Showing 434 items
matching coastline.
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Phillip Island and District Historical Society Inc.
Photograph - Post Card, Newhaven postcard, About 1910
Postcard from Lizzie to Mrs Harry West " Moncrieff Bank", Cowes. 'Wishing you all A happy and Prosperous New Year 1910. Your loving cousin, Lizzie'Coloured postcard showing coastline, bay, jetty and buildings at Newhaven. Looking towards San RemoPhillip Island Newhaven, San Remo in the distance. Greetings from Cowes written in gold glitternewhaven, jetty, newhaven, photographs, postcards -
Glenelg Shire Council Cultural Collection
Negative - Glass Plate Negative - Coastline looking north from Cape Grant, 1890-1910
Glass plate negative. Image shows Portland coastline looking north from Cape Grant. -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1975
Also second photograph similar unknown location in Bass Strait.Colour photograph of rugged coastline in Bass Strait, taken from fishing boat Minawie. Victoriawaterways, topography, aerial photograph, islands -
Glenelg Shire Council Cultural Collection
Souvenir - Souvenir Teaspoon - Portland, n.d
Souvenir teaspoon, showing image of the port and coastline, silver plate spoon by 'Stuart', made in Australia.souvenir, portland, portland harbour -
Port Melbourne Historical & Preservation Society
Book, Graham Patterson, "Coastal guide to nature and History Port Phillip Bay", 2013
"Coastal guide to nature and History Port Phillip Bay" Book with coloured photograph of rock and coastline on cover.natural environment - beaches and foreshore, natural environment, conservation, piers and wharves - railway pier, piers and wharves - station pier, piers and wharves - princes pier, coastal, port phillip bay, centenary bridge, beacons, robert harper & co ltd, liardet family -
Churchill Island Heritage Farm
Photograph - Photograph of people walking along a sand path
Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century. This series shows more contemporary photographs taken from around Churchill Island.Photograph of a group of boys and men walking along a sand pathway beside a coastline covered with long yellow grasscatalogue number written on reverse in pencil handwritten in pencil 'farm management cross reference to 0929.1.4 as part of same set' on reverse handwritten in pen on reverse '14'photograph, churchill island -
Flagstaff Hill Maritime Museum and Village
Painting
HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29 year old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only nine in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Painting of The Loch Ard oil on board depicting wreck. It shows stormy sea and coastline in background. Ship appears to be capsized.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, painting -
Ballarat Heritage Services
Image, Natives Opposing Captain Cook's Landing
Line image of two Aborigines standing on the coastline opposing the landing of a boat from Captain Joseph Cook's vessel, 'The Endeavour'.aborigines, captain james cook, endeavour, exploration, sailing ships, ships, sydney -
Phillip Island and District Historical Society Inc.
Photograph, The Quarries, Cape Woolamai, 1925-1926
Sepia photograph of the coastline, people at the waters edge and standing on large granite blocks. Two people in a small dingy near the edge.The Quarries Cape Woolamaicape woolamai, photographs, granite quarry cape woolamai -
Warrnambool and District Historical Society Inc.
Photograph - Photographic slide Warrnambool Aquarium, 1970s
The Warrnambool aquarium was opened in 1971 and was mostly underground with three domes above ground level. It is situated near the Warrnambool breakwater and the main structure is still extant. It closed as an aquarium in 1990 and was then used by Deakin University as a research centre for a few years. The aquarium contained exhibits of marine life and shells. This slide is retained as a reminder of the Warrnambool aquarium, an important tourist attraction for over twenty years.This slide in a cardboard frame is a multi- coloured one of the Warranmbool aquarium showing the three domes and the coastline in the background. There is a wooden sign, a fence and the road in the foreground. AQUARIUM COOKED/ LIVE CRAYS SOUVENIRS BAIT MUSEUM KIOSK DOWNSTAIRS warrnambool, warrnambool aquarium -
Glenelg Shire Council Cultural Collection
Painting - Watercolour, Coast North of Portland, n.d
Watercolour, view of coastline north of Portland; off-white mount, matte black wooden frame, reflective glass, silver hanging wire on backFront: 'COAST NORTH OF PORTLAND' - hand written, black ink, bottom left hand corner 'K. Jack' (signature) bottom right hand corner Back: Black stamp 'KWD Jack P/L P.O. BOX 1, Doreen, Vic, 3754kenneth jack -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - aerial view of Portland, c. 1954
Black and white aerial photograph of coastline around Portland. Black border, scale all sides, 5 rows of 3 't' at regular intervals.Front: '607 -105' -- handwritten, white, lower border 'RUN 5' 'PORTLAND', printed, white, lower borderaerial photography, central portland, portland harbour -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - aerial view of Portland coastline, 1954
Black and white aerial photo of coastline around Portland. Black border, scale on all sides, 5 rows of 3 't', at regular intervalsFront: '607 -102' -- handwritten, white, lower border 'RUN 5' 'PORTLAND', printed, white, lower borderaerial photography, portland harbour, south west coastline -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - aerial view of Portland, c. 1954
Black and white aerial photograph of coastline around Portland. Black border, scale all sides, 5 rows of 3 't' at regular intervalsFront: '607 -101' - handwritten, white, lower border. 'Run 5' 'PORTLAND'. printed, white lower border.aerial photography, central portland, portland harbour, south west coastline -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - aerial view of Portland, c. 1954
