The samples are examples of products made at the Returned Sailors and Soldiers Mill in Geelong but discontinued before 1960. They were used to show shops what materials were available. The samples were given to Mr Robert Anderson, an apprentice fitter and turner at the mill between 1960-1965. His mother, Mrs Lucy Anderson, sewed the samples into quilts in the early 1960s. This is one quilt of three.A quilt made from woven samples of woollen fabric with herringbone and checked designs, mostly in brown, green, blue and red. The samples are machine sewn together. It has a cream backing which is machine sewn onto the quilt.handicrafts, returned soldiers and sailors mill, wagga, anderson, mr robert anderson, mrs lucy, geelong, victoria, quilts, necessity

The samples are examples of products made at the Returned Sailors and Soldiers Mill in Geelong but discontinued before 1960. They were used to show shops what materials were available. The samples were given to Mr Robert Anderson, an apprentice fitter and turner at the mill between 1960-1965. His mother, Mrs Lucy Anderson, sewed the samples into quilts in the early 1960s. This is one quilt of three.A brown quilt made from woven samples of woollen striped fabric in browns and olive greens. The pieces are machine stitched together. It has an off-white backing which is machined and hand sewn into place.handicrafts, returned soldiers and sailors mill, wagga, anderson, mr robert anderson, mrs lucy, geelong, victoria

Sample of 60% wool blend "7544" upholstery fabric supplied by Macquarie Textiles from the Winter 1997 range.Sample of 60% wool blend "7544" upholstery fabric supplied by Macquarie Textiles from the Winter 1997 range.textiles - upholstery, macquarie textile group limited

Textile sample book owned by Ernest Waddington and containing samples of mens suiting in heavy dark fabrics with a nap.PALMER / 9 oz. Napped Suiting Ernest / Waddingtonweaving, raising

Fred Murgatroyd's twed fabric to be used in conjunction with Nino at Foster Valley for Loom in G2textile industry textile mills, foster valley mill pty ltd valley worsted mill, tweed, murgatroyd, mr fred, textile industry, textile mills

"Alexana"/ 90%wool 10% mohair/ exclusive fabric/ by ALEXANDER LAUtextile design fashion textile industry - history, alexander lau pty ltd, lau, mr alexander - alexander lau pty ltd, textile design, fashion, textile industry - history

Made by Mrs Noel (Lizzie) Morton, the donor's mother on their farm "Wanera" at Benjeroop on the Murray River. It was stitched with a treadle machine. Her sister Flora MacDonald did the running stitch and provided the silk backing. The squares were sent as samples from a firm called "Fred Hesse" who advertised in the Melbourne papers "Be smart and dressy In a suit by Fred Hesse". The buyer chose a sample and then sent it back with measurements and received a "mail order" suit.A small knee rug made from suiting samples machine stitched together. It is backed with black silk fabric and finished with a running stitch of orange wool oversewn with black wool thread.farming quilting quilting - history, wanera benjeroop, farming, quilting, quilting - history

This was the uniform of junior girls from the 1960s until the new campus for secondary students began at Truganina in 1978. Shortly after the opening of the secondary campus a new dress, green in colour, was adopted for all girls. This summer uniform dress, donated by a past parent, was handmade and worn by a prep student in 1977. It is a rare example of the school dress from this period. Together with a dress pattern and a sample of the same fabric donated by another past parent, these items have historic significance and interpretive capacity. Current students enjoy learning about how different the provision of school uniforms was not so long ago, as Westbourne uniforms can now be ordered online.Small belted dress in blue checked pattern with white collar and sleeve cuffs and three white buttons down the front.

A cloth sample book, containing samples of Cumberland "light kid mohair" suiting fabric.textile design, cumberland, cloth - worsted, mohair

A cloth sample book, containing samples of Cumberland "extra light super 100's" suiting fabric.textile design, cumberland, cloth - worsted

Sample swatch book,100% merino extrafine Zegna Baruffa fabric.textile industry weaving, zegna baruffa, cloth - woollen, textile industry, weaving

Sample swatch book,100% merino extrafine Zegna Baruffa fabric.textile industry merino sheep weaving, zegna baruffa, cloth - woollen, textile industry, merino sheep, weaving

This wagga has been made of regular sized, machine sewn patches of mens suiting fabrics. The fabrics would almost certainly have been sourced from a sample book of fabrics for mens suits, owing to their regular size and the fact that many have the same pattern but vary in colour.Wagga, made from samples of mens suiting in machine sewn patchwork.patchwork, wagga, fabrics, mens suits, pattern, necessity

Weaving sample folder: "RANGE No 6" contains sheet detailing 3 "FANCY WORSTED SCREEN FABRIC" patterns with 1 pink, 1 orange and 1 green cloth samplesWAYNE BUGG RANGE No 6 (ink) FANCY WORSTED SCREEN FABRICweaving textile industry textile design, weaving, textile industry, textile design

Weaving sample folder: "RANGE No VI" contains sheet detailing 3 "Fancy Worsted Fabric" patterns with 1 blue, 1 brown and 1 black speckled cloth sample.K.W. KAM (ink) RANGE No VI (ink) Fancy Worsted Fabric (ink)weaving textile industry textile design, weaving, textile industry, textile design

