Brenda Crute married Jim Bywaters 19671967 A delightful bridal gown fashioned in chantilly lace cur on empire lines, fitted sleeveless bodice with boat shaped neckline back and front. Sheath skirt. Chapel length nylon organza coat train with butterfly sleeves & edging of chantilly lace. Headdress - Pearlized orange blossom & leaves mounted to a three-tiered nylon tulle veil.wedding dress, brenda crute, jim bywaters, 1967, textiles - bridal - fashion, stawell - wedding

The Fashion & Textiles collections of Kew Historical Society include a number of art or household textiles manufactured or created in the United Kingdom as well as in Australia. As other cultures opened to Australian travellers in the 20th century, members began collecting and donating textiles produced in a number of other countries. Evening bag constructed from two silk embroidered Chinese rank badges. Authentic badges would have been used on Imperial court costumes in the Ming and Qing Dynasties. The badges that comprise the bag are identical and were probably sold as souvenirs in Hong Kong during the 20th century. bags, evening bags, mandarin squares, chinese rank badges

Long sleeveless beaded evening dress with V-front and back neckline. Black tulle base embellished with black, grey and purple beads and sequins with a design of a purple sunburst radiating from the right proper hip and mirrored on the back. Bodice sides split to waist and skirt sides split to hip. 1920s fashion, evening dress, beading, flapper dress

This dress and bag belonged to Mrs Edith "Dot" Paroissien (nee Jackson, born 1916), who lived in Brighton with her husband David William Paroissien. The dress was purchased from Croyde, a Melbourne designer who had a small boutique shop in Collins Street near the Block Arcade, and the bag was bought for her in London by David. Dot recalled wearing the dress in the 1950s, in particular to a ball at the Royal Exhibition Buildings for Wesley College. She wore it with suede shoes with a medium heel with straps across the instep and long white kid gloves, and accessorised with a baguette choker and drop earrings.Black silk satin sleeveless full-length evening dress. The attached bodice floats over the top of the under-dress. Asymmetrical opening on bodice which features five large flat self-covered buttons. The black suede bag has chrome fittings and buttery cream coloured satin interior. .1 dress - Label, woven black on white acetate centre back: CROYDE / MELBOURNE .2 - bag - Label, printed, black on cream acetate, interior pocket: Susan / HANDBAGS / LONDON; Label, printed, copper on black metal, interior pocket: MADE IN ITALY / FOR SUSANevening dress, croyde, melbourne fashion, melbourne designers, handbag, royal exhibition building, 1950s, edith violetta paroissien, edith violetta jackson

This item is part of the Di Reidie collection. Diane Reidie was a much loved volunteer and President of Brighton Historical Society from 1999 until 2016. Originally from New Zealand, Di and her family lived in Male Street, Brighton for many years. A vibrant and energetic person with a zest for life and a gift for bringing people together, Di was a friend to many in the Bayside community and active in local community organisations. Her tireless work as President of BHS saw her named Bayside Citizen of the Year in 2008. As a seller and collector of vintage clothing, she was passionate about fashion history; one of her many enduring contributions to BHS was her extensive work in preserving, developing and promoting the Society's costume collection. In 2018-19, Di donated more than one hundred items from her personal vintage clothing collection to the Society. The collection, which includes clothing, hats, handbags and shoes from local and international designers, is representative of Di's wide-ranging interests, colourful personality, creativity, humour and love of fashion and travel. Di purchased this two piece ensemble from the influential fashion boutique "The House of Merivale and Mr John" to wear to a performance of "The Sleeping Beauty" by London Festival Ballet, featuring Rudolph Nureyev at the Palais Theatre in St Kilda in May 1975.A two piece ensemble consisting of long evening dress (.1) and matching jacket (.2), cropped jacket of black acetate. The jacket features a tie front and long buttoned sleeve. The full length dress is slim fitting with centre back zip, shoestring straps and shaped bust with ruched centre front."Mandamatilda", "Dry Clean Only, SSWdi reidie, 1970s, house of merivale, manda matilda

Silver, blue and green knitted lurex evening outfit comprising maxi dress (.1) and short blue lurex jacket (.2) with short sleeves. Sleeveless high-necked dress with bold seaweed design. Fastens centre back with long metal zip. Jacket and dress fully lined with dark blue lining.Label, woven black on white acetate centre back jacket: Tricó / ROMAevening outfit, 1970s, lurex

