Book. ALEC H CHISHOLM COLLECTION. 231 page paperback on how to trace your Australian Ancestry family tree by Errol Lea-Scarlett. Published in 1979 by Fontana/Collins and printed at Griffin Press Ltd. Adelaide. Front cover B & W photo of Bundarra Vicarage, NSW, in 1893. Catalogue sticker ''2169 LEA'' on spine. ''William Collins'' sticker on back cover. ISBN 0 00 635718 0.Errol Lea-Scarlettbooks, collections, genealogy, alec h chisholm collection, errol lea-scarlett, genealogy, australian ancestry

Small photograph of a weatherboard house with a tiled roof. The house has an unequal gable, a veranda at the front and part way down one side which is made into a room. It has the same roof material as the house. At the back is a large chimney just above gable height. There are some short shrubs at the side of the house and a picket fence with a girl standing in front of it. In front of the house is the horse and buggy with the family sitting in it. In the foreground is the driveway and some shrubs. Photo mounted on white card with a gold border and photographer's name faintly on the back in pink.? Baume, 5 Collins St., Melbournebuildings, house, homes, house & horse & buggy, ? baume

A portion of hand lettered cardboard with names of players was available though sometimes illegible; Terry Keenan with the help of Syd Ware determined as many names as possible.From the Woodruff family archives, Mayoral period, lasercopy of large damaged photo of Port footy team (2nd XVIII?) 1940s?families, sport, - table tennis, john william (jack) woodruff, henry h 'basher' barnes, j le clere, sydney ware, c batten, w smith, a denham, w jackson, claude plumridge, w wilson, j foden, a love, a lewis, h jacobson, a murphy, j callick, w mcguire, j collins, andrew bogdanoff, j metherall, stan plumridge, v williams, v hitchens, f davidson, e miller, p horner, m duggan, a ambler, jack irving, g menzies, e johnston

Typewritten copy labelled ''for Marunari sometime'' re View Street - the 'doctors' street', re chemists and doctors who have had their business there. Mention of: John Green, John H Atkinson, G M Dorman, A Collins, David Anderson, Oliver Penfold, Jimmy Chisholm, A W McGibbony, Don Allen. Author is given (on reverse side of page) as R.A. - the 'A' being the family name of Anderson presumably. Article prompted by ''the closure of Allen's Pharmacy last month at 33 View Street''.document, names of bendigo pioneers, john green. don allen. g. m. dorman. a collins. allens pharmancy. oliver penfold.

This was bought by Robin and Patricia Boyd. There was once another green squat one. The Boyd family think it may have Mexican origins and purchased from either Georges (Collins St, Melbourne) or Gillam Quigley (Toorak Rd, South Yarra).Yellow glass bottle. Hand blown with bubbles. Narrow neck, bulbous centre, narrows into base. Slanted opening. walsh st furnishings, robin boyd, ohm2022, ohm2022_12

Hardcover w/ Dust Jacketwalsh st library

B006 ROGERS—CORBEN.— On the 5th February, at the Wesleyan Church, Hotham-hill, by the Rev. J. F. Horsley, John J. Rogers, of Hotham, to Kate, second daughter of Isaac Corben, Esq., of Lonsdale-street, Melbourne, stone merchant. [Source: Trove - The Age, 21 Feb 1879, pg 1]BL006 and BL011 Heavy black board covered book with gilt border and text on the spine. The pages are gilt edged. The bible includes commentaries of Henry and Scott, colour plates and maps. BL006 The family register has some entries for the Royal Family. The bible has a printed label inside the front cover. BL011 has a printed label inside the front cover. BL006 "Presented to Mr and Mrs Rogers by the Trustees of the Hotham Hill Wesleyan Church on the occasion of their marriage being the first celebrated in the church 5th Feb 1879" BL011 "Presented by the trustees to Mr and Mrs F. Fletcher on their wedding day Wednesday July 14 1875 being the first marriage solemnized in the United Methodist Free Church Peel Street Ballarat with best wishes for their temporal welfare and everlasting happiness"hotham hill wesleyan church, united methodist free church peel street ballarat

