An embroidered postcard which was sent to an Australian family during World War I. The postcard is intricately and colourfully embroidered on silk framed with a cardboard backing. The design is of flowers and foliage with the words "to my dear mother".

An embroidered postcard which was sent to an Australian family during World War I. The postcard is intricately and colourfully embroidered on silk framed with a cardboard backing. The design is of flowers, foliage and the French and English flags with the words "happy new year".

An embroidered postcard which was sent to an Australian family during World War I. The postcard is intricately and colourfully embroidered on silk framed with a cardboard backing. The design is of flowers, foliage and crossed French and English flags with the words "united we stand".

An embroidered postcard which was sent to an Australian family during World War I. The postcard is intricately and colourfully embroidered on silk framed with a cardboard backing. The design is of flowers, flags and the numerals 1918 with the words "souvenir of france".

Decorative photo frame. Outside cover is black lacquer with design of gold flowers. Inside is gold with white borders.Sticker attached to frame: "Presented to Chairman, PMA/ John B. King/ On occasion of his visit to/ K-Line, Tokyo/ Fri 18 October 1991/ Black lacquer photo stand/ floral decoration" "PMA 020/7" "K LINE"

Porcelain tile in wooden frame featuring image of a blue and green bird surrounded by branches with pink flowers. Below the tile is text.Front: "PORT OF HAKATA" Reverse side: "Presented by/ PORT OF HAKATA DELEGATION (55)/ VICE MAYOR, FUKUOKA CITY/ to DEPUTY CHIEF EXECUTIVE &/ GM COMMERCIAL & TECH SERVICES/ MONDAY 23 OCTOBER 1995" "PMA 0316/1"

One of a series of Mission to Seamen postcards produced in the immediate post-war and post WW2 period. Visual record of the club area in the 1950s (before Queen Elizabeth's coronation) ready for the dances.Black and white gloss postcard depicts the central club space facing stage with flowers on stage, a drum kit and a piano. Curtained backdrop with sixteen chairs in front of the proscenium. Shows dance floorboards. Note: Possible heater at far right of picture frame.Printed on back: 'POST CARD/CORRESPONDENCE ADDRESS ONLY/' . Stamp location is top right is indicated by the word 'KODAK' on four sides.stage, curtains, mission to seafarers, seamen's mission, main hall, dancing, events, concerts, band, flowers, drums, piano, paintings, royal portraits, flinders street, melbourne, mission to seamen, wood floor, writing room, heater, stairs, chairs, king george vi, queen mother

This photograph depicts the interior of the dining room of the Manse with the 6 chairs and table decorated with flowers. Behind the table is the arched cast iron fireplace (lost) with mantelpiece with a clock and candelabras. On the left side we can see the corner of the oak console and on the right another cupboard and a framed painting. The photograph also shows the wooden floor covered with rugs. Unfortunately it has been carpeted in the late 20th century.This photograph is a rare view of the Manse and the private life of a chaplain. It also depicts the original and now heritage listed arts and crafts furniture dating from around 1909.Black and white interior photograph of the dining table and chairs taken in the Manse room. Chaplain's quarter: dining roomreverend john reginald weller (1880-1969), manse, table, chairs, mantelpiece, fireplace, weller album, dining suite

Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Several views of flowers, buds and leaves, and one view of cutting. Stem cutting with pointed, thin leaves with dark green tops and pale green undersides. Flowers are white with pink colouring at the ends. Their shape is cup-like with five petals forming a star at top. Stamens end in brown pollen clusters. Work is mounted in a double matt (grey on mauve) and framed under glass in a gold painted wooden frame.Front: CEW/73 (lower left in image, signature) (maroon pencil), Peach heath. Lissanthe strigosa (lower left) (pencil) 34 (lower right, pencil) (erased). Back: (no inscriptions)cema, botanical, collin woolcock

Part of "Woolcock Gallery Collection" Exhibition 1989 CEMA.Different detail studies of plant. From top-bottom, right to left are a side study of red flower with elongated petals in tube shape. Stem with three pale-gree leaves. Top view of dark green leaf with serated edges. Stem and flower bud study. 2 stems joined with many clusters of spikey green leaves coming off central stems and 6 flowers and 3-4 buds. A seed study. A view into tube of flower. Work mounted in double matt (taupe on sage) under glass in gold frame. Artists signature next to last flower study, lower left.Front: Astroloma humifusum (Cranberry Heath). CEW/82 (artist's signature, lower left in image) (coloured pencil). Back: 10 (upper left) (pen)cema, botanical, collin woolcock

