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Cheese World Museum
Tea caddy, 1930s
This tin belonged to Doug Burleigh and was used by his family as a tea caddy. The Burleigh family were early settlers in the Nullawarre area. James Burleigh was a director of Warrnambool Cheese and Butter and undertook an overseas farm study tour to the United Kingdom in the late 1930s.These Australiana tea caddies are significant as an item with aesthetic and interpretive capacity. It was common in many households on the mantelpiece for ready access. It was also a means for Bushells to advertise their product. An octagonal tin tea caddy decorated with embossed Australian animals in full colour on each side -kangaroo, emu, koala and kookaburra; light blue background and top and a circular lid with the brand name imprinted. A red-edged adhesive label is on the side with the kangaroo.TEA [side] Bushells/Tea of Flavor [lid] Bushells/Tea of Flavor/FIRST GRADE/1 LB NET [base]warrnambool cheese and butter factory company, burleigh, nullawarre, allansford, tea caddies, tins, bushells tea -
Glen Eira Historical Society
Article - BENTLEIGH FESTIVAL
... Animal Farm... Charitable Organisations Melbourne Weekly Bayside Star Fitness Animal ...This file contains two items: 1/A two page advertisement from the Melbourne Weekly Bayside circa October 2008, on Bentleigh Festival, Sunday 16 November. Advertisement, date of publication unknown. 2/A two page article on businesses on Centre Road, Bentleigh, with accompanying photographs, date of publication unknown.bentleigh, bentleigh festival, melbourne weekly, centre road, community fun run, the heart foundation, celebrations, groups, charity, fundraising events, festivals, community groups, community organisations, charitable organisations, melbourne weekly bayside, star fitness, animal farm, live entertainment, entertainment, cultural events, cultural activities, jelly bugs, aussie tall stars, the great gizmo, bentleigh east school, kilvington girls’ grammar, schools, educational establishments, rapture band, mckinnon school, ‘red the clown’, ‘ron the clown’, musicians, musical ensembles, bands, music, bleazby street, veterinary surgeon, pharmacist, cooking on three burners, cultural dance troup, dancing, dancers, entertainers, dance, clowns, karen wilson photography, photographers, photography, photographic studios, art, wilson karen, portraits, portraiture, inside out, furniture, furnishings, planet seafood, food, cuisine, milsims games, games, gamers, puzzles, card games, board games, fastframe expert picture framing, picture framers, mackie family vet, mackie family pet health care, veterinarians, veterinary clinics, animals, veterinary nurse, mackie mark, mackie liz -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Farm Equipment, Horse Collar medium 20thC, 20thC
A horse collar is a part of a horse harness that is used to distribute the load around a horse's neck and shoulders when pulling a wagon or plough. The collar often supports and pads a pair of curved metal or wooden pieces, called hames, to which the traces of the harness are attached. The collar allows the horse to use its full strength when pulling, essentially enabling the animal to push forward with its hindquarters into the collar. It is a padded appliance that conforms well to the shape of the horse's body and is constructed so that at all points of contact with the body of the horse it avoids the air passage.The early settlers in Moorabbin Shire depended on the draught horse to pull the equipment need to plough the fields, grade the roads, pull their wagons of produce and small carts for transport as they developed the land after the Henry Dendy Special Survey 1841Horse Collar, 20thC mediumearly settlers, pioneers, draught horse, ploughs, farm equipment, saddles, leatherwork, blacksmiths, cheltenham, sandringham, city of moorabbin, county of bourke, moorabbin roads board, parish of moorabbin, shire of moorabbin, henry dendy's special survey 1841, were j.b.; bent thomas, o'shannassy john, king richard, charman stephen, highett william, ormond francis, maynard dennis, market gardeners, horse drawn wagons, plateway, vegetables, poultry farms, dairy farms, -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Farm Equipment, Horse Collar small, 20thC
