The Merry Country Dance, a description and social history of colonial and old time dance and music, published by the Bush dance and music club of Bendigo and district with black & white photographs and illustrations.Peter Ellisperforming arts, elocution, bush dancing, dance, music, musical instruments.

One booklet with a tartan front cover. Also on the cover are the words, 'Official Programme. Fourteenth Annual Daylesford Highland Gathering. Saturday, 20th November, 1965. Victoria Park, Daylesford. Victorian Highland Pipe Band Championships, grades1, 2, 3. Victorian Highland & National Dancing Championships. Highland Games & Piping. Scottish Country Dancing. Massed Bands Display and Parades. Street March. Dan N. McKinnon, Organising Secretary/ Price 2/-. 40pgs. Illustrations, advertisements, photos.program, music, daylesford highland gathering, lydia chancellor, collection, event, dancing, music, bands, program, programme, victorian highland pipe band, daylesford

Cream card. Blue text. On front ' The Mayor of Bendigo and Mrs. W. Beebe, at home 3 - 5 p.m. Town Hall, Bendigo 24.11.15' In centre front elaborate assembly of countries' flags - Russia, Belgium, Montenegro, Canada, New Zealand, South Africa, Australia, Servia, Japan, Italy and France. On back of card ' Programme of music items.'bendigo, council, mayor w. beebe

Typed program for the Eaglehawk Dahlia and Arts Festival from 23rd March to Tuesday 4th April 1972. Program lists the displays and entertainment for the duration of the Festival.event, exhibition, eaglehawk dahlia & arts festival, eaglehawk dahlia and arts festival 1972 program, historical society museum, karl steinbergs puppet show, bendigo gem club, australian handicapped and disabled artists, country women’s association, sam cragg, sandhurst boys centre, spastic children's friends & parents committee, sir rohan delacombe, national dahlia society, eaglehawk y m c a all grade basket ball summer competition, game birds society, bushwackers and bullocky's bush band, eaglehawk bowling club, state services orchestra recital, alan paull, arts council of australia, chitrasana dancers from ceylon, eaglehawk croquet club, bendigo music advancement society, phillip miechel, henry wenig, margaret schofield, shirley jacobs, the german national circus, bendigo clay target club, bendigo photographic society, eaglehawk bowling club, kennel club, eaglehawk citizen's band, society of organists, bendigo field naturalists

A cream programme with black print. The front cover contains the words, ' The Sun News-Pictorial Top Town Contest 1952 Second Celebrity Concert Official Programme. All proceeds from the sale of this programme donated by The Sun go to assist your local charity.' Inside is the programme and the back cover has a biography of each of the 4 celebrities. Inside the programme is an insert with the words ' Sun Top Town Concert, Royal Princess Theatre Bendigo August 28th, 1952 Programme of Bendigo Artists.program, music, concert, lydia chancellor, collection, ephemera, event, entertainment, music, singing, top town contest, country towns

On the front of this programme is an illustration of some of the flags of countries involved in W.W. II in 1915, with the words, ' Y.W.C.A. War Pageant. Masonic Hall, Bendigo. Wednesday, December 8th, 1915. Cambridge Press.' On the inside is the programme.program, music, war, lydia chancellor, collection, world war i, event, official, civic, war, entertainment, masonic hall bendigo, programme, program

A yellow paper programme with red print. On the front cover are the words, ' Country Tour Direction--J. & N. Tait The Famous Brussels Concert Party Mdlle. Alice Viceroy--Soprano Mons. Albert Goossens From Grand Conservatoire, Brussels. Violinist Mons Arthur Baroen Winner of Gold Medal at Royal Conservatoire, Brussels. Violincello Mons. H. Penn Pianist.' On the inside is the programme with both the First Concert and the Second Concert. On the back of the programme is an advertisement for Allan's pianos. Page Bird Pty. Ltd. Printers, Melbourne. C19151915?program, music, brussels concert party, lydia chancellor, collection, ephemera, programme, program, music, singing, event, entertainment, brussels concert party

