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Merri-bek City CouncilGiclee print, Rennie Ellis, Fan escorted by policeman, Jolimont 1974, 1974
Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action. -
Merri-bek City CouncilC-type print, Rennie Ellis, Man standing with table of football fans’ merchandise c.1986, c. 1986
Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action.Donated by the Rennie Ellis Photographic Archive -
Merri-bek City CouncilC-type print, Rennie Ellis, Kids on MCG after VFL game 1980s, c. 1980
Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action.Donated by the Rennie Ellis Photographic Archive -
Merri-bek City CouncilC-type print, Rennie Ellis, Richmond teddy mascot in a car 1982, 1982
Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action.Donated by the Rennie Ellis Photographic Archive -
Merri-bek City CouncilC-type print, Rennie Ellis, Three tiers of spectators in stands at game, 1972
Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action.Donated by the Rennie Ellis Photographic Archive -
Merri-bek City CouncilC-type print, Rennie Ellis, Carlton Supporter, VFL Grand Final 1982, 1982
Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action.Donated by the Rennie Ellis Photographic Archive -
Australian National Surfing MuseumSticker, God Went Surfing, Circa 2010
God Went Surfing With The Devil is the award winning documentary film by Alex Klein which charts the dangers and difficulties of surfers living in Gaza. The film was released in 2009 and has screened at film festivals around the world.Ground breaking documentary exploring surfing in one of the most dangerous regions of the world. Historic examination of efforts by surfers to create harmony between Israeli's and Palestinians in Gaza.Round black and white sticker with a surfboard in a middle of the iconic 'peace' symbol.website - www.godwentsurfing.comalex klein, gaza beach, middle east surf -
Robin Boyd FoundationNewspaper - Clipping, Standard (Warrnambool, Victoria), Walter Burley Griffin, 16.10.1971
This article is about a Survey documentary on ABC-TV coming up on 22 October 1971 on the life and times of Walter Burley Griffin. It includes impressions by architects including Robin Boyd who assesses his work.Robin Boyd's name underlined in pencilwalsh st library -
Robin Boyd FoundationFilm, Your House and Mine, 1954
"Your House and Mine" was directed by architect Peter McIntyre, written by Robin Boyd and produced by The Architectural Graduates Society of the University of Melbourne. It is a humorous documentary about domestic architecture in Melbourne, from its history to the new current ideas of modernist architecture. 16mm colour film with sound on reel in canister. Duration: 22:17 minutespeter mcintyre, robin boyd, domestic architecture -
Kew Historical Society IncFilm - Digital Video Disc, Evolving Communications & Shack West, The Outer Circle: Melbourne's forgotten railway, 2014
Documentary on the Outer Circle Railway, which ran from Oakleigh to Fairfield, and was opened in 1891, with the last train running in 1943. Features Dr David Beardsall, Dr Crystal Legacy, Rod Atkins, Kevin O'Shaughnessy, Sr Helen-Mary Langlands2-disc DVD on Outer Circle Railway.railways, outer circle railway, train lines -- melbourne (vic.) -
Thompson's Foundry Band Inc. (Castlemaine)Document - Flyer, October 2018
THOMPSONS FOUNDRY BAND FILM PREMIERE 6TH OCTOBER 6PM CASTLEMAINE GOODS SHED A night of live music by the band, food, wine and of course, the premiere screening of the documentary about the band "They Played in a Tin Shed"film premiere, thompson's foundry band, castlemaine -
Bendigo Military MuseumAudio - DVD's WW1, Jamie Roberts, 1) The Last Man from Dunnolly .2) The ANZACS of Eaglehawk, Possibly post 2000
.1) DVD titled The Last Man from Dunnolly. Front has a black & white photograph of a soldier sitting in a chair. Written under title in pen is 4 mins 26 sec, Produced by Synio 2013. .2) DVD titled The ANZACS of Eaglehawk. Front & rear covers have photographs of soldiers & loved ones. 6 short documentaries exploring the impact of war on men & families.audio-visual technology, military history - army, dvd -
Federation University Historical CollectionFilm - Video, Michelangelo Antonioni, Chung Kuo - Cina by Michelangelo Antoniolo, 1972
A documentary on China, concentrating mainly on the faces of the people, filmed in the areas they were allowed to visit. The 220 minute version consists of three parts. The first part, taken around Beijing, includes a cotton factory, older sections of the city, and a clinic where a Cesarean operation is performed, using acupuncture. In 1972, during Mao's Cultural Revolution, Michelangelo Antonioni was invited by the People's Republic of China to direct a documentary about New China. The result was a three-and-a-half-hour long film, divided into three parts. Mao disliked it so much that Michelangelo Antonioni was consequently charged with being anti-Chinese as well as counterrevolutionary. The movie was finally shown at Beijing's Cinema Institute 30 years later.The boxed video reels containt .1 - Reel One in black National Video Tape box .2 - Reel Two in black National Video Tape boxchung kuo - cina, michelangelo antonioli, video, video reel -
