This Victorian era china cup with gilded gold writing and decoration, along with the words " A Present", may have been given as a gift or, because of its small size, been a replica coffee cup for a child to play with.743.1 - Small white china cup, cylinder-shaped, gilded and glazed, with forefinger and thumb grip handle. Gilt decoration and lettering.Gilt Lettering in gold colour- "A Present" on front of coffee cup.cup, miniature, coffee, present, china, white, children, gift, gilding, handle, christening, victorian, font, printing, collectables, gold lettering

The Lay Reader David Conolly was associated with the Mission for many years in particular working with trainee cadets and RAN Officers. Painted wood crucifix on a very thin backing support of hardboard. Style of the painting is that of icon artist of Russian/Greek/Byzantine style. An inscription on the reverse. Small steel hanging hook at top edge on reverse. The edges of the icon are painted red and the whole depiction is decorated with much gilding. The whole support is in the form of a t-shaped cross. The top section depicts a risen Christ at the centre surrounded by ten disciples or saints and the hand of God appears to be at the upper central edge. The Christ figure is flanked on the main cross piece by five archangels and Saint Peter. Flanking the torso of the crucified figure appear to be Maria and St Joan and on the right side Mary Magdalen, Mark (Saint?) and a centurion figure. Three small figures also featured in this section. At the lower right corner are two haloed male figures (unidentified).Front; above haloed head of the crucified figure U.C.; IHSNAZARE in gold on a red ground/ REXIVDEORV. Beneath the central panel again gold on red SEASIOANNES AND MARIA. On the other side of the central figure; MARIAMARK CENTURIU/ MAGDALEN...IACO/ BI. Hand-written inscription on reverse; "For/ all who enter/ this sacred space./ The gift of/ David Conolly/ sometime stipendiary Lay Reader/ in the Mission/ 1956-1958.david conolly, crucifix, icons, othodox, artwork

The M.V. Manunda is a ship owned by the Adelaide Steamship Company, that became a registered hospital ship in 1940, during World War 2. The Manunda serviced injured personnel in the Pacific and Middle East. This letter knife is highly significant to the Returned Nurses collection. Though there is a few recorded pieces of memorabilia from the M.V. Manunda, they are few and far between. This item could potentially draw attraction and attention to this collection. Silver, chrome-plated letter knife, with decorative kookaburra hilt handle. Due to age [and perhaps storage] the letter knife has turquoise and brown erosion, corrosion and rust spots, primarily upon the blade faces. One blade face includes a small, raised enamelled flag, with gilding around the flag boarder. The flag itself is white, with a blue cross and an eight-pointed red star in the centre, it is the logo of the Adelaide Steamship Company. On the same blade face as the flag, is the name of the vessel, 'M.V. Manunda'. On the opposing blade face is 'EP A1 NS', silver quality marking, and the maker's mark, 'Angus & Coote Lt.' Due to the metallic property of the letter knife, it often feels cool to the touch. Though this is true for the kookaburra hilt too, the kookaburra hilt has more texture and feels rough to the touch. 'EP A1 NS' (Silver quality marking) / 'Angus & Coote Lt.' (Markers mark) / 'M.V.MANUNDA' (Naval vessel identifier.) papua new guinea, middle east, pacific, aans, japan, world war ii, world war 2, world war two

Document. Accounts Estate of Esther Isabelle Canning. 1 - 1894 - Ac from Mackay & Co, Bendigo Advertiser Office. 2 - 1893 - Ac from Transton Geo, Wholesale Tobacconist, Bath Buildings Bendigo. 3 - 1894 - City of Bendigo Rate Account to Gourlay, Mary Ann for property in High St. 4 - 1893 - Note from McKenzie Rosa stating she received from Canning two weeks wages from the Golden Age Hotel. Attached accounts from the Kent Brewery Co, Bendigo and Hunter Bros, MCCrae St Bendigo. 5 - 1894 - Receipt from Phoenix Fire Office of London, Victorian Branch. 60 Market Street Melbourne. Received from Storie H. Executors late E I Canning. 6 - 1894 - Account from Hinchcliffe Edwin, M. D. View St, Bendigo dated July 20th 1894. 7 - 1894 - Account from W Beebe & Son, Steam Granite, Marble & Stone Sawing Works. Mitchell St and Lyttleton Terrace for fixing headstone and re gilding old inscription etc. Dated Oct 1894. 8 - 1893 - Receipt from Phoenix Fire Office of London, Victorian Agency - Phoenix Chambers 52 Market St Melbourne dated Feb 2 and Feb 4 1893. 9 - 1894 - Ac from Hinchcliffe Edwin, M. D. View St Bendigo for professional attendance. Estate of the late Mrs Canning Golden Square, Golden Age Hotel, dated Jan 11th 1894 (document torn. 10 - Various receipts pinned together. 1893 - 1894 from City Brewery Company, High St, Bendigo, Ale and Porter Brewers Thros Canning, Golden Square. Also memorandum from Johnston & Illingworth?, City Brewery Co, Golden Square to solicitors requesting payment of accounts in the estate of the late Mrs Canning of Golden Square.cottage, miners, connelly, tatchell & dunlop, mackay & co, bendigo advertiser office, transton geo, city of bendigo, gourlay mary ann, mckenzie rosa, golden age hotel, kent brewery co, hunter bros, phoenix fire office of london, storie h, hinchcliffe edwin, w beebe & son

