This significant tree located near the Main Road Bridge over the Diamond Creek at Eltham dates back to approximately 1870-1880. Though dead now, its trunk has been left as a wildlife habitat.These trees are not only significant for the natural environment but also present a navigational beacon back in time as the environmental landscape is developed around them.Born Digitaleltham south, main road bridge, manna gum, significant tree

This significant tree located near the Main Road Bridge over the Diamond Creek at Eltham dates back to approximately 1870-1880. Though dead now, its trunk has been left as a wildlife habitat.These trees are not only significant for the natural environment but also present a navigational beacon back in time as the environmental landscape is developed around them.Born Digitaleltham south, main road bridge, manna gum, significant tree

This significant tree located near the Main Road Bridge over the Diamond Creek at Eltham dates back to approximately 1870-1880. Though dead now, its trunk has been left as a wildlife habitat.These trees are not only significant for the natural environment but also present a navigational beacon back in time as the environmental landscape is developed around them.Born Digitaleltham south, main road bridge, manna gum, significant tree

This significant tree located near the Main Road Bridge over the Diamond Creek at Eltham dates back to approximately 1870-1880. Though dead now, its trunk has been left as a wildlife habitat. The original timber bridge over the Diamond Creek was built around 1840. It was destroyed by floodwaters in October 1923. A temporary bridge was rigged up but further damaged in April 1924. A new concrete bridge was built and opened in October 1926. The bridge decking was widened along with Main Road to Dalton Street by the Road Construction Authority in 1984., The uygraded bridge was opened in October 1984, 78 years after its original opening.These trees are not only significant for the natural environment but also present a navigational beacon back in time as the environmental landscape is developed around them.Born Digitaleltham south, main road bridge, manna gum, significant tree

The unveiling of the Eltham Obelisk War Memorial was performed by the Rev. Padre Charles Tregear, assisted by Church of England vicar, Mr Safsford on August 3, 1919. Reproduced page 99 of "Pioneers & Painters." "Beneath a lonely pine tree on the hill crest out from Eltham, where the Greensborough Road junctions with the main Melbourne Road, Eltham has erected an everlasting tribute to the memory of the fallen heroes of the district. It is an obelisk of Harcourt granite in the rough, bearing an appropriate inscription and 27 names—an unpretentious monument by the wayside, which will stand for all time silently expressing the appreciation of the living for the sacrifice of the dead. The obelisk stands 14 feet high. ... Representatives of every house in the town, and many people from the surrounding district, gathered around the obelisk for the opening ceremony. The spring-like sunshine of the afternoon attracted everybody out of doors. There must have been 700 people present when the Lieutenant-Governor, Sir William Irvine, removed the draping of flags and revealed the names on the obelisk, the base of which was surrounded by wreaths and branches of wattle bloom, placed there by parents whose sorrow at the loss of sons was blunted, for the day at least, by feelings of pride. .." Age, Monday 4 August 1919, page 8 This was the memorial's orginal location. It has been relocated numerous times.This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image 4 x 5 inch B&W Negsepp, shire of eltham pioneers photograph collection, eltham, main road, bridge street, eltham war memorial, obelisk, obelisk corner

Black and white print on photo paper 35mm Black and white slide copy Mount - white 7 dots (Technodia Italy)george w bell collection, significant tree

Black and white photograph of dead redgum treetrunk near Fitzsimons Lane Elthamtrees, eltham, fitzsimons lane, george w bell collection

The unveiling of the Eltham Obelisk War Memorial was performed by the Rev. Padre Charles Tregear, assisted by Church of England vicar, Mr Safsford on August 3, 1919. Reproduced page 99 of "Pioneers & Painters." "Beneath a lonely pine tree on the hill crest out from Eltham, where the Greensborough Road junctions with the main Melbourne Road, Eltham has erected an everlasting tribute to the memory of the fallen heroes of the district. It is an obelisk of Harcourt granite in the rough, bearing an appropriate inscription and 27 names—an unpretentious monument by the wayside, which will stand for all time silently expressing the appreciation of the living for the sacrifice of the dead. The obelisk stands 14 feet high. ... Representatives of every house in the town, and many people from the surrounding district, gathered around the obelisk for the opening ceremony. The spring-like sunshine of the afternoon attracted everybody out of doors. There must have been 700 people present when the Lieutenant-Governor, Sir William Irvine, removed the draping of flags and revealed the names on the obelisk, the base of which was surrounded by wreaths and branches of wattle bloom, placed there by parents whose sorrow at the loss of sons was blunted, for the day at least, by feelings of pride. .." Age, Monday 4 August 1919, page 8 This was the memorial's orginal location. It has been relocated numerous times.This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image 4 x 5 inch B&W Neg Print 9 x 12.5cmsepp, shire of eltham pioneers photograph collection, eltham, main road, eltham war memorial, bridge street, obelisk, obelisk corner

