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Kiewa Valley Historical Society
Photo Framed - Wedding
This wedding photo is of local pioneer families, Cooper and Larkins. John Cooper Jnr. married Annie Emma Larkins. The exact date is unknown. This is not only important for the Cooper & Larkin families but for historical reference for the Tawonga area where these families lived. It shows that even though the Kiewa Valley was considered remote during this period the tradition of a big formal wedding was still held with fashionable weddings. This photo was included in a group of photos. This photo has historical significance as it depicts members of local pioneer families getting married. It also is representative of the style of wedding dresses of the period and the style of men's wedding attire. The photograph itself is also significant as is demonstrates the style and formality of wedding photos during this time. The picture frame is likewise the style of the period. However, this is in bad condition with bore holes in it. This photo has good interpretive value and is well provenanced. Black and white wedding photo of John Cooper Jnr. and Annie Emma Larkins. The centre of the frame has carved hearts 3 cm wide all the way around.Photographer "Mendelsfohn's and Co. Melbourne"mendelsfohn's & co.. photographer of melbourne. wedding. furniture. wooden frame. -
Orbost & District Historical Society
collars, Cremorne Collar Company, c. 1920s-1940s Cremorne Collar Company . The Cremorne Collar Company was first registered in 1923 (info. from Rhyce Winterbourne)
... decades of the 20th century when men wore more formal daily attire ...A set of collars, possibly worn during the 1920s-1950s period, wearer unknown. A detachable collar is a shirt collar separate from the shirt, fastened to it by studs. The collar is usually made of a different fabric from the shirt, in which case it is almost always white, and, being unattached to the shirt, can be specially starched to a hard cardboard-like consistency. The popularity of detachable collars and starched collars in general began to fade in the 1920s and 30s as men’s clothes became more comfortable.These items are examples of men's clothing from the first decades of the 20th century when men wore more formal daily attire. A set of four white men's collars of assorted sizes, made from stiffened fabric.Cremorne Collar Company, Melbournemen-collars male-apparel -
Federation University Historical Collection
Photograph - Black and White, Richards & Co, Senior Athletic Team - Herald Shield Competition 1919, c1920
The photograph has the information written on the back. It states it is the Senior Athletic Team Champions Herald Shield 1919 Same image was reproduced in the SMB Students' Magazine 1921 with the caption "SMB Athletic Team 'Runners-up in Victorian Inter-Technical Schools' competition for the Herald Shield, 1920"A formal group photograph of 10 adolescent males in sporting attire. Footwear with spikes. A studio photograph Mounted on cream coloured ornate boardHandwritten in ink on back. "Senior Athletic Team Champions Herald Shield 1919. List of names and position of studentsathletic team, herald shield, champions, runners-up, harold maddison, a mccallum, harold wakeling, frank larkin, noel hoy, reginald wilson, 'buck' rankin -
Kew Historical Society Inc
Photograph, Portrait of Winifred Noble, c.1910
... as expressed through attire. The family is formally costumed... through attire. The family is formally costumed in a manner ...One of five group and individual portraits of the Noble family of Kew, two in the rear garden of what is presumed to be ‘Charnwood’, in Station Street, Coburg. The photographs date from the period c.1890-1914. One of the larger framed photographs is a portrait of the entire family group, while another is of two of the children, Frederick and Winifred. The father, Frederick William Noble was a businessman, and, at one period Secretary of the Victorian Creamery & Butter Company in South Melbourne. Later he was to manage J. Bartram & Co., Ice & Cold Storage Department in Flinders Lane. By 1906, the Noble family had moved to Kew, living for almost 20 years at 100 Walpole Street before relocating to 26 Molesworth Street in the mid 1920s. The five photographs in the collection reveal details of family life and social values