shoulders when pulling a wagon or plough. The collar often supports and pads a pair of curved metal or wooden pieces, called hames, to which the traces of the harness are attached. The collar allows the horse to use its full strength when pulling, essentially enabling the animal to push forward with its hindquarters into the collar. It is a padded appliance that conforms well to the shape of the horse's body and is constructed so that at all points of contact with the body of the horse it avoids the air passage.The early settlers in Moorabbin Shire depended on the draught horse to pull the equipment need to plough the fields, grade the roads, pull their wagons of produce and small carts for transport as they developed the land after the Henry Dendy Special Survey 1841 Horse Collar small 20thCearly settlers, pioneers, draught horse, ploughs, farm equipment, saddles, leatherwork, blacksmiths, cheltenham, sandringham, city of moorabbin, county of bourke, moorabbin roads board, parish of moorabbin, shire of moorabbin, henry dendy's special survey 1841, were j.b.; bent thomas, o'shannassy john, king richard, charman stephen, highett william, ormond francis, maynard dennis, market gardeners, horse drawn wagons, plateway, vegetables, poultry farms, dairy farms, -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Farm Equipment, Horse Collar large, 20thC
A horse collar is a part of a horse harness that is used to distribute the load around a horse's neck and shoulders when pulling a wagon or plough. The collar often supports and pads a pair of curved metal or wooden pieces, called hames, to which the traces of the harness are attached. The collar allows the horse to use its full strength when pulling, essentially enabling the animal to push forward with its hindquarters into the collar. It is a padded appliance that conforms well to the shape of the horse's body and is constructed so that at all points of contact with the body of the horse it avoids the air passage.The early settlers in Moorabbin Shire depended on the draught horse to pull the equipment need to plough the fields, grade the roads, pull their wagons of produce and small carts for transport as they developed the land after the Henry Dendy Special Survey 1841Horse Collar large 20thCearly settlers, pioneers, draught horse, ploughs, farm equipment, saddles, leatherwork, blacksmiths, cheltenham, sandringham, city of moorabbin, county of bourke, moorabbin roads board, parish of moorabbin, shire of moorabbin, henry dendy's special survey 1841, were j.b.; bent thomas, o'shannassy john, king richard, charman stephen, highett william, ormond francis, maynard dennis, market gardeners, horse drawn wagons, plateway, vegetables, poultry farms, dairy farms, -
Flagstaff Hill Maritime Museum and Village
Photograph - Horse and plough, Duke, 20th century
... farm animal... Maritime Museum Shipwreck coast Great Ocean Road farm animal horse ...This photograph shows the relationship between the farmer and his working animal, which is a close one. Farmers in years gone by depended on reliable and strong animals to allow them to work their land efficiently. The close relationship is indicated by the photograph's title, the name of the horse 'Duke'. The horse in this photograph is a Clydesdale cross named "Duke" that pulled a market wagon around Flagstaff Hill from the mid-1980's to the early-1990's, providing rides for visiting children and carting goods and equipment around the Village. Duke is pictured with his owner Pat McGowan. Duke passed away in August 1992. In October 1992 funds were raised by the community to purchase another Clydesdale named Duke began working at Flagstaff Hill under Pat McGowan's care.This photograph of man, horse and plough shows the typical farming method used by early settlers in Victoria in the 19th and early 20th century. The photograph is an indication of the respect the farmer had for his working animals.Photograph, black and white, behind glass in timber frame with gilt inner border. Subject is working horse pulling a wooden plough, guided by a man. There is turned soil behind the horse. The name "Duke" is in gold paint script below the photograph.Script "Duke"flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, farm animal, horse and plough, hand plough, horse drawn plough, working horse, duke, duke the horse, early farming, early settler, flagstaff hill maritime museum and village, attraction, clydesdale cross, clydesdale, rides, market wagon, pat, pat mcgowan -
Bendigo Historical Society Inc.
