This is an arrangement put together by Effie Walsgott. It was displayed at the entrance to the Halls Gap Hall during the 1997 Wildflower Show. ** there are 2 originals of the photo (& no copies).The photo shows a floral arrangement in front of a dark green curtain. There is an "Enter" sign to the left and part of an "Exit" sign can be seen on the far right.events, wildflower show

Colour photograph. Four men on stage. Harmonica. Mouth organ. Peter Ellis dark red waistcoat. Band behind them. Red curtain.entertainment, music, bush band

The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. A partial record of performances by the company includes: 1952 Florodora, 1953 The Cingalee - San Toy or The Emperor's Own, 1954 While the Sun Shines - A Country Girl - Our Miss Gibbs, 1955 The Toreador - The Arcadians, 1956 The Maid of the Mountains - Whiteoaks - Goodnight Vienna!, 1957 A Country Girl. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of cast members, probably taken during a curtain call, in a performance of Goodnight Vienna! by The Kew Light Opera Company in 1957. Inscribed beside the photo in the scrapbook by Marion Tilley: "Joan Hutchinson".performing arts -- kew (vic.), scrapbooks, marion tilley collection, kew light opera company, kew recreation hall, musical comedy -- melbourne -- victoria

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).Part of a group of curtain furnishings which includes a curtain with original fittings, fringe and braid unpicked from other curtains, and these six curtain tie backs. The six curtain tie backs are identical, though one pair is shorter. The tie backs comprise a length of soft, loose (floss) silk cord, made of two thick strands twisted together (cable cord). An elaborate tassel is attached to the middle of each cord, to weight the tie back in an elegant loop, with the loose ends attached to hooks or pins on the window frame. Each tassel is formed of a turned wooden mould, covered with floss silk thread, and further decorated with knotted netting, applied braid, and glass beads. The end of the mould has a large flattened shape, from which hangs a ring of long, bullion metal fringe. This may be silver-gilt: untarnished parts are still true gold colour, while the majority of the fringing is tarnished black. These curtain decorations are truly luxurious; the original suite of curtains would have been very expensive, an eloquent item of conspicuous consumption of luxury goods.Attached handwritten note : "VA Th 7/6/2012 Ric Freeman (Nat Trust member) & Julie Freeman / re soft furnishings, tassels, trimmings, braid set / Jessie, Terry (and Chris St) to view, collect"decorative arts & design, interior decoration - history, curtain accessories, tassels

Ashmans Envelope, 265 Hargreaves Street Bendigo, Bendigo Vic, 3550. Sender G C Curtain, 174 Barnard St Bendigo, vic 3550.document, memo, envelope

4 page magazine of Williamstown High School with editorial by C. Curtain and P. Weate. Aslo includes student work, sports report and letters to the editors.williamstown high school, school magazine, 1944, hold fast

Stawell Urban Fire Brigade BACK ROW L-R : Ted Welsh, ern Dickens, B. Smith. ?.Brown, A.Oliver, ?, ?, C. Prosser. N. Parsons SECOND ROW L-R: J. Grainger, C. Richardson, F. Crouch, H. Chapman, Ray Maddocks, R. Ledger, ?. Dunn, K. Floyd THIRD ROW L-R: ?, ?, ?, G. Hughes, R.K. Chapman, P. Fenwick, ?, Ray Rickard, B. Thompson FRONT ROW L-R: ?, ?, ?, Reg Nicholls, L. Egginton, H. Ridgewell, T. Mills, ?, Black and white photograph of a large group of men in uniform. All have hats except for the front row. Taken in a studio that has a curtain behind the group.nonestawell

This is the sole remaining tower of the castle's curtain wall. The Coulonce's family had, in the Middle Ages, supplied several of the captains and governor's of Vire's fortified stronghold.A number of colour photographs of Colounces Tower, Vire, Francecolounces tower, vire, france, architecture

Textiles, beige lace net curtain,Rows of embroidered blue flowers and green leaves worked in net. Machine made lace net has geometric pattern of squares of diminishing sizes.6 cm border on each side of open square pattern with scalloped edges. Rod pocket casing along top. Bottom of curtain is finished with 5 cm fringing of 2 cm twisted card.textiles, domestic, curtaining

