Flour bags were used when purchasing flour from the late 19th century to the mid 20th century. They were able to be reused for bulk storage of dry goods or sewn into domestic objects such as tea towels, pillowcases or waggas.The flour bag provides an example of a useful domestic packaging product, from the early 20th century.Calico flour bag for Golden Crust Self-raising flour, 25lb. The stencil on the bag includes the manufacturer’s address and images of heads of wheat and a plate of scones. 25lbs, Golden Crust, Self-raising Flour, Blended with Phosphate Aerator, Hancock’s Golden Crust Pty.Ltd. South Yarra, Vicflagstaff hill maritime museum and village, great ocean road, shipwreck coast, calico, domestic object, textile, food storage, flour bag, golden crust

Close up photograph of part of the Charlton Lithograph showing the Charlton Steam Power Flour Mill of G & C Foreman. Located in on the bank of the Avoca river. The mill owners attempted to dam the river during the 1870s. The mill was built in 1876 as recorded by the local traveling correspondent . Foreman's flour mill established 1876 at the west end of High Street. Sold to Norske in 1925. Replaced by Noske's Flour Mill on Kays Street in 1927.Colour photo taken of a small portion of the Charlton Lithograph. Showing the Charlton Steam Flour Mill of G. C. Foreman.Charlton Steam Flour Mills. G & C Foreman proprietors.lithograph, business, industry, charlton, flour mill, noske bros, foreman

Stawell Flour Mill in Taylor Street with a number of horse drawn carts loaded with wheat out front of building. Also shows train wheat carriages on Railway Spur Line to Milltransport, agriculture, railways

Queenscliffe fishermen, Yellowtail, c1920c1920 Queenscliffe fishermenBlack & white photo of fishermen with their catch of Yellowtail fish, c1920.Reverse " Standing - Jim Shapter, "Bunk" Mannix / Seated William Shapter, Mac Bryant George Shapter Locke Shapter "historical references

Framed Chinese glass oil painting on stand. The painting features a Chinese fishing boat and two fish, one is a large gold fish jumping out of the water and the second is a small black fish. Brown laquered wood frame set in a decorative carved wood stand. Chinese writing on the sails of the boat.

Black and white photograph of brothers Les and Willy Fish in uniform WW1ww1, army, soldiers

Glenelg Shire Council RecordsColour photograph of 3 women and a man filleting, gutting, washing and weighing fish.Front: (no inscriptions) Back: (no inscriptions)

Bride in shin length dress , head dress and veil typical of 1920'sBlack and white photograph of Les Fish and his bride Ethal on their wedding daycelebration, wedding, ww 1, army

Caught Fish, PANGASIANODON GIGAS” is a miniature version of the larger tapestry described below and it embodies the same ideas: The giant Mekong Catfish is under threat of extinction due to over-fishing and loss of habitat. It is beleived that the fish used to reach sizes over 3 metres, but the largest recorded catch to date is 2.7 metres – a monster fish caught in Thailand in 2005. As its fame and the mythology surrounding it increases, so does the number of game fishermen keen to land a record catch or earn a sizeable amount of money in the exotic food marketplace. However, the water flow of the river is increasingly more controlled by China, changing the natural habitat of the river. It seems that survival of the great catfish is being left to chance and the fish’s ability to avoid nets, lines and traps in the murky green waters of the Mekong. My exhibition piece is a giant, woven Pangasianodon Gigas – made as a shaped tapestry which will hang the way a fisherman would hold up his catch to display or be photographed as his trophy. The drawing was made from photographs of very large fish I observed in Laos and the detail on the body of the fish is deliberately ambiguous scales/nets. The piece will be woven on cotton seine twine (which was originally made as a string for fish netting) with mixed weft yarns. Artist statement about the work: The final work is an abstraction of fish and nets – an image made with a hand drawn quality suggesting the personal observation that goes with looking and responding with ink on paper. The tapestry technique mimics the original marks to a certain degree but is also very obviously a woven form with its stepped edges and shapes, blending of tones through hachure and broad set of warp and weft.Wangaratta Art Gallery CollectionA small tapestry of a caught fish handwoven using a colour palette of black, grey, and white.valerie kirk, tapestry, textile, fish

Wimmera Flour Mills and Grain Store Taylor Street From Sketch series Circa 1890stawell businesses

People - "Ellis Family, Townsend Family" Buildings - "Mill, Ellis' Coliban" Associated with - Coliban Flour Mill

People - Ellis Family Buildings - Mill (Ellis Coliban Mill) Associated with - Ellis' Coliban Flour Mill

'Ammonia lake spill kills fish' by Simon Kinch, Nunawading Gazette, 27 November, 1985.blackburn lake sanctuary, pollution, fish, morgan, joan

Advertisement from "Selected recipes from "The Leader" small corner books" (1930s). This advertisement is for McAlpin's Self Raising Flour.An example of early 20th century advertisingDigital copy of advertisement from a bookhistoric advertisements, "the leader" small corner books, mcalpins self raising flour

Cr. Alexander John Wood Managing Clerk at Wimmera Flour Mills for about 25 Years. Mayor of Stawell 1923-24stawell government

Fish were transported to the Melbourne market in wicker baskets with layers of bracken fern between the fish. The last known shipment of fish in baskets from Paynesville was around 1900, when wooden boxes were introduced.wicker, baskets, transport

Diamond Village Fish Box (fish and chips) at Diamond Village Shopping Centre, Nepean Street Watsonia.Digital copy of colour photograph.diamond village shopping centre, watsonia, diamond village fish box

Stawell Pages 141, 187, 232, 235-6, 239, 242, 244, 260Dsst Jacket over Tan heavy Card. Dust Jacke with wheat field with Allison and Knights Flou Mill Melbourne 1842. from Hand coloured lithograph by Edward Ashworth 1814- 1896The Flour Mills of Victoria 1840-1990 An Historical Record Lewis and Peggy Jones Inside: Property of Stawell Historical Society Inc. Pleasant Creek House Stawell West 1991stawell industry

Colour photograph of LERHS members Robyn Purdy and Marie Fish at Garden Club exhibition at Mechanics Hall Lakes Entrancehistorical society, gardens, clubs

Chris HEADLEY Born in York, England Chris Headley studied at York School of Art before majoring in ceramics at the Central School of Art in London, learning to throw with (the late) Michael Casson and hand-build with Gordon Baldwin. Chris graduated in 1973 and travelled overland across Europe and Asia, through Turkey, Afghanistan,and Iran arriving in Australia. A year after leaving England, he arrived in Australia, where he has lived and worked ever since. He undertook his Master’s degree at the Australian National University, graduating in 1991, and in 1999, with Dr Owen Rye as his supervisor, gained his PhD from Monash University, Victoria. Sculptural form on wheels black fired with three gold fish hanging. This work forms part of the Jan Feder Memorial Collectionjan feder memorial collection, jan feder, ceramics, artwork, artist, gippsland campus, chris headley, jan feder memorial ceramics collection