Document - FARM DIARY
Portion of loosely -bound thirty-four double sided cream coloured page farm diary anonymous donor received 2011. Charlton, Barrakee, Buckrabanyule districts. Record segments date from period 1886-1894. Temperature, rainfall, farm-life both domestic and agricultural recorded. Prices of animal stock, grain and machinery. Property names mentioned include New Guniea, Maylands, The diary begins on 4.1.1886 on 10.2.1886 he was sworn in as one of Her Majesties Volunteers to serve for a period of three years , gave a cheque for three pounds 13 shillings for the purchase of a new rifle 27.2.1886 'Received my new rifle today with bayonet , belt and pouch , No 9153 . 17.5.1886 entry states he went to the Presbyterian team meeting at Charlton and enjoyed himself very muchheritage -
Churchill Island Heritage Farm
Tool - Branding Iron, c. 1870-1930
The practice of branding livestock for ownership identification has been used since at least the times of the ancient Egyptians. It was especially valuable when cattle or other domesticated animals were merged with other herds on common grazing land, or if they had strayed or been stolen, as it allowed them to be identified at a glance. The branding iron is heated in a fire, hot coals or by other means and pressed into the hide of the animal creating the brand mark. The word brand originates from the Germanic languages and means anything hot or burning. This brand was owned by Samuel Amess - who owned Churchill Island in the late nineteenth century - and was used on the farm to mark the herds of cattle he owned.Branding iron with initials SA for Samuel Amess. Surface rust, pitted surface. churchill island, samuel amess, branding iron, cattle -
Churchill Island Heritage Farm
Tool - cattle ear punch
The ear punch is used to create a hole in the ears of domestic livestock such as cows and sheep so an identification tag can be applied. The variety of tags available these days are very important for identifying, monitoring, and managing individual animals and herds. Livestock ear tags were initially developed in England in 1799 under the supervision of Sir Joseph Banks, President of the Royal Society, for helping to manage the Merino sheep in the flock established for King George III. They have been in widespread use all over the world ever since.Steel. Two handled. Return spring missing. Apple shaped punchcattle, ear punch, farm, tool, churchill island -
Churchill Island Heritage Farm
Functional object - Hand Shears
Hand shears - also called blade shears - were used to shear sheep prior to the introduction of machine shears and are still used today where no power machinery is available. Hand shears consist of two blades with a hinge at the end furthest from the point. The cutting edges pass each other as the shearer squeezes them together and shears the wool close to the animal's skin. In 1892 Jack Howe an Australian shearer sheared 321 sheep in one day using hand shears. This record has never been broken. This pair was made by Burgon and Ball in Sheffield under patent number 294. Filed in 1865, this brand of shears has been in constant production since then, although this pair was probably made in the 1930s.Spring double handled hand shears for shearing sheep."HIND'S PATENT DOUBLE HOLLOW GROUND BURGON AND BALL PATENT NO. 294 (inside a shield with a crown on top) MADE IN ENGLAND"churchill island, hand shear, burgon and ball, shearing -
Churchill Island Heritage Farm
Functional object - hand shears
Hand shears - also called blade shears - were used to shear sheep prior to the introduction of machine shears and are still used today where no power machinery is available. Hand shears consist of two blades with a hinge at the end furthest from the point. The cutting edges pass each other as the shearer squeezes them together and shears the wool close to the animal's skin. In 1892 Jack Howe an Australian shearer sheared 321 sheep in one day using hand shears. This record has never been broken. hand shears with single spring, surface rust, unused, unsharpenedhand shears, sheep shearing, churchill island heritage farm -
Churchill Island Heritage Farm
Animal specimen - Shell
Large olive-type shell. Fawn colourchurchill island, amess house, shell -
Churchill Island Heritage Farm
Photograph - Photograph of people around stables and barns
Churchill Island Heritage Farm has a large photograph collection.Colour photograph of people standing and sitting around the barns and stables at Churchill Island looking at the animals Catalogue number written on reverse in pencil churchill island, photograph -
Churchill Island Heritage Farm
Photograph - Photograph of man feeding animals
Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century. This series showcases photographs taken in the 1930s and 1940s and shows people who lived and worked on the Island during the Jenkins period. This photograph shows Gid Ashley and the animals that lived on Churchill Island.Black and white photograph with a white border of a man standing and feeding a flock of chickens and a small pig in front of a tall white fence, with a tank in the background. The photographer's shadow is visible in the centre of the frame Digitised from a high resolution copy (original Polaroid is in poor and fragile condition)nilchurchill island, photograph, arthur evans, gid ashley -
Bendigo Historical Society Inc.