Lara RSL Sub BranchBook, The War 1939-1945 Edited by Desmond Flower and James Reeves Dedicated to the 30,000,000 dead, First Published 1960
A documentary conspectus of the worst war in history beginning at the German invasion of Poland 1939 and ending with the last Japanese surrenders in September - October 1945. This book is an attempt to put together a chronicle of how it actually felt to be alive, to see, to hear, to smell, to feel the war first hand.The War 1939-1945 - Printed 1960 Dark blue cover with ware and tear around the edges MapsDate stamps from HMAS Albatross library wwii, phony war, winter war, norway -
Australian National Surfing MuseumDVD Movie, Bustin' Down The Door, Circa 2008
Feature length surf documentary which looks at events leading up to the clash between Hawaiian surfers and Australian surfers on the North Shore of Oahu in the early seventies. Includes interviews with Wayne 'Rabbit' Bartholomew, Shaun Tomson, Mark Richards, Peter Townend, Ian Cairns and others. Award winning documentary that focused on a pivotal moment in world surfing history as Australian and other surfers strove to 'bust down the door' in the surfing Mecca of Hawaii.Cover photograph of Wayne 'Rabbit' Bartholomew hand raised with inset image of Mark Richards surfing Sunset Beach.Certification (M) and Madman logokelly slater, mark richards, gerry lopez, shaun tomson, bustin down the door, wayne rabbit bartholomew, peter townend, ian cairns, michael tomson -
Federation University Historical Collection
Film, Night Mail, 1936, 1936
A 1936 documentary film about a London Midland / Scottish Railways mail train. Night Mail (1936) was one of the most critically acclaimed films to be produced within the British documentary film movement. It was also among the most commercially successful, and remains the film most commonly identified with the movement. The film was the product of collaborative, rather than individual authorship. Although it was primarily directed by Harry Watt, Basil Wright developed the script, and had overall production responsibility for the project. The resulting film was edited by Wright and Alberto Cavalcanti; John Grierson and Stuart Legg were also involved in its production. The music score was arranged by Benjamin Britten and Cavalcanti, and the rhyming verse used in the film - spoken by Pat Jackson - was written by W.H. Auden, who also acted as assistant director.A 16mm wide film with sprokets on one edge only, contained in a blue plastic spool box. Post Office Marketing Department Publicity Diviision Postal Headquarters St Martins-le-Grand London EC1A 1HQ Films section Title Night Mail 35/16mm safety film stamped Waxedfilm, night mail, postal services -
Merri-bek City CouncilGiclee print, Rennie Ellis, Policeman, Jolimont 1973, 1973
Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action. In Ellis' photo, a young police officer stands on the stadium ground with his arms sternly crossed, while the crowd waits for the game. This photo highlights the tension between passionate crowds and the police at AFL games. -
Australian National Surfing MuseumDVD Movie, Surfing 50 States, Circa 2008
Cult Australian surf travel documentary made by Stefan Hunt and Jonno Durrant as they endeavour to surf 50 states of the United States of America in 50 days (32 without an ocean). Music by Spiderbait, The Wahas and many more. World Premier at the Hayden Orpheum Picture Palace, Cremorne, Sydney on 15th October, 2008.On of the most popular independent surf travel documentaries ever made. Unique insight into surfing and popular culture.Colour cover art of an American flag over a sand, movie title and colour photograph of Johnno and Stefan with the infamous Hurley Van.Movie title, one line synopsisjonno durrant, stefan hunt, surfing 50 states, spiderbait -
Merri-bek City CouncilC-type print, Rennie Ellis, The Streaker, Grand Final, MCG 1982, 1982
Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action. In Ellis' photo, a woman streaks at an AFL game – two players stand in frame with her, a Richmond and Collingwood player respectively. Behind them the crowd and a large Richmond banner can be seen. Playful and spirited interactions such as this are a key aspect of Australian football culture. -
Kew Historical Society IncPhotograph - Preshil (formerly 'Kalimna'), 12 Sackville Street, 1988