Full-length pink satin evening dress with beaded shoulder straps and plaited fabric trim decorating low back. Two fabric bows on front bodice and diamond-shaped centre front panel. Separate wide pink satin cumerband made of plaited fabric with bow at back. .1 - dress .2 - cumberbandevening dress, 1930s fashion

Sourced from the private collection of fashion designer Lisa Ho, purchased at Moss Green auctions.A good example of the silk and metallic lame' fabrics available in the 1920s.Evening jacket of rich lame' in burnished autumn tones of gold, bronze and olive. Ruched square collar, long sleeves with turned back ruched cuffs. No openings, is worn open. Fully lined in chinoise style rayon jacquard in a cafe au lait colour - lining dates to the 1940s and probably replaced a delicate silk original lining.None

Two piece ivory satin evening dress. Bodice (.1) is decorated with central panel of finely pleated chiffon and embellished with ready-made strips of beading and artificial pearls. Short puffed sleeves. Russet coloured velvet band applied to waist of bodice and finished with a metal rosette. Plain gored satin skirt (.2) with cream velvet binding around hem. Label, printed grey on cream cotton, centre back bodice waist: Bussell, Robson & Bussell / MELBOURNE.evening dress, bussell robson & bussell, 1890s

Colour postcard divided back, two photo panels - Biscay Greetings, 1. - Evening lights of Melbourne in Bourke St looking east from Queen. 2 - Z84 - Bourke St. Back has space for name and address, stamp and a message and details of the postcard. Produced by Biscay Greetings, possibly mid 1980's. Card No. BG255 two copies heldtrams, tramways, bourke st, z class, mall, tram 84

Evening or opera coat with princess line seams and shawl collar. Leg o' mutton sleeves, full length flared skirt of six panels and secured with one self covered button and bound buttonhole at the waist. Fully lined in cream coloured silk taffeta. Fabric is printed in gold with flowers, vines and butterflies with hand silk screened roses and forget-me-not flowers over the topNone

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This 1930s evening dress is one of a number of items donated by Teresa Mayer.Deep rust coloured three-quarter length crepe dress featuring extensive ruching on the bodice and to the short sleeves. A bow of the same fabric with hanging laces (sic) is attached at the neck. The garment has been dated to the 1930s.women's clothing, australian fashion - 1930s, day wear, day dresses

This evening dress belonged to Clara Johnstone Miller (nee Bell, 1866-1910). Clara was the only daughter of Mr James Bell, a councillor of the Shire of Leigh (today a part of Golden Plains Shire) and owner of Woolbrook Homestead in Teesdale, near Geelong. In 1888, Clara married prominent businessman, racehorse owner, racing identity and pastoralist Septimus Miller (1854-1925). Septimus was the sixth of seven children born to Henry 'Money' Miller and Eliza Miller (nee Mattinson). 'Money' Miller was a well known financier and politician and reputedly one of Australia's wealthiest people in his time. In 1889, Clara and Septimus moved into the house 'Cantala' in Dandenong Road, Caulfield. They had one child, Gwendoline Stewart Miller, who died in 1902 at the age of thirteen of diabetes - a largely untreatable condition at the time (insulin would not be discovered until 1921). Clara died in 1910, aged only 44. Septimus subsequently married Helen (nee Henderson), with whom he had a son, Ronald (1915-1990). The Millers were buried in the Brighton General Cemetery in a large Gothic-style vault. Upon Clara's death, Septimus sent much of her clothing and Gwendoline's to her mother Mary Bell. Some of these items were passed down to two of Clara's nieces, Miss Mary Bell and Mrs Lois Lillies, who donated them to BHS around 1973.A yellow and lime green silk and net evening dress from c.1909. The bodice is constructed of a golden silk satin with an over bodice of a very soft gold net with soft gold and lime green embroidery decorated with flower and bow motif's. The neckline is bateau like in shape with the edge following the flowers of the lace design. The bodice is sleeveless with a loose detached cap that hangs down over the top of the arm with a lace covering. The under fabric of the bodice is shaped and lightly boned but the over lace is looser, nipping in at the waist where it joins the skirt. At the back, the bodice neckline scoops lower than the front with the lace overlay creating a v shape at the centre back. The bodice is secured with hooks and eyes and waist tapes. The skirt is flat fronted and floor length consisting of the same golden yellow silk with soft gold and lime green embroidered net over skirt. The lace net over skirt features larger motifs and greater embellishment towards the bottom of the skirt. The lace over lay also has an edge that follows the design of the lace rather than a straight edge. At the back the underskirt is flat and shaped but the over skirt is lightly gathered and loose hanging. The skirt finishes in a full skirt and a rounded, small train.woolbrook, septimus miller, cantala, henry 'money' miller, gwendoline miller, clara miller, 1900s fashion, caulfield, brighton general cemetery