From Chapman Family AlbumSepia studio portraits Jane Phillip's right arm is resting on Chaise Lounge with bolster and tassel armchair on her left. Lizzie Stanton standing between curtain and armchair.Jane Phillips Lizzie Stanton

8 page magazine of Williamstown High School, edited by P.Weate and C. Curtain. Includes report of the combined sports meet, editorial, letters, student contributions and form notes.williamstown high school, 1944, school magazine, hold fast

Colour photograph. Two birdmen on stage. One man dressed as white bird, one man dressed as black bird. Emu Creek Bush Band. Red curtain.entertainment, theatre, people in costume

Laura Wright was the sister of Frank Wright who was a renown resident of Smeaton, where they was born. They lived at Laura Villa, and attended Smeaton State School with their siblings. Their father William was a gold miner and their mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia. Laura married Mr W.M. Ritchie and lived in BallaratBlack and white photograph of a woman standing beside a net curtained window. The sunlight illuminates the face and torso. There is a marked contrast between the light and the darkened room. The woman is Laura WrightWritten in pen on the back - Laura Wright, 2/1/24, F.W.laura wright, frank wright, cornet, conductor

These labels come from the Warrnambool Reeves Cordial Factory. John Reeves came to Warrnambool about 1900 and managed the cordial bottling plant in Banyan Street for Jim Kelly who traded under the name of the previous cordial manufacturer, J. S. Rowley. In 1931 John Reeves purchased the cordial factory in Koroit Street from the estate of John Fletcher. John Reeves’ son, Reg managed the cordial business in Koroit Street until 1946 when he took over from his father and carried on the business until his death in 1972. In 1977 Reeves’ son-in-law carried on the business under the trading name of Reeves. The building in Koroit Street that stands today was erected in 1957 when the original building was demolished. These labels are of interest because they are colourful and pleasing to the eye and because the Reeves Cordial Factory was a major business in Warrnambool for several decades in the 20th century..1 to .9 Piece of paper with curved edges with multi-coloured printing and coloured geometric decoration. .10 A piece of paper with yellow, red and white printing and images of a crown and a stage curtain. .1 Reeves’ Imitation Cordial Vanilla .2 Reeves’ Imitation Cordial Caramel .3 Reeves’ Flavoured Cordial Lime .4 Reeves’ Flavoured Cordial Chocolate .5 Reeves’ Flavoured Cordial Chillie .6 Reeves’ Flavoured Cordial Orange .7 Reeves’ Flavoured Cordial Orange & Lemon .8 Reeves’ Flavoured Cordial Fruit Cup .9 Reeves’ Flavoured Cordial Pineapple .10 Queen’s Toast Artificially Coloured Reeves Warrnambool reeves cordial factory, history of warrnambool

MAY DAVIES WAS BORN IN CLUNES IN 1888SEPIA PHOTOGRAPH OF TWO LADIES IN PERIOD DRESS. ONE SITTING HOLDING A BOOK. FRINGE ON BOTTOM OF DRESS; OTHER LADY STANDING. DARK MATERAL ON CUFFS AND REVERS. CURTAINED WINDOW IN BACKGROUND.LADY STANDING IS MAY DAVIES.local history, photographs, early citizens

Colour photograph. Two birdmen on stage. One man dressed as white bird, one man dressed as black bird. Emu Creek Bush Band. Red curtain. Peter Ellis.entertainment, theatre, people in costume

Group Portrait of Stawell Fire Brigade Members in Dress Uniform 1955 Framed: Back Row: (L to R) E. Walsh, E. Dickens, A. Smith, J. Miatke, A. Oliver, J.Hall, H. Dunn, C. Prosser, A. Parsons. Centre Row: J. Grainger, C. Richardson, F. Crouch, H. Chapman, R. Maddocks, R. Ledgar, A. Dunn, K. Floyd. Front Row: R. Phillips, S. WHelan, F.Court, G. Huse, R.Chapman, P. Fenwick, I. O'Neil, R. Rickard B.Thompson.B/W Photo: Three rows of males in dress uniforms; mix of navy and red uniforms with caps: Backrow standing in front of curtain and end wall, remaining two rows seatedStawell Fire Brigade 1955 Chapman's Studios Stawellstawell

