Brought to the Ovens Goldfields by Chinese men working in the area in the 19th century. Most likely made in China.Aldo Gios recorded the location of where most of the pieces in this collection were found. Some maps drawn by Aldo Gios also give more detail. This detail is rare, as most pieces of broken crockery were discarded and complete items were usually collected with no thought to recording the location they came from. Part of one of the largest collections of Chinese ware found in the Upper Ovens area and the only one recording the location where found.Chinese porcelain food dish, glazed with floral decoration. Handpainted on inside surface. Celadon background with floral design in colours, pink, green, white and brown with gold frosting on leaves.Chinese writing or maker’s stamp on base in orange ink / dye.chinese, gold, floral, goldfields, gios, tableware, glaze, porcelain, dish, buckland, celadon, handpainted

"Dobcross spares and service manual woollen and worsted loom" -Hutchinson, Hollingworth and Co. Limited"Dobcross spares and service manual woollen and worsted loom" -Hutchinson, Hollingworth and Co. LimitedDYER AND PHILLIPS PTY LTD/ 89 FLINDERS LANE/ MELBOURNEtextile machinery, hutchinson, hollingworth and co. limited, weaving looms, weaving machinery

Thermometer metal frame, loop at top of frame, pure alcohol liquid with red dye - not enough alcohol to be dangerous if swollowed.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, thermometer, alcohol thermometer, medical thermometer, medical equipment

Upton has used the traditional technique of Indonesian batik to create 'Gumnuts Galore'. Batik has a long history in the world and is believed to have originated on the island of Java in Indonesia. The designs traditionally used in batik are imbued with meaning and powerful symbolism to reflect the culture and beliefs of the place where it was made and for whom it was made for. Upton has instilled her piece such meaning and symbolism by depicting eucalyptus leaves and gumnuts which evokes a sense of belonging and pride.Rural City of Wangaratta Collection, purchased with funds from the Wangaratta Art CouncilA rectangular design of gumnuts on silk created through the batik technique using natural dyes in shades of red, brown, and greenwangaratta art gallery, christine upton, batik, gumnuts, flora, australian flora, textile

Two copies a typed letter with printed letterhead, dated March 7, 1938. Letter is from ? Moody of Moody's Dye Works Ltd. To Scalebuoys (N. Z.) Ltd. He mentions since using the Scalebuoy soap is more readily and completely removed from goods that have to be wet cleaned and also gives better penetration for dyeing. He also mentions that the boiler was in better condition and they have stopped using the compound they were using. Letterhead has a photo of Moody's Dye Works on the left side of the letterhead.sciences, instruments - general, scalebuoy, bill ashman collection - correspondence, moody's dye works ltd, scalebuoys (n.z.) ltd, moody

Four page document and a photocopy of a photo. The first three pages are the recollection of Alf Thompson recorded by Carol Holsworth on the 23 January, 2015. Alf worked at Hanro from August 1948 to the mid 1960's when Hanro was taken over. A plan of the dye house is also included. The photo is of Alf Thompson working at the dyeing rollers.bendigo, business, hanro

