Slide. Bendigo Views. Trees and ferns in the Fernery, Rosalind Park,slide, bendigo, bendigo views, bendigo views

Slide, Garden (Flowers) 12 Hope Street.Elk horn fern.slide, bendigo, garden (flowers) 12 hope street., garden (flowers) 12 hope street.

Fossils are among the most valuable sources of information about the Earth's history.A fossil of a fern -probably a cycad from the Triassic Period. Order - cycadales.fossil fern cycad

Black and white photograph of group of men and women amongst fern trees.Typed below photograph, "Ringwood Methodist Church outing to Sassafras - 1895" Similar inscription on backing sheet with the additional note that, "Names on original photograph"

BLACK AND WHITE PHOTOGRAPH OF Ferns Michael Dene MARYSVILLE Victoria 1924-25photograph, landscape

Lyre Bird Gully and Lyre Bird Gully Track run alongside the Olinda Falls. The area has been a popular walking track in the from the 1920s onwards. The photograph is from the album of Ivy Child. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. Black and white photograph showing a row of tree ferns in the foreground with bush behind.Written below photograph in album: OLINDA FALLS AND LYRE BIRD GULLYolinda falls, falls, lyrebird, lyrebird gully, lyrebird track

The photograph is from the album of Ivy Child and shows a scene from Lyrebird gully that runs alongside the Olinda Falls. This has been a popular tourist area from the 1900s onwards. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. Black and white photograph showing a bush setting with tree ferns and other trees.Written below the photograph in the album: THE GULLYlyrebird gully, tree ferns, bush, olinda falls

Black and white photocopy of fountain and ferns in Lower Camp Reserve Sandhurst. It shows a garden with ferns, trees, fences an urn at right and a fountain at left. Copy of photograph held by state library. On front at top ' State Library of Victoria - pictoria image. Database '/759353/ ' Fountain and ferns in Lower Camp Reserve, Sandhurst. 'Handwritten ' LTA 38/H39358/76' Rudd Photograph.Ruddplace, landscape view, lower camp reserve sandhurst, photographs, sandhurst, garden, reserve, bendigo, photography, fountains, ferns

Jam tin with label of Evelyn Preserving Company Ltd, Wandin. Evelyn Fig Jam/ Fern Brand Regd Trade Markjam containers, food storage cans

Silverband Falls. The original photo is in a frame and is on display in the History Room. ** Oct 2009: The original has 'disappeared' !!Photo shows 22 people below, alongside and above falls Logs and ferns in foregroundscenery, waterfalls, scenery, silverband falls

Black and white photograph of Fern Avenue, Cora Lynn, Marysville Victoria. 1924-25photograph, landscape

Wilfred Clarence Busse, born in Chiltern in 1898, His family moved to the region during the gold rush and continued to reside in the area, purchasing land adjacent the Murray River. Busse completed his secondary education at Wesley College in Melbourne then studied law at the University of Melbourne. Busse went on to become a barrister, often in the chambers of Sir Leo Finn Bernard Cussen (1859-1933) a judge of the Supreme Court of Victoria. He worked most of his life in Chiltern as a Barrister and Solicitor and gained the unofficial title of historian of Chiltern, leaving behind several manuscript histories and a scrap book. Busse was an avid fictional writer and in 1930 he published two novels. Time spent on a Victorian station in his early twenties, as well as careful documentary research, informed the writing of his historical novels of bush life. "The Blue Beyond; A Romance of the Early Days in South Eastern Australia” and "The Golden Plague: A Romance of the Early Fifties." "The Golden Plague” won the T. E. Role gold medal for the best historical novel which went on to become a best seller. Busse often drew inspiration for his novels from his younger years living Chiltern. His passion for the region lead him to write “The History of Chiltern” which was published in a serial form in the Chiltern Federal Standard from 1922-1923. Wilfred Clarence Busse was a member of Chiltern Athenaeum (where this object is now held) up until his death in 1960, he is buried in the Barnawartha Cemetery. Likely Silverplate due to the intensity of the tarnishing of the metal, with indecipherable hallmarks on the handle, the method of production and the maker mark are unclear. The delicate swirling fernlike motif on this particular butter knife appears to be stylised in either Art deco the decorative arts and craft style favoured in Europe between 1880-1930's and less representational than examples of Australiana flora captured in silversmithing from the 1850's onwards produced in Australia. It is likely that those producing silverware at the time would be drawing on the decorative arts movement while incorporating elements of the natural beauty in the flora of their newfound environment into the silverware they produced.Wilfred Clarence Busse was of social significance to Chiltern, he helped to document the cultural story of the area in his published works "The Golden Plague" and "The Beyond Blue" by recounting his own upbringing in a bush lifestyle. He was a respected Barrister and was the unofficial historian of the Chiltern Athenaeum for many years. This butter knife represents a window into the domestic life of this person who was well loved in the area, and it continues its relationship to Busse as well as Chiltern by being held within the very collection he helped to maintain in his life. Domestic objects tell us the story about how people lived, objects of daily use hold particular meaning in that they can tell us the story of an individual, we feel closer to their life and habits, it humanises and connects us across time. Wilfred Busse ate food, he buttered his bread and he did it with a wonderfully decorated silver butter knife.A tarnished metal butter knife with engraved and embossed spiral fern details on the knife and handlesilverware, wilfred clarence busse, busse, chiltern, chiltern athenaeum, federal standard, t. e. role, "the blue beyond, a romance of the early days in south eastern australia”, "the golden plague: a romance of the early fifties.", "the golden plague”, wesley college, university of melbourne, sir leo finn bernard cussen, supreme court of victoria, gold rush, murray river, “the history of chiltern”, silversmithing, decorative arts, floral, flora, australiana, australian flora, arts and craft movement, australian silver, cussen, cutlery, butter knife, knife, silverplate

