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Surrey Hills Historical Society Collection
Newletters, Home Front News, May 2018
The newsletters cover the period during the Second World War from August 1943 to February 1946 with 19 editions. These were produced every few months. They include some personal notices, church news, baptisms. There are a few biographies of those who enlisted, in the last edition. George Leslie Rayment (born 1894, Surrey Hills; died 1976, Blackburn) married Grace Lewis in Surrey Hills in 1918. They had 2 daughters - Norma Leslie (1923-1996) and Dr Dulcie Grace Rayment, a noted obstetrician & gynaecologist (died 2014). George Rayment was the donor's wife's grandfather.A spiral-bound copy of some of the editions of the 'Home Front News'. The editor was George Leslie Rayment and the newsletter was produced for the Surrey Hills Methodist Church's congregation.surrey hills methodist church, (mr) les rayment, (miss) effie craig, (dr) edna gault, (dr) edward gault, (mr) george leslie rayment, george leslie rayment -
Surrey Hills Historical Society Collection
Book, Wattle Park: a short history, Oct-89
This book includes a description of the early settlement of Wattle Park; who owned the farms prior to it becoming parkland; and the development and management since including the Melbourne and Metropolitan Tramways Board.This book includes a description of the early settlement of Wattle Park; who owned the farms prior to it becoming parkland; and the development and management since including the Melbourne and Metropolitan Tramways Board.wattle park, trees, box trees, golden wattle trees, she-oak trees, (mr) james atkinson, aborigines, first tree, (mr) hector bell, croquet, golf, orienteering, (mr) henry de carle, (mr) john lawler, (mr) walter craig, (mrs) eliza welch, the grange, (miss) effie eliza ball, hawthorn tramways trust, (mr) - membrey, metropolitan tramways park, (mr )david pureau, by-laws, g. t. usher, o. fenwick, f. c. garyder, e, bennet, a. snowden, g. tweedy, (mr) (sir) arthur stanly, (mr)alan holt, (mrs) a bennet, world war, 1939-1945, eucalypts, elm trees, ash trees, (ms) faye shepherd -
The Mrs Aeneas Gunn Memorial Library
Book, John Ruskin, The Stones of Venice: v.1. The Foundations, ????
Part of his numerous writings concerned his work on Venice in three volumes: The Stones of Venice. He visited Venice in November 1849 with his wife, Effie, and stayed at the water-fronted Hotel Danieli. Their six-year marriage was never consummated and for Effie, Venice provided an opportunity to socialise, while for Ruskin it was a venue to engage in more solitary studies. In particular, he made a point of drawing the Ca' d'Oro and the Doge's Palace, or Palazzo Ducale, fearing they would be destroyed by the occupying Austrian troops. Ruskin made extensive sketches and notes for the three-volume work, which soon developed from a technical history of Venetian architecture, from the Romanesque to the Renaissance, into a broad cultural history. Cleverly Ruskin managed to reflect his own view of contemporary England and to weave in a warning about the moral and spiritual health of society. Ruskin argued that Venice had slowly deteriorated. Its cultural achievements had been compromised, and its society corrupted, by the decline of true Christian faith. Instead of revering the divine, Renaissance artists honoured themselves, arrogantly celebrating human sensuousness. It is a work of immense worth both culturally and artistically.Ill, p.373non-fictionPart of his numerous writings concerned his work on Venice in three volumes: The Stones of Venice. He visited Venice in November 1849 with his wife, Effie, and stayed at the water-fronted Hotel Danieli. Their six-year marriage was never consummated and for Effie, Venice provided an opportunity to socialise, while for Ruskin it was a venue to engage in more solitary studies. In particular, he made a point of drawing the Ca' d'Oro and the Doge's Palace, or Palazzo Ducale, fearing they would be destroyed by the occupying Austrian troops. Ruskin made extensive sketches and notes for the three-volume work, which soon developed from a technical history of Venetian architecture, from the Romanesque to the Renaissance, into a broad cultural history. Cleverly Ruskin managed to reflect his own view of contemporary England and to weave in a warning about the moral and spiritual health of society. Ruskin argued that Venice had slowly deteriorated. Its cultural achievements had been compromised, and its society corrupted, by the decline of true Christian faith. Instead of revering the divine, Renaissance artists honoured themselves, arrogantly celebrating human sensuousness. It is a work of immense worth both culturally and artistically. venice, venice - architecture -
The Mrs Aeneas Gunn Memorial Library
Book, John Ruskin, The Stones of Venice: v.2. The Sea Stories, ????
Part of his numerous writings concerned his work on Venice in three volumes: The Stones of Venice. He visited Venice in November 1849 with his wife, Effie, and stayed at the water-fronted Hotel Danieli. Their six-year marriage was never consummated and for Effie, Venice provided an opportunity to socialise, while for Ruskin it was a venue to engage in more solitary studies. In particular, he made a point of drawing the Ca' d'Oro and the Doge's Palace, or Palazzo Ducale, fearing they would be destroyed by the occupying Austrian troops. Ruskin made extensive sketches and notes for the three-volume work, which soon developed from a technical history of Venetian architecture, from the Romanesque to the Renaissance, into a broad cultural history. Cleverly Ruskin managed to reflect his own view of contemporary England and to weave in a warning about the moral and spiritual health of society. Ruskin argued that Venice had slowly deteriorated. Its cultural achievements had been compromised, and its society corrupted, by the decline of true Christian faith. Instead of revering the divine, Renaissance artists honoured themselves, arrogantly celebrating human sensuousness. It is a work of immense worth both culturally and artistically.Ill, p.406.non-fictionPart of his numerous writings concerned his work on Venice in three volumes: The Stones of Venice. He visited Venice in November 1849 with his wife, Effie, and stayed at the water-fronted Hotel Danieli. Their six-year marriage was never consummated and for Effie, Venice provided an opportunity to socialise, while for Ruskin it was a venue to engage in more solitary studies. In particular, he made a point of drawing the Ca' d'Oro and the Doge's Palace, or Palazzo Ducale, fearing they would be destroyed by the occupying Austrian troops. Ruskin made extensive sketches and notes for the three-volume work, which soon developed from a technical history of Venetian architecture, from the Romanesque to the Renaissance, into a broad cultural history. Cleverly Ruskin managed to reflect his own view of contemporary England and to weave in a warning about the moral and spiritual health of society. Ruskin argued that Venice had slowly deteriorated. Its cultural achievements had been compromised, and its society corrupted, by the decline of true Christian faith. Instead of revering the divine, Renaissance artists honoured themselves, arrogantly celebrating human sensuousness. It is a work of immense worth both culturally and artistically. venice, venice - architecture -
Linton Mechanics Institute and Free Library Collection
Book - Novel, Young, Florence Ethel Mills, Brief Youth by F.E. Mills Young, 1934
Hardcover book, 281 pages. Book has a blue cover.fictioneffie marie ford, fiction -
Returned Nurses RSL Sub-branch
Newspaper - Newspaper clipping, [Herald], [27 May 1986]
Article about searching for oldest surviving World War I nursesNewspaper clipping'MAY 27 HERALD'world war i, wwi, world war one, effie mary fussell, effie garden