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This handmade evening dress, worn by Kaye Cole, former mayor of Kew in 1979-80, has strong local provenance to the district.Purple caftan with embroidery and beading at the neck and on the sleeves, given to the donor by Kaye Cole, former councillor and Mayor of Kew 1979-80. The costume is believed to have been worn at various civic functions.kaye cole, mayor of kew 1979-1980, evening dresses, fashion - melbourne - 1970s

Program of an evening to celebrate the centenary of the Loyal Balaclava Prince of Wales Lodge No. 4933, of the Manchester Unity Independent Order of Oddfellows (MUIOOF) Victoria, on 10 April 1961. MUIOOF originated in Manchester, England and was established in Melbourne in 1840. By the end of the century, it had an extensive network of lodges throughout Victoria. In 1993 Manchester Unity (Victoria) merged with the Australian Natives Association to form Australian Unity Friendly Society Limited, now known as Australian Unity Limited.Two white pages, discoloured with age, being a cover page and insert, folded and printed on one side in blue and red. On the cover page is a multi-coloured insignia.Handwritten in blue on the cover page: 'Presented to Historical Society of St. Kilda by Mrs. E. Tieiney 2/12/78'manchester unity

In 1880 Melbourne hosted its first major international exhibition the "Melbourne International Exhibition". In 1888 Melbourne hosted its second major international exhibition the "Melbourne International Centennial Exhibition".Two-piece evening dress comprising separate bodice and skirt made of gold-coloured silk damask woven with large curvilinear design in cream. Cream tulle trim around neck embellished with beads and artificial pearls. Similar trim down centre front and around lower edge of bodice. Short puffed sleeves Neckline trimed with wide gold satin riboon and bows. Bodice is boned and fastens centre back with hooks and eyes. Gored skirt pleated into waist. .1 - bodice . 2 - skirtLabel, woven blue on cream, centre back bodice: QUOD FACIMUS VALDE FACIMUS, George & George Ltd / Federal Emporium / Melbourne, International Exhibition Melbourne, Costumes and Mantlesgeorge and george, evening dress, georges of collins street, 1888

The dress is an excellent example of mid-1970s evening wear and comes with its original box and dockets. It was purchased from a local op shop by a Brighton Historical Society volunteer, who subsequently donated it to BHS in 2017. The receipts tell us that the dress was originally purchased from Georges department store on Collins Street by Mrs Eunice Amelia Hill (b. 1917) of 6 Webb Street, Brighton. Eunice placed the dress on lay-by and paid for alterations in December 1974; it was delivered to her home in January 1975.Full-length knit dress of blue, green and silver patterned lurex with Georges box and receipts. High neck with metal zip centre back. .1 - dress .2 a-b - Georges box with lid .3 a-c - envelope & 3 layby & alteration receipts stapled together & separate delivery invoice .4 - Receipt for dress alteration & delivery chargeLabel, woven black on white acetate, centre back: PRINTED BY HAND / Pelilla / MADE IN ITALY Label, printed black on white acetate, centre back: 65% RAYON / 35% POLYESTER / MADE IN ITALYevening dress, maxi dress, 1970s, brighton, eunice amelia hill, georges of collins street, pelilla

Demonstrates how ESCo managed Weekly tickets during the late 1920's and yields information about the way the system was arranged. The source of the ticket, NSW tramways is significant in that it was obtained by them as a sample. Morning and Evening Weekly Ticket, price 1/6, printed for Week 1, that is not available for Sundays or Holidays. Ticket printed on light weight card, in two colours, teal and orange, numbered 1338 available only between Mount Pleasant and Doveton St. Notes the conditions of use, the time available for which the ticket may be used and where. Printed by J.J. Miller, Melbourne. Ticket has been removed from a block - has staple holes at the top. See Reg Item 2948 for circular detailing their use at the commencement of the issue of this style of Weekly Tickets - some detail differences in the style and colours later on."1/3" in pencil in bottom right hand corner.trams, tramways, tickets, weekly tickets, esco