The Johnstone family were connected with the Craiglea Winery in Sunbury from 1864 to 1883. It was established by James Johnston, the father of Wilfred Henry. Charles Johnston took over the winery in 1885 and in 1897 he purchased 'Kignane'. A cousin ran Craiglea until 1905A photocopy taken from an older portrait of Wilfred Henry Johnston. He has a bushy moustache and he is wearing a braid trimmed single breasted jacket without lapels.JOHNSTONE O'SHANNESSY & COMPANY LIMITED / 55 & 57 Collins Street East Melbourneo'shannassy street, craiglea winery, johnston, wilfred henry, portraits, clothing and dress, sunbury, kignane, george evans collection

Back row from L- R: Rachael Barr, George Duncan, Margaret Grant, James Burnside. Middle row from L-R: George Duncan, John Duncan, Marion Duncan nee Burnside. Front row from L-R: Helen Davenport and Lilian Duncan. The photograph was taken outside 'Glencoe' at Diggers Rest with the family dog included,.A photo of the Duncan family posed in the garden of their house with a backdrop of the verandah. The group comprised of an elderly gentleman, a middle-aged man, a middle-aged woman, 2 young women, 2 young men and 2 girls. The dress is consistent with fashion of the late 19th century. People identified as: back row (L to R): Racheal Barr, George Duncan, Margaret Grant, James Burnside. Middle row: George Duncan, John Duncan, Marion Duncan (nee Burnside). Front row: Helen Davenport, Lillian Duncan. Taken outside Glencoe - with the dog! The photo is mounted on a grey cardboard matt. There are pin holes centre top and bottom and an area with residual sticking tape stain.printed on face: "Matson and Frazer 264 Little Collins Street," Handwritten on face: "Mr Duncan and family"barr, racheal, duncan, george, grant, margaret, burnside, james, john, marion, davenport, helen, lillian, glencoe, eric boardman collection, matson and frazer, 1900s, george evans collection

The Feehan family are from Bulla.A sepia coloured photo of the Feehan family outside their weatherboard house. The family group is comprised of a man on a horse and 4 women.The photo is mounted on grey cardboard matt which is lightly foxed. There are 2 central top pin holes and an area of superficila paper loss centre top.Handwritten on face: "Feehan family" Printed on face: Matson and Frazer 264 Little Collins Street On back: Eric Boardmanfeehan family, houses, eric boardman collection, bulla, george evans collection

A close-up sepia photo of the Neil Nicholls and family. Mr Nicholls, his wife, daughter and infant are posed in a garden setting, seated in cane chairs. The dress is consistent with a date of late 19th century.The photo is mounted on a grey cardboard matt. The matt is foxed and has 2 black ink stains, 3 pin holes and an area of staining from residual sticking tape.Matson and Frazer Mr Neil Nicholls and family 264 Little Collins St Melbourne Back: Eric Boardmaneric boardman collection, nicholls, mr neil, matson and frazer, photographers, george evans collection

The Heffernan family posed outside their home. The house is a classical weatherboard surrounded by verandah. The surrounding area is very bare. The family group is comprised of a bearded gentleman, a woman, 1 young man with a bike, 3 boys and 2 young women.The photo is mounted on a grey cardboard matt. It is foxed and has 2 pin holes centre top and an area of residual staining from sticking tape centre top.Matson and Frazer HEFFERNAN FAMILY 264 Lt Collins St Heaves House High School On back: Eric Boardmaneric boardman collection, heffernan family, houses, racecourse road, macedon street, sunbury, heaves house, high school, george evans collection

Members of the Fanning family standing outside their house 'Sunnyside', in Loemans Road, Bulla. The Fannings were one of the early European families to settle in the Bulla township. A black and white mounted photograph of the Fanning family in front of a cottage with a picket fence.Printed on face: Matson and Frazer / 264 Little Collins Street Handwritten on back: Eric Boardmanmatson and frazer, photographers, eric boardman collection, fanning family, george evans collection