This rug was a gift and gesture of friendship from the local Muslim community to the City of Greater Bendigo. It was presented to Mayor, Cr Rod Fyffe on behalf of the people of Bendigo at a 2016 'Thank You Bendigo' dinner. In 2014 approval for a planning application from the Bendigo Islamic Association to build a community centre and mosque in East Bendigo prompted a series of public protests that captured widespread media attention. During this tumultuous period the Council identified the need for a community-wide plan to promote diversity and help address potentially divisive cultural issues. These events led to the COGB becoming the first local government area (LGA) formally accredited under Australia’s Welcoming Cities Standard. Community leaders emerged who wanted to show that the anti-mosque protesters did not reflect the views of the majority of Bendigo residents. The community lead ‘Believe in Bendigo’ movement gained momentum, and the Council and other local organisations joined forces to present a unified message that Bendigo residents do not tolerate racism. Muslims have made Central Victoria their home since the Goldrush, contributing to the community and the economy for the past 120 years. Traditional Islamic rugs, especially their patterns and motifs are intrinsically linked with the design of the Bendigo Mosque and Bendigo Islamic Community Centre providing important points of reference for the architects of the project. Typically, mosques are linked with specific cultural groups but not in the case of Bendigo where the Muslim community is made up of multi-ethnic groups. This meant the building's design was not fixed to a specific style or cultural iconography but instead needed to encompass many. The small local Muslim community selected a specific Australian architect because of their interest and knowledge of Islamic design and iconography gained through family collection of Islamic textiles. In thinking about the design of the mosque and community centre the architects wanted to acknowledge the role of Afghans in Australian history, especially tribal Afghans who helped build connections across the interior of Australia between First Nations communities, European settlers and Central Asian migrants. The gift of this Turkmen rugto the Bendigo community thus symbolises collaborative partnerships across faith and cultural groups based on friendship and mutual benefit. A Turkman rug was specifically chosen as it is the pinnacle of nomadic arts of the Islamic world. It was also important to the architects and the local Muslim community that the gift was a female artistic product as it was mainly a female Muslim architecture team that designed the mosque in Bendigo and there was a desire to select something that celebrated female artistry. This hand-woven rug is an engsi, made for a woman in preparation for marriage. Design work and weaving is a shared experience, between many generations of women and each rug hold the personal story of the woman it is made for and her family and thus holds deep symbolic meaning. There are often songs and poetry that are recited as the rug is made – helping the makers to memorisze the mathematical structure of the design. An engsi is put on the doorway to a yurt as part of a wedding ceremony. During the ceremony the groom turns the engsii upside down to check the quality of the rug makers weaving skills. The nomadic lifestyle of Yomut Turkman tribes determines the size of the rug as the loom can’t be carried. Its size is also restricted by the dimensions of the doorway of the yurt. This rug is dated as c 1880 because of the types of patterns used, the use of natural dyes (synthetic dyes were introduced to the area in 1890s) and with the smoother weaving on the back indicating the quality of craftsmanship dating to this time period. The Yomut engsi rug was made in Turkmenistan c1880 by Yomut Turkmen Tribes people and is designed to fit over the doorway of a yurt during a wedding ceremony. The main field motif is related to Turkoman jewelery design. The women and girls of the tribe spin the wool and design and weave the rugs. The men shear the sheep, dye the wool and clip the rug after it has been woven. The word “Turkoman” is thought to have been derived from Turk-iman, meaning the first nomadic Turkic tribes that began to follow Islam. Dyes used are natural including orange from madder root. bendigo mosque, bendigo islamic association, city of greater bendigo community partnerships, city of greater bendigo community groups

Created for and entered in the 2008 ‘Expressions: The Wool Quilt Prize’- “The quilts connect us to our past and to our future, by interpreting Australian themes and telling our stories.”- Judy Hooworth, Quilter and Judge of the Prize. Donated to the National Wool Museum after the conclusion of the exhibition.Eucalyptus dyed woolen blanket base with salvaged fabrics hand sewn to create a patchwork effect. The eucalyptus dye has been used to create different tones of brown and red throughout the design with further dyeing used to create leaf imprints on the fabrics. A running stitch has been used to quilt the wagga, the stitching is imperfect, in places tied on the surface of the wagga.On reverse: INDIA FLINT RED BLANKET WAGGAexpressions: the wool quilt prize, quilt, india flint, wagga

"Catalogue of Parts for the Hollingworth and Knowles Patent Openshed High Speed Fancy Loom" - Hutchinson, Hollingworth and Co. Ltd Loomworks, Dobrcross, 1898.DYER & PHILLIPS PTY. LTD. / 75-77 FLINDERS LANE / MELBOURNE. / SOLE AGENT.textile machinery, dyer and phillips pty ltd hutchinson, hollingworth and co. limited, weaving looms, weaving machinery

The Leeds University Colour Chemistry and Dying Department Session 1919-1920. Includes Mr AM Collins.dyeing

Designed for nce only use. Used for holding the yarn during yarn dyeing. The process was called "pressure dyeing" for a small amount of yarn. Doesn't create an even dye effect.Wangaratta Woollen Millsweaving mills, wangaratta woollen mills

Cardboard cover grey colour. There is a rectangular arrangement on front, in the rectangle are words "Dinkie Dye". "Compiled by J. Henry, one of the ANZACS". In the centre is a caricature of an African/American musician.booklet, ww1