Demonstrates how ESCo managed Weekly tickets during the late 1920's and yields information about the way the system was arranged. The source of the ticket, NSW tramways is significant in that it was obtained by them as a sample. Morning and Evening Weekly Ticket, price 1/6, printed for Week 1, that is not available for Sundays or Holidays. Ticket printed on light weight card, in two colours, teal and light green, numbered 2600 available only between Orphanage and Doveton St. Notes the conditions of use, the time available for which the ticket may be used and where. Printed by J.J. Miller, Melbourne. Ticket has been removed from a block - has staple hole at the top with part of the ticket missing. See Reg Item 2948 for circular detailing their use at the commencement of the issue of this style of Weekly Tickets - some detail differences in the style and colours later on."1/3" in pencil in bottom right hand corner.trams, tramways, tickets, weekly tickets, esco

Card is part of collection of items donated by the Grigg family to LDHS after the death of Marie Grigg.Printed invitation card, cream-coloured card with dark blue printing. Invitation is from Mr. & Mrs. W. Fitridge, and is for a dance and card evening to celebrate the coming of age of Nella Fitridge, to be held at Mannibadar (sic) Hall, Saturday 3rd July 1948. Invitation is to "Mr. W. Grigg & family". Card is in envelope with one-penny stamp, datemarked "Mannibadar - Vic" (date illegible), addressed to "Mr. W. Grigg Jnr., Linton". Explanatory note in pencil on back of envelope: "There were 3 generations of William Griggs (hence "W. Grigg Jnr"). Explanatory note on back of card: "Fitridges lived beside the Memorial Hall & their house was the PO & telephone exchange".marie grigg legacy, invitations, cards, w. grigg, nella fitridge, fitridge family

Ticket contained within Reg. Item 2488, page 31, ESCo, Ballarat Tramways, Morning and Evening Weekly Ticket, price 1/6, printed for Week 2, that is not available for Sundays or Holidays. Ticket printed on light weight card, in two colours, off white and teal, numbered 7743 available only between the City and Macarthur St. Notes the conditions of use, the time available for which the ticket may be used and where. Ticket has been punched or nipped a number of times. Printed by J.J. Miller, Melbourne. Note Item Not formally Numbered. Image btm2494i2 shows position on page relative to items 2494 to 2504. See Reg Item 2948 for circular detailing their use at the commencement of the issue of this style of Weekly Tickets - some detail differences in the style and colours later on.Some inscriptions about the ticket in pencil.trams, tramways, tickets, weekly tickets, esco

Demonstrates how ESCo managed Weekly tickets during the late 1920's and yields information about the way the system was arranged. The source of the ticket, NSW tramways is significant in that it was obtained by them as a sample. Morning and Evening Weekly Ticket, price 1/3, printed for Week 1, that is not available for Sundays or Holidays. Ticket printed on light weight card, in two diagonally, light green and teal, numbered 0076 available only between Queen St and Doveton St. Notes the conditions of use, the time available for which the ticket may be used and where. Printed by J.J. Miller, Melbourne. In the bottom right hand corner has a perforated triangular section which could be removed. Has the words "P.M. Friday" printed on it. Ticket has been removed from a block - has staple hole at the top. See Reg Item 2948 for circular detailing their use at the commencement of the issue of this style of Weekly Tickets - some detail differences in the style and colours later on.trams, tramways, tickets, weekly tickets, esco

Demonstrates how ESCo managed Weekly tickets during the late 1920's and yields information about the way the system was arranged. The source of the ticket, NSW tramways is significant in that it was obtained by them as a sample. Morning and Evening Weekly Ticket, price 1/3, printed for Week 1, that is not available for Sundays or Holidays. Ticket printed on light weight card, in two colours, light red and light green, numbered 0004 available only between Grant St (Mt Pleasant) and Doveton St. Notes the conditions of use, the time available for which the ticket may be used and where. Printed by J.J. Miller, Melbourne. In the bottom right hand corner has a perforated triangular section which could be removed. Has the words "P.M. Friday" printed on it. Note this part has been taped back onto the ticket. Ticket has been removed from a block - has staple hole at the top. See Reg Item 2948 for circular detailing their use at the commencement of the issue of this style of Weekly Tickets - some detail differences in the style and colours later on."04" in pencil in top right hand corner.trams, tramways, tickets, weekly tickets, esco