This series of photos is a snapshot of some of the subjects that were on offer to our students in the 1990s.galen catholic, galen catholic college, food technology, science, technology, textiles, students, music

In 2007, Galen Catholic College was lucky enough to have a Sundanese dancing & theatrical troupe from Indonesia perform in our stadium. This event exposed our students to Indonesian culture. Indonesian is one of the two LOTE subjects taught at Galen Catholic College. This sequence of photos showcased the various talents of the troupe. galen catholic college, galen college, sundanese dancing troupe, sundanese, indonesia, lote, 2007, puppetry, music

Many of the students that have passed through Galen through the years have been very talented. In most years, Galen has held a talent quest to showcase and foster our talented students. These photos show some of these students performing at the Wangaratta Performing Arts Centre in 2013.galen catholic college, galen college, talent quest, music, singing, choir, 2013

galen catholic college, galen college, indonesian, indonesian culture, indonesian music, 2017

galen catholic college, galen college, founder's day, 2019, music, musicians, tug of war

Galen Catholic College has been known for many years, for its Music programme. These photos were taken at one of the Galen Catholic College Band's performances. The Galen Catholic College Band has been heavily involved in the college's theatrical productions, in addition to their concert performances. galen catholic college, galen college, music, music kla, music department, music faculty, 2008

In the mid 1960' the youth of the Western world were largely preoccupied with "flower power" and the music of the Beatles. Meanwhile, in distant Indochina, young American GIs were engaged in a savage war of attrition in the jungles of a small divided country that had been a French colony.vietnam war, 1961-1975, vietnam history - august revolution, dien bien phu, ap bac, the gulf of tonkin, operation starlite, the ia drang campaign, long tan, battle of long tan, operation attleboro, operation bolo, operation junction city, rach ba rai river, khe sanh, tet offensive, hamburger hill, operation lam son 719, an loc, thanh hoa bridge

The Wangaratta Tin Kan Band, a significant part of local folklore, was formed mainly for the purpose of raining funds for the district hospital. The original drum was a discarded carbine tin, hence the band's name Tin Kan Band. The band was formed in 1914 by Syn Emery and was active until 1935. Music was important in this era for public and social functions. The instruments played were tin whistles, mouth organs, accordions, banjos, violins, guitars, drums, wash boards and anything that would make a musical sound; they often made their own instruments such as one string fiddles. Each band member had their own distinctive costume. The band members were mostly business men and shop owners who used their talents to entertain at public functions. They organized sports meetings, dances, concerts and anything that would help the hospital financially and in the depression of the 1930's; they were the mainstay that helped keep the hospital going. Very significant in local public and social functions and a part of local folk lore.The Wangaratta Tin Kan Band, a significant part of local folklore, was formed mainly for the purpose of raising funds for the district hospital. The original drum was a discarded carbine tin, hence the band's name Tin Kan Band. The band was formed in 1914 and was active until 1935. Music was important in this era for public and social functions. The instruments played were tin whistles, mouth organs, accordions, banjos, violins, guitars, drums, wash boards and anything that would make a musical sound; they often made their own instruments such as one string fiddles. Each band member had their own distinctive costume. The band members were mostly business men and shop owners who used their talents to entertain at public functions. They organized sports meetings, dances, concerts and anything that would help the hospital financially and in the depression of the 1930's; they were the mainstay that helped keep the hospital going. tin kan band syn emery music

In the mid 1960' the youth of the Western world were largely preoccupied with "flower power" and the music of the Beatles. Meanwhile, in distant Indochina, young American GIs were engaged in a savage war of attrition in the jungles of a small divided country that had been a French colony.vietnam war, dien bien phu, ap bac, the gulf of tonkin, operation starlite, the ia drang campaign, long tan, battle of long tan, operation attleboro, operation bolo, operation junction city, rach ba rai river, tet offensive, hamburger hill, operation lam son 719, an l, an loc, thanh hoa bridge

