Ashmans Envelope, 265 Hargreaves Street Bendigo, Bendigo Vic, 3550. Sender G C Curtain, 174 Barnard St Bendigo, vic 3550.document, memo, envelope

4 page magazine of Williamstown High School with editorial by C. Curtain and P. Weate. Aslo includes student work, sports report and letters to the editors.williamstown high school, school magazine, 1944, hold fast

Stawell Urban Fire Brigade BACK ROW L-R : Ted Welsh, ern Dickens, B. Smith. ?.Brown, A.Oliver, ?, ?, C. Prosser. N. Parsons SECOND ROW L-R: J. Grainger, C. Richardson, F. Crouch, H. Chapman, Ray Maddocks, R. Ledger, ?. Dunn, K. Floyd THIRD ROW L-R: ?, ?, ?, G. Hughes, R.K. Chapman, P. Fenwick, ?, Ray Rickard, B. Thompson FRONT ROW L-R: ?, ?, ?, Reg Nicholls, L. Egginton, H. Ridgewell, T. Mills, ?, Black and white photograph of a large group of men in uniform. All have hats except for the front row. Taken in a studio that has a curtain behind the group.nonestawell

Wooden signage in the grounds at the front of the church. Our Lady Help of Christians Catholic Church Eltham Parish Team: [phone number] Fr. Barry Caldwell Kath Curtain Mass TimesColour photographeltham, our lady of help christians church, catholic church, sign

Margaret Anderson, sixth child of Robert Anderson. Studio portrait of Margaret, arm resting on table, dressed in nurse's uniform. High cap on back of head, draped patterned curtain on right of photograph.Studio Portrait Photograph of Margaret Andersonlocal history, photography, photographs, slides, film, margaret anderson, sepia photograph, mrs emma anderson jacobs

Discussion of the history of the 'glass box', i.e. the glazed curtain wall skyscraper and its appearance and demise in Australia. Also discusses the phenomenon of multi-storey car parks, and RMIT student designs for Victoria Market.Published as "Death notice: The End of the Glass Box/Birth Notice: A New 3-D Style for a City" in 'The Australian' on 13/11/1965.Typewritten (c copy), quarto, 8 pagesaustralia square, bates, smart & mccutcheon, john a la gerche, walter gropius, ici house, mcconnel, smith and johnson, harry seidler, sydney opera house, un secretariat, bogle and banfield, peter mcintyre, robin boyd, manuscript

From Chapman Family AlbumSepia studio portraits Jane Phillip's right arm is resting on Chaise Lounge with bolster and tassel armchair on her left. Lizzie Stanton standing between curtain and armchair.Jane Phillips Lizzie Stanton

8 page magazine of Williamstown High School, edited by P.Weate and C. Curtain. Includes report of the combined sports meet, editorial, letters, student contributions and form notes.williamstown high school, 1944, school magazine, hold fast

Colour photograph. Two birdmen on stage. One man dressed as white bird, one man dressed as black bird. Emu Creek Bush Band. Red curtain.entertainment, theatre, people in costume

Laura Wright was the sister of Frank Wright who was a renown resident of Smeaton, where they was born. They lived at Laura Villa, and attended Smeaton State School with their siblings. Their father William was a gold miner and their mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia. Laura married Mr W.M. Ritchie and lived in BallaratBlack and white photograph of a woman standing beside a net curtained window. The sunlight illuminates the face and torso. There is a marked contrast between the light and the darkened room. The woman is Laura WrightWritten in pen on the back - Laura Wright, 2/1/24, F.W.laura wright, frank wright, cornet, conductor

List showing the destination blind or curtain arrangement of destinations on Geelong tramcars. Notes that it is black letters on a white material. Also lists the coloured route indicators and how they were shown on a box above the destination roll. Author unknown.Yields information about the arrangement of Geelong destination roll and the indicator lights.Typed document with handwritten notes on a quarto sheet of paper.tramways, geelong, tramcars, destination roll, destination indicators, lists

These labels come from the Warrnambool Reeves Cordial Factory. John Reeves came to Warrnambool about 1900 and managed the cordial bottling plant in Banyan Street for Jim Kelly who traded under the name of the previous cordial manufacturer, J. S. Rowley. In 1931 John Reeves purchased the cordial factory in Koroit Street from the estate of John Fletcher. John Reeves’ son, Reg managed the cordial business in Koroit Street until 1946 when he took over from his father and carried on the business until his death in 1972. In 1977 Reeves’ son-in-law carried on the business under the trading name of Reeves. The building in Koroit Street that stands today was erected in 1957 when the original building was demolished. These labels are of interest because they are colourful and pleasing to the eye and because the Reeves Cordial Factory was a major business in Warrnambool for several decades in the 20th century..1 to .9 Piece of paper with curved edges with multi-coloured printing and coloured geometric decoration. .10 A piece of paper with yellow, red and white printing and images of a crown and a stage curtain. .1 Reeves’ Imitation Cordial Vanilla .2 Reeves’ Imitation Cordial Caramel .3 Reeves’ Flavoured Cordial Lime .4 Reeves’ Flavoured Cordial Chocolate .5 Reeves’ Flavoured Cordial Chillie .6 Reeves’ Flavoured Cordial Orange .7 Reeves’ Flavoured Cordial Orange & Lemon .8 Reeves’ Flavoured Cordial Fruit Cup .9 Reeves’ Flavoured Cordial Pineapple .10 Queen’s Toast Artificially Coloured Reeves Warrnambool reeves cordial factory, history of warrnambool