This is a photo of a display at the 1996 Wildflower Show. It was a replica of the Wildflower and Nature Show in 1937. Records # 455 & 457 show close-ups of the display. ** there are 3 originals of the photo (& no copies).This is a photo of a display of flowers, plants, photos and leaflets, laid out on a stage. Two landscape paintings and a framed wildflower painting can be seen on the wall behind the stage. Brown cloth covered by wooden trellis can be seen covering the front of a part of the display that extends beyond the stage. A sign in the centre reads "1937 Wildflower and Nature Show"."Wildflower Stage Replica of the 1937 Show" written in black ink on back of Copy 1.

This is a photo of a display at the 1996 Wildflower Show. It was a replica of the Wildflower and Nature Show in 1937. Record # 456 shows the entire display and record # 455 shows a different close-up view of the display. The photo is a close-up of a display of flowers, plants, photos and leaflets, laid out on a stage. A landscape painting and a framed wildflower painting can be seen on the wall behind the stage. A sign, partly visible on the right, reads "193(. . .) Wildflower and (. . .)".events, wildflower show

This is a photo of one of a series of wildflower paintings by Henrietta D'Alton. This is one of twelve separate original wildflower paintings mounted within one large frame (this one us on the upper right). Beneath the frame is a plaque which reads "Henrietta D'Alton (1836-1922). This collection of wildflower water-colours won an award at the Colonial & Indian Exhibition of 1886 in London".This is a photo of a painting of a spray of flowers and leaves. There are blue flowers in the upper centre, yellow/red flowers to the right and left and white flowers near the bottom. A few pink flowers are on the lower right."2" appears on the right side of the photo. It is on the original painting.painting, floral

This is a photo of one of a series of wildflower paintings by Henrietta D'Alton. This is one of twelve separate original wildflower paintings mounted within one large frame (this one is the larger centre painting). Beneath the frame in its current (2010) location in the Halls Gap Hall is a plaque which reads "Henrietta D'Alton (1836-1922). This collection of wildflower water-colours won an award at the Colonial & Indian Exhibition of 1886 in London".This is a photo of a painting of a spray of flowers and leaves. There are red flowers in the centre; yellow/red "pea" flowers and white flowers on the upper left, with white, purple and one small spray of yellow flowers beneath them and white flowers and green/red "bells" on the upper right with white flowers beneath them.painting, floral

The dress was probably worn at a christening in one of the Kiewa Valley churches (denomination unknown). The importance of the event to family and friends is shown by the quality of the garment. These style Christening dresses were often worn buy several children of the one family , both boys and girls. Other items such as hand made bonnet may have been part of this out fit. "KVHS 0123" The quality of the garment and the fashion style it represents is both historical, not only the time of its manufacture but also of the fashion in that era. It has christian religious implications and values of the time frame of regional life in the early1900s. Girl's white dress (christening event), fine cotton with lace border "broderie anglaise" with a row of lace flowers mid skirt "battenberg".This lace is also inserted in centre front panel and sleeves. Scolloped cotton is also on sleeves, neck and front. Pin tucked skirt. Opening back with drawstring fastening at neck and waist. Short sleeves and machine stitched children clothing, lace-battenberg and broderie anglaise, female clothing, dress, cotton, christening, dressmaking

