This brass handle was found on Sea Elephant Bay beach in King Island, Tasmania, in 1913. The donor identified it as being from the wreck of the Newfield. It would could have been part of the fittings or amongst the cargo on the ship. ABOUT THE "NEWFIELD" The Newfield was a three-masted iron and steel barque, built in Dundee, Scotland, in 1889 by Alexander Stephen and Sons. It was owned by the Newfield Ship Company in 1890 and later that year It was registered in Liverpool to owners Brownells and Co. The Newfield left Sharpness, Scotland, on 28th May 1892 with a crew of 25 under the command of Captain George Scott and on 1st June left Liverpool. She was bound for Brisbane, Australia, with a cargo of 1850 tons of fine rock salt, the main export product of Sharpness. At about 9pm on 28th August 1892, in heavy weather, Captain Scott sighted, between heavy squalls, the Cape Otway light on the mainland of Victoria but, due to a navigational error (the ship’s chronometers were wrong), he assumed it to be the Cape Wickham light on King Island, some 40 miles south. He altered his course to the north, expecting to enter Bass Strait. The ship was now heading straight for the south west Victorian coast and at about 1:30am ran aground on a reef about 100 yards from shore and one mile east of Curdie’s Inlet, Peterborough. The ship struck heavily three times before grounding on an inner shoal with 6 feet of water in the holds. Rough sea made the job of launching lifeboats very difficult. The first two lifeboats launched by the crew were smashed against the side of the ship and some men were crushed or swept away. The third lifeboat brought eight men to shore. It capsized when the crew tried to return it to the ship for further rescue The Port Campbell rocket crew arrived and fired four rocket lines, none of which connected with the ship. A local man, Peter Carmody, volunteered to swim one mile to the ship with a line to guide the fourth and final lifeboat safely to shore. Seventeen men survived the shipwreck but the captain and eight of his crew perished. One of the men, apprentice William McLeod, was rescued by local woman Margaret E. MacKenzie. The Newfield remained upright on the reef with sails set for a considerable time as the wind slowly ripped the canvas to shreds and the sea battered the hull to pieces. The Marine Board inquiry found the wreck was caused by a "one man style of navigation" and that the Captain had not heeded the advice of his crew. According to Jack Loney ‘… when the drama was over . . the Newfield was deserted except for the Captain’s dog and two pigs.’ Flagstaff Hill Maritime Museum has several artefacts that have been salvaged from the wreck. A report from SHP documented the following in regards to the Newfield collection: Flagstaff Hill’s collection of artefacts from the Newfield is of historical and archaeological significance at a State level, because of its association with the shipwreck, which is on the Victorian Heritage Register. The collection is significant because of its relationship between the objects. The Newfield collection is archaeologically significant as it is the remains of an international cargo ship. The Newfield collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 (Living with natural processes). The collection is also historically significant for its association with the shipwreck. The Newfield collection meets the following criteria for assessment: Criteria A: Importance to the course, or pattern, of Victoria’s cultural history Criteria B: Possession of uncommon, rare or endangered aspects of Victoria’s cultural history Criteria C: Potential to yield information that will contribute to an understanding of Victoria’s cultural history Ornate brass handle, round plates each end, each with 4 round fixing holes. Found washed up on Sea Elephant Bay beach, King Island 1913, identified by donor as being from the wreck of the Newfield.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, barque newfield, shipwreck-coast, flagstaff-hill-maritime-village, ornate handle, sailing ship fitting, sea elephant bay, king island

One of several items donated in memory of Sergeant Trevor J Nicholson, who served in Royal Australian Armoured Corps, C Squadron and B Squadron 1st Armoured Regiment, 1969-70, Vietnam.A wooden plaque with black, blue and gold shield shaped insignia of 12/16 Hunter River Lancers depicting an elephant and crossed banners and dedication.To WO2 Trevor Nicholson/From P.M.C and Members/12/16 HRL/Sergeants Mess 18.8.1993 Hunter River Lancers/12/16 Hunter River Lancers12/16 hunter river lancers, 4410261 wo2 trevor nicholson., trevor nicholson, 1st armoured regiment, nicholson, shield