Possibly produced as a postcard. Caption in lower right hand corner reads: Bridge (at) Main Road Eltham. The long wooden suspension bridge over the Diamond Creek on Main Road at Eltham collapsed during flooding of the Diamond Creek on October 13 and 14, 1923. The original bridge was built around 1840 for the coach road when Cobb & Co.'s coach was the only conveyance between Eltham and Melbourne. Widespread damage was done in Melbourne and surrounding areas by floods resulting from the overflow of the Yarra at many points along its banks. A temporary bridge rigged up was severely damaged by the flooding of the creek and was closed to vehicular traffic in April 1924. A new concrete bridge was constructed to replace it and by May 1926 all the concrete piles and abutments had been completed. The bridge was finally completed and opened for traffic in September 1926, almost three years after it initially collapsed. Viewed from Antoinette Boulevard looking northwest towards Falkiner Street. The building in the distance believed to be Souters Cottage. On the far right on the very edge of the road verge are two Eucalypt trees, one of which is believed to be the large dead trunk still standing in present day.This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image 4 x 5 inch B&W Neg Black and white print 35mm positive transparencyshire of eltham pioneers photograph collection, eltham, main road bridge, eltham south, bridge, diamond creek (creek), significant tree, souters cottage, eltham lower park, main road, sepp

Its twisted old trunk is gnarled, its disembowelled carcass plump with cement and now, like many outback legends, its cadaverously pale and very dead. It has stood, an unmolested leafy sentinel, over Barcaldine’s Railway Station depot since the 1880s. It was a living Australian Labor Party memorial and heritage-listed. The double centurion, Oak Street’s most senior resident, was respectfully nursed into its dotage by Barcaldine’s faithful. Countless thousands of travellers photographed it, patted it and peered up at its bushy green tops with dutiful reverence. ... And then, by an act of craven foul play, it was murdered. Allegedly. Cold, hard forensic science pronounced death by poisoning. Sometime around May Day 2007 they reckon. (Australian Travellor, November 25, 2007.)Photograph of Philip and Elizabeth under the Barcaldine Tree. It was in the shade of this tree the Australian workers rallied and the Australian Labor Party was formed after the ramifications of the great shearers strike in 1891.barcaldine tree, australian labor party, chatham-holmes family collection

Black and White photo of a grave next to a tree in a field with trees in the back ground. The grave is of a child Samuel C. Sutlee? Description on the back of photo 2400 414a. This grave is that of a child who died on 'Boort' Station in 1871. The inscription reads 'Sacred to the memory of Samuel C. Sutlee?, who died April 1st 1871, aged 2 years 4 months. He is not dead but sleepeth. Photo taken Oct 1962 by Peter Coutts of Boortmemorials, graveboards, boort cemetery, boort cemetery samuel c. sutlee?

Photograph of a section of Pall Mall, Sandhurst (probably westwards from Bull Street). The photo has been taken from the middle of what is now Rosalind Park. There is an arched sign approx. in the middle of the row that reads ' Rowkirk and Co. In the foreground there are a number of Straggling mature trees as well as several dead onesBatchelderplace, streetscape, pall mall, batchelder, pall mall, rowkirk and co.

Ill, maps, p.336.non-fictionOn the afternoon of 18 August 1966, just five kilometres from the main Australian Task Force base at Nui Dat, a group of Viet Cong soldiers walked into the right flank of Delta Company, 6 RAR. Under a blanket of mist and heavy monsoon rain, amid the mud and shattered rubber trees, a dispersed Company of 108 men held its ground with courage and grim determination against a three-sided attack from a force of 2,500 Viet Cong and North Vietnamese Army troops. When the battle subsided, 18 Australian soldiers lay dead and 24 had been wounded. Battlefield clearance revealed 245 enemy bodies with captured documents later confirming the count at over 500 enemy killed and 800 wounded. These men were led by a gruff and gusty perfectionist, Major Harry Smith. Now, some 47 years after the battle, Harry tells his story for the first time. But Long Tan is more than just an account of a historic battle. Harry Smith takes his readers on an extraordinary journey - one that ultimately reveals a remarkable cover-up at the highest military and political echelons. Long Tan is also Harry's life story and portrays his many personal battles, from failed marriages to commando-style killing; from a horrific parachute accident through to his modern-day struggles with bureaucracy for recognition for his soldiers. Harry's battles are tempered by his love of sailing, where he has at last found some peace. Long Tan portrays the wrenching, visceral experience of a man who has fought lifelong battles, in a story that he is only now able to tell. Harry can still hear the gunfire and smell the blood spilt at Long Tan. For him, the fight continues. Collapse summary vietnam conflict - australian involvement, vietnam war 1961-1975 – battles – long tan

