Oval in section, aqua tinted clear glass bottle with text embossed on side panel. Cork stopper in bottom of bottle.'J. BOSISTO & Co PTY LTD REGD No 3990' on side.eucalypotus oil, bosisto

Allan McLean was a stock and station agent from Maffra. He was elected to local government, served as Shire President and was the first chairman of the Maffra Sugarbeet Factory. He became Premier of Victoria and first member for Gippsland in the Commonwealth Government. Vincenzo Brun was a prominant society painter in Melbourne in the 1890s. The portrait appears to have been commissioned by the Maffra Shire Council, and probably hung in their chambers for many years. Framed oil painting by Vincenzo Brun of Allan McLean, local, state and federal parliamentarian, in thick, gold frame. McLean faces towards the left, is wearing a black suit and bow tie, and has a beard."V.Brun" as signature, bottom rightparliamentary representatives

Brass (looking) oil lamp with glass funnel top. Lamp has no burner, wicker lid.

This portrait is said to be in the technique of Alfred Bock, but the frame is dissimilar to the standard type on 80% of the collection in the Sale Museum. Samuel Swan died in 1880. It is unclear where the portrait hung, as Swan died before the Mechanics' Institute was built.An unsigned portrait, oil on canvas, of Samuel J Swan. He is shown looking left. It is framed in a gold coloured plaster frame, with relatively simple trimming on corners. The frame is chocked at the back with wooden wedges to hold canvas in place, and a framer's label appears at the top.'Samuel J Swan / Gippsland Pioneer' on brass plate bottom front. "Telephone 7231 Central / T.S. Glasier & Co Pty Ltd / Gallery of Art / Picture Frame Manufacturers &c / Union House / 284-6 Little Collins Street / No [in pencil] 2344, Melbourne"

This work is a serigraph (screenprint) on cartridge paper using blue oil based inks of the 'Brolga' (Australian Crane); a common, gregarious wetland bird species of tropical and south-eastern Australia and New Guinea / It is a tall, upright bird with a small head, long beak, slender neck and long legs / The pose of the bird represents their stance when calling out to their mate, which sounds like a loud trumpet / The decorative markings on the bird's plumage is from the traditional carved/etched Gunnai shields from Gippsland Eastern Victoria, which is where Thomas' people are from. Underneath 'Brolga', on slant, lower right in greylead pencil (?) handwritten artist signature and language group "Ray Thomas - GUNNAI"

Oil on canvasSigned l.l. cnr, oil "C. Beckett"foreshore, beaumaris

Oil on woodRecto: Signed l.r. oil "A. COLQUHOUN" Verso: Inscription pencil "Pontoos Tannu (or Tarru) Ma...." Illeg.

Oil on canvasVerso: Signed l.r. scratched "W.B. McInnes". Not datedlandscape. seascape. coastal view.

Oil on canvasRecto: Signed and dated l.r. oil "John Ford Paterson 1893"forest. tree ferns.

Oil on cardboardVerso: Signed l.r. cnr., oil "H. B. HARRISON:. Not dated.landscape, cattle, mount abrupt

Oil on canvasSigned l.r. cnr., blue paint "FORBES".boy, river

Oil on canvasVerso in charcoal u. centre "RODNEY FORBES / CUP DAY 1992 / OIL 111.6 X 83.7 CM " (in a square box)backyard, bbq, police, sunbather, dog

Oil on composition boardSigned l.l. cnr., purple oil ".R Forbes"face, jar, birds

Oil on canvasSigned and dated l.r. oil 'F Mesaric 07"figure

Oil on canvasSigned and dated l.r oil "F Mesaric 06"

Oil on canvasSigned lower right corner 'Jungwirth'. Not dated

Oil on composition boardSigned 'F. Verheesen 67', underlined in felt tipped pen - lower right corner

Oil on canvasSigned, dated and inscribed verso

Oil on canvas