Procession led by a baby elephant and Mahout. beaufort, celebration, empire day, procession, public

Wooden container with wooden lid, both have black bands around. Found washed up on Seal Elephant Bay beach, King Island 1913.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, wooden container, seal elephant bay, king island

Scythe blade, with makers marks, 'Tyzack and Sons and Turner, Sheffield'. There is also a small elephant stamp on one end of the scythe. Approx 700mm x 80mmTyzack and Sons and Turner, Sheffield

Donald Clark Collection. A monochrome photograph of a horse dressed to resemble an elephant during the Back To Tarnagulla 1931 parade. Also depicts Dick Yates dressed as a clown. Copy photograph.

Donald Clark Collection. A monochrome photograph of a horse dressed to resemble an elephant during the Back To Tarnagulla 1931 parade. Also depicts Dick Yates dressed as a clown. Copy photograph.

Enamel pre dates Stainless Steel. This hospital equipment was used in the Tawonga District General Hospital which was built in the 1950s specifically for the increase in population due to the Kiewa Hydro Scheme.Historical: Shows the development of scientific hospital equipment. Provenance: Used int the Tawonga District General Hospital which was remote and therefore required good equipment.One big & 1 small. Could be used for soaking items. White enamel cup shaped bowls with blue rounded edge. Big one vertical sides. Small one straight sides open out slightly.Big - no markings Small - small black patch inside on base. On base outside in blue 'Lucky Elephant' written around outside of circle. In middle of circle is an elephant. Underneath circle is Chines writing and 'Made in China' Across bottom of circle: '313P-101. 10CM'hospital equipment. enamel. tawonga. mt beauty

The pamphlet was found under the floorboards during works to the building Damaged and weathered pamphlets for a Circus and Show by the Wirth Bros Various text and illustrations depicting the activities of the show including horses, tigers and elephants and monkeys. 18th May 1898 historic newspaper, 1898, warracknabeal court house

Louise Hearman used the Norla Dome and painted a mural painted which had taken her around a year to complete. The exhibition called Elephant Room was shown from June 1988. The work was vandalised in 1989 and subsequently demolished.Louise Hearman is a Melbourne born artist and Archibald Prize winner. Hearman first came to public notice in 1987/88 when she spent a year painting the mural in the Norla Dome. The premises of the Mission also served as her studio at that time.Black and white copy of a newspaper article, printed on A3 paper.It’s Louise’s masterpiece, come heaven, hell or high water Report: SARAH TURNER PICTURE: LEIGH HENNINGHAM When her Little Bourke St studio was pulled down to make way for a carpark, artist Louise Hearman, above, contacted The Seamen’s Mission in Flinders St to see whether she could use their cottage. They agree. But neither knew what it was going to lead to. When Hearman saw ‘the Elephant Room’ at the mission, a big domed room, she felt she “just had to do something with it”. She applied for and was granted a $3250 grant from the Australia Council, with which she was able to buy the necessary scaffold and paint, and then set about transforming the room. Now, a year later, her masterpiece is complete. Hearman emphasised the the mural doesn’t represent “heaven and hell”. Rather, she said, “people should make their own interpretations”. She said it was “not particularly heaven and hell, it’s not particularly anything”. And there is “no narrative” to the mural. It “just developed with the building”, out of whatever images and feeling Hearman had at the time. Sadly though, Hearman said the mural was likely to fall off the walls and domed ceiling unless the room was waterproofed - water damage is a serious problem at the mission. louise hearman, norla dome, exhibitions, 1988, elephant room, flinders street, melbourne, leigh henningham, cultural events

Purchased from white elephant stall at Mitcham Christ Church, Anglican. A set of four glasses circa 1950's. Gold rims and bands and frosted glass. Bottom of each glass has different colour of frosting - red, green, yellow, blue. A harlequin set.domestic items, food & drink consumption

Under the cup: elephant design suggesting Indian maker, C.J.A (name of silver maker), BMPS (date made), Made in England

Toy used by Giselda Bannister as a child in early 1970s.Wooden Noah's Ark, blue base with red roof. Noah & wife, two of elephants, camels, oxen, pigs, rabbits, donkeys, cows, horses, giraffes, cats, squirrels, dogs, chickens, sheep.noah's ark, toys, giselda bannister