The Dead Man's Penny is a commenorative medallion presented to next of kin of men and women who died during \world War One.The Bronze medallion features an image of Lady Britannia surrounded by two dolphins (representing Britain's sea power) and a lion (representing Britain) standing over a defeated eagle (symbolising Germany). Around the outer edge are the words 'He died for freedom and honour'. Next to Lady Britannia is the deceased Soldier's name, with no rank provided to show equality in their sacrifice. The Dead Man's Penny was accompanied by a letter from King George V, stating 'I join with my grateful people in sending you this memorial of a brave life given for others in the Great War'.William Hendric 3373 Enlisted 3/8/1915 Embarked ex-Brisbane on H.M.A.T "Sea Bas" 4th Pioneer Battalion A.I.F. Born 1994 Died 1st April 1918 Foster Mother: Mrs J Charlesworth, Creswick. (Cabbage Tree)The Bronze Medallion Features an image of Lady Britania surrounded by two dolphinsInscribed William Hendricww1, creswick, hendric, 4th pioneer battalion a.i.f

Ten or more cattle pulling logs to a sawmill (possibly McLaren's sawmill in Belgrave). The land around the track is cleared and it is heavily treed in the background. There is dead timber lying around and the land looks dry. c.1920.

Black and White photograph showing 3 men who have been cutting hay. Handwritten in white on the lower edge of the photo is: 'Breen Bros cutting hay 3 ton to the acre with a Deering at Holly Hill, Ferny Creek, 15-1-16.' and '85.' Photo shows a 3 horse team harnessed to a wagon. A man sits on hay on the wagon. He is loosely holding a whip. Beside him are a man and a boy who stand between sheaves of hay. All three are wearing trousers, waistcoats and shirts with sleeves rolled up. The men are wearing hats and the boy is wearing a flat cap. Where they are standing there is hay stubble. Beyond the horse team the crop is still standing 3 trees are in the background. They appear to be dead. 'Breen Bros cutting hay 3 ton to the acre with a Deering at Holly Hill, Ferny Creek, 15-1-16.' and '85' are written in white on the original photo.

B&W photo shows siblings Percy and Cissie (Minnie Agnes) Johns on the verandah of their home, Glen Park Farm, Selby. Percy looks in his early teens, making the photo around 1910 or later. He is wearing a long-sleeved pale shirt, long dark trousers tucked into knee-high boots, and possibly a dark hat. Cissie is wearing a pale, knee-length dress, dark stockings, and a pale, wide-brimmed hat. She is aged about 10. A medium sized dark dog sits at Percy's feet. The house is an L-shaped weatherboard with two gables at right-angles and a verandah with a bullnosed roof, ornate support posts, and a striped end piece from the roof. Wooden steps lead down from side. There is a large brick chimney where the two wings meet, and a metal water tank to the side. There are large trees, both in leaf and dead, plus some flowers near the verandah.

In 1871, Victoria Park, beside the Boroondara General Cemetery was set aside as a public reserve. As the Park developed, exotic plants were added to existing specimens. In 1910, a photograph of ‘The Oldest Inhabitant: A Giant Red-gum Tree’ in the Park was included in the Jubilee History of Kew. Fifty-one years later the tree was re-photographed by Colin Campbell. A 2007 Master Plan developed for the City of Boroondara advises the retention of this now dead River Red Gum, including a ‘managed risk zone’ and planting under the heavily lopped tree.This work forms part of the collection assembled by the historian Dorothy Rogers (1905-1973), donated to the Kew Historical Society by her son in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian from the 1960s to the 1970s. Small monochrome snapshot of the former giant River Red Gum that until it died was a major feature of Victoria Park, Kew. In the background is the red brick wall of the Boroondara General (Kew) Cemetery.Annotation verso: "Giant Red Gum. Victoria Park. Still there over 100 yrs old"dorothy rogers, victoria park (kew), river red gums