This promotional photograph by the Tobacco Growers Association was in response to a 1935 meeting of tobacco growers from Victoria, South Australia and Queensland which produced four major resolutions for the industry covering the remainder of the 1900s. These four resolutions were: (1) Adequate tariff protection (2) Control of pests and diseases (3) Orderly marketing (4) The formation of an advisory council of growers. History has produced the following results. (1) adequate tariff protection was never achieved,(2) control of disease through benzol vapour (CSIRO) breakthrough, was later identified as carcinogenic, (3) orderly marketing was achieved through (4) the establishment of the Tobacco Growers Association(1984). In October 2006, by way of Government buy back of tobacco leases from growers, resulted in the end of Tobacco farming in Australia (after 136 years of planting the first crop). It was also significant that the major tobacco companies such as Philip Morris and The British American Tobacco Australasia advised the industry that it would source its tobacco requirements overseas by 2009.The remnants of the Tobacco Industry can still be viewed throughout the Kiewa Valley and adjacent regions on the former tobacco farms which still have the tobacco drying sheds and now converted into hay sheds. The problems from the large quantities of carcinogenic infused soil of farmlands in the region, still remains a problem now and for future generations. This particular photograph shows the lack of understanding by farmers and the contracted labour, at that time, and is demonstrated by the lack of protection of hands when handling seedlings and attached soil. Hand and foot protection was rarely used, even when later warnings were issued of the carcinogenic toxicity of the soil. The majority of farm owners, up until Health authorities stepped in the latter stages of 1900s, were skeptical of city scientists' "carcinogenic" health warnings and it was only after the younger generation of farmers, who had graduated from Agricultural colleges, encompassed the scientific approach to farm management. The "she'll be right mate" attitude of the farming/rural community has since the 1970s been slowly dissipating. Stricter controls of herbicides and pesticides used in agriculture are now in force. The death of the tobacco industry(2006) resulted in the expansion of the dairy , sheep, beef cattle, venison and lama wool producers in the Kiewa Valley and surrounding regions.Coloured photograph pasted onto a thick wood chip backing. Two galvanised eyelets at the top of the frame, 50mm from each end, with a twine cord stretch from each, for hanging purposes. See also KVHS 0054A ,KVHS 0054B and KVHC 0054D to KVHS 0054F A sign, which has been removed from the picture at some previous point in time is "The Tobacco crop being topped (flower removed)". tobacco, farming, rural industry, licences, ollie mould, blue mould, benzol vapour

The book, awarded to Ethel Henderson in 1903, from Christ Church, Warrnambool is an example of a Sunday School prize given to children attending Sunday School at the time. Christ Church Anglican Church was one of the early churches in Warrnambool.The Puzzle Picture Book is a rare 'movable' children's book from 1900. It contains 6 chromolithic dissolving scenes (also called slats/transformations). It is unusual due to its educational content. It was published by Ernest Nister in London, E F Dutton & Co in USA and is also thought to have been published in German under the title 'Ueberraschungen Aller Art'. [source: The Little Book Store]Child's picture book with full colour cover depicting a mother dressed in long white spotted dress, white apron, white bonnett and black button-up shoes, sitting on a wooden armchair while dressing a young girl's hair with pink flowers. The girl is dressed in a pink frock with puffed sleeves and frill around the hem, and cream apron. She is looking in a brown wooden-backed hand mirror. A woven straw basket with pink roses sits on the floor. A framed silhouette picture is on the wall. The title is in a display typeface mimicking rose stems; a swag of pink roses decorates the top right hand corner. The publishers' names are printed on the bottom left and right hand corners at the bottom, and the printer in the centre. The inside cover has a book plate. The title page shows two boys arguing over the book. The verses are by Clifton Bingham, the pen and ink illustrations by Hilda K. Robinson. The story has a monochrome page with rhymes opposite a colour page with cut-out boxes showing four small pictures, each with a question. By pulling the tab at the bottom of the page the answer to the questions is revealed. There are six chromolithic 'dissolving scenes'.Book plate: Christ Church. Sunday School, Warrnambool. 1st Prize Girls Class II. Awarded to Ethel Henderson. S M George Vicar. Warrnambool, May 1903children's picture books, ethel henderson, children's picture books, puzzle books, christ church anglican church, sunday school prizes, ernest nister london, warrnambool, ethel henderson, e f dutton & co new york