This mikiphone has an approximate manufacture date of circa 1926. It is stamped in the interior with the maker’s mark of Palliard Cie (St Croix), who partnered with the patent owners, Nicolas and Etienne Vadasz for the large scale production of the mikiphones. A Mikiphone – or Pocket Phonograph is one of the earliest versions of a portable music player. The Mikiphone was small enough to fit into a pocket for portability, and once unpacked had the ability to play 10” records. Power was supplied to the unit by a small hand crank, and sound was amplified by a small resonator. It is estimated that 100,000 to 180,000 of the units were made between 1924 and 1927. Luxury editions were also available with either a gold or silver casing. Le Corbusier is quoted as saying he could ‘see in the Mikiphone the essence of Esprit Nouveau’. The pocket gramophone is significant for historical and social reasons. It is primarily an enabler of leisure activities due to its portability and size. The design of the object is also significant as it showcases design advancements in the early part of the 20th century. The Swiss made "Mikiphone", the smallest talking machine ever placed on the market folded up to the size of a large pocket watch or small cheese case. Production stopped in 1927. A total of 180,000 were made. A few were made in a luxury version with gold or silver case for a "Pretentious clientele".Inside on dial: Mikiphone / Pocket Phonograph / Swiss made / System Vadasz. Outside: Pocket Phonograph / Mikiphone / System Vadosz / Patented in all countries.pocket phonograph, mikiphone, gramophone, pocket, music player, swiss made, switzerland

Dame Gracie Fields, DBE (born Grace Stansfield; 9 January 1898 – 27 September 1979) was an English actress, singer and comedienne and star of both cinema and music hall. When World War II was declared and whilst recovering from surgery she threw herself into her work and signed up for the Entertainments National Service Association (ENSA). Fields travelled to France to entertain the troops in the midst of air-raids, performing on the backs of open lorries and in war-torn areas. She performed many times for Allied troops, travelling as far as New Guinea, where she received an enthusiastic response from Australian personnel. In late 1945 she toured the South Pacific Islands. In 1979, seven months before her death, she was invested a Dame by Queen Elizabeth II for services to the entertainment industry.Reproduced black and white photograph of female wearing army jacket with soldiers kneeling and standing in background. Handwritten on rear - Gracie Fields in Pacificgracie fields, ww2, new guinea, 1945, south pacific islands

For almost 40 years, Michael Walsh has been working alongside Indigenous people: documenting language, music and other traditional knowledge, acting on behalf of claimants to land in the Northern Territory, and making crucial contributions to the revitalisation of Aboriginal languages in NSW. This volume, with contributions from his colleagues and students, celebrates his abiding interest in and commitment to Indigenous society with papers in two broad themes. ?Language, identity and country? addresses the often complex relations between Aboriginal social groups and countries, and linguistic identity. In ?Language, identity and social action? authors discuss the role that language plays in maintaining social identities in the realms of conversation, story-telling, music, language games, and in education. ?Language and Social Identity in Australian Indigenous Communities? will be of interest to students of linguistics, Indigenous studies, anthropology, and sociology. Contents: 1. Introduction /? Rod Gardner ... [et al.] 2. Michael Walsh : a personal reflection /? Ros Fraser 3. Place and property at Yintjingga/?Port Stewart under Aboriginal Law and Queensland Law /? Bruce Rigsby and Diane Hafner 4. Linguistic identities in the eastern Western Desert : the Tindale evidence /? Peter Sutton Juwaliny : dialectal variation and ethnolinguistic identity in the Great Sandy Desert /? Sally Dixon 6. Who were the 'Yukul'? and who are they now? /? Brett Baker 7. Colonisation and Aboriginal concepts of land tenure in the Darwin region /? Mark Harvey 8. Aboriginal languages and social groups in the Canberra region : interpreting the historical documentation /? Harold Koch 9. The Kuringgai puzzle : languages and dialects on the NSW Mid Coast /? Jim Wafer and Amanda Lissarrague 10. Dawes' Law generalised : cluster simplification in the coastal dialect of the Sydney language /? David Nash 11. Space, time and environment in Kala Lagaw Ya /? Lesley Stirling 12. Turn management in Garrwa mixed-language conversations /? Ilana Mushin and Rod Gardner 13. Laughter is the best medicine : roles for prosody in a Murriny Patha conversational narrative /? Joe Blythe 14. Collaborative narration and cross-speaker repetition in Umpila and Kuuku Ya'u /? Clair Hill 15. Co-narration of a Koko-Bera story : giants in Cape York Peninsula /? Paul BlackMaps, b&w photographs, charts, word listslanguage and identity, language maintenance, language and culture, language and country