Eric Boardman CollectionMounted b/w photograph showing the Winter family of 2 males, 3 females and a baby. They are identified on the face of the photograph. Mary Ann Williams (Ma Williams, nee Millett) seated far right, Susan Winter standing, Irene Williams seated on floor. Males are Bill Winter and Edward Williams (no identification of which one which). See notes belowPrinted on face: "Matson and Fraser / 264 LITTLE COLLINS STREET," Handwritten on face: "Ma Williams Royal Hotel / Bill Winter, Teddy Williams, Irene Winter Moss Rusan / Mrs Hilton / Winterwinter family, williams, - (mrs), royal hotel, winter, william, bill, teddy, edward, irene, rusan, moss, hilton, george evans collection

Eric Boardman Collection The Bubeck family lived at Diggers Rest, Toolernvale Road. Felix Bubeck came to Australia with his mother, father and brother. Felix died in 1917-1918. Felix married Mary Ellen Seuling. Mary Ellen was born in 1861. Mary's father was a blacksmith at Keilor in 1858-1940. He is buried at Keilor Cemetery. Felix and Mary had five daughters: Freida, Daphne, Silvia, Violet, Vera. Bubeck on Alex Lloyd's farm. Frank O'C as a boy, delivered groceries from Eadies. (These notes taken from information supplied presumably from Mr and Mrs Hocking as per note with worksheet)Mounted b/w photograph of the Bubeck family showing 1 male and 6 females.Printed on face: "Matson and Frazer / 264 LITTLE COLLINS STREET," Handwritten on face: "Bubeck Family" Handwritten on back: "Eric Boardman"bubeck family, bubeck, felix, seuling, mary ellen, mary ellen (mrs), blacksmiths, freida, daphne, silvia, violet, vera, lloyd, alex, eadies grocery, george evans collection

Mounted b/w photograph of Rev. Goyen and his family in front of the manse at Bulla.Printed on face: Matson and Frazer / 264 LITTLE COLLINS STREETgoyen, - (rev), goyen family, bulla, george evans collection

Note by T.H. Kneen 19 November 1991, "This part of the Principal's Residence was modified to provide more bedroom accommodation for Mr McLennan's family in 1917."Black and white photograph. Corner of house with Phoenix canariensis in the foreground.On reverse, "1913 The Sear's Studios, 271 Collins Street, Melbourne."principal's residence, mr mclennan, phoenix canariensis

The plot of the play is concerned with the performance of a play "The snare" at the imaginary Woodford Theatre; a separate, small paper program for this play within a play is included with the program. The play was based on the novel "House of fear" by Wadsworth Camp and was presented at the Athenaeum Theatre by E.J. Carroll Staged by Eric Edgley (Theatrical family); advertisements show cost of living of the period - two course meal for 2 shillings and 3 pence; holiday suggestions by Government Tourist Bureau are to Mt Buffalo and Gippsland Lakes. Paper program for a play performed at the Athenaeum Theatre Saturday September 24 1927; coloured cover; 16 p. includes articles about the film, the actors and advertisementsathenaeum theatre, program, programme, the last warning, e j carroll, richard white, eric edgley, frank talbot pty ltd, thomas f fallon

The play is part of MTC's 25th anniversary season March to September 1978, directed by Mick Rodger. Ray Lawler was Deputy Director of the company. The program includes simplified family trees of the House of York (White Rose) and House of Lancaster (Red Rose).Paper program; coloured cover; 16 p. includes articles about the play and the actors.melbourne theatre company, richard iii, william shakespeare, the university of melbourne, athenaeum theatre, bruce myles, ray lawler

based on the abdication of Edward the VII and it's effect on his familyJune Salter as Queen Mary crown matrimonial, athenaeum theatre, phillip st. theatre productions, royce ryton, june salter, edward the viii, queen mary