In 1871, Victoria Park, beside the Boroondara General Cemetery was set aside as a public reserve. As the Park developed, exotic plants were added to existing specimens. In 1910, a photograph of ‘The Oldest Inhabitant: A Giant Red-gum Tree’ in the Park was included in the Jubilee History of Kew. Fifty-one years later the tree was re-photographed by Colin Campbell. A 2007 Master Plan developed for the City of Boroondara advises the retention of this now dead River Red Gum, including a ‘managed risk zone’ and planting under the heavily lopped tree.‘The Old Gum Tree’ in Victoria Park. In the distance a game of cricket is being played on the oval. The old grandstand can be seen in the photo. Photographer Colin Campbell 1961. THE OLD GUM TREE / COLIN CAMPBELL KEW 1961victoria park (kew), colin campbell (photographer), victoria park, red gum tree, eucalypts, kew (vic.) -- historic trees

Esso Collection of Australian Art. Donated by Esso Australia Pty Ltd, 2018Oil on composition boardgippsland, artwork, permanent collection

Joel Joel War Memorial (World War 1) with wreath pipe railing and row of trees in background. Black scratch on left of image.World war 1 memorialB/W. Photograph: of a sone plinth mounted on a three tiered base with fow ston coloumns connected by round steel bars. the is a wreath at the base with hte Army rising Sun.the Army rising Sun symbol. Joel Joel TO THE HONOR OF LIVING AN DTHE EVERLASTING GLORY OF THE DEAD WHO FOUGHT IN THE GREAT WAR. 1914 - 1919 FAITHFUL UNTIL DEATH J FRAMPTON, W.T. HALL, R. MOORE, C. McCOLLOUGH, C. MORPHETT, J. HICKEY, J ORMSTON. C.W ORMSTON, J CLARKE.shire, world war 1, ww1

Balang [John MAWURNDJUL] (1952 - ) Born Mumeka, Northern Territory Country: Milmilngkan, West Arnham Land, Northern Territory Clan: Na-Kurulk Language Group: Kunwinjku Location: Milmilngkan John Mawurndjul is an Australian indigenous artist. He is a member of the Kuninjku people of West Arnhem Land, Northern Territory. Growing up John had only occasional contact with non-indigenous people and culture. He was tutored in rarrk, a traditional painting technique using fine cross hatching and infill, working on small barks. During the 1980s he started producing larger and more complex works. The artist has painted 'Wayarra', a generic term which can include both malevolent spirit beings which continually inhabit certain sites or objects but can also mean the Spirit of a recently deceased person. These spirits are one of two spirits of the dead, the other being the 'Kun-malng' soul. The 'Wayarra' is the shadow or 'shade' of the dead and may take on the form of the deceased and haunt areas where the deceased recently inhabited. In order to prevent Wayarra spirits from harassing relative of the recently deceased, a smoking ceremont is performed where Ironwood leaves are burnt around the camp of the recently deceased and ochre is rubbed on all objects belonging to the deceased. Ochre may also be rubbed on vehicles, houses and trees. Some Wayarra are a particular Dreaming totem for people of certain clans. This is why many artists depict Wayarra in their bark paintings and sculptures. They are depicting clan totems particular to their lineage and which are celebrated in major regional patrimoiety ceremonies. In 1989 the work of John Mawurndjul was included in the landmark exhibition "Magiciens de la Terra' at the Centre Pompidou and Grande Halle de la Vilette in Paris, France. His works have also been exhibited in numerous solo and group exhibitions in Australia, New York, Paris and Japan. Mawurndjul is one of eight artists whose work in part of the largest inernational commission of contemporary Indigenous art from Australia at the Musee du Quai Branly, Paris. The work was exhibited in the Australian survey "John Mawurndjul: I Am The Old And The New", at the Museum of Contemporary Art, one of the 160-odd works all chosen by Mawurndjul for inclusion in the exhibition. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.This artwork was chosen by John Murwurndjul as on of around 160 works for exhibition in the 2018 Australian Survey of his work at the Museum of Contemporary Art. The artist is known for his rarrk work, which is evident in 'Female Wayarra Spirit'.Aboriginal bark painting featurung rarrk. The artwork is associated with Dilebang, a duwa moiety place that belongs to the Kurulk clan. This work is currently on loan for exhibition in 'John Mawurndjul: I am the old and the new'. The exhibition will be shown at the Museum of Contemporary Art Australia (Sydney) from 6 July – 23 September 2018, and the Art Gallery of South Australia, Adelaide from 26 October 2018 – 28 January 2019.art, artwork, john mawurndjul, aboriginal, bark painting, rarrk, wayarra, kuninjku, maningrida, loan

An unsuccessful attempt was made to set up a silkworm industry at Mt Alexander, to be an occupation for ladies of the district as well as to introduce the silk industry to Victoria. An attempt by women to enter the business world was beaten by difficulties: (1). Road access to the property (2). Heavy frost damage to mulberry plants. (3). Disease of silkworms. (4). Lack of quantity of leaves. (5) drought and rabbits. Experiments proved silk harvested and woven was superior to overseas products, but the venture was defeated by the climate and the surviving trees were relocated to Corowa NSWA relic of the far-sighted venture by the Victorian Ladies Sericulture Co, promoted by the charismatic Mrs Bladen Neill , who was anxious to generate employment opportunities for women..A dead branch from a mulberry tree grown at Sericulture Farm, Mt Alexander, in the early 1870s. This long limb's bark has cracked with age, forming a pattern of brown cracks. Remnants of smaller branch axilla are clearly visible. An inscription on paper is pasted around the branchTyped: "Part of a limb of a mulberry tree from the Sericulture Farm on Mt Alexander which was started by Mrs Bladen-Neill in early 1870s, finally closing in 1878. Mrs Bladen-Neill died in September 1884 at the residence of Dr Barker, Melbourne" "Courtesy of Keith Henderson, Harcourt"

A party of surveyors camped by Yuille's Swamp (later Lake Wendouree) and surveyed the countryside for a map to be produced by the Geological Survey of Victoria. In November 2004 the Central Highlands Regional Library presented a special edition of 200 copies of the 1861 map reproduced from a copy in their collection. Original 1861 map of Ballarat showing streets and leads. Blue dots indicate gold leads, and red lines indicate auriferous quartz reef and outcrops of quartz veins."Compiled & Drawn from the Survey of Mining Surveyors Davidson, Fitzpatrick and Cowan & the Plans in the Surveyor General's Office by J. Brahe, 21st October 1861. R. Brough Smyth, Secretary for Mines. The Honourable J.B. Humffray, M.L.A. Commr of Mines.”ballarat, map, ballarat east, lake wendouree, survey, mines, robert davidson, ballarat gold field 1861, yuille's swamp, wendouree swamp, little bendigo diggings, gold leads, old post office hill, specimen hill, bakery hill, black hill, dead horse creek, brown hill, pennyweight hill, clayton hill, soldiers hill, golden point, gum tree flat, white flat, poverty hill, chinese village, robert brough smyth, ballarat map 1861, ballaarat vineyard, dead horse gully, deadhorse creek, invermay, black hill flat, gaelic church, police reserve, magpie range, dalton's flat, caadian lead, rifle butts, powder magazine, bathing house, government camp, gold office, chinese, llanberrris, victoria theatre, charlie napier hotel, united states hotel, grape's hoel, clayton's hill, cattleyard hill, free trade hotel, esmond lead, bakery hill, black hill lead, juvenile reformatory, ballarat orphanage, lady barkly lead, triffet's slaughter yard, little bendigo, melbourne road, t. cowan, thomas cowan

A black and white photograph of Cpl Ian Torrens 1 Platoon, A Company, 8 RAR on Operation Atherton, 11 miles North West of the Australian Task force Base at Nui Dat, climbs a tree to direct US Dustoff helicopter for the casavac extration of wounded. Casualties were one dead and forteen wounded.photograph, cpl ian torrens, 1 platoon, a coy, 8 rar, operation atherton, dustoff, gibbons collection catalogue, 1 atf base, nui dat

CEMA Art Collection Winner of 1962 Portland Artists' Society Prize for the category Painting. Included in the 1999 "Salvage" Exhibition at CEMA Arts Centre.The painting depicts several trees on a multi-coloured ground with mountains in the background. The trees in the foreground are linear and completed in shades of browns and pinks. The work has a white, gold and blue hand-painted frame with exposed canvas.Front: Werther '62 (bottom right, brown paint) Back: PORTLAND "DEAD WATTLES" 40 GNS FRANK WERTHER COTTLES BRIDGE VIC per MAYNE NICKLESS (white chalk) Red sticker: 32 Yellow sticker: 1962cema, portland artists society

Black and white photographs - 2 copiesPrinted directly below photographs, "1. overturned engine and tender at the 'dead end' which was carried away. The X indicates position of fireman McKeone when rescued. 2. View from the road. Railway accident at Ringwood". Typed below photograph, "Ringwood derailment 1902 at Wantirna Rd. underpass looking north. Maroondah Highway near trees beyond underpass". Date incorrect, should be 11 Feb 1908 (as per item 2019) - refer to The Argus article published on Wednesday 12 February 1908, page 7. Thanks to railway enthusiast Neal Glover for pointing out the error.