MAY DAVIES WAS BORN IN CLUNES IN 1888SEPIA PHOTOGRAPH OF TWO LADIES IN PERIOD DRESS. ONE SITTING HOLDING A BOOK. FRINGE ON BOTTOM OF DRESS; OTHER LADY STANDING. DARK MATERAL ON CUFFS AND REVERS. CURTAINED WINDOW IN BACKGROUND.LADY STANDING IS MAY DAVIES.local history, photographs, early citizens

Colour photograph. Two birdmen on stage. One man dressed as white bird, one man dressed as black bird. Emu Creek Bush Band. Red curtain. Peter Ellis.entertainment, theatre, people in costume

Group Portrait of Stawell Fire Brigade Members in Dress Uniform 1955 Framed: Back Row: (L to R) E. Walsh, E. Dickens, A. Smith, J. Miatke, A. Oliver, J.Hall, H. Dunn, C. Prosser, A. Parsons. Centre Row: J. Grainger, C. Richardson, F. Crouch, H. Chapman, R. Maddocks, R. Ledgar, A. Dunn, K. Floyd. Front Row: R. Phillips, S. WHelan, F.Court, G. Huse, R.Chapman, P. Fenwick, I. O'Neil, R. Rickard B.Thompson.B/W Photo: Three rows of males in dress uniforms; mix of navy and red uniforms with caps: Backrow standing in front of curtain and end wall, remaining two rows seatedStawell Fire Brigade 1955 Chapman's Studios Stawellstawell

Black and white copy of original portrait of two women. The younger dark-haired lady is seated in front of lace curtained window. Next to her is an older lady standing behind a frame.mary ferguson, jean ferguson

It is not clear that this fringe was ever attached to the curtain suite; it may have come from an associated part of the original ensemble (eg pelmet) or from associated furniture. However, it is certainly connected to the fringe on the tieback tassels, whose tassels are finished with the same product. The detached gilt metal fringe has aesthetic significance as specimen of an opulent furnishing decoration in very lavish contexts, such as gold rush Victoria. Part of it still preserves the original bright gold metal, ie is untarnished; this is probably quite rare in Australian collections.Board wrapped w c.17m of heavy gilt metal fringe (known as bullion fringe) in several pieces, evidently detached from curtains, and/or furniture items. (No sign of it having been attached to the curtains). The fringe is composed of metallic thread very tightly wound over a cotton/linen thread, attached to a narrow header braid with an ornamental design worked in metallic gimp cord. The colour was originally gold, now tarnished on all parts exposed to air, but sections of the fringe under the top layers retain the luxurious gold finish. Westman (2019: 242) explains that 'gold thread' was made of gold fired onto silver bars from which thin, flat or round wires were cut to wrap around a core linen thread for use in trimmings. Shen notes that the very thin layer of gold often wears away, exposing the silver which tarnishes. Bullion fringe: fringe made of bullion, in the sense of precious metal, used for prestigious royal, ecclesiastical and military garments and furnishings. Westman (2019: 193, 240) says that by the 19thC, the name was also used for twisted thread long fringe made of wool, silk, cotton or a mix, as it is today. In this form, 'bullion fringe' became a lavish edge-trim in the early-mid-19thC wherever its vertical look could add richness to drapery. interior decoration - history

Included in this photograph are Phil Derby, John Zimmer, Peter Coulton and Rae Ash.This photograph is of local musicians in the latter half of the 20th century.A balck / white photograph of a band. On the right is a lady playing piano, at back is a man on drums, on left is man, seated, playing guitar and standing at front is a man playing a saxophone. There is a curtain behind them.on back is a list of namesentertainment-orbost music-orbost zimmer-john derby-phil coulton-peter ash-rae

Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1970s. The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period. Programme issued by The Kew Repertory Players for a performance of Curtain Up by Philip King in the Kew Recreation Hall in 1954. The 4-page programme includes a cast list, a synopsis and advertisements for local businesses.arthur dear collection, curtain up, philip king, kew repertory players, performing arts -- kew -- victoria, kew recreation hall -- wellington street, theatre memorabilia