Standard issue item as used by Australian servicemen during the conflict in Vietnam(1962-1973). One of several items donated in memory of Sergeant Trevor J Nicholson, who served in Royal Australian Armoured Corps, C Squadron and B Squadron 1st Armoured Regiment, 1969-70, Vietnam.Slouch hat of brown felt/khaki colored band/golden queens rising sun badge on uplifted side brim/ Hunter river Lancers silver badge on front showing flags, elephant and crown.The Australian Army on Rising sun badge/ Hunter River Lancers Inside hat-Akubra 1988/58/Made in Australia.slouch hat, hunter valley lancers, trevor nicholson, 1st armoured, nicholson, 4410261

The photograph is a reproduction of a lantern slide produced in 1880. The image depicts a circus arriving in town. The wagons are being pulled by an elephant.Black and white rectangular photograph printed on matte photographic paper.Reverse: 3291 / A03291 /entertainment album, circus, beechworth, 1800s, lantern slide, elephants, animals, performance, entertainment

Newspaper cutting - re Bush's Store, Bendigo. Single page from Bendigo Advertiser, Nov 26th, 1970. Three articles: 'Grocer, goldminer and produce merchant'; 'It's all in the name'; '...Then there was the day the elephant took over...'person, family, bush collection (family

Bill and Edith Holmes with their daughter Elizabeth. Mount Elephant, a dormant volcano is in the background. It is near Derrinallum where the family had a property, "Launchley Park"chatham-holmes collection, bill holmes, edith holmes, elizabeth holmes, derrinallum, mount elephant, volcano, launchley park

After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition. The competition includes a design award for secondary schools students.Venetian prince set against eastern buildings, seas, gondolas and ships with eastern architecture, symbols and camels. A dragon and elephant in prince's diadem and hair. Library details surrounding sun and moon either side of main figure all in bi-coloured inks.Inscribed beneath image, "The Secrets of the Silk Road" Ex Libris Biblioteca Bodio Lambnago - Etching Natalija 2019

Elephants from a Circus at Fraser's Bricklayers Arms Hotel Barnes Street drinking out of Horse Trough. At that time the circuses used to be at the Stawell Showgrounds in lake Road now the Shire Yards opposite the Brickworks.stawell

Buff coloured invoice. Letterhead has elephant pulling a shoe attached to a tree. Invoice has no name on it, issued by J.H. Abbott, 1921? date. on invoice Tannery: Mandurang, wholesale warehouse, iron yard, etc Market Square; boot Manufactory & Warehouse, Pall Mall.bendigo, business, j.h. abbott & co

An extreme tilt-top real tennis racquet, with solid convex throat, leather collar around shaft, and leather handle grip. Throat on both faces features impressed trademark of an elephant above three crowns. Materials: Wood, Lacquer, Glue, Metal, Gut, Leathertennis

Tobacco tin 8.5 H x 8.3 dia, no lid. With a yellow label and red printing. Virginia Bird's Eye manufactured by Thomas Bear & Sons Ltd. London. Label has an elephant standing beside some palm trees with hills in the background. Label is discoloured. No lid.personal effects, smoking accessories, toabcco tin, tobacco tin - virginia bird's eye, thomas bear & sons ltd

A badge that once belonged to J B McLean, he could have brought it back from World War as a souvenir. From information found online: 'The Royal Dublin Fusiliers was an infantry regiment of the British Army, which recruited in the east of Ireland. Created in 1881 by the amalgamation of two former East India Company regiments, it was disbanded in 1922 on the establishment of the Irish Free State.' These were with other World War 1 memorabilia that has come from Private John Basil McLean, 2nd Reinforcements, 37th Battalion, A.I.F. J.B. McLean (Service No. 13824) was from near Maffra, Victoria and enlisted on 22 January 1916. He embarked on 16 December 1916 for Europe. He spent time with the Australian Field Artillery (Pack Section). At the end of the war he worked for a year at the A.I.F. Headquarters in London before returning to Australia on the 'Ceramic', arriving in Portsea in 1920. His full war record is available from the National Archives of Australia (B2455, MCLEAN JBM).This is an example of souvenir retained by an ex soldier.Royal Dublin Fusiliers Regiment cap badge. It is a bi-metal badge in the form of a fused (or flaming) grenade, on the brass ball of which is a white metal Royal Tiger above an elephant (both in white metal). At the base a white metal scroll bearing the title 'ROYAL DUBLIN FUSILIERS'. Royal Dublin Fusiliers world war one, soldier