Henry Watts (1828_1889) Died at Melbourne, 16th December, 1889. He was a good microscopist. His botanical studies were chiefly devoted to algae, both fresh-water and marine, and while living for many years at Warrnambool he was a contributor of algae to Harvey, who figured Wrangelia wattsii, Harv., and Crouania wattsii, Harv., in his “Phycologia Australica " He was the author of "On the Fresh-water Algae of Victoria " (Trans. Roy. Soc. Vict., 1861-4, 67) ; .also a paper "On Fossil Polyzoa" (ib.. 82); "A Trip to Mt. Macedon in Search of Fresh-water Algae" (Wing's S. S. Record, iii., 252); "On a Species of fresh-water Algae from Victoria" (Vict. Nat., i., 21); "Some Recent Additions to our Knowledge of Microscopic Natural History" (ib., iii., I33) (includes lists of fresh-water algae and Desmidieae ), First librarian (1881-2), also a vice-president of the Field Naturalists' Club of Victoria. He is further commemorated by Acacia wattsiana. F. v. M. www.anbg.gov.au/biography/watts-henry.html . Henry Watts worked as a bootmaker in Timor and Liebig streets Warrnambool in the 1860’s but it was as an amateur scientist that Watts gained public notice.For an exhibiton in Melbourne in 1861 Henry Watts prepared a collection of over 100 different species of seaweed from the Warrnambool district. It is recorded in the Examiner in 1863 that he had been elected as an honorary member of the Bristol Microscopical Society of England He was a member of the Warrnambool Horticultural society and in 1865 he opted to become a flower distiller.At the 1866 MelbourneExhibition, Henry Watts exhibited 44 bottles of his perfumes. He had a keen interest in microscopes and microscopic organisms.He spent many hours combing the caves and examining the guano of local bats. This letter is written to Professor Quekett advising him that he has sent a collection of packets of samples of diatomaceae asking him to examine and name the same.. Professor Quekett was a famous microscopist of the Victorian era with the Quekett microscopist club one of the oldest in the world dedicated to the use of the microscope and its discoveries. Henry Watts was one of Warrnambool’s first botanists and marine scientists. He also established a flower distilling and perfume manufacturing business in Warrnambool. In 1861 he sent a collection of over 100 species of seaweed to the Melbourne Exhibition.Framed, handwritten letter, ink on blue paper. Transcript of letter is typed black on white paper. Five small numbered pieces of paper containing specimens of diatomaceae collected from marine and fresh water areas around Warrnambool.Names Henry Watts, Professor Quekett. Handwritten along the bottom of the frame, “The above was bought at a London Auction for $12-10-00 by Miss Eddey a Melbourne Book shop Proprietress and recently presented to the W.F.N. Club.: warrnambool, henry watts, watts henry, botanist,microscope, microscopic, quekett, john thomas quekett

Donor, Mary Gilbert lived in Orbost 1905-1989 and was teacher/headmistress at Orbost High School 1927-1968. A local historian, she collected stories from local families, compiling the book "Personalities & Stories of the Early Orbost District"This item is of aesthetic significance and is an example of the skill and craftmanship of women in early times.A colourful embroidery of flowers, in bloom and bud. Leaves are variegated.Worked on a blue background and framed in a gold-coloured wooden frame. Frame has tiny raised leaves along sides.

This is a Victorian mourning sampler.This handwork is an example of the needlework skills of women in early settler families.Sampler of needlework with "sweet rest in heaven" . Simple geometric design and flowers. Gold and green carved ornate frame with nails.handcraft needlework hobbies

Ina Cameron was the daughter of Alex Cameron and Helen nee Stirling. They lived for a time at Metung and then at Cann River. She was the grand-daughter of the Hon. James Cameron. She married Jack Campbell.Small ink illustration of flowers (blossoms) with foliage on pink background. There is a box showing name and date. The picture is in a plastic gold and cream frame with scalloped edges and has a stand on the back.Front - Ina Cameron, Cann River, 1910illustration cameron, ina cann-river

This is an example of a hand crafted item made to personalise and add aesthetic value to a home.A pressed dried native flower arrangement in a large oval frame of wood. It has a glass front. It is handmade.handcraft pressed-flowers picture

This is a photograph of Annabella McKenzie who trained at The Royal Melbourne in the 1890's. The Royal Melbourne Hospital was the first hospital in Victoria – established in 1848 to serve the young and thriving community of Melbourne. Prior to the transfer of nursing education to the university sector, nurses were trained in a course of instruction in hospital nursing schools that awarded a certificate in general nursing. These courses were generally for a three-year period, and nurses were paid employees of the parent hospital. Annabella Mckenzie Fisher was born into the Mckenzie family and married into the Fisher family. She married Fisher James Fisher, a Lochend farmer.The Fisher family was a very early Orbost farming family.A hand-coloured photograph in an oval shaped wooden frame. It is of a woman in a nurse's uniform of a dark coloured dress with a white bib apron and black belt. The cuffs of the long sleeved dress are white. She is wearing a white cap. The oval frame is painted gold and is decorated on each side with flowers in relief.On back in pencil - Anna Bella McKenziehealth nursing fisher_annabella-mckenzie royal-melbourne-hospital