Ticket contained within Reg. Item 2526, page 58, ESCo, Ballarat Tramways, Morning and Evening Weekly Ticket, price 1/6, printed for Week 4, that is not available for Sundays or Holidays. Ticket printed on light weight card, in two colours, light green and grey, numbered 5582, for specific use between the Orphanage (Victoria St) and Doveton St. Notes the conditions of use, the time available for which the ticket may be used. Ticket has been punched or nipped four times and shows that it was stapled to a block. Printed by J.J. Miller, Melbourne. Note Item Not formally Numbered. Image btm2541i shows position on page relative to items 2541 to 2545. Handwritten notes, Reg. Item 2541, make reference to these items. See Reg Item 2948 for circular detailing their use at the commencement of the issue of this style of Weekly Tickets - some detail differences in the style and colours later on.trams, tramways, tickets, weekly tickets, lunch hour, esco

A dress belonging to the family of George Ward Cole in the late 1800s; possibly his wife Thomas Anne Ward Cole or one of his daughters, Margaret or Agnes. George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor the Duke Of Edinburgh, Queen Victoria’s second son at St Ninians in 1867. In later years St Ninians was subsequently subdivided and later demolished. A hand sewn, brown silk, evening dress, circa 1860, consisting of a bodice and skirt. The bodice features an off the shoulder neckline edged with cream lace. A chevron design of black velvet trim, passes from the shoulders to the centre front waist, then hangs loosely to the hip line. The black velvet trim on the sleeves and the skirt is edged with a black fringe. The bodice (.1) base is finished in a v-shaped front at the natural waistline. There are short puffed sleeves also feature the black velvet fringed trim and lace at the edge along with three epaulette style strips, which pass from the shoulder seam to the edge of the sleeve. Each strip finishes with a decorative bobble. The bodice lining is cream glazed silk with steel boning, cotton tabs sewn into both sides have four eyelets for lacing. The dress has a full, floor length unlined skirt (.2) which is slightly longer at the back creating a modest train. The skirt has horizontal bands of the velvet trim and finishes with a box pleated trim of the dress fabric. The dress is fastened at the back using two connecting rows of black velvet covered buttons.brighton, st ninian's, 1860s, evening dress, george ward cole, thomas anne ward cole, margaret morison ward cole, agnes bruce ward cole

front page of the Bendigo Evening News, dated 26 October 1885 Newsppaer in poor condition, yellow / aged and folded front page covers a wide range of advertisements for medicinal potions and trades. price pne half-pennyBendigo Evening News

An item of Local significance for women in use of decorating their Domestic life in the mid 1920's. Usually these items were constructed with the use of their own handicrafts. The 'Sunday Best' status helped to present a civilised look to the one day of No work and Church in a family's weekly life.A lady's linen, hand embroidered full apron. Orange Flowers(Button hole stitch), green leaves (satin stitch) Featherstitch on pockets and edges of the garment.1 Tie is missing meaning that the apron cannot be worn.embroidery, hand, domestic, linen, silk, crafted, apron, sunday best, stranded, ties

Clothing. Silver grey long silk skirt with train. Front of skirt finished with a pleated decorative band. Skirt V shaped panels, as seen on the bodice. V shapes on front, edged with the silvery satin as seen on the sleeves of the bocice. Front and back of skirt are decorated with three flat bows of silk fabric, grey grosgrain ribbon, and gold lurex knitted fabric. Appears to match the boned bodice, but probably the waistline has been extended, as it is now finished with totally different fabric. ( Grey taffeta).costume, female, evening or sunday best

Small flat tin for choice Australian leaf tobaccoSunday Best. Tobaccopersonal effects, smoking accessories

Aqua coloured, wool lace, long evening gown.Aqua coloured, wool lace, long evening gownHaffenden / LONDONfashion, textile mills, lace