Louise Hearman used the Norla Dome and painted a mural painted which had taken her around a year to complete. The exhibition called Elephant Room was shown from June 1988. The work was vandalised in 1989 and subsequently demolished.Louise Hearman is a Melbourne born artist and Archibald Prize winner. Hearman first came to public notice in 1987/88 when she spent a year painting the mural in the Norla Dome. The premises of the Mission also served as her studio at that timeBlack and white copy of a newspaper article, printed on A4 paper.The sky’s the limit for modern Michelangelo Because it was there . . . Melbourne artist Louise Hearman in the domed gymnasium of the Mission to Seamen - Picture: ROSS DUNCAN THE dilapidated pool halls of Melbourne’s Mission to Seamen are an unlikely setting for a budding Michelangelo. But when Louise Hearman came across the one-time mission gymnasium she could not resist the urge to create a fresco. It did, however, take a little persuading for the Anglican Church, which still owns and operates a mission in the 61-year-old building, to agreee to house a minor Sistine Chapel on their premises. A year of labour later, Hearman has had no complaints about the great swirling sky or huge oil paintings which now adorn the empty 11-sided room. Instead she is constantly visited by old sailors and passers-by who are thrilled to discover the unusual architecture and artwork. “When peoiple come here it’s a real discovery. It’s something they find for themselves,” she said. Her pictures are neither religious nor symbolic, merely outpourings to create an atmosphere. “THere are lots of things I’d like to say but I’m not saying them in my paintings. “There are no messages, they don’t have any political statement. Life was a little more comfortable for Hearman than her renaissance predecessors. After struggling with cumbersome scaffolding to reach her “canvas” she discovered the modern wonders of the scissor lift. She does not look on the work as a huge achievement. However, it may all be for nought. Unless money is spent to restore the building the paintings she has created will crumble and die - Deborah Stone The Australian Tuesday 10 May 1988louise hearman, elephant room, norla dome, exhibitions, 1988, melbourne, flinders street, ross duncan, cultural events

Louise Hearman used the Norla Dome and painted a mural painted which had taken her around a year to complete. The exhibition called Elephant Room was shown from June 1988. The work was vandalised in 1989 and subsequently demolished.Louise Hearman is a Melbourne born artist and Archibald Prize winner. Hearman first came to public notice in 1987/88 when she spent a year painting the mural in the Norla Dome. The premises of the Mission also served as her studio at that time.Black and white copy of a newspaper article, printed on A3 paper.louise hearman, exhibitions, 1988, norla dome, flinders street, cultural events, melbourne, elephant room, ian hunter

Louise Hearman used the Norla Dome and painted a mural painted which had taken her around a year to complete. The exhibition called Elephant Room was shown from June 1988. The work was vandalised in 1989 and subsequently demolished.Louise Hearman is a Melbourne born artist and Archibald Prize winner. Hearman first came to public notice in 1987/88 when she spent a year painting the mural in the Norla Dome. The premises of the Mission also served as her studio at that time. Vogue Living published an article about the artwork in the Dome. This is one of the few colour images of the artwork.Laminated A4 colour photograph published in Vogue Living in November 1987Vogue Living November 1987 135cultural events, exhibitions, paintings, artists, norla dome, 1988, louise hearman, elephant room, flinders street, melbourne

Remembered for the time Mayor Ryan challenged the local Member of Parliament Mr. George Gibbs to an elephant race down the length of Sackville Street . The race attracted extensive publicity. In a close finish the Mayor of Port Fairy was declared the winner. Black & white portrait of Samuel Ryan in Mayoral robes, jabot and gold chainmayor, portrait, government, shire, council, municipal, local government