Documentary evidence records that in 1890 William H. Jarman, accountant, was the first owner and occupier of 'Kalimna', a substantial rwo-storey residence; it having an initial N.A.V. of £1503. In the following year the N.A.V. for the eleven-roomed property had increased to £2504 indicating that the building had been completed. Jarman is recorded as owning and occupying 'Kalimna' until at least 1910,Colour photographic positive of one of 'Kalimna'. The house is typical of the late Victorian period with polychromatic brick walls, a two storeyed, cast iron decorated verandah that spans two facades, and a polygonal bay window extending to the front. The eaves and chimneys are decorated with Italianate brackets executed in render. The slate roof remains intact, including its cast iron finials. (Kew Conservation Study, 1988)kalimna -- sackville street -- kew (vic.), preshil -
Kew Historical Society IncPhotograph - 'Prague House' (formerly 'Dunboe'), 52 Sackville Street, 1988
Documentary evidence records that the first occupier of this substantial two-storey residence was Harry Karlbaum, a sharebroker and although the owner's name is not listed in the Rate Books for this first year, it appears in 1893 as Robert Crawford Anderson, a merchant, The property was given an initial N.A.V. of £150 in 1892 while by 1900 it was listed as having eleven rooms. (Kew Conservation Study, 1988)Colour photographic positive of one of 'Prague House'. The house is clad in render and is typical of the late Victorian period with an asymmetrical composition that has a loggia of stilted segmental arches at both levels that turns the corner of the house, and a polygonal bay window on one side of the front facade. The application of colonettes across the facade, the square piers to the loggia. and the lift in the eave to form a gable unit are less typical. (Kew Conservation Study, 1988)prague house -- sackville street -- kew (vic.), dunboe -- sackville street -- kew (vic.) -
Kew Historical Society IncPhotograph - 'Prague House' (formerly 'Dunboe'), 52 Sackville Street, 1988
Documentary evidence records that the first occupier of this substantial two-storey residence was Harry Karlbaum, a sharebroker and although the owner's name is not listed in the Rate Books for this first year, it appears in 1893 as Robert Crawford Anderson, a merchant, The property was given an initial N.A.V. of £150 in 1892 while by 1900 it was listed as having eleven rooms. (Kew Conservation Study, 1988)Colour photographic positive of one of 'Prague House'. The house is clad in render and is typical of the late Victorian period with an asymmetrical composition that has a loggia of stilted segmental arches at both levels that turns the corner of the house, and a polygonal bay window on one side of the front facade. The application of colonettes across the facade, the square piers to the loggia. and the lift in the eave to form a gable unit are less typical. (Kew Conservation Study, 1988)prague house -- sackville street -- kew (vic.), dunboe -- sackville street -- kew (vic.) -
Australian National Surfing MuseumDVD Movie, The History of Australian Surfing
In 1984 Nat Young released his ground breaking documentary The History of Australian Surfing. This DVD of that film tells the story of the evolution of surfing in Australia from its origin in Sydney through to the development of wooden, fibreglass and short surfboards. The film features footage of Australia's greatest surfers including Midget Farrelly, Mark Richards, Tom Carroll, Wayne Lynch and many more.Groundbreaking documentary that for the first time attempted to tell the unique history of Australian surfing on film.Colour cover art including barrel background and images of surfing and beach culture forming the films titles.Distributors logocheyne horan, nat young, tom carroll, mark richards, wayne lynch, midget farrelly, michael petersen -
Kew Historical Society IncPhotograph - 'Glencara', 59 Sackville Street, 1988
The first documentary evidence of this house comes from Rate Books which record that in 1893 a Mrs Treadway was the owner of this building with an N.A.V. of £80. At that date the occupier of the house was Charles B. Kelly, a clerk, while by 1910 Kelly had become the owner of the property described in that year as a six-roomed stone, brick and wood house with stables and outbuildings.(Kew Conservation Study, 1988)Colour photographic positive of one of 'Glencara'. It is a single storeyed house clad in render and dominated by a verandah that wraps around the front and sides, following the line of the projecting polygonal bay window. The verandah has elegance, being supported on coupled candy-twist columns and decorated with cast iron, and it returns around to the side entrance. The slate roof is intact. (Kew Conservation Study, 1988)glencara -- sackville street -- kew (vic.) -
Kew Historical Society IncPhotograph - 'Glencara', 59 Sackville Street, 1988
The first documentary evidence of this house comes from Rate Books which record that in 1893 a Mrs Treadway was the owner of this building with an N.A.V. of £80. At that date the occupier of the house was Charles B. Kelly, a clerk, while by 1910 Kelly had become the owner of the property described in that year as a six-roomed stone, brick and wood house with stables and outbuildings.(Kew Conservation Study, 1988)Colour photographic positive of one of 'Glencara'. It is a single storeyed house clad in render and dominated by a verandah that wraps around the front and sides, following the line of the projecting polygonal bay window. The verandah has elegance, being supported on coupled candy-twist columns and decorated with cast iron, and it returns around to the side entrance. The slate roof is intact. (Kew Conservation Study, 1988)glencara -- sackville street -- kew (vic.) -
Kew Historical Society IncPhotograph - 'Glencara', 59 Sackville Street, 1988
The first documentary evidence of this house comes from Rate Books which record that in 1893 a Mrs Treadway was the owner of this building with an N.A.V. of £80. At that date the occupier of the house was Charles B. Kelly, a clerk, while by 1910 Kelly had become the owner of the property described in that year as a six-roomed stone, brick and wood house with stables and outbuildings.(Kew Conservation Study, 1988)Colour photographic positive of one of 'Glencara'. It is a single storeyed house clad in render and dominated by a verandah that wraps around the front and sides, following the line of the projecting polygonal bay window. The verandah has elegance, being supported on coupled candy-twist columns and decorated with cast iron, and it returns around to the side entrance. The slate roof is intact. (Kew Conservation Study, 1988)glencara -- sackville street -- kew (vic.) -
Disability Sport & Recreation Victoria
DVD, Nikki Barba, Disability Sport and Recreation 50th anniversary mini-documentary, 2012
A short documentary to commemorate the 50th anniversary of Disability Sport and Recreation, predominantly focusing on the organisation's current activities, but also acknowledging the organisation's prior existence as Paravics Sports Club and Wheelchair Sports Victoria . It features interviews with administrators and athletes, including Don Perriman, Neil Patterson, Kevin Coombs, Jan Randles, Ron Anderson, Campbell Message, Marg Angel, Sam Bramham, DVD in caseneil patterson, kevin coombs, paravics sports club, disability sports & recreation, jan randles, rob anderson, campbell message, wheelchair sports victoria, marg angel, sam bramham -
Disability Sport & Recreation Victoria
DVD, Disability Sport and Recreation 50th anniversary mini-documentary, 2012
A short documentary to commemorate the 50th anniversary of Disability Sport and Recreation, predominantly focusing on the organisation's current activities, but also acknowledging the organisation's prior existence as Paravics Sports Club and Wheelchair Sports Victoria . It features interviews with administrators and athletes, including Don Perriman, Neil Patterson, Kevin Coombs, Jan Randles, Ron Anderson, Campbell Message, Marg Angel, Sam Bramham, DVD in caseneil patterson, kevin coombs, paravics sports club, disability sports & recreation, jan randles, rob anderson, campbell message, wheelchair sports victoria, marg angel, sam bramham -
Merri-bek City CouncilC-type print, Rennie Ellis, Malcolm Fraser, VFL Grand Final 1979, 1979
Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action. In Ellis’ photograph Malcom Fraser, VFL Grand Final 1979 we see a young supporter shake hands with Liberal Prime Minister, Malcom Fraser. In the grand Australian tradition, politicians and PMs are active in the football sphere. This work was shown in the 2017 Counihan Gallery exhibition Leather Poisoning, along with many other works by Ellis capturing the nations love of the game. Donated by the Rennie Ellis Photographic Archive -
Victorian Aboriginal Corporation for Languages
DVD, Sandy Osawa - Makah et al, Myaamiaki eemamwiciki : Miami awakening, 2008
Myaamiaki eemamwicikia is a comprehensive look at the language and culture revitalization efforts of the Miami Tribe. The documentary captures moments of transition, as myaamia people gain traditional knowledge and share it within their homes and communities. Myaamiaki eemamwicikia features interviews with community elders, families, youth, and tribal educators as the Miami Tribe continue to reclaim their heritage and rebuild as a community"--Container. Explores summer workshops, home teaching, and the Myaamia Project for Language Revitalization which illustrates the interrelationship of the tribe with Miami University, Oxford, Ohio.miami tribe, language revival, oral histories