HENRY SMERDON (Harry) HOLMES was born in 1897 at the family property, ’Sauchieburn’, 17 km north of Ballarat, in the Ascot district. He was the youngest of four children. After finishing his education at St Patrick’s College, Ballarat, Henry joined the Holmes family farming interests. At the age of 18 he enlisted and served with AIF in Egypt, France and Belgium 1915-1918. Henry served at the famous battlegrounds of Ypes and Somme in the Australian Army 8th Battalion. He was a Driver with the 4th D.A.C. [Jane Dyer May 2024] Black and white photograph showing eight men outside a tent. They are most probably World War One soldiers in the Australian Imperial Forces (AIF). The postcard is of "The Ascot" boys. Includes [Samuel] Gordon Spittle, Henry [Harry] Holmes's first cousin, and other Ascot lads and district connections: neighbours including a Wrigley son, Ascot State School classmates and football mates from Clunes / Creswick districts. The man in the front row, second from the right is probably my great-grandfather Henry [Harry] Holmes. The man far left in the back row is probably his cousin, Samuel Gordon Spittle [Jane Dyer 2024]harry holmes, world war one, tent, aif, soldiers, uniform, henry smerdon holmes, sauchieburn, ascot, postcard

From dye house lab used for heating dyes? Part of Collins Bros collection. (original worksheet)

Cardboard container that holds khaki powered dye. Small dispensing holes at top, a tin recessed base, & the label is brown & white. Item shows a Kiwi bird and label Khaki cleaner.Kiwi khaki cleaner & image of a Kiwi bird. “Complies with colour standard of Dept of Army's Instructions for use”containers - commercial, military equipment, kiwi, cleaner

Part of the laparoscopy equipment donated by Dr Geoff Bishop. Dr Geoffrey Bishop, whilst at the Department of O and G, University of Liverpool, UK, began laparoscopy in 1969. On returning to Australia, Bishop and Grimwade together with Mr Peter Paterson introduced gynaecological laparoscopy to Melbourne, practising at the Queen Victoria Memorial Hospital (QVMH), Melbourne in 1969. The College, through the Victorian State Committee of the Australian Council, RCOG, ran training courses in laparoscopy for local and interstate gynaecologists. These were conducted by Bishop, Grimwade and Paterson. They established protocols, with particular reference to safety, for the conduct of laparoscopy. Laparoscopy was used initially for diagnosis and for limited treatment using diathermy for conditions such as endometriosis. The real impetus came with the great upsurge of tubal sterilization in the early 1970s. Early techniques included diathermy and division of the Fallopian tubes using the Palmer forceps. [Dr Peter Renou, former honoury curator.]This Spackman's cannula was used by Dr Geoff Bishop during gynaecological laparscopioc surgery.He used this decice as a uterine elevator. Also, for testing tubal patency by inserting dye through it. Manufacturers stamp: ANAX.laparoscopy, tubal ligation, infertility investigation

Over time, apron design and function diversified, and many trades and professions developed their own versions. Aprons were practical for protecting the wearer’s clothing as well as signifying their trade or craft. Wool dyeing was an industrialised profession to aid in the mass production of synthetic dyed clothing. This dyer’s apron would have protected the wearer from the chemicals of the dyer’s trade. There are several ways that fabrics would have been dyed including direct application, exhaust methods, continuous methods and waterless dyeing methods. As seen folded in archive box.dying, wool, apron, wool dying