Weaving sample folder: 3 "RANGE NUMBER 6 FANCY MOCK LENO FABRIC" patterns with 1 green, 1 light brown and 1 blue speckled cloth sample.John Inveronity (ink) Range 6 (ink) RANGE NUMBER 6 FANCY MOCK LENO FABRICweaving textile industry textile design, weaving, textile industry, textile design

Weaving sample folder: 3 "FURNISHING FABRIC" patterns with 1 brown, 1 yellow and 1 blue checked cloth sample.FURNISHING FABRICweaving textile industry textile design, weaving, textile industry, textile design

Weaving sample folder: "RANGE 2 WOOLLEN UPHOLSTERY FABRICS", "C. URQUHART". Booklets contains the following 2 paged inserts: "WEAVE REPEAT AND PATTERNING FOR PATTERN 1" sheet with orange patterned cloth; "WEAVE REPEAT AND PATTERNING FOR PATTERN 2" sheet with brown patterned cloth; "WEAVE REPEAT AND PATTERNING FOR PATTERN 1" sheet with yellow/green patterned cloth.RANGE 2 WOOLLEN UPHOLSTERY FABRICS C. URQUHART WEAVE REPEAT AND PATTERNING FOR PATTERN 1 WEAVE REPEAT AND PATTERNING FOR PATTERN 2 WEAVE REPEAT AND PATTERNING FOR PATTERN 3textile production weaving, textile production, weaving

Weaving sample folder: JOHN YANG (1967) RANGE 2 and contains "LADIES COATING OR FURNISHING FABRICS" pattern sheet and 3 patterned cloth samples (light grey, medium grey, red).JOHN YANG (1967) RANGE 2 (ink) LADIES COATING OR FURNISHING FABRICStextile production weaving, textile production, weaving

Weaving samples folder: 3 "FANCY WOOLLEN COATING FABRIC" patterns with 3 patterned cloth samplesW.H. Clamp (ink) FANCY WOOLLEN COATING FABRICweaving textile industry textile design, weaving, textile industry, textile design

Weaving samples folder: 3 "FANCY WOOLLEN (MENS SUITING RANGE)" patterns with 3 black/grey cloth samples5651 (ink) FANCY WOOLLEN COATING FABRICweaving textile industry textile design, weaving, textile industry, textile design

Weaving samples folder: FURNISHING FABRIC RANGE 3" A3 pattern sheet and 3 cloth samples (green, red, orange).F.G. DEAN 1968 (ink) FURNISHING FABRIC RANGE 3weaving textile industry textile design, weaving, textile industry, textile design

Cloth sample book of Botany Certified Fabrics contains 36 different coloured cloth samples, part of Collins Bros collection.weaving mills, botany worsted mills

Sample of the mix and match fabric introduced by Mr Fred Moylan (who later purchased a mohair farm).textile mills history, weaving, moylan woollens company, moylan, mr frederick halcomb a.m., textile mills - history

Sample swatch book,100% merino extafine Zegna Baruffa fabrictextile industry weaving, zegna baruffa, cloth - woollen, textile industry, weaving

A cloth sample book, containing samples of Cumberland "extra light" suiting fabric.textile design, cumberland, cloth - worsted

Part of Honybun collectionSample of W W I camoflague fabricSample of doped canvas fabric from W W I German aircraft. Rectangular shape of Fabric in green, purple and yellow with hole for tag in one cornermilitary history, army, air force

The Polish born artist, designer and filmmaker, Stanislaus Ostoja-Kotkowski (1922-1944), who arrived in Melbourne in 1949 on the 'Fairsea', a ship carrying displaced persons from Europe and the Baltic States. He sought employment in architectural and design practices, and also enrolled in classes at the National Gallery School. From 1952 until 1953 Ostoja-Kotkowski had a brief, but productive, period working as a designer in the Prestige Fabric Design Studio in Melbourne. Ann Carew, 2017The textile design has aesthetic significance as an example of the early Australian work of noted emigre artist, designer and filmmaker, Stanislaus Ostoja-Kotkowski, and it has historical significance for its association with the Prestige's Textile Design Studio, and the studio's art director, Gerhard Herbst. Small sample of pale green rayon fabric with a bold, repeating geometric pattern printed in black and white.emigre, polish, design, textile design, rmit design archives

One of a collection of fourteen items of protective wear and household textiles donated by Lisa Sylvan, a long-term resident of Kew, Five of the items are homemade aprons made and worn by her mother. Of the seven pinafores, three identical but differently sized pinafores were made in her parents' factory, while the other three are handmade. The handmade aprons and pinafores are representative samples of women's work, possibly from published patterns, using fabrics originally deigned for dresses. Typically, contrasting fabrics and colours were selected to provide visual interest. The donation also includes a hand embroidered linen supper cloth and a commercially produced 'birds of Australia' printed table cloth. Most of the collection derives from the 1950s.Although not uncommon, hand-made protective clothing in the form of aprons and pinafores often represents samples and styles of 'women's work' using remnant fabrics often designed for other purposes. While generally utilitarian, women found means of gracing these items by the use brightly coloured fabric or patterns, the positioning of pockets and the use of contrasting fabrics to provide visual interest.Pleated pink and white striped cotton apron interspersed with bands of a separate blue and white fabric.aprons, protective clothing, handmade clothing, costume accessories, lisa sylvan