Postcard - LYDIA CHANCELLOR COLLECTION: RURAL SCENE POSTCARD
A coloured postcard of three children watching whilst a calf drinks from a bucket. It has been sent by 'W.P.' from Numurkah to Lydia in Fir Street Golden Square. May 10, 1905.postcard, photograph, farm scene, lydia chancellor collection, collection, lydia pethard, correspondence, photo, photograph, animals, family -
Benalla Art Gallery
Painting, J. H. SCHELTEMA, Full swing on the board, 1904
... Interior Shed Shearing Sheep Figures Animals Wool Farm Recto ...Born: The Hague, Netherlands 1861; Arrived: Melbourne, Victoria, Australia 1888; Died: Brisbane, Queensland, Australia 1941RealismGift of Mr Gordon S. Ross, 1978Interior of shearing shed with figures, shears, animals and wool. Copper coloured gesso frame.Recto: Signed "J. H. Scheltema" in brown oil in l.l.c of composition; Not dated; Not titledpainting, interior, shed, shearing, sheep, figures, animals, wool, farm -
Tatura Irrigation & Wartime Camps Museum
Document, Baby the Horse Leads a Dog's Life, 1964
... An amusing story appearing in Melbourne Herald of animals... of animals on Peter Kerrin's farm dairy farms document newspapers ...An amusing story appearing in Melbourne Herald of animals on Peter Kerrin's farmArticle from Herald Newspaper concerning unusual behavour of horsedairy farms, document, newspapers -
Hume City Civic Collection
Equipment - Tallow Pan
Used for collection animal fat in order to make candles.Very heavy large rusty round pan with a handle and blunt metal spikes. Around the edge is a narrow lip with a small pouring spout.social history, candles, farms, equipment, george evans collection -
Hume City Civic Collection
Equipment - Animal Ear Marker
Used on Sheep Farm in Coleambally, NSW to mark sheeps ears with that particular farms brand. Used approximately 1960.Steel spring handle with one side having brand cut out and other side brand protruding to fit together when squeezed. Hole in one handle."W.JNO BAKER" "BAKER"farm implements, farming, george evans collection, 1960s, sheep, farms -
Nillumbik Shire Council
Sculpture: Tony Trembath (b.1946 Sale, Victoria), Tony Trembath, The Fences Act 1968 - Location: Edendale Farm (entrance) 30 Gastons Road, Eltham, 1989 - 1994
Eltham Council (now the Shire of Nillumbik) commissioned this work in 1989 to create an entrance / gateway to Edendale Community Farm. It was also aided by a grant from the Ministry of the Arts (now Arts Victoria). The former name of this work was "Gateway to Edendale Farm". Edendale Farm is a demonstration farm modelling sustainable environmental practices, providing support to the local residents of Nillumbik. Established in 1986, the land was purchased in 1970. It was previously an English gentleman's residence and was used for grazing. It consists of 5.6 hectares, with the Diamond Creek meandering through the property. The Victorian Fences Act 1968 governs liability of occupiers of adjoining lands to fence, and deals with disputes between neighbours regarding boundaries fences and costs. This work took into consideration ideas and suggestions from residents and committees, who required the use of recycled materials and that the work celebrate man's relationship with nature, animals and the earth, as well as relate to the fence-line on the far side of the carpark. Trembath also absorbed significant aspects of local history, making references to Eltham's agricultural past, the clearing of the land, the destruction of trees, the ruthless pruning of trees by suburban Councils and incorporated such Australian features as the post and rail fence. 'The Fences Act 1968' is significant for aesthetic, historic and social reasons at a regional level. It makes prominent the historical and social significance of Edendale and the rural aspects of Nillumbik. The use of existing tree stumps and salt pots in the work explores the iconography of the countryside such as the isolated farmhouse, pioneering farming practices, post and rail fencing and the regrowth of lopped trees. The title of the work, as well as the extensive community involvement in its creation, also makes reference to the Victorian Fences Act 1968, which makes neighbours jointly responsible for the cost of construction and maintenance of fences in the partitioning of land for settlement. 