Rural City of Wangaratta Collection. Purchased with funds from the Wangaratta Arts Council.A rectangular landscape of forest ferns painted in oil using shades of green, brown, and blue.Obverse: Elaine Burge/ (bottom right corner)wangaratta art gallery, elaine burge, landscape, forest, healesville, painting

Wedding gift to Mr Riseborough's grandmother Mrs W Henderson 1884.Silver and glass butter dish - base is a silver round plate with ferns engraved around the top edge. The round cut glass bowl has two silver handles There is a silver fern pattern engraved on the lid with a silver horse shaped knob.Diamond shaped engraving on base of glass dish with various markings. Underside of lid is TD engraved.butter dishes

Postcard format with old tree fern in foreground and Range View Nursery, Olinda on hill in background.Stamped on back of card in purple ink: E. Woolrich "Range View" Olinda Handwritten in pen: Olindarange view nursery, ted woolrich

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of fossilised ferns and fragment of Emu egg shell from Forrest Midden. At left: Fossilized ferns from Rhyll quarry. At right: Fragment of Emu egg shell presumably brought to Phillip Island by aborigines - cemented to Mussell shells at Forrest midden.local history, photography, fossils, black & white photograph, midden at forrest caves, john jenner, bryant west

A lady's, small, silver coloured, diamante encrusted, ,fern leaf, brooch with a metal spring clasp at back

Black and white or sepia photograph. Scene possibly in a Public Garden or on an excursion of small waterfall amongst ferns.public gardens, excursion, waterfall, ferns

Square glazed tile with brown background with lighter brown leaves and fern leaf. White and pink orchidceramics, earthenware

Number 4 in commercial series.Small photograph, number 4 in Olinda series, showing ferns and fallen trees in natural bush scene.olinda, lyre bird gully, lyre bird, bush

The Victorian Gold Jubilee Exhibition, held at Bendigo from 13 November 1901 to 14 May 1902. The courts were numbered from one, or had titles like “Machinery”, “Agricultural”, “Naval & Military Court” and “Art”. The female visitors to the Exhibition were able to view exhibits deemed suitable for the fairer sex and located within their own “Women’s Court”. There were exhibits such as “Parasols & Umbrellas”, cotton and haberdashery from Manchester and Staffordshire, “Corsets & Embroideries” from Paris. The most valuable exhibits were mining machinery such as Taylor Horsfield’s £850 “Air Compressor & Rock Borer”. “Bohemian Glassware” brought down from Sydney was valued at £600. The profits from this Exhibition were used to fund the sculpture known as the Gold Monument, which still gazes along Pall Mall (from the McCrae Street end). The Exhibition’s Cash Book shows payments, which totalled £1160, were made to then up and coming sculptor C.D.Richardson. Recently a City of Greater Bendigo staff member used both these volumes to write a detailed report about this monument, for Heritage Victoria.Etched drinking glass. Bendigo Exhibition 1902 - Mother - Etched on front - Fern frond etched on back.Mother 1902, etched glass, bendigo exhibition 1902

Cast iron lace was made in foundries in most cities. There were 42 such factories in Melbourne alone. It was cheaper to make than wrought iron. "Pig iron", iron ore was melted in a blast furnace, mixed with alloys and then poured into moulds usually made of sand. The alloys needed a minimum of 2% carbon.Black and White photos by A Doney of bench seats one showing fern detail and the other leaves and flowers.Photo A Doneyiron lace work, a doney, bench seats

Wedding photo of Percival Rutherglen Fullerton and Fernie Summerscales Aitken, who were married on 11/03/1920 at the Wangaratta Presbyterian Church.Sepia coloured wedding photograph mounted in a grey cardboard folder. On white paper sticker on back of folder: "Percival Rutherglen Fullerton. Fern Aitken."percy fullerton, fern fullerton, fern aitken, wedding photographs, wedding photos

8346.1 - Small piece of mudstone, prominently showing a fern frond tip, still partially encased in plaster jacket.

Number 6 in commercial series.Small photograph, number 6 in Olinda series, showing view of Olinda Falls with ferns in background. Late 1930s.olinda falls, olinda, ferns