John Stanley Coltman attended Ballarat College 1913 - 1920; Son of W F Coltman of 208 Clarendon St, Brother of W Lawrie, Owen H & Gwenda. A high achieving student John went on to become Dux of College 1919, School Captain 1920, Captain of cricket 1920, tennis 1918, 1919, 1920, football 1919, 1920, athletics 1919 1920, Stroke of first crew 1919 and 1920. The Coltman Demonstration Room, part of the MacKinnon Wing First Floor, was named in honour of John (1919py) and Owen Coltman (1917). This book was donated back to the school library in 1985. Dark green leather bound set with Ballarat College crest and borders embossed in gold on front cover; gold lettering on spine; marbled endpages and page edges; bookplate fixed to inside of front cover; library plate to right side of end pages;Bookplate: Ballarat College / Awarded to / J S Coltman / Form VIa / Prize for Dux of College / "Snow" prize / A S M Polson B A / Principal / Christmas 1919ballarat college, john-s-coltman, 1919, dux

Photograph of farmhouse with family members on front veranda. Inscription on the back reads: 'To dear Emma with love from Lizzy'. Emma is possibly Emma Augusta Nightingale (nee Thompson) b 1859; d 1949. Lizzie is possibly Elizabeth Anna Thompson (nee Fleming) b 1874; d 1954 information sourced from Nightingale Family History folder Clear photograph depicting country farmhouse with large family on front veranda, very good example of charming country cottage garden with plants easily recognisable Sepia photograph mounted on brown card'To dear Emma with love from Lizzy'thompson collection, nightingale

John Stanley Coltman attended Ballarat College 1913 - 1920; Son of W F Coltman of 208 Clarendon St, Brother of W Lawrie, Owen H & Gwenda. A high achieving student John went on to become Dux of College 1919, School Captain 1920, Captain of cricket 1920, tennis 1918, 1919, 1920, football 1919, 1920, athletics 1919 1920, Stroke of first crew 1919 and 1920. The Coltman Demonstration Room, part of the MacKinnon Wing First Floor, was named in honour of John (1919py) and Owen Coltman (1917). This book was donated back to the school library in 1985. A blackleather bound book with Ballarat College crest embossed in gold on front cover; gold lettering on spine; bookplate fixed to inside of front cover; library plate to right side of end pages;Bookplate: Ballarat College / Awarded to / J S Coltman / Form VIa / Special Prize for service as Prefect (Captain of School) / Pres. by Principal / A S Polson B A / Principal / Christmas 1919ballarat college, john-s-coltman, 1918

A man seated with his wife standing alongside. Probably Richard and Elizabeth Phillips. Photograph removed from its frame.emma eliza jane phillips, barrabool hills, yendon, lal lal falls, thistle inn geelong, elizabeth anne goodenough, richard price phillips

Five hand written letters the earliest letter was dated 21 September 1905 and the latest the 12 December 1925.The letters were addressed to ‘whom it may concern’ or to Nurse Warburton. They were letters of recommendation written by grateful husbands or women who were very grateful for the assistance Nurse Warburton provided at the birth of their child, not only looking after the new mother but also the family and the house hold chores.Hand written lettersnursing, midwife, emma warburton, cheltenham, moorabbin, city of moorabbin, mentone, child birth, breast feeding, medical equipment, breast pump, john botterill, david duncan alexander, augustus edward caines, mary gertrude naughton, john james lambert

l.r; Arthur T Woodward/MDCCCCIpainting, bendigo, wife, woodward, kathleen kate conner, marriage, portrait

Softcoverwalsh st library

2006, 349

After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition. The competition includes a design award for secondary schools students.A bookplate depicting a frog is depicted sitting on a stone.Name E K Parker in pencil on backbookplate, printmaking, australian bookplate design awards, keith wingrove memorial trust

Unknown year

Records the immediate family information including mothers' maiden namesLocal identities of Greensborough and Lower PlentyCopy of Certificate of Marriagechapman stock family, blackbourn family, florence emma stock, elizabeth cook, harriet emma splatt

Sepia photograph

Sepia photograph

371 p.; 25 cmnon-fictionThe History and family tree of John Marriott and his wife Emma Kitchen and their descendants in Australia, 1871-1986john marriott, emma kitchen

non-fictionThe story of Stephen and Emma Harris and their descendantsstephen harris, emma crossman

used by internees at Camp 3Small leather tags (2) made from used leather. Perspex window and cardboard label "Mrs Emma Frank. Vic Pass 10" in one tag with leather strap. One tag has no strapMrs Emma Frank. Vic Pass 10labels, gretl hornung, frank g, camp 3, tatura, personal

Artist StatementGeneral ALL BlurbMEDIUM: Oil on kiln dried redgum. DESCRIPTION: Black, blue and white, wood block, no frame. A realistic depiction of an industrial crane against a predominantly cloud covered sky, the crane is set in the lower centre of the canvas, almost becoming secondary to the sky and cloud which dominate the canvas. The sky set in bright and vibrant blues contrast the darkness of the clouds, ominous and heavy in shades of grey and green the colours seem to reflect the relentless clock of industry. A patch of light behind the crane gives the crane a strong focal point. art, de, fcac, all, emma de clario, clario, marios cafe, marios

MEDIUM: Oil on kiln dried red gum (wood block) DESCRIPTION: Black figure och blue and white background, wood block, no frame. A realistic depiction of an industrial crane against a predominantly cloud covered sky. The crane set in the lower centre of the canvas almost becomes secondary to the sky and cloud which dominate the wood block. The sky set in bright and vibrant blues contrast the darkness of the clouds, ominous and heavy in shades of grey and green, the colours seem to reflect the relentless clock of industry. A patch of light behind the crane gives it a strong focal point. Signed and titled on reverse of imageoil, de, hope, clario, industrial, photograp