Karl Duldig’s ceramic bowl is a particularly interesting example of Karl’s ability to creatively respond to a new environment with a fresh visual repertoire, in this case, the flowering Eucalyptus in a design reminiscent of traditional European folk art. The bowl is an excellent example of the utilitarian and decorative studio pottery produced by Karl and his wife Slawa Horowitz-Duldig between 1944 and 1960. Clay was an important medium for Karl. When he was forced to flee Austria for Switzerland, working with clay became a convenient medium; and he continued to expand his use of clay in Singapore. In Australia his work in clay extended from domestic hand-made pottery to public sculptures and architectural reliefs. In 1944 Duldig purchased a kiln, which was installed in the garage of the family’s St. Kilda flat, soon after a pottery wheel was acquired. It was the beginning of a cottage industry that supplemented the family income during the war years and beyond. Duldig initially sold his decorative ceramic wares through a local florist in St. Kilda, and subsequently through shops such as the Chez Nous French Art Shop (Howey Place) and Light and Shade (Royal Arcade), and the Primrose Pottery shop in Collins Street. The Primrose Pottery shop was an extremely important commercial outlet, and hub, for emerging artists, potters and designers from 1929 until 1974. Its proprietors Edith and Betty MacMillan worked closely with their suppliers, commissioning and taking items on consignment. In the post war period important Melbourne studio potters such as Allan Lowe, Arthur Boyd, John Perceval and Neil Douglas exhibited and sold domestic wares in the Primrose Pottery shop. The Duldigs studio pottery provides a counterpoint to the ceramics produced at Arthur Merric Boyd Pottery in Murrumbeena, which was established in 1944 by Arthur Boyd, John Perceval and Peter Herbst. The emphasis on painterly decoration was important and the AMB potters also produced simple household wares decorated with Australian flora and wildlife, for example Neil Douglas also made small bowls decorated with the fairy wrens, lyrebirds, gumnuts and eucalypts. Ann Carew 2016The Duldig Studio’s collection of ceramics has national aesthetic and historic significance. It contains a representative sample of works of art in ceramics created by Karl Duldig during his lifetime, including small sculptures, as well as functional and novelty items for the tourist market during the 1956 Melbourne Olympic Games. The artist’s working methods and the development of his practice are comprehensively demonstrated in the collection. This in-situ collection demonstrates the philosophy of the Vienna Secession and its inheritors that handcrafted, simple functional domestic wares might enrich both the lives of the maker and the user. This bowl is part of a collection of ceramics that has national historic significance in providing a rich illustration of an immigrant and artistic experience, and touching on the themes of settlement adaptation of artistic practice. The collection is also associated with places of cultural and historical significance in Melbourne such as the Primrose Pottery Shop, and the story of Australian studio ceramics in the post-war years. Ann Carew 2016Cream earthenware bowl with flowering gum motif and sponged green background.Duldig in script incised under.