Sydney Smith (1771-1845) was an English writer and a Reverend of the Anglican Church. He founded the Edinburgh Review, an intellectual and cultural magazine. The Reverend Sydney Smith wrote this book about his works. The book is part of Flagstaff Hill's Pattison Collection, a large group of books and records, some of which are rare and valuable. The collection was originally owned by the Warrnambool Mechanics' Institute, which was founded in 1853 and is named after Warrnambool's Public Librarian, Ralph Pattison. The book is of interest as it has the conditions of borrowing a book from the Mechanic's Institute pasted onto the front cover, including the cost of a Quarterly Subscription, written by Secretary Geo. D. Alston. Thomas Longman founded his publishing firm in 1724 in London by the name Longman. In August of that year, he bought the two shops and goods of William Taylor and set up his publishing house there at 39 Paternoster Row. The shops were called Black Swan and Ship, and it is said that the 'ship' sign was the inspiration for Longman's Logo. After many changes of name and management, including Longman, Green, Reader and Dyer (1865-1880), the firm was incorporated in 1926 as Longmans, Green & Co. Pty Ltd. The firm was acquired by Pearson in 1968 and was known as Pearson Longman or Pearson PLC. The book is of special interest as it has the conditions and cost of borrowing from the Mechanics' Institute pasted onto the front cover, which gives insight into the importance placed on being able to borrow a book from the library. The book is important for its connection with the London publisher Longmans, Green & Co. The firm has been established for over two centuries and is renowned for publishing encyclopedias, dictionaries, books on English grammar, textbooks, poetry, reference books, novels, magazines and more. The book has additional importance for its connection to the Pattison Collection, which, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institutes’ Collection. The Warrnambool Mechanics’ Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and its important role in people's intellectual, cultural and social development throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance.The Works of The Rev Sydney Smith Author: The Rev Sydney Smith Publisher: Longmans, Green, Reader, & Dyer, London Date: 1869 Edition: A new edition Crimson hardcover book with a green sticker attached to the cover and all covered in clear plastic. The green sticker gives details and the cost of a subscription to the library and borrowers' rules. Inscriptions are on the spine in embossed gold, and on the fly are a stamp and several handwritten characters. The book is part of the Pattison Collection.Label on spine: "PAT 824 SMI" Label/sticker on front cover includes the print: "Mechanics' Institute" "Subscription 2s. 6d. per Quarter payable in advance" "Geo. D Alston" "Secretary" Sticker; a green sticker pasted to the front cover "Warrnambool Mechanics Institute and Free Library" Stamp on Fly "Warrnambool Mechanics Institute" Sticker on front endpaper "Warrnambool Mechanics Institute and Free Library" covered by a sticker "Corangamite Regional Library Service" Handwritten on fly: "M" "102" "G 29 (crossed out" "1179" "3" flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, pattison collection, ralph eric pattison, warrnambool mechanics’ institute, mechanics’ institute library, warrnambool library, free library, corangamite regional library service, longman green reader dyer, sydney smith, rev. sydney smith, sydney smith biography, works of the rev. sydney smith, 1869, edinburgh times, secretary geo. d. alston., mechanics' institute subscription, geo. d. alston

Items in the collection of Jack Swatton, refer Cat No 6719.2P for his service details.1. Pattern 37, shoulder straps and belt. All have brass buckles. The outer surfaces have a light green dye. 2. Water bottle, British pattern, with wool covering, cork and string attached.Shoulder harness has "3/92464". Belt has "3/92464 - Swatton C.J".post ww2, 38th bn, webbing, passchendaele barracks trust

Donated by Charles Lewis. Elizabeth Faulkner made straw hats and dyed gloves to match your costume, whereas her husband William was a carpenter who specialised in organs. The position of the shop was later occupied by one of the two Building Societies.Small faded Sepia photo of Faulkner's straw hat and dyers shop in Bay Street on east side between Bridge and Liardet. With Elizabeth and William Faulkner in front, picket fence and pepper trees to south east.built environment - commercial, faulkner, dyer's hat shop

Pastel and fashion shades on wool with Erioclarite B - J.R. Geigy A.G., Basel (Schweiz)"Pastel and fashion shades on wool with Erioclarite B" - J.R. Geigy A.G., Basel (Schweiz)dyeing, j.r. geigy soc. an.

Book produced by chemical manufacturers ICI, titled "Chlorazol Colours (Colourants Chlorazol, Chlorazolfarbstoffe)".Ernest Waddingtonimperial chemical industries limited, dyeing

"The British Colour Council Dictionary of Colour Standards, adopted by the British Standards Institution as British Standard no. 543" - The British Colour Council, London, 1934. Companion volume to W614, originally contained in a matching box."The British Colour Council Dictionary of Colour Standards, adopted by the British Standards Institution as British Standard no. 543" - The British Colour Council, London, 1934.british colour council, dyeing

Depicts the dyehouse from one of the Godfrey Hirst mills in 1966. In 1966 McKendrick Consolidated Industries Ltd purchased Godfrey Hirst Ltd to operate a carpet manufacturing concern and this photo was taken at the time of the takeover.Proof IAN HAWTHORNE / PHOTOGRAPHER / Commercial, Portrait, Wedding, Colour Processor / Upstairs, 140 Moorabool St., Geelong Ph. 98096godfrey hirst and co. pty ltd, dyeing