Black and white aerial photograph of coastline around Portland. Black border, scale all sides, 5 rows of 3 't' at regular intervals.Front: '607 -104' - handwritten, white, lower border 'RUN 5' 'PORTLAND', printed, white, lower borderaerial photography, central portland, portland harbour, south west coastline -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - aerial view of Portland, c. 1954
Black and white aerial photograph of coastline around Portland. Black border, scale all sides, 5 rows of 3 't' at regular intervals.Front: '607 -103' -- handwritten, white, lower border 'RUN 5' 'PORTLAND', printed, white, lower borderaerial photography, central portland, portland harbour, south west coastline -
Victorian Aboriginal Corporation for Languages
Book, W R Hayes, The golden coast : history of the Bunurong, 1998
A history of the section of Victorian coastline from Andersons Inlet to Cape Woolamai. Includes descriptions of the impacts and consequences of European occupation on the Aboriginal people of this region.maps, colour photographs, b&w photographs, b&w illustrationsbunurong, boon wurrung, andersons inlet, cape woolamai, colonisation -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Bird E C F, The Geomorphology of the Gippsland Lakes Region, 1978
A geomorphological study of the Gippsland lakes Region Victoria with reference to the effects of the artificial entrance, settlement, erosion and salinity on the changes to the configuration of the lakes, rivers, and coastline.natural history, waterways, genealogy -
Bendigo Military Museum
Book, Don Dennis, The Guns of Musdui, 2006
Book, soft cover. Front cover has an image of jungle vegetation & coastline. Print is gold & red ink. 255 pages, illustrations & some maps.Len Burke Donated by Len Burkebooks, military, history -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Aerial photograph of coastline around Portland Victoria, c. 1954
Black and white aerial photograph of coastline around Portland. Black border, bottom edge, section of larger photo, approximately 50%, only land visible.Front: 'PORTLA' -printed, white border -
Federation University Historical Collection
Newspaper Supplement, Cook and After: A Bi-Centenary Look at Early Australia, 1970, 21/04/1970
Eight page broadsheet supplement relating to the bi-centenary of Captain James Cook sailing along the Australian coastline. It was published by the Australian on 21 April 1970.james cook, captain cook, btany bay, first fleet, alcan, francis greenway, matthew flinders, william dampier -
Orbost & District Historical Society
Animal specimen - Bone
Whales are sometimes beached on the coastline near Orbost, Marlo. Large, bowed bone flat ends with minor deterioration at tip.bones, whales, whaling trade, maritime history, gippsland coast, seafaring, h.g.wellings -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - aerial view of Portland, c. 1954
Black and white aerial photograph of coastline around Portland. Black border, scale all sides, 5 rows of 3 't' at regular intervals. All oceanFront: '784 - 156- handwritten, white, border 'RUN 7 A PORTLAND', printed, white, borderaerial photography, central portland, portland harbour, south west coastline -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Aerial photograph of coastline around Portland, Victoria, c. 1954
Black and white aerial photograph of coastline around Portland. Black border, scale all sides, 5 rows of 3 't' at regular intervals. Mostly landFront: '607 - 52 ' - handwritten, white, border 'RUN 7 ' 'PORTLAND', printed, white, border -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - aerial view of Portland, c. 1954
Black and white aerial photograph of coastline around Portland. Black border, scale all sides, 5 rows of 3 't' at regular intervals. Mostly landFront: '607 - 53 ' - handwritten, white, border 'RUN 7 ' 'PORTLAND', printed, white, borderaerial photography, central portland, portland harbour, south west coastline -
Glenelg Shire Council Cultural Collection
Print - Print - Remember 'Wren' it was like this?, 1983-1984
CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee residency 1983 and 1984Laminated screenprint with two birds (wrens) in the foreground. The birds sit on a branch with multi-coloured leaves and flowers. The background features a coastline with breaking waves and a light blue sky.Front: 5/11 (lower left)(pencil) Remember "Wren" it was like this? (lower centre)(pen) Signature (lower right) (pencil) Back: 5 -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - aerial view of Portland coast, c. 1954
Black and white aerial photograph of coastline around Portland. Black border, scale all sides, 5 rows of 3 't' at regular intervals. Ocean, land with lakesFront: '820 -8' - handwritten, white, lower border 'RUN 5' 'PORTLAND', printed, white, lower borderaerial photography, central portland, portland harbour, south west coastline -
Phillip Island and District Historical Society Inc.
Photograph, San Remo Beach, 1968/9
View of San Remo coastline 1968/69. From the Jack Jenner Collection.Horse and young rider opposite the beach at San Remolocal history, photographs, horse, horse & rider, san remo beach, black & white photograph, jack jenner collection, san remo -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - aerial view of Portland, c. 1954
Black and white aerial photograph of coastline around Portland. Black border, scale all sides, 5 rows of 3 't' at regular intervals. Ocean on left, land on rightFront: '607 - 54 ' - handwritten, white, border 'RUN 7' 'PORTLAND', printed, white, borderaerial photography, central portland, portland harbour, south west coastline -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - aerial view of Portland, c. 1954
Black and white aerial photograph of coastline around Portland. Black border, scale all sides, 5 rows of 3 't' at regular intervals. Ocean at right, land on left.Front: '820 - 7' -- handwritten, white, lower border 'RUN 5' 'PORTLAND', printed, white, lower borderaerial photography, central portland, portland harbour, south west coastline