Yiannoudes Family Film Memorabilia It is normally a time consuming and difficult task to accurately assess a collection’s significance to the primary criteria, however in the case of the “Yiannoudes Family Film Memorabilia” we have no hesitation of its high significance about its historic, social, rarity, interpretive, cultural and provenance to Australia, including the country side where most of this collection memorabilia visited. From January 1959 and until 1982, “Cosmopolitan Motion Pictures”, owned by Mr Peter Yannoudes (Παναγιώτης Γιαννούδης) and Mr Stathis Raftopoulos (Στάθης Ραφτόπουλος) travelled around Australia to entertain the Greek, Turkish, Indian and Yugoslav speaking population of Australia and provide a significant cinema culture. They travelled as far as Perth in WA, Adelaide in SA, Tasmania, Darwin in Nt, Canberra in ACT and Sydney and NSW. However they found themselves also in places like Berri and Renmark in NSW, where concentrations of migrants lived and thrived during the period. Initially they were travelling by train, carrying all their equipment by hand and placing them in boxes and suitcases. However after 1962 when they acquired their first automobile, travelling became less of a burden, nevertheless cumbersome and laborious. They carried with them initially two portable projectors (second one as a backup) and at times travelled with a third in order to ensure that technology will not be letting them down at the time of film projection. At times the films were projected onto a white sheet of cloth because there was no proper screen to project it on at the venue they were using. Mr P. Yiannoudes has also published a book in October 2010, titled “Greek Cinema Across Australia – Behind the Scenes”. The book was published in two languages, English and in Greek. Details about the launch can be found on the Diasporic Literature Spot website at this address (in the Greek language) http://diasporic.org/ellinika/biblia/greek-films-in-australia/. His book is devoted to those with whom he co-operated in order to bring for the first time Greek language films into Australia. Their names are: Stathis Raftopoulos, Andreas Papadopoulos, Andreas Katopodis, Theodoros Kanellopoulos, Michael Ioannou, Fotis Hatzipavlides, Kostas Vrahnas, Evaggelos Terpenos, Dionysis Lourantos, Dimitris Georgiou, Vasilis Florias and Jim Gragie. All businessmen with the right entrepreneurial spirit to be the first and to make their mark in the making of cultural Australia. Mr P. Yiannoudes a Cypriot by descent born in the town of Vouni, a village in the area of Lemesos. In Lemesos he learned the first few things about cinema which would help him in all his later life. He migrated to Australia in 1956 has been a prominent member of the Greek & Cypriot Communities in Melbourne for many decades. He has been President of the Cypriot Community, President of Federation of Cypriot Communities in Australia (for 18 years), President of SEKA (for 26 years) and highly regarded member of the Greek-Cypriots Diaspora since he also has been Vice-President of the Global Federation of Cypriots of Diaspora for 18 years. Mr P. Yiannoudes is now working on creating a small museum of these pieces in the back of the Westgarth Theatre with the help of the Plutarch Project and …. In this collection numbering hundreds of items, we will try and capture some of the glory that was the Greek film industry in Australia for 23 years between 1959 and 1982. “Cosmopolitan Motion Pictures” also owned a large number of cinemas in Melbourne, the National Theatre in Richmond, the Westgarth Theatre in Northcote (which is still owned by the Yiannoudes family today), Sun Theatre in Yarraville, Kinema in Albert Park, Empire Theatre in Brunswick, Paramount Theatre in Oakleigh, Globe Theatre in Richmond, Galaxy Theatre in Brunswick and the Cosmopolitan Theatre in Brusnwick. At the same time they were hiring other theatres for film projections. They were the Astor Theatre in St. Kilda, Victoria Theatre in Richmond, Sunshine Theatre in Sunshine. Apart from Melbourne they were using the Pantheon Theatre in Adelaide, the Norwood Town Hall in Adelaide, the Shepparton Town Hall in Shepparton, the Premier Theatre in Perth, the Rivoli Theatre in Berri and the Renmark Theatre in Renmark. The number of films shown around Australia were over 1500 in total whilst about 1218 of them were in the Greek language. Other languages shown were in Turkish (about 150 films), Yugoslavian (about 100 films), English, French, German, Swedish, Dutch language films. “Cosmopolitan Motion Pictures” was the first company to bring Swedish and Dutch films to Australia. They also showed Martial Arts films for the first time in Australia in 1975 at the Galaxy Theatre in Melbourne. However one of the most significant pieces that tell the story with places and dates is the Show Logbook. The Show Logbook has a large number of stories to tell. It is still intact and in fair condition after all these years of travelling around Australia. It is categorised with an alphabetic index on the right by film title. Greek, Indian, Turkish and Yugoslav language film titles adorn its pages alongside the place where they were first shown, the towns and cities they visited and the dates for each one. It is an extremely significant part of history of the settlement of migrants in Australia. This Log Book is of Primary Significance to the "Cosmopolitan Motion Pictures" and the Yiannoudes family film memorabilia collection. It has a Historic, Social, Provenance and Rarity significance for the settlement of migrants in Australia and the entertainment industry.This is the Log Book, manually updated and used by "Cosmopolitan Motion Pictures" for films shown in different parts of AustraliaCollins Stock Records Booklogbook, films, shown, cultural, language, greek, australia, γιαννούδης, κατάσταση, yiannoudes

Collector says: "This pair of Physician blankets was found at the Mission op shop in Blackburn South. I remember having such a lovely chat with the solo staff member there as we shared some blanket appreciation, a regular occurence when rehoming a relinquished blanket."Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Queen sized checked blanket, corn and bluePhysician Blankets/Pure Virgin Lambswool/Mothproofed/Made in Australiawool, blanket, blanket fever, physician, collins bros, geelong