. diwell, h. fritch, i. schultz., h. harris (manager), s. lambert, g. eardley, e. westphalin, t. brown, c. dalitz, e. davis, r. goldworthy, g. johnston, r. schultz, j. mclachlan (president)., a. schultz, l. wade, h. wilson, a. davis (bandmaster), g. bourdon, n. holt, fraser, j. mccarthy., c. storer, l. brooks (secretary).

C Marks & Co were retailers and manufacturing Jewellers situated at the corner of Sturt and Lydiard Streets, Ballarat.Pocket watch by C. Marks and Co,horology, pocket watch, c. marks & co.

Opening of St. Paul's C of E Church in 1970s, with minister preaching to the audienceWritten on back of photograph, "St. Paul's opening C of E." Circa 1970

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. WHAT IS SIGNIFICANT? [From Victorian Heritage Database citation for Former Labassa Conservatory - H2005 Victorian Heritage Register http://vhd.heritage.vic.gov.au/places/result_detail/12504 (25/01/2021)] The former Labassa Conservatory is believed to have been built as part of the extensive reworking of the Labassa estate in c1890 for the new owner Alexander Robertson, proprietor of the Cobb and Co line. Robertson commissioned the architect JAB Koch to remodel the house, and Koch may have been responsible for the conservatory as well. Alternatively, the conservatory may have been imported. The gates installed at Labassa in 1890 were manufactured by the MacFarlane foundry of Glasgow, Scotland, a firm known to have manufactured conservatories. Around 1917 the glass house from 'Labassa', Caulfield was offered for sale to Malvern Council for its own gardens but the offer was declined. Following subdivision of the Labassa estate in the 1920s the conservatory was converted into a residence. The structure has a simple rectangular plan, with a brick base and superstructure of cast iron columns and roof trusses. The hipped roof is surmounted by an elaborately decorated gable structure. Most of the original glass has been replaced by metal sheeting. The decoration comprises pressed metal fascias including an egg and dart style cornice moulding, mullion mouldings and gable end panels with a rising sun motif. Cast iron ridgework and finials add to the lively roof form. Internally the floor appears to have been raised as part of the conversion work to a residence, and stained timber panelling introduced to provide room spaces. Boilers probably heated the conservatory in the colder months, but these do not survive.From Victorian Heritage Database citation for Former Labassa Conservatory - H2005 http://vhd.heritage.vic.gov.au/places/result_detail/12504 (25/01/2021) HOW IS IT SIGNIFICANT? The former Labassa Conservatory is of historical and architectural significance to the State of Victoria. WHY IS IT SIGNIFICANT? The former Labassa Conservatory is historically significant for its associations with the Labassa estate. Subdivision of the estate separated a number of outbuildings from the mansion. The former conservatory is significant as part of the large scale improvements carried out to the estate in the 1890s. The nineteenth century was the great age of conservatory designs, enabled by technological developments in heating, glazing and iron. Whilst conservatories were common in botanical gardens and universities, where they were primarily used for cultivating, studying, and experimenting with plants, they had also become an accessory of the wealthy on private estates. The former Labassa conservatory is architecturally significant as a rare example of a building type. Many Victorian mansion houses had attached conservatories, but detached conservatories were much less common. The only other detached example associated with a residence known to survive on its original site in Victoria is an earlier example at Warrock homestead, near Casterton. Conservatories attached to nineteenth century mansions are far more numerous. The Labassa example is very ornate, and its decoration draws on the versatility of pressed metal and cast iron. This highlights the dual purpose of the conservatory, as both a functional structure and a picturesque building on the Labassa estate. This building is unusual as an example converted to residential use. Page 130 of Photograph Album with one portrait photograph of Labassa's conservatory.Handwritten: "Labassa" conservatory 21 Manor Grove [top right] /130 [bottom right]bracketed eaves, caulfield north, labassa, balaclava road, orrong road, sylliott hill, alexander william robertson, ontario, john a. b. koch, john boyd watson, mouldings, 1920's, la bassa, manor grove, st kilda east, architects, john koch, greenhouses, gardens, plants, land subdivisions, gates, macfarlane foundry, brick, cast iron work, hipped roofs, gables, 1890's

5 COLOUR PHOTOGRAPHS OF THE CENTRAL PARK GATES (3) AND THE WALTER C. SIMMONS MEMORIAL7136C, D: THIS SUNDIAL PEDESTAL AND SEAT. PRESENTED TO THE PEOPLE OF STAWELL VICTORIA. A TOKEN TO THE MEMORY OF WALTER C SIMMONS. ERECTED BY HIS WIDOW AND DAUGHTERS IN THE YEAR 1931.central park