Leo Wimmer who lived locally was commissioned to do the painting for the Mt Beauty, S. K. Pearce Pty. Ltd., Supermarket as a display was wanted to fit against the blank walls opposite the cash registers (where the liquor store is now). His idea was to break up the parts in the painting and use these as large replicas painted on wood for the display. An official opening was held and Leo used the money earned to visit his homeland, Austria. Leo trained as a restorer of church art in Austria.This painting was commissioned for a Cattlemen's display behind the cash registers at the Mt Beauty S. K. Pearce Supermarket. Each part of the foreground was painted separately onto stand alone boards -the cattle, the hut, the grass and the Mt Beauty township. Leo Wimmer lived locally and was a professional frame conservator. Leo Wimmer specialised in gilding and worked at the National Gallery of Victoria and later the National Gallery of Australia (NGA Nov. 1981 - 1990) where he was responsible for conservation of gilded frames in the national collection. This involved crafting of missing pieces on period frames, conservation/restoration of gilded surfaces, crafting of period frames, and lecturing at galleries and institutions on gilding, wood carving, Australian frame history and crafting of period frames. Framed painting of Mt Bogong with cattle, Mt Beauty township and cattleman's hut in foreground.Circular watermark (illegible) on bottom right corner. "Wimmer / 1" is underneath the watermark.cattlemen; bogong high plains; s.k.pearce; mt beauty supermarket; leo wimmer;

A family history written by George Arthur Iredale, mainly from recollections from his own life. He delves into the early days when the Iredales first arrived in Greensborough and expands his story with subsequent generations of the Iredale family.The Iredale family are Greensborough pioneers, in the area from the 1850s.18 typed pages.iredale family, george arthur iredale, sarah hurst, james iredale, george gilding

The origins of the Iredale family are traced from Huddersfield in Yorkshire to the arrival of James Iredale in Greensborough (circa 1858). An outline of the life and origins of a pioneer Greensborough family.4 typed pages.iredale family, george arthur iredale, emma gilding, james iredale, margaret sunderland

Contents: My story of the Iredales and old Greensborough by George Iredale; Family tree of George Iredale and Sarah Hurst; James Iredale and descendants; 1878 news article 'Shooting case at Greensborough'; funeral notice for James Iredale 1885; advertisement for staff Iredale & Co, Para Road Greensborough.History of the origins of this Greensborough family.20-page plastic binder, spiral bound, clear cover. Contains documents relating to the Iredale family.Collected by Greensborough Historical Society. Folder commenced 2012.iredale family, george arthur iredale, sarah hurst, james iredale, george gilding

History of Saint Margaret's Church Eltham beginnings to 1888. Throughout this foundation period the community grew in numbers and influence within the developing district of Eltham. The minister's and lay readers appointed to Saint Margaret's are indentified and their contribution discussed. The significant events of the establishment of a temporary chuch and then a permanent church, the opening and closing of a denominational school, the construction of a parsonage, libraries and Sunday school are all examined. The key to the success of this faith community during its foundation years was the initiative and resourcefulness of its laypersons. - back cover. The early beginnings of the church included congregations at St Helena, Greensborough and Diamond Creek. People described in the book are listed as subjects in this description. The author Geoff Sandy mentions the following in the acknolwedgements on page iii: "Harry Gilham and Russell Yeoman of the Eltham District Historical Society willingly assisted me with locating records and images relevant to the scopeof this book".The first in a three volume set capturing a comprehensive rich history of the church and importantly its community for the first time.This volume discusses the pioneers of the Etham district who contributed not only to the foundation of the church but its wider thriving community and adds to the records of what we know about the early history.367 pages : colour illustrations ; 25 cm.[written inside front cover] Donated to the Eltham and District Historical Society on the occasion of the launch of "A History of Saint Margaret's Church Eltham" - 23 February 2014, Geoffrey A Sandysaint margaret's anglican church eltham, eltham, st helena church, dixon bertram, robert mackie, josiah hollis, andrew brown, arthur joseph pickering, john boyle gason, thomas cooper searle, henry dendy, william bravery andrew, charles symons wingrove, patrick alfred armstrong, patrick armstrong, john pearson, thomas hunniford, john gardner, thomas batt, isaac hill, william austin page, richard warren, john lindsay beale, henry stooke, john beale, charles hamilton, edwin willis maygar, william frederick ford, isaac briggs, david george clark, richard lowman, walter wippell, george knapman, benjamin oliver wallis, benjamin o. wallis, benjamin wallis, andrew logan, james rossiter, james thomas foster gilding, charles mash maplestone, george bird, george bird (1845-1921), charles hobart, e m bill, j c cole, william morris, francis flintoff, church of england, st margaret's anglican church, st margaret's anglican church eltham, st margaret's church, st margaret's church eltham, st margaret's church of england eltham, st margarets, st margarets anglican church, george stebbing, george stebbing builder

non-fictionAn example of a cover created by using a diecast stamp in its printing and gilding and by a colonial die cast stamp pioneer in booming Melbourne.binding, engraving, lithography, printing, publishing, george robertson, roeszler, stamps, melbourne