Daughter of George Temple and Mary McAuslane of Castlemaine, Hilda married James Kerr in 1893 and lived at Lincluden, Raymond Street, Orbost. Her husband was a Scot who had come to Australia as a ship's doctor and practised in NSW before visiting Orbost on a government vaccination programme. He liked Orbost and returned there, its first doctor, until his death in 1928. Hilda was sometimes referred to as 'Mrs Dr Kerr.' She and her sisters Mabel Stewart Temple and Margaret Ferrie Temple were all talented writers and musicians.This book is an example of the talent of Hilda Temple Kerr. Hilda Temple Kerr (1874-1956) grew up in Orbost. She was very talented and published several books. It is reflective of the style of poetry in the early 19th century. A small green covered book of children's poetry. The title is in gold print within a small frame above a stylised gold flower. Below in gold print - "Hilda C. Temple Kerr" and "Illustrated by Mr H. Sherwood, Orbost". There is an ornate border around this.temple-hilda kerr-hilda poetry book-the-little-birthday-queen literature

On 9th April 1921 Gertrude Jane Goad Married Walter Taylor at St Andrew's Kirk, Presbyterian Church Ballarat.The best man was Walter's brother George Taylor and the bridesmaid Ada Hannah Grigg. Gertrude Jane Goad and Walter Taylor lived in Dean,and are buried in the Creswick Cemetary. The Goad family have long connections in the Learmonth area.Black and white photo of the marriage of Gertrude Jane Goad to Walter Taylor.Set in Gold frame 4 1/2 cms wide and decorated with trailing flowers, originally on cream mount now redone with maroon mount. Richards & Co. Ballarat.ballarat, church, goad gertrude jane, taylor walter, st andrew s kirk, prebyterian

This Collection Of Photos shows the Shire President W.Purcell and Councilors J.P.Spiers,R.J.Dobson,M.Ryan,J.M.Feery,J.Baird,J.Mitchell, H.W.Symons,J.Lester,and staff,H.T.Hughes,Valuer and Collector, and C.T.Jones,Secretary and engineer,for the year 1906. Original Historic Photo.Photos are sepia set on grey mount within a black,wide, frame.The frame has "beading" effect on outer edge then a narrow band of sculptured gold flowers and leaves,and sculptured inner edge. The central photo of,Councilor W.Purcell, is surounded by a shaped cream border.The photos are oval, rectangular and rectangular with curved top in shape.Around the central photo a decorative design is painted. Presented by the President to the Ballarat Shire Council 1906.purcell w, councilors 1906 ballarat shire council

In the late 19th and early-20th centuries household heaters burned wood and coal for heating. In winter the warm air from the fireplace would flow into the room through a round flue in the face of the chimney. In the warmer months the unnecessary heater and flue was removed and the chimney cleaned. Homemakers then covered the circular flue hole with a decorative and usually inexpensive wall hanging to prevent draughts and dust. The practice was especially popular in France and Germany where a lot of the artwork originated. The covers were no longer needed after households changed over to more modern designs of heaters. The flue covers were known as Wall Art or Flue Cover Art. They were usually round and illustrated with a lithograph or chromograph print. The picture was then mounted on card, covered with glass, and framed with a brass or tin rim. The border was commonly gilt with a black stripe around the centre. There were numerous illustrations, many with a European appearance, and were easily bought through local merchants for a small price.This pretty flue cover is significant for representing a common domestic wall decoration from the late Victorian to the Edwardian eras, when solid fuel heaters were used in low to high income homes. The picture is similar to many other flue cover images, apart from the holly clutched in the girl’s hand, which gives the cover a Christmas theme. This flue cover is the only one in our collection and appears to have a unique design; the hand painted floral decoration on the glass and the two crimson rings around the edges of the frame’s white border haven’t been seen on other flue covers. Flue cover, metal and glass. Print of a young girl with blue eyes and curly blonde hair, a hooded blue cape, a silver clasp with blue stones, and a sprig of holly in her hand. The round metal frame forms a deep, white-painted, crimson-edged border for the illustration. The hand-painted blue flowers on the glass front form add to the border and give a 3-dimensional effect. The picture is between the cardboard backing and the glass front, with the metal frame holding them together. There is a metal chain attached for hanging the cover.warrnambool, flagstaff hill maritime museum, picture, handpainted, portrait, girl in blue cape, metal frame, round picture, illustration, print, holly, christmas, child in blue cape, silver and blue clasp, holly sprig, late 19th century, early 20th century, 1890s-1930s, victorain, edwardian, flue cover, flue cover art, wall art, chimney flue cover, chimney hole cover, stove pipe cover, fireplace flue cover, antique, victorian, glass frame, chromograph, lithograph, tin, brass, lithograph print, chromo print, christmas girl, blue cape, blonde girl