'The Fences Act 1968' has been classified as of regional significance by the National Trust of Australia. The work is an installation of wood and metal, approximately twenty five meters long. The design is very informal and rustic and runs the full width of the fence-line. It comprises groups of recycled tree trunks fitted with metal caps (chrome-nickel 'salt pots' that are shaped like tall bowler / top hats). Metal rods protrude from the trunks and some of these rods have metal birds. Two larger, sentinel-like stumps at the two outer ends have metal flame-like wings, which bend inward. To the left of the entrance, a simple architectural element indicates an isolated farmhouse. The rustic fence runs between the groups of tree trunks with native planting in clumps along it. The fence-line incorporates a functional engineered double gate and post and rail fencing. There may be many interpretations of the work and the intention is to stimulate interest and imagination rather than alienate. Interpretation is based on the personal experience that a visitor brings. The artist recommended that no explanation of the design logic be positioned with the work. N/Apublic art, sculpture, edendale, recycled, wood, metal, fences act 1968, gate, trembath, salt pot, tree stumps -
National Wool Museum
Tool - Numnuts, Numnuts, 2020
Worldwide, more than 100 million lambs are castrated, and their tails are docked each year. Numnuts is a technological innovation to improve animal welfare. It combines traditions with innovation. In the mid-1990s it was scientifically shown that the immense pain felt during castration and tail docking could be significantly reduced with the use of anaesthetic. For the next 15 years, the industry said the cost the welfare devices and development were too high. But todays ethical consumer has demanded that sheep have no more pain. Initiated in Glasgow in 2009, Numnuts took nearly a decade to develop. Here you can see five stages of development, from an early prototype to the Numnuts device farmers use today. Each phase of development took years of on-farm trails to achieve the final product. Today there is even NumOcaine, an approved local anaesthetic used by Numnuts. Using the simple elastrator ring and adding an anaesthetic injector, Numnuts delivers pain relief during tail docking and castration. In the world’s first rubber ring applicator with a pain relief delivery mechanism. Through innovation and consumer pressure the wool industry is going through a moment of rapid change.8098.1 - Numnuts tool made with stainless steel and black, orange and grey plastic. 8098.2 - Glass bottle with orange and grey plastic nozzle containing water for injection. 8098.3 - Yellow plastic case containing 12 stainless steel needles 8098.4 - 10 green plastic elastrator rings 8098.5 - Product cardboard box with the product image on the front8097.2 - on label - For animal treatment only WATER FOR INJECTION 100mL 8097.3 - On case - numnuts 12x Veterinary Hypodermic Needles On needdles - 18G 8097.5 - Numnuts targeted pain relief for tail docking and castrationnumnuts, tools, sheep, castration, docking -
Ballarat Heritage Services
Photograph - Digital photographs, Lisa Gervasoni, Lamb, 2017
... farm animal... Office goldfields 2017 farm animal lamb black sheep farm animal ...Colour photograph of a lamb in a green paddock.2017, farm, animal, lamb, black sheep, farm animal -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Tambo Shire, 1994
Also second identical copyColour photograph of the Mossiface Flats, near Bruthen, shows paddocks of the rich river flats, timbered foothills in the distance, with mountain range behind. Some paddocks have been mown for grass hay. Farm buildings in foreground and background. Dam in foreground. Bruthen Victoriaanimals, agriculture, vegetation, topography -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Tambo Shire, 1994 c
Also second identical copyColour photograph of grazing country in the Timbarra region, showing well grassed paddocks in foreground farm buildings in valley wooded foothills in background. Timbarra Victoriaagriculture, primary industry, animals -
Bendigo Historical Society Inc.
Ephemera - Camel Farm, about 1980s
Now called Mattie's Sanctuary, it provides homes for all livestock animals although there is a particular emphasis on excess male camels from the camel dairies of regional Victoria.Sedgewick Camel Farm and Epsom Market Brochures 1. Camel Farm: Advertising Brochure complete with map of location, hours of operation, tours and prices. 2. Epsom Market, times and phone number, location, times of opening and invitation to become a seller. history, bendigo, merle lummis collection, sedgwick's camel farm, epson market -
Sunbury Family History and Heritage Society Inc.