This example of a late 1920s valance retained in the front parlour at Hymettus is a part of the period decoration and still fills its purpose of over a century ago in concealing the curtain rails. of the room. Although the house was built 1900 -1901 the room was redecorated in the late 1920s.A rare surviving example of a silk patterned and machine embroidered valance in situ since the 1920s.valance, window, parlour, hymettus, ballarat

12 page magazine. Edited by P. Weate and C. Curtain. Includes articles on school ball and social, editorial, letters, interviews, school news, student work, sport results, ex-student news.williamstown high school, 1944, school magazine, hold fast

Postcard Album of Blanche Sly. Postcards stored in Folder 81 (49 postcards). 1403.1 - 1403.28 Grey linen look cover with picture of a small sailing boat pasted centre front pf cover. Partly torn sticker on lower LH corner. Blanche Victoria SLY Born: 11 Oct 1890, daughter of William and Hannah Sly Address: 1913; Loddon Vale Address: 1980; 100 Barnard Street Bendigo Died: Bendigo 12 June 1982, buried Bendigo G3 William Sly: Born: 1856 at Smythesdale, Victoria Married in Victoria in 1887; Hannah Theilman Died: Bendigo 1937, buried Bendigo G1 Hannah Sly Nee Theilman Born: 1866 Married in Victoria in 1887; William Sly Died: Bendigo 1948, buried Bendigo G3 See additional Research .Postcard Album of Blanche Sly containing 49 postcards. See 1403 Colourful embroidery on silk of a vase of flowers, a red, white and blue shield and curtain. "Good Luck" embroidered in pink. In cardboard frame.Addressee - Dear Blanche Sender - Mannie Dated 9/9/16 somewhere abroadpostcard, collector, blanche sly

Miss Eva Carmichael is one of two survivors of the Loch Ard shipwreck.. Loch Ard was bound for Melbourne in 1878 loaded with passengers and cargo when it ran into a rocky reef at the base of Mutton Bird Island, near Port Campbell. Of the 54 crew members and passengers on board, only two survived: an apprentice, Tom Pearce and a young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. The wreck of Loch Ard still lies at the base of Mutton Bird Island and much of the cargo has been salvaged. Some was washed up into what is now known as Loch Ard Gorge following the shipwreck. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. The photograph is significant for its association with the wreck of the Loch Ard. This wreck has been protected as a Historic Shipwreck since 11 March 1982, under the Commonwealth Historic Shipwrecks Act (1976) Flagstaff Hill’s collection of artefacts from Loch Ard is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register. The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the Loch Ard. The Loch Ard collection is archaeologically significant as the remains of a large international passenger and cargo ship. The Loch Ard collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the Loch Ard, which was one of the worst and best known shipwrecks in Victoria’s history. The Loch Ard collection meets the following criteria for assessment: Criterion A: Importance to the course, or pattern, of Victoria’s cultural history. Criterion B: Possession of uncommon, rare or endangered aspects of Victoria’s cultural history. Criterion C: Potential to yield information that will contribute to an understanding of Victoria’s cultural history. Photograph of Miss Eva Carmichael sitting on a chair holding a curtain. Text below photograph is partly unreadable but gives the name of the photographic studio. A printed on the back "County of Gloucester Studio Cheltenham" with the address and other informaion.Reverse has crest that includes “PRIZE MEDALIST PARIS EXHIBIT’N 1867” Printed text “No. …………” “COUNTY OF GLOUCESTER STUDIO / 20a / PROMENADE VILLAS / CHELTENHAM” and “Autotype Prints or Permanent Porcelain enlargements can be made from this plate” flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, photograph of miss eva carmichael, eva carmichael, loch ard shipwreck, county of gloucester studio

The original photo is part of the photo library of the Mental Health Library, which late in 1999 was transferred to the Royal Melbourne Hospital. Copying of photo was by the photography department of the Royal Children's Hospital in Parkville.A Red Cross concert at Sunbury Mental Home. There are 6 rows of chairs with people seated on them. The pianist and the violinist are in the LH back corner of the hall. There are three curtained windows along the LH side and an exit door.sunbury mental hospital, caloola, sunbury asylum, sunbury hospital for the insane, medical services, red cross, george evans collection

4 page magazine of Williamstown High School 1944 school year. Contains sports results, student work. Editorial by C. Curtain and P. Weate; 'Visit to His Majesty's Australian dockyards,' by Eric Willis.hold fast, williamstown high school, 1944, school magazine

Black and white photograph identified by T.H. Kneen as 8 Burnley students among a group of students participating in the Intercollegiate Sports of the Australian Agricultural Colleges Association. Students seated and standing in a hall with a curtain behind them.students, intercollegiate sports, australian agricultural colleges association