The 22 copies of Brennessel were the property of Internee Brulle, who was repatriated to Britain during the War. The copies were given to Pastor Ewald Steiniger, Pastor at the Lutheran Trinity Church in Melbourne. Steineger's son donated them to the Tatura Museum..Typed, roneod newsletters written in German with numerous sketches of camp life and identities. Hand applied colour to the name and sketch on the front page. Black 2 ring binder.Pencilled name "Brulle" on the front page.camp 1 civilian internees, illegal newsletters, books, periodicals

Material relating to Camp 3 and the Internees from Palestine. Photos of original Internee graves, Remembrance Ceremony at German War Graves Cemetery. Photos of recent visitors to the Museum. Commemoration programs. Photo of Brigitte & Leo Glockemann at Museum. Photo (O. Lobert) of group of 18 year old boys, mainly Templers, taken from Camp 3 to Loveday, then returned to Camp 1.Black 3 ring folder with printed material and photos in plastic sleeves.documents, reports

Property of internee at Camp 3, Tatura and read there to Camp childrenHard cover childrens book in German/Gothic Script with a black and white illustration. Front cover has small colour picture of woman seated surrounded by group of children.List of names and addresseson back end page. 1/- Gisela Wied, Tatura. Weihnachten 1945un doch glucklich, schumacher t, camp 3, tatura, ww2, books, childrens

Ash tray made from the burl of a Eucalypt tree by an unknown German Internee in Loveday Camp for Heinz Zienow, a member of the Persian Group of Internees, later transferred to Camp 1 Tatura, and used for the rest of his life. Zienow preferred cigars to cigarettes.Dark wooden carved ash tray, carved from the burl of a Eucalypt, with thin wooden sheet nailed as base. Stained or waxed protective coating.loveday camp, persian group, hand carving, camp 1 tatura, heinz zienow

Illegal newspaper produced and circulated, approximately fortnightly, among trusted internees in Camp 1. Contributions from interneesBrennessel No 4. Looseleaf 12 page booklet containing typed articles, advertisements and sketches in German. Front cover features sketch of camp scene: two men seated, column of figures ascending to a platform or stage. Dated 26th October 1941|Title translates as "Stinging Nettle" with "Behind Barbed Wire" typed below thisbrennessel no 4, newspaper, illegal, schuster e, camp 1, tatura, schuster, eberhard, internees, documents, newspapers

Visit to Museum and Camp 1 by former German Internee, Ernst Kropf, with his daughter, 2005.|1.Ernst with his daughter at the former milk bar.|2. On stage of the sound shell, gaol in background.|3. In skittle alley.|4. At the location of his hut.|5. At location of his bunk.|6-8. Studying records at the MuseumPhotographs taken on digital camera.

Interview with Max Baumann, South African German, survivor of Arandora Star. Bought to Australia in Dunera as internee reclassified as POW 1943. Interview with L. Knee.Philips FS 60 audio tape. Sides 1 and 2.max baumann, south african germans, arandora star, dunera, pow's

After WW1 the Wilhelma Templer village bought ex WW1 German Armed Forces Brass instruments for their own Brass Band. The Treaty of Versailles forbade Germany from having more than a 10,000 man army thus creating a flood of unwanted instruments with no one having cash to buy them. With the deportation in August 1941 by the British Mandate of most Templers from Palestine to Australia, one of the young bachelors, Gustav Reichert, obtained permission to bring these instruments to Tatura. This he did and, in Camp 3, a band was reformed to entertain members of both internees and often, Camp Authorities. Gustav enjoyed playing the double brass with the Melbourne Templer Brass Band in the 1960-1970's. The above instruments have semi-rotary valves, as traditionally French Horns do, unlike most Anglosaxon bands, where piston valves are used almost exclusively. Yet in German the name Piston is commonly used for cornet. Though battered, these instruments are all still serviceable for their intended use, some more so than others. Their canvas carry bags offered little protection. The group comprised 1 double bass, 1 Euphonium, 1 valve bass trombone, all in C, 3 baritones in Bb (German tenor horns), 3 cornets in Bb, 1 soprano cornet in Eb, in all 11 instruments. Some of the got "lost".Brass cornet with a canvas carry bag.brass instruments, wilhelma templer village, camp 3 band, gustav reichert