Photograph, School Excursion
The students from Bulla Primary School visited a farm in the local area to learn about farm life in the district, where there are many small hobby farms. In this photograph the girls came up close to a pig in its pen enjoying a meal.The farm excursion introduced to a variety of farming activities in their local area. a non-digital coloured photograph of four children standing in a pig pen while watching the animal eat its food.farms, pig farming, school excursions, bulla primary schooil -
Surrey Hills Historical Society Collection
Photograph, Gwen and Beryl Mair with Mr Jarman, Derrinallum, c1927, c1927
David Miller (Dave) Mair (1879-1938) married Lily Vipond Deakin (1890-1945) in 1910. They had 5 children: Geoffrey David (1913-1970), Beryl (1916-1976), Gwynneth (1917-1997), Isabel Lillian (1921-1997) and Shirley Inez (1928-1968). Personal communication from Laurie Newton, Beryl's daughter: Dave and Lily initially lived in East Melbourne after they married. Dave walked across the gardens to work at the MCG. He never drove or owned a car. Geoffrey, Beryl and Gwynneth were born in East Melbourne. They subsequently moved to Louise Avenue, Mont Albert and Isabel may have been born while they were there. Later they purchased 20 Barton Street, Mont Albert. Shirley was born after they moved to Barton Street. Electoral roll details: 1919 1922 24 Louise Avenue, Mont Albert 1924 20 Barton Street, Mont Albert Dave Mair was a very keen sportsman. This is part of a large donation of material from the Deakin, Mair and Young families. The Deakin, Mair and Young families had many connections with Mont Albert and Surrey Hills.A sepia photo of 2 girls on the back of a pig, which is being lightly held by a man, squatting beside the animal. A cattle dog sits nearby. In the background are some straggly trees along what may be a boundary or paddock fence, apart from which the surroundings look very bare. Off to the LHS in the background is farm shedding.In black ink: "Off for a joy ride / B. Mair / 20 Barton St / SUrrey Hills / E10." - thought to be in Lily Mair's handwriting. In blue biro: " Gwen Beryl (IN FRONT in lead pencil) / Mr Jarman / Derrinallum" Thought to be Beryl Mair's handwriting. "KODAK PRINT" in black. beryl mair, gwen mair, mr jarman, farms, children, derrinallum -
National Wool Museum
Photograph - Reversed Badgerface Pattern, c.1928
This item is part of a group of five green display boards with photographs of sheep. This item is associated with the New South Wales Graziers Association world tour of merino sheep 1928/9.Five black and white photographs and printed paper mounted on green display board. Photographs depict sheep and men. The display board has pin holes in each corner.Front: [handwritten] Reversed Badgerface Pattern. / [printed] This is a remarkable instance of a reversal of pattern. The areas / that are black in the badgerface are white in this type, and vice versa. / This pattern behaves as a simple recessive to white and to badgerface / pattern. As in the badgerface, there are many modifications. Figs. / 1-3 show the typical pattern. Fig. 4 shows the head of another sheep / and Figs. 5-6 a typical lamb. Back: [handwritten] Reversed / Badgerface Pattern / 8 / [printed] PHOTOGRAPH COPYRIGHT / BY / THE ANIMAL BREEDING RESEARCH DEPT., / THE UNIVERSITY, EDINBURGH. / PLEASE RETURN TO :new south wales graziers association, world tour, england, sheep, farm, rural, agriculture, scotland -
National Wool Museum
Photograph - Types of Birth Coat in Welsh Lambs, c.1928
This item is part of a group of five green display boards with photographs of sheep. This item is associated with the New South Wales Graziers Association world tour of merino sheep 1928/9.Five black and white photographs and printed paper mounted on green display board. Photographs depict sheep and men. The display board has pin holes in each corner.Front: [handwritten] Types of Birth Coat in Welsh Lambs. / [printed] The coats of Welsh lambs at birth fall into three classes. / Fig. 1 shows the type that is thick and hairy all over, Fig. 5 that / which is composed of curly wool. Figs. 2-4 are the intermediate / type with a fine curling coat on the forepart of the body. Fig. 3 / is typical of the intermediate type. Back: [handwritten] Types of Birth Coat / in Welsh Lambs / [printed] PHOTOGRAPH COPYRIGHT / BY / THE ANIMAL BREEDING RESEARCH DEPT., / THE UNIVERSITY, EDINBURGH. / PLEASE RETURN TO :new south wales graziers association, world tour, england, sheep, farm, rural, agriculture -
National Wool Museum
Photograph - Typical Badgerface Ewe and Ram, c.1928
This item is part of a group of five green display boards with photographs of sheep. This item is associated with the New South Wales Graziers Association world tour of merino sheep 1928/9.Six black and white photographs and printed paper mounted on green display board. Photographs depict sheep and men. The display board has pin holes in each corner.Front: [handwritten] Typical Badgerface Ewe and Ram. / [printed] This pattern crops up in many breeds all over the world. It behaves / as a simple recessive to white. The typical pattern in very character- / istic, but many modifications are found so that badgerface sheep may range / from those that are almost white to those that are almost black. Back: [handwritten] Typical / Badgerface / ewe and ram / 4 / [printed] PHOTOGRAPH COPYRIGHT / BY / THE ANIMAL BREEDING RESEARCH DEPT., / THE UNIVERSITY, EDINBURGH. / PLEASE RETURN TO :new south wales graziers association, world tour, england, sheep, farm, rural, agriculture