Margaret Anderson, sixth child of Robert Anderson. Studio portrait of Margaret, arm resting on table, dressed in nurse's uniform. High cap on back of head, draped patterned curtain on right of photograph.Studio Portrait Photograph of Margaret Andersonlocal history, photography, photographs, slides, film, margaret anderson, sepia photograph, mrs emma anderson jacobs

Discussion of the history of the 'glass box', i.e. the glazed curtain wall skyscraper and its appearance and demise in Australia. Also discusses the phenomenon of multi-storey car parks, and RMIT student designs for Victoria Market.Published as "Death notice: The End of the Glass Box/Birth Notice: A New 3-D Style for a City" in 'The Australian' on 13/11/1965.Typewritten (c copy), quarto, 8 pagesaustralia square, bates, smart & mccutcheon, john a la gerche, walter gropius, ici house, mcconnel, smith and johnson, harry seidler, sydney opera house, un secretariat, bogle and banfield, peter mcintyre, robin boyd, manuscript

Included in this photograph are Phil Derby, John Zimmer, Peter Coulton and Rae Ash.This photograph is of local musicians in the latter half of the 20th century.A balck / white photograph of a band. On the right is a lady playing piano, at back is a man on drums, on left is man, seated, playing guitar and standing at front is a man playing a saxophone. There is a curtain behind them.on back is a list of namesentertainment-orbost music-orbost zimmer-john derby-phil coulton-peter ash-rae

12 page magazine. Edited by P. Weate and C. Curtain. Includes articles on school ball and social, editorial, letters, interviews, school news, student work, sport results, ex-student news.williamstown high school, 1944, school magazine, hold fast

List showing the destination blind or curtain arrangement of destinations on Geelong tramcars. Notes that it is black letters on a white material. Also lists the coloured route indicators and how they were shown on a box above the destination roll. Author unknown.Yields information about the arrangement of Geelong destination roll and the indicator lights.Typed document with handwritten notes on a quarto sheet of paper.tramways, geelong, tramcars, destination roll, destination indicators, lists

Miss Eva Carmichael is one of two survivors of the Loch Ard shipwreck.. Loch Ard was bound for Melbourne in 1878 loaded with passengers and cargo when it ran into a rocky reef at the base of Mutton Bird Island, near Port Campbell. Of the 54 crew members and passengers on board, only two survived: an apprentice, Tom Pearce and a young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. The wreck of Loch Ard still lies at the base of Mutton Bird Island and much of the cargo has been salvaged. Some was washed up into what is now known as Loch Ard Gorge following the shipwreck. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. The photograph is significant for its association with the wreck of the Loch Ard. This wreck has been protected as a Historic Shipwreck since 11 March 1982, under the Commonwealth Historic Shipwrecks Act (1976) Flagstaff Hill’s collection of artefacts from Loch Ard is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register. The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the Loch Ard. The Loch Ard collection is archaeologically significant as the remains of a large international passenger and cargo ship. The Loch Ard collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the Loch Ard, which was one of the worst and best known shipwrecks in Victoria’s history. The Loch Ard collection meets the following criteria for assessment: Criterion A: Importance to the course, or pattern, of Victoria’s cultural history. Criterion B: Possession of uncommon, rare or endangered aspects of Victoria’s cultural history. Criterion C: Potential to yield information that will contribute to an understanding of Victoria’s cultural history. Photograph of Miss Eva Carmichael sitting on a chair holding a curtain. Text below photograph is partly unreadable but gives the name of the photographic studio. A printed on the back "County of Gloucester Studio Cheltenham" with the address and other informaion.Reverse has crest that includes “PRIZE MEDALIST PARIS EXHIBIT’N 1867” Printed text “No. …………” “COUNTY OF GLOUCESTER STUDIO / 20a / PROMENADE VILLAS / CHELTENHAM” and “Autotype Prints or Permanent Porcelain enlargements can be made from this plate” flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, photograph of miss eva carmichael, eva carmichael, loch ard shipwreck, county of gloucester studio