The class of '84 – Happily Settled. "Barry Baker has been mixing wheat farming with theological studies for several years. And now from his Rupanyup farm he's moving to Cavendish. He's 48, married with three children. His wife, Helen, married a farmer, and is working through her new role as a minister's wife. Barry is looking forward to going back to the country. He found the five years of study, the first three as a private student, a pretty long drag, although he's immensely enjoyed the privilege of theological study. He considers the ministry will be very much a pastoral one. "I've go to know my people before I can preach to them," he told me. He's interested in cricket and music."B & W head & shoulders photo of Rev. Barry Baker, wearing a skivvy and jumper.C&N identification.baker, barry, theological hall graduates 1984

Alfred William Eustace (1820-1907), an Australian artist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and camped beside the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush and painted on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. He became known as the "Bush Artist." About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skilful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth. A.W. Eustace was a significant member of the Chiltern community during the 19th century and his artwork was displayed widely, even in European royal homes.Copy of sepia photograph of A.W. Eustace in a brown wooden oval frame with a copy of A.W. Eustace's signature across the bottom of the photograph.Sticker on back: 194 Sticker on back: MADE IN/ CHINA/ FABRIQUE 'AU/CHINEa.w.eustace, photograph, chiltern

Rural City of Wangaratta CollectionA still life painting of a band uniform alongside a trumpet and music stand, painted using red, blue, silver, gold, yellow, black, and white.Obverse: R SPINNER/ (bottom right corner)wangaratta art gallery, r spinner, band, still life, painting

Red Cross International Concert Program for the contribution to the 1965 Red Cross Appeal, on Saturday, 6th March 1965 at Melbourne Town Hall at 8pm. Among the many performers was Slovenian folk music band BLED playing Slovenian polkas.Red Cross logo . . . A Combination of Personal Endeavour and Public Confidence in 104 Countries . . . Chaiman Mr M. Harrison, O.B.E., J.P.slovenian association melbourne, red cross international concert program, slovenian band bled

Timetable for musical and elocutionary competitions held at Town Hall, Rutherglen on September 8, 9, 10, 11 and 12, 1913. Red paper cover."Judge: Claude Hall Esq. Melbourne" "Accompanist: Miss A. Fortune. Rutherglen"musical competitions, music, elocution competitions, elocution, rutherglen town hall

Prepared by Committee of the Rutherglen and Murray Valley Agricultural and Horticultural SocietyProgramme printed in black on once-white satin. Fringed sides. "With the compliments of the Committee of the Rutherglen and Murray Valley Agricultural and Horticultural Society" / "A Grand Concert / In Aid of the Funds of the Society / Will Be Held on Wednesday Evening, October 18th 1893 in the Town Hall Rutherglen. Accompanist: Mr. J.R. Rusden / Stage Manager Mr. C. Nash / Programme - Part 1 (and followed by full program)rutherglen & murray valley agricultural & horticultural society, music, concerts, performances