as expressed through attire. The family is formally costumed in a manner indicative of their social status. Mrs Noble, in one of the large framed portraits, is dressed in a sombre manner in a long, dark-coloured long-sleeved, high-necked gown. It is difficult to know whether she is dressed in mourning wear in this black and white photograph. It was not uncommon for a woman to regularly wear mourning attire due to the high mortality rate in the Victorian era. This situation was compounded for women due to the size of extended families. A woman might rarely be out of mourning due to the death of a parent, a sibling, a husband, a child or a near relative. The portraits of the Noble family children, particularly Frederick and Winifred, show the elaborateness of formal attire worn by the children of wealthy families during the late Victorian era. Winifred is dressed in a long cotton dress and a broad-rimmed hat; both liberally covered in lace. Winifred and Frederick’s lace collars extend to their shoulders. Winifred’s diaries, covering the period 1908-50, are now in the collection of the State Library of Victoria. The most detailed of the diaries is from 1914, just before the outbreak of World War 1, and includes ‘Accounts of my Dancing Evenings - Season 1914’. The diaries were the inspiration for an art exhibition by Jim Pavlidis in 2014. One of the family’s two sons, Frederick, was to work at The Age newspaper for 50 years. His obituary records that “He was regarded as the epitome of accuracy and a fount of knowledge on many subjects, but especially cricket, the Royal Melbourne Show and Gilbert & Sullivan”. With Robert Morgan he compiled Speed the Plough, a history of the Royal Agricultural Society of Victoria and its role in developing agriculture in Victoria.Framed photographic half portrait of Winifred Noble in the original carved wooden frame. Winifred lived at 'Avalon' in Molesworth Street, Kew.Handwritten label on rear "Winifred Noble c 1910-12"noble family, winifred noble, photographic portrait, kew -
Ballarat Tramway Museum
Photograph - Geelong Tramway Depot with trams and personnel
Tram line up at the depot with the same personnel (Item 9235), in formal poses in each photo. They are attired in the MESCo uniform that suggests that the photographs were taken before the State Electricity Commission of Victoria takeover on 1 September 1930. The ex-Melbourne Meadowbank cars 27 and 28 first ran in Geelong in 1928. Date of the photos would therefore be restricted to 1928-30, but it is possible that they were taken close to or on the handover date as a final record. See associated item 9235.Black and white print on paper12-10 and No. 1 written on the back in ink. GRS710/12/1/10 written on the back in pencil.geelong tram depot, geelong tramways tramcars, geelong tramways personnel, state electricity commission of victoria -
Ballarat Tramway Museum
Photograph - Geelong Tram Depot, Melbourne Electric Supply Co. (MESCo)
Tram line up at the depot with the same personnel (Item 9234) in formal poses in each photo., They are attired in the MESCo uniform that suggests that the photographs were taken before the State Electricity Commission of Victoria takeover on 1 September, 1930. The ex-Melbourne Meadowbank cars 27 and 29 first ran in Geelong in 1928. Date of the photos would therefore be restricted to 1928-1930 but it is possible that they were taken close to or on the handover date as a final record. See Item 9234.Black and white print on paper.12-11 and No. 1 written on the reverse in ink. GRS710/12/1/11 written on the reverse in pencil.geelong tram depot, geelong tramways tramcars and personnel, mesco tramway uniform -
Nhill & District Historical Society Inc.
Clothing - 1964 Wedding dress of Patricia Capp
... of Nhill. 1964 Wedding gown Wedding attire Clothing Formal ...Owned and worn by Patricia Capp of Dimboola, on her wedding day, when she married Mr. Walter Clark of Nhill.Bridal gown of figured de-lustered satin, with a fitted bodice and scooped neckline with long pointed sleeves and a full-length skirt with deep unpressed pleats. The three-tier veil was held by a circlet of flowers in front with a Dior bow, The bride carried a trailer of white roses and lily of the valley.1964 wedding gown, wedding attire, clothing, formal - clothing, textiles - satin -
Bendigo Historical Society Inc.
Photograph - LA TROBE UNIVERSITY BENDIGO COLLECTION: BENDIGO TEACHERS' COLLEGE PHOTOGRAPH
A black and white photograph of staff and students at Bendigo Teachers' College located at Long Gully Primary School. Names unknown. 1926. The formal clothing of the day is evident here. The men all wear suits with white collar and tie. Many wear a waistcoat. The women all wear frocks or skirts with stockings. One lady wears a hat. Long Gully Primary School is in the background. See 3320.100bendigo, education, bendigo teachers' college, la trobe university bendigo collection, collection, bendigo, education, long gully primary school, state schools, primary schools, bendigo teachers' college, students, tertiary education, teacher training, photo, photograph, photographs, photography, clothing, attire, fashion, costume, miss j.c. burnett, mr. geoff. pryor -
Bendigo Historical Society Inc.
Photograph - LA TROBE UNIVERSITY BENDIGO COLLECTION: BENDIGO TEACHERS' COLLEGE STAFF
A black and white photograph of the Bendigo Teachers' College staff taken in the year 1945. This is a formal photo in front of what appears to be a stage. It has two columns, curtains and a picture of a landscape in the background. The male staff are dressed in suits with a tie and the female staff are dressed in dresses and stockings with formal shoes. Not all the the names of the staff standing are known. Those known are - Ms. Grace Conole, Ms. Jessie Lamphier, Ms. Joan Stephenson, Ms. Faye Shepherd, Ms. Letti White. Seated - Ms. Mary McGawley, Mr. Michael Morris Miss Jessie Burnett, Mr. George Mills (Principal), Ms. Betts, Mr. Duncan Miss Bennett (Infant Mistress). See 3320.100bendigo, education, bendigo teachers' college staff, la trobe university bendigo collection, collection, bendigo, education, tertiary education, teacher training, teaching, staff, male, female, bendigo teachers' college, photo, photos, photograph, photographs, photography, ms, j.c. burnett, mr. geoff. pryor, costume, attire, clothing, fashion, ms. gracie conole, ms. jessie lamphier, ms. joan stephenson, ms. faye shepherd, ms. letti white, ms. mary mcgawley, mr. michael morris, ms. jessie burnett, mr. george mills, ms. betts, mr. duncan, ms. bennett -
Alfred Hospital Nurses League - Nursing Archive
Plaque, ROYAL VICTORIAN TRAINED NURSES/ASSOCIATION/FOURTH FLOOR MRS MALCOLM SEC
... ATTIRE, AND OFF TO A FORMAL DINNER AFTERWARDS. Alfred Hospital ...THIS ASSOCIATION WAS FORMED IN 1901. IT WAS PRIMARILY CONCERNED WITH THE TRAINING AND REGISTRATION OF NURSING. THIS BECAME THE ROYAL COLLEGE OF NURSING IN 1934. IT ALSO GAVE RISE TO THE FORMATION OF THE UNION AS WE KNOW IT.THIS IS HUGELY SIGNIFICANT AND RELATES TO THE BEGINNING OF NURSING BECOMING A MORE PROFESSIONAL CAREER, EVOLVING FROM THE ORIGINAL ASSOCIATION TO THE ROYAL COLLEGE OF NURSING AND THE ANMF. ALL ALFRED HOSPITAL GRADUATE NURSES LOOKED FORWARD TO THEIR 'RVT' GRADUATION PARTY - UNIVERSALLY KNOWN AS THE RVT. THIS WAS ARRANGED BY THE GROUP JUNIOR TO THE GRADUATING GROUP. IT WAS HELD IN THE MAIN NURSES' RESIDENCE PREVIOUSLY ON THE CORNER OF PUNT RD AND COMMERCIAL RD. THE RIGHT OF PASSAGE WAS TO WALK DOWN THE STAIRS TO THE FOYER, ONE AT A TIME WITH A PARTNER, AND PASS UNDER AN ARBOUR - LAVISHLY DECORATED WITH FRESH FLOWERS, CHAMPAGNE WAITING IN THE FOYER. USUALLY DRESSED IN FORMAL ATTIRE, AND OFF TO A FORMAL DINNER AFTERWARDS.BRASS PLAQUE, BLACK ENGRAVINGROYAL VICTORIAN TRAINING NURSES/ASSOCIATION/FOURTH FLOOR MRS MALCOLMalfred hospital nurses league, alfred hospital nursing